Anderson, C., & Anderson, C. (2009). The longer long tail: how endless choice is creating unlimited demand (Updated and expanded ed). Random House Business Books.
Aris, A., & Bughin, J. (2009). Managing media companies: harnessing creative values (2nd ed). John Wiley & Sons.
Aronson, L. (2010). The 21st-century screenplay: a comprehensive guide to writing tomorrow’s films. Silman-James Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=5487976
Baillieu, B., Goodchild, J., & Goodchild, J. (2002). Chapter 12 Lessons from C20th in The British film business. In The British film business. John Wiley.
Barber, B. (2012). $ell your TV show ideas: an outsider’s guide to getting inside the TV format industry. Bookshaker.
Bazalgette, P. (2005). Billion dollar game: how three men risked it all and changed the face of television. Time Warner.
Bloore, P. (2013). The screenplay business: managing creativity and the film industry. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1075346
Bryant, A., & Mawer, C. (2016). The TV brand builders: how to win audiences and influence viewers. KoganPage. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4461589
Caldwell, J. T. (2008). Production culture: industrial reflexivity and critical practice in film and television. Duke University Press. https://search.ebscohost.com/login.aspx?direct=true&db=cat01883a&AN=uea.003858557&authtype=sso&custid=s8993828&site=eds-live&scope=site
Calvisi, D. P. (2016). Story maps: TV drama : the structure of the one-hour television pilot. Act Four Screenplays.
Cirucci, A. M., & Vacker, B. (Eds.). (2018a). Black mirror and critical media theory. Lexington Books.
Cirucci, A. M., & Vacker, B. (Eds.). (2018b). Black mirror and critical media theory. Lexington Books.
Collie, C. (2007). The business of TV production. Cambridge University Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=307030
Dancyger, K., & Rush, J. (2013). Alternative scriptwriting: beyond the Hollywood formula (Fifth edition). Focal Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1130204
Drake, P; Franklin, M. I.; Sathe, D and Tierney, S. 2015. We Are Colony: Digital VOD Distribution for Independent Film. Project Report. Nesta, London. [Report]. (n.d.). http://research.gold.ac.uk/16928/
Epstein, E. J. (n.d.). The Hollywood economist: the hidden financial reality behind the movies (Release 2.0, rev.updated ed). Melville House Pub.
Epstein, E. J. (2006). The big picture: money and power in Hollywood. Random House.
Field, S. (2005). Screenplay: the foundations of screenwriting (Rev. ed). Delta Trade Paperbacks. http://www.loc.gov/catdir/enhancements/fy0625/2005048491-s.html
Finney, A. (2010). The international film business: a market guide beyond Hollywood. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=515374
Finney, A., & Triana, E. (2015). The international film business: a market guide beyond Hollywood (Second edition). Routledge, Taylor & Francis Group. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1813096
Grainge, P., & Johnson, C. (2015). Promotional screen industries. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=2005427
Hesmondhalgh, D. (2019). The cultural industries (Fourth edition). SAGE. https://app.talis.com/textbooks/9781526453471
Hughes, D. (2012). Tales from development hell: the greatest movies never made? (1st updated and expanded ed). Titan Books. http://ebookcentral.proquest.com/lib/uea/detail.action?docID=1764331
Kerrigan, F. (2017). Film marketing (Second edition). Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4921872
Küng, L. (2017). Strategic management in the media: theory to practice (2nd edition). SAGE.
Launching Films | UK Film Distributors’ Association | A Guide to UK Film and Cinema Releases. (n.d.). http://www.launchingfilms.com/
Lees, N. (2010). Greenlit: developing factual/reality TV ideas from concept to pitch. Methuen Drama. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=669528
Levine, R. (2012). Free ride: how the Internet is destroying the culture business and how it can fight back. Vintage.
Lynch, R. (2018). Strategic Management (8th ed). Pearson Education Limited. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=5347868
Marich, R. (2013). Marketing to moviegoers: a handbook of strategies and tactics (3rd ed). Southern Illinois University Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1354521
McDonald, K., & Smith-Rowsey, D. (Eds.). (2016). The Netflix effect: technology and entertainment in the 21st century (1st edition). Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4542879
McDonald, P., & Wasko, J. (2007). The contemporary Hollywood film industry. Blackwell Pub.
McIntyre, P. (2012). Creativity and cultural production: issues for media practice. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=815882
Picado, B., & Jacob de Souza, M. (2018). Dimensions of authorship and style in television serial fiction formats in MATRIZes, 12(2), 53-77. MATRIZes. http://www.revistas.usp.br/matrizes/article/view/143970/147056
Reiss, J. (2010). Think outside the box office: the ultimate guide to film distribution and marketing for the digital era. Hybrid Cinema Publishing. https://shibboleth.ebscohost.com/Shibboleth.sso/Login?entityID=https%3A%2F%2Flogin.uea.ac.uk%2Fentity&target=http%3A%2F%2Fsearch.ebscohost.com%2Flogin.aspx%3Fdirect%3Dtrue%26scope%3Dsite%26db%3Dnlebk%26db%3Dnlabk%26AN%3D550794
Rubio, S., & Snyder, B. (2017). Save the cat! goes to the indies: the screenwriter’s guide to 50 films from the masters. Save the Cat! Press.
ScreenDaily | Film News, Film Reviews, Film Festivals, Film Awards and Film Features. (n.d.). http://www.screendaily.com/
Selbo, J. (2015). Film genre for the screenwriter. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1753249
Smith, M. D., & Telang, R. (2016). Streaming, sharing, stealing: big data and the future of entertainment. MIT Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4690670
Snyder, B. (2005). Save the cat!: the last book on screenwriting you’ll ever need. Michael Wiese Productions.
Snyder, B. (2009). Save the cat! strikes back: more trouble for screenwriters to get into-- and out of. Save the Cat! Press.
Sources of funding for UK filmmakers BFI Website. (n.d.). https://www.bfi.org.uk/sources-funding-uk/sources-funding-uk-filmmaker
Squire, J. E. (Ed.). (2017). The movie business book (Fourth edition). Routledge, Taylor & Francis Group.
Supporting UK film | BFI. (n.d.). http://www.bfi.org.uk/supporting-uk-film
The PACT Report 2017 State of the UK Independent Film Sector. (n.d.). https://www.o-spi.com/projects/the-state-of-the-uk-independent-film-sector
Thirkell, R. (2010). C.O.N.F.L.I.C.T.: an insiders’ guide to storytelling in factual/reality TV and film: Vol. Professional media practice. Methuen Drama. https://search.ebscohost.com/login.aspx?direct=true&db=cat01883a&AN=uea.003858943&authtype=sso&custid=s8993828&site=eds-live&scope=site
Ulin, J. (2019). The business of media distribution: monetizing film, TV, and video content in an online world (Third edition). Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=5781595
Vogel, H. L. (2015). Entertainment industry economics: a guide for financial analysis (Ninth edition). Cambridge University Press. https://search.ebscohost.com/login.aspx?direct=true&db=cat01883a&AN=uea.003942866&authtype=sso&custid=s8993828&site=eds-live&scope=site
Vogler, C. (2007). The writer’s journey: mythic structure for writers (3rd ed). Michael Wiese Productions.
Yorke, J. (2014). Into the woods: how stories work and why we tell them. Penguin.