Anderson, Chris, and Chris Anderson. 2009. The Longer Long Tail: How Endless Choice Is Creating Unlimited Demand. Updated and expanded ed. London: Random House Business Books.
Anon. n.d.-a. ‘Drake, P; Franklin, M. I.; Sathe, D and Tierney, S. 2015. We Are Colony: Digital VOD Distribution for Independent Film. Project Report. Nesta, London. [Report]’.
Anon. n.d.-b. ‘Launching Films | UK Film Distributors’ Association | A Guide to UK Film and Cinema Releases’. Retrieved (http://www.launchingfilms.com/).
Anon. n.d.-c. ‘ScreenDaily | Film News, Film Reviews, Film Festivals, Film Awards and Film Features’. Retrieved (http://www.screendaily.com/).
Anon. n.d.-d. ‘Sources of Funding for UK Filmmakers BFI Website’. Retrieved (https://www.bfi.org.uk/sources-funding-uk/sources-funding-uk-filmmaker).
Anon. n.d.-e. ‘Supporting UK Film | BFI’. Retrieved (http://www.bfi.org.uk/supporting-uk-film).
Anon. n.d.-f. ‘The PACT Report 2017 State of the UK Independent Film Sector’.
Aris, Annet, and Jacques Bughin. 2009. Managing Media Companies: Harnessing Creative Values. 2nd ed. Chichester: John Wiley & Sons.
Aronson, Linda. 2010. The 21st-Century Screenplay: A Comprehensive Guide to Writing Tomorrow’s Films. Los Angeles: Silman-James Press.
Baillieu, Bill, John Goodchild, and John Goodchild. 2002. ‘Chapter 12 Lessons from C20th in The British Film Business’. in The British film business. Chichester: John Wiley.
Barber, Bob. 2012. $ell Your TV Show Ideas: An Outsider’s Guide to Getting inside the TV Format Industry. [Great Yarmouth]: Bookshaker.
Bazalgette, Peter. 2005. Billion Dollar Game: How Three Men Risked It All and Changed the Face of Television. London: Time Warner.
Bloore, Peter. 2013. The Screenplay Business: Managing Creativity and the Film Industry. Abingdon: Routledge.
Bryant, Andy, and Charlie Mawer. 2016. The TV Brand Builders: How to Win Audiences and Influence Viewers. London: KoganPage.
Caldwell, John Thornton. 2008. Production Culture: Industrial Reflexivity and Critical Practice in Film and Television. Durham, N.C.: Duke University Press.
Calvisi, Daniel P. 2016. Story Maps: TV Drama : The Structure of the One-Hour Television Pilot. [Redondo, Calif. USA]: Act Four Screenplays.
Cirucci, Angela M., and Barry Vacker, eds. 2018a. Black Mirror and Critical Media Theory. Lanham, Maryland: Lexington Books.
Cirucci, Angela M., and Barry Vacker, eds. 2018b. Black Mirror and Critical Media Theory. Lanham, Maryland: Lexington Books.
Collie, Craig. 2007. The Business of TV Production. New York: Cambridge University Press.
Dancyger, Ken, and Jeff Rush. 2013. Alternative Scriptwriting: Beyond the Hollywood Formula. Fifth edition. Burlington, MA: Focal Press.
Epstein, Edward Jay. 2006. The Big Picture: Money and Power in Hollywood. New York: Random House.
Epstein, Edward Jay. n.d. The Hollywood Economist: The Hidden Financial Reality behind the Movies. Release 2.0, rev.updated ed. Brooklyn, NY: Melville House Pub.
Field, Syd. 2005. Screenplay: The Foundations of Screenwriting. Rev. ed. New York, N.Y.: Delta Trade Paperbacks.
Finney, Angus. 2010. The International Film Business: A Market Guide beyond Hollywood. London: Routledge.
Finney, Angus, and Eugenio Triana. 2015. The International Film Business: A Market Guide beyond Hollywood. Second edition. London: Routledge, Taylor & Francis Group.
Grainge, Paul, and Catherine Johnson. 2015. Promotional Screen Industries. New York: Routledge.
Hesmondhalgh, David. 2019. The Cultural Industries. Fourth edition. Los Angeles: SAGE.
Hughes, David. 2012. Tales from Development Hell: The Greatest Movies Never Made? 1st updated and expanded ed. London: Titan Books.
Kerrigan, Finola. 2017. Film Marketing. Second edition. Milton Park, Abingdon, Oxon: Routledge.
Küng, Lucy. 2017. Strategic Management in the Media: Theory to Practice. 2nd edition. London: SAGE.
Lees, Nicola. 2010. Greenlit: Developing Factual/Reality TV Ideas from Concept to Pitch. London: Methuen Drama.
Levine, Robert. 2012. Free Ride: How the Internet Is Destroying the Culture Business and How It Can Fight Back. London: Vintage.
Lynch, Richard. 2018. Strategic Management. 8th ed. Harlow, United Kingdom: Pearson Education Limited.
Marich, Robert. 2013. Marketing to Moviegoers: A Handbook of Strategies and Tactics. 3rd ed. Carbondale: Southern Illinois University Press.
McDonald, Kevin, and Daniel Smith-Rowsey, eds. 2016. The Netflix Effect: Technology and Entertainment in the 21st Century. 1st edition. New York: Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc.
McDonald, Paul, and Janet Wasko. 2007. The Contemporary Hollywood Film Industry. Malden, Mass: Blackwell Pub.
McIntyre, Phillip. 2012. Creativity and Cultural Production: Issues for Media Practice. Basingstoke: Palgrave Macmillan.
Picado, B., & Jacob de Souza, M. 2018. ‘Dimensions of Authorship and Style in Television Serial Fiction Formats in MATRIZes, 12(2), 53-77.’ MATRIZes.
Reiss, Jon. 2010. Think Outside the Box Office: The Ultimate Guide to Film Distribution and Marketing for the Digital Era. [Los Angeles]: Hybrid Cinema Publishing.
Rubio, Salva, and Blake Snyder. 2017. Save the Cat! Goes to the Indies: The Screenwriter’s Guide to 50 Films from the Masters. [Los Angeles, Calif.]: Save the Cat! Press.
Selbo, Jule. 2015. Film Genre for the Screenwriter. London: Routledge.
Smith, Michael D., and Rahul Telang. 2016. Streaming, Sharing, Stealing: Big Data and the Future of Entertainment. Cambridge, Massachusetts: MIT Press.
Snyder, Blake. 2005. Save the Cat!: The Last Book on Screenwriting You’ll Ever Need. Studio City, CA: Michael Wiese Productions.
Snyder, Blake. 2009. Save the Cat! Strikes Back: More Trouble for Screenwriters to Get into-- and out Of. [S.l.]: Save the Cat! Press.
Squire, Jason E., ed. 2017. The Movie Business Book. Fourth edition. New York: Routledge, Taylor & Francis Group.
Thirkell, Robert. 2010. C.O.N.F.L.I.C.T.: An Insiders’ Guide to Storytelling in Factual/Reality TV and Film. Vol. Professional media practice. London: Methuen Drama.
Ulin, Jeff. 2019. The Business of Media Distribution: Monetizing Film, TV, and Video Content in an Online World. Third edition. New York: Routledge.
Vogel, Harold L. 2015. Entertainment Industry Economics: A Guide for Financial Analysis. Ninth edition. New York, NY: Cambridge University Press.
Vogler, Christopher. 2007. The Writer’s Journey: Mythic Structure for Writers. 3rd ed. Studio City, CA: Michael Wiese Productions.
Yorke, John. 2014. Into the Woods: How Stories Work and Why We Tell Them. London: Penguin.