1
Bloore P. The screenplay business: managing creativity and the film industry. Abingdon: : Routledge 2013. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1075346
2
Finney A, Triana E. The international film business: a market guide beyond Hollywood. Second edition. London: : Routledge, Taylor & Francis Group 2015. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1813096
3
Finney A. The international film business: a market guide beyond Hollywood. London: : Routledge 2010. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=515374
4
Ulin J. The business of media distribution: monetizing film, TV, and video content in an online world. Third edition. New York: : Routledge 2019. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=5781595
5
McDonald K, Smith-Rowsey D, editors. The Netflix effect: technology and entertainment in the 21st century. 1st edition. New York: : Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc 2016. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4542879
6
Smith MD, Telang R. Streaming, sharing, stealing: big data and the future of entertainment. Cambridge, Massachusetts: : MIT Press 2016. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4690670
7
ScreenDaily | Film News, Film Reviews, Film Festivals, Film Awards and Film Features. http://www.screendaily.com/
8
Sources of funding for UK filmmakers BFI Website. https://www.bfi.org.uk/sources-funding-uk/sources-funding-uk-filmmaker
9
Supporting UK film | BFI. http://www.bfi.org.uk/supporting-uk-film
10
Launching Films | UK Film Distributors’ Association | A Guide to UK Film and Cinema Releases. http://www.launchingfilms.com/
11
The PACT Report 2017 State of the UK Independent Film Sector. https://www.o-spi.com/projects/the-state-of-the-uk-independent-film-sector
12
Kerrigan F. Film marketing. Second edition. Milton Park, Abingdon, Oxon: : Routledge 2017. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4921872
13
Reiss J. Think outside the box office: the ultimate guide to film distribution and marketing for the digital era. [Los Angeles]: : Hybrid Cinema Publishing 2010. https://shibboleth.ebscohost.com/Shibboleth.sso/Login?entityID=https%3A%2F%2Flogin.uea.ac.uk%2Fentity&target=http%3A%2F%2Fsearch.ebscohost.com%2Flogin.aspx%3Fdirect%3Dtrue%26scope%3Dsite%26db%3Dnlebk%26db%3Dnlabk%26AN%3D550794
14
Marich R. Marketing to moviegoers: a handbook of strategies and tactics. 3rd ed. Carbondale: : Southern Illinois University Press 2013. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1354521
15
Bryant A, Mawer C. The TV brand builders: how to win audiences and influence viewers. London: : KoganPage 2016. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4461589
16
Grainge P, Johnson C. Promotional screen industries. New York: : Routledge 2015. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=2005427
17
Squire JE, editor. The movie business book. Fourth edition. New York: : Routledge, Taylor & Francis Group 2017.
18
Anderson C, Anderson C. The longer long tail: how endless choice is creating unlimited demand. Updated and expanded ed. London: : Random House Business Books 2009.
19
Hesmondhalgh D. The cultural industries. Fourth edition. Los Angeles: : SAGE 2019. https://app.talis.com/textbooks/9781526453471
20
Vogel HL. Entertainment industry economics: a guide for financial analysis. Ninth edition. New York, NY: : Cambridge University Press 2015. https://search.ebscohost.com/login.aspx?direct=true&db=cat01883a&AN=uea.003942866&authtype=sso&custid=s8993828&site=eds-live&scope=site
21
Aris A, Bughin J. Managing media companies: harnessing creative values. 2nd ed. Chichester: : John Wiley & Sons 2009.
22
Baillieu B, Goodchild J, Goodchild J. Chapter 12 Lessons from C20th in The British film business. In: The British film business. Chichester: : John Wiley 2002.
23
Drake, P; Franklin, M. I.; Sathe, D and Tierney, S. 2015. We Are Colony: Digital VOD Distribution for Independent Film. Project Report. Nesta, London. [Report]. http://research.gold.ac.uk/16928/
24
Caldwell JT. Production culture: industrial reflexivity and critical practice in film and television. Durham, N.C.: : Duke University Press 2008. https://search.ebscohost.com/login.aspx?direct=true&db=cat01883a&AN=uea.003858557&authtype=sso&custid=s8993828&site=eds-live&scope=site
25
Epstein EJ. The big picture: money and power in Hollywood. New York: : Random House 2006.
26
Lynch R. Strategic Management. 8th ed. Harlow, United Kingdom: : Pearson Education Limited 2018. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=5347868
27
Epstein EJ. The Hollywood economist: the hidden financial reality behind the movies. Release 2.0, rev.updated ed. Brooklyn, NY: : Melville House Pub
28
Hughes D. Tales from development hell: the greatest movies never made? 1st updated and expanded ed. London: : Titan Books 2012. http://ebookcentral.proquest.com/lib/uea/detail.action?docID=1764331
29
Küng L. Strategic management in the media: theory to practice. 2nd edition. London: : SAGE 2017.
30
McDonald P, Wasko J. The contemporary Hollywood film industry. Malden, Mass: : Blackwell Pub 2007.
31
Levine R. Free ride: how the Internet is destroying the culture business and how it can fight back. London: : Vintage 2012.
32
McIntyre P. Creativity and cultural production: issues for media practice. Basingstoke: : Palgrave Macmillan 2012. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=815882
33
Calvisi DP. Story maps: TV drama : the structure of the one-hour television pilot. [Redondo, Calif. USA]: : Act Four Screenplays 2016.
34
Picado, B., & Jacob de Souza, M. Dimensions of authorship and style in television serial fiction formats in MATRIZes, 12(2), 53-77. MATRIZes Published Online First: 2018.http://www.revistas.usp.br/matrizes/article/view/143970/147056
35
Cirucci AM, Vacker B, editors. Black mirror and critical media theory. Lanham, Maryland: : Lexington Books 2018.
36
Cirucci AM, Vacker B, editors. Black mirror and critical media theory. Lanham, Maryland: : Lexington Books 2018.
37
Aronson L. The 21st-century screenplay: a comprehensive guide to writing tomorrow’s films. Los Angeles: : Silman-James Press 2010. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=5487976
38
Dancyger K, Rush J. Alternative scriptwriting: beyond the Hollywood formula. Fifth edition. Burlington, MA: : Focal Press 2013. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1130204
39
Snyder B. Save the cat!: the last book on screenwriting you’ll ever need. Studio City, CA: : Michael Wiese Productions 2005.
40
Snyder B. Save the cat! strikes back: more trouble for screenwriters to get into-- and out of. [S.l.]: : Save the Cat! Press 2009.
41
Rubio S, Snyder B. Save the cat! goes to the indies: the screenwriter’s guide to 50 films from the masters. [Los Angeles, Calif.]: : Save the Cat! Press 2017.
42
Yorke J. Into the woods: how stories work and why we tell them. London: : Penguin 2014.
43
Selbo J. Film genre for the screenwriter. London: : Routledge 2015. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1753249
44
Vogler C. The writer’s journey: mythic structure for writers. 3rd ed. Studio City, CA: : Michael Wiese Productions 2007.
45
Field S. Screenplay: the foundations of screenwriting. Rev. ed. New York, N.Y.: : Delta Trade Paperbacks 2005. http://www.loc.gov/catdir/enhancements/fy0625/2005048491-s.html
46
Lees N. Greenlit: developing factual/reality TV ideas from concept to pitch. London: : Methuen Drama 2010. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=669528
47
Bazalgette P. Billion dollar game: how three men risked it all and changed the face of television. London: : Time Warner 2005.
48
Thirkell R. C.O.N.F.L.I.C.T.: an insiders’ guide to storytelling in factual/reality TV and film. London: : Methuen Drama 2010. https://search.ebscohost.com/login.aspx?direct=true&db=cat01883a&AN=uea.003858943&authtype=sso&custid=s8993828&site=eds-live&scope=site
49
Collie C. The business of TV production. New York: : Cambridge University Press 2007. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=307030
50
Barber B. $ell your TV show ideas: an outsider’s guide to getting inside the TV format industry. [Great Yarmouth]: : Bookshaker 2012.
