Bibliography for Film And TV Business in the digital age

[1]
P. Bloore, The screenplay business: managing creativity and the film industry. Abingdon: Routledge, 2013 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1075346

[2]
A. Finney and E. Triana, The international film business: a market guide beyond Hollywood, Second edition. London: Routledge, Taylor & Francis Group, 2015 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1813096

[3]
A. Finney, The international film business: a market guide beyond Hollywood. London: Routledge, 2010 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=515374

[4]
J. Ulin, The business of media distribution: monetizing film, TV, and video content in an online world, Third edition. New York: Routledge, 2019 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=5781595

[5]
K. McDonald and D. Smith-Rowsey, Eds., The Netflix effect: technology and entertainment in the 21st century, 1st edition. New York: Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc, 2016 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4542879

[6]
M. D. Smith and R. Telang, Streaming, sharing, stealing: big data and the future of entertainment. Cambridge, Massachusetts: MIT Press, 2016 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4690670

[7]
‘ScreenDaily | Film News, Film Reviews, Film Festivals, Film Awards and Film Features’. [Online]. Available: http://www.screendaily.com/

[8]
‘Sources of funding for UK filmmakers BFI Website’. [Online]. Available: https://www.bfi.org.uk/sources-funding-uk/sources-funding-uk-filmmaker

[9]
‘Supporting UK film | BFI’. [Online]. Available: http://www.bfi.org.uk/supporting-uk-film

[10]
‘Launching Films | UK Film Distributors’ Association | A Guide to UK Film and Cinema Releases’. [Online]. Available: http://www.launchingfilms.com/

[11]
‘The PACT Report 2017 State of the UK Independent Film Sector’. [Online]. Available: https://www.o-spi.com/projects/the-state-of-the-uk-independent-film-sector

[12]
F. Kerrigan, Film marketing, Second edition. Milton Park, Abingdon, Oxon: Routledge, 2017 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4921872

[13]
J. Reiss, Think outside the box office: the ultimate guide to film distribution and marketing for the digital era. [Los Angeles]: Hybrid Cinema Publishing, 2010 [Online]. Available: https://shibboleth.ebscohost.com/Shibboleth.sso/Login?entityID=https%3A%2F%2Flogin.uea.ac.uk%2Fentity&target=http%3A%2F%2Fsearch.ebscohost.com%2Flogin.aspx%3Fdirect%3Dtrue%26scope%3Dsite%26db%3Dnlebk%26db%3Dnlabk%26AN%3D550794

[14]
R. Marich, Marketing to moviegoers: a handbook of strategies and tactics, 3rd ed. Carbondale: Southern Illinois University Press, 2013 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1354521

[15]
A. Bryant and C. Mawer, The TV brand builders: how to win audiences and influence viewers. London: KoganPage, 2016 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4461589

[16]
P. Grainge and C. Johnson, Promotional screen industries. New York: Routledge, 2015 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=2005427

[17]
J. E. Squire, Ed., The movie business book, Fourth edition. New York: Routledge, Taylor & Francis Group, 2017.

[18]
C. Anderson and C. Anderson, The longer long tail: how endless choice is creating unlimited demand, Updated and Expanded ed. London: Random House Business Books, 2009.

[19]
D. Hesmondhalgh, The cultural industries, Fourth edition. Los Angeles: SAGE, 2019 [Online]. Available: https://app.talis.com/textbooks/9781526453471

[20]
H. L. Vogel, Entertainment industry economics: a guide for financial analysis, Ninth edition. New York, NY: Cambridge University Press, 2015 [Online]. Available: https://search.ebscohost.com/login.aspx?direct=true&db=cat01883a&AN=uea.003942866&authtype=sso&custid=s8993828&site=eds-live&scope=site

[21]
A. Aris and J. Bughin, Managing media companies: harnessing creative values, 2nd ed. Chichester: John Wiley & Sons, 2009.

[22]
B. Baillieu, J. Goodchild, and J. Goodchild, ‘Chapter 12 Lessons from C20th in The British film business’, in The British film business, Chichester: John Wiley, 2002.

[23]
‘Drake, P; Franklin, M. I.; Sathe, D and Tierney, S. 2015. We Are Colony: Digital VOD Distribution for Independent Film. Project Report. Nesta, London. [Report]’ [Online]. Available: http://research.gold.ac.uk/16928/

[24]
J. T. Caldwell, Production culture: industrial reflexivity and critical practice in film and television. Durham, N.C.: Duke University Press, 2008 [Online]. Available: https://search.ebscohost.com/login.aspx?direct=true&db=cat01883a&AN=uea.003858557&authtype=sso&custid=s8993828&site=eds-live&scope=site

[25]
E. J. Epstein, The big picture: money and power in Hollywood. New York: Random House, 2006.

[26]
R. Lynch, Strategic Management, 8th ed. Harlow, United Kingdom: Pearson Education Limited, 2018 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=5347868

[27]
E. J. Epstein, The Hollywood economist: the hidden financial reality behind the movies, Release 2.0, rev.Updated ed. Brooklyn, NY: Melville House Pub.

[28]
D. Hughes, Tales from development hell: the greatest movies never made?, 1st updated and Expanded ed. London: Titan Books, 2012 [Online]. Available: http://ebookcentral.proquest.com/lib/uea/detail.action?docID=1764331

[29]
L. Küng, Strategic management in the media: theory to practice, 2nd edition. London: SAGE, 2017.

[30]
P. McDonald and J. Wasko, The contemporary Hollywood film industry. Malden, Mass: Blackwell Pub, 2007.

[31]
R. Levine, Free ride: how the Internet is destroying the culture business and how it can fight back. London: Vintage, 2012.

[32]
P. McIntyre, Creativity and cultural production: issues for media practice. Basingstoke: Palgrave Macmillan, 2012 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=815882

[33]
D. P. Calvisi, Story maps: TV drama : the structure of the one-hour television pilot. [Redondo, Calif. USA]: Act Four Screenplays, 2016.

[34]
Picado, B., & Jacob de Souza, M., ‘Dimensions of authorship and style in television serial fiction formats in MATRIZes, 12(2), 53-77.’, MATRIZes, 2018 [Online]. Available: http://www.revistas.usp.br/matrizes/article/view/143970/147056

[35]
A. M. Cirucci and B. Vacker, Eds., Black mirror and critical media theory. Lanham, Maryland: Lexington Books, 2018.

[36]
A. M. Cirucci and B. Vacker, Eds., Black mirror and critical media theory. Lanham, Maryland: Lexington Books, 2018.

[37]
L. Aronson, The 21st-century screenplay: a comprehensive guide to writing tomorrow’s films. Los Angeles: Silman-James Press, 2010 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=5487976

[38]
K. Dancyger and J. Rush, Alternative scriptwriting: beyond the Hollywood formula, Fifth edition. Burlington, MA: Focal Press, 2013 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1130204

[39]
B. Snyder, Save the cat!: the last book on screenwriting you’ll ever need. Studio City, CA: Michael Wiese Productions, 2005.

[40]
B. Snyder, Save the cat! strikes back: more trouble for screenwriters to get into-- and out of. [S.l.]: Save the Cat! Press, 2009.

[41]
S. Rubio and B. Snyder, Save the cat! goes to the indies: the screenwriter’s guide to 50 films from the masters. [Los Angeles, Calif.]: Save the Cat! Press, 2017.

[42]
J. Yorke, Into the woods: how stories work and why we tell them. London: Penguin, 2014.

[43]
J. Selbo, Film genre for the screenwriter. London: Routledge, 2015 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1753249

[44]
C. Vogler, The writer’s journey: mythic structure for writers, 3rd ed. Studio City, CA: Michael Wiese Productions, 2007.

[45]
S. Field, Screenplay: the foundations of screenwriting, Rev. ed. New York, N.Y.: Delta Trade Paperbacks, 2005 [Online]. Available: http://www.loc.gov/catdir/enhancements/fy0625/2005048491-s.html

[46]
N. Lees, Greenlit: developing factual/reality TV ideas from concept to pitch. London: Methuen Drama, 2010 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=669528

[47]
P. Bazalgette, Billion dollar game: how three men risked it all and changed the face of television. London: Time Warner, 2005.

[48]
R. Thirkell, C.O.N.F.L.I.C.T.: an insiders’ guide to storytelling in factual/reality TV and film, vol. Professional media practice. London: Methuen Drama, 2010 [Online]. Available: https://search.ebscohost.com/login.aspx?direct=true&db=cat01883a&AN=uea.003858943&authtype=sso&custid=s8993828&site=eds-live&scope=site

[49]
C. Collie, The business of TV production. New York: Cambridge University Press, 2007 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=307030

[50]
B. Barber, $ell your TV show ideas: an outsider’s guide to getting inside the TV format industry. [Great Yarmouth]: Bookshaker, 2012.

Bibliography for Film And TV Business in the digital age BETA