1.
Bloore P. The Screenplay Business: Managing Creativity and the Film Industry. Routledge; 2013. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1075346
2.
Finney A, Triana E. The International Film Business: A Market Guide beyond Hollywood. Second edition. Routledge, Taylor & Francis Group; 2015. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1813096
3.
Finney A. The International Film Business: A Market Guide beyond Hollywood. Routledge; 2010. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=515374
4.
Ulin J. The Business of Media Distribution: Monetizing Film, TV, and Video Content in an Online World. Third edition. Routledge; 2019. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=5781595
5.
McDonald K, Smith-Rowsey D, eds. The Netflix Effect: Technology and Entertainment in the 21st Century. 1st edition. Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc; 2016. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4542879
6.
Smith MD, Telang R. Streaming, Sharing, Stealing: Big Data and the Future of Entertainment. MIT Press; 2016. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4690670
7.
ScreenDaily | Film News, Film Reviews, Film Festivals, Film Awards and Film Features. http://www.screendaily.com/
8.
Sources of funding for UK filmmakers BFI Website. https://www.bfi.org.uk/sources-funding-uk/sources-funding-uk-filmmaker
9.
Supporting UK film | BFI. http://www.bfi.org.uk/supporting-uk-film
10.
Launching Films | UK Film Distributors’ Association | A Guide to UK Film and Cinema Releases. http://www.launchingfilms.com/
11.
The PACT Report 2017 State of the UK Independent Film Sector. https://www.o-spi.com/projects/the-state-of-the-uk-independent-film-sector
12.
Kerrigan F. Film Marketing. Second edition. Routledge; 2017. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4921872
13.
Reiss J. Think Outside the Box Office: The Ultimate Guide to Film Distribution and Marketing for the Digital Era. Hybrid Cinema Publishing; 2010. https://shibboleth.ebscohost.com/Shibboleth.sso/Login?entityID=https%3A%2F%2Flogin.uea.ac.uk%2Fentity&target=http%3A%2F%2Fsearch.ebscohost.com%2Flogin.aspx%3Fdirect%3Dtrue%26scope%3Dsite%26db%3Dnlebk%26db%3Dnlabk%26AN%3D550794
14.
Marich R. Marketing to Moviegoers: A Handbook of Strategies and Tactics. 3rd ed. Southern Illinois University Press; 2013. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1354521
15.
Bryant A, Mawer C. The TV Brand Builders: How to Win Audiences and Influence Viewers. KoganPage; 2016. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4461589
16.
Grainge P, Johnson C. Promotional Screen Industries. Routledge; 2015. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=2005427
17.
Squire JE, ed. The Movie Business Book. Fourth edition. Routledge, Taylor & Francis Group; 2017.
18.
Anderson C, Anderson C. The Longer Long Tail: How Endless Choice Is Creating Unlimited Demand. Updated and expanded ed. Random House Business Books; 2009.
19.
Hesmondhalgh D. The Cultural Industries. Fourth edition. SAGE; 2019. https://app.talis.com/textbooks/9781526453471
20.
Vogel HL. Entertainment Industry Economics: A Guide for Financial Analysis. Ninth edition. Cambridge University Press; 2015. https://search.ebscohost.com/login.aspx?direct=true&db=cat01883a&AN=uea.003942866&authtype=sso&custid=s8993828&site=eds-live&scope=site
21.
Aris A, Bughin J. Managing Media Companies: Harnessing Creative Values. 2nd ed. John Wiley & Sons; 2009.
22.
Baillieu B, Goodchild J, Goodchild J. Chapter 12 Lessons from C20th in The British film business. In: The British Film Business. John Wiley; 2002.
23.
Drake, P; Franklin, M. I.; Sathe, D and Tierney, S. 2015. We Are Colony: Digital VOD Distribution for Independent Film. Project Report. Nesta, London. [Report]. http://research.gold.ac.uk/16928/
24.
Caldwell JT. Production Culture: Industrial Reflexivity and Critical Practice in Film and Television. Duke University Press; 2008. https://search.ebscohost.com/login.aspx?direct=true&db=cat01883a&AN=uea.003858557&authtype=sso&custid=s8993828&site=eds-live&scope=site
25.
Epstein EJ. The Big Picture: Money and Power in Hollywood. Random House; 2006.
26.
Lynch R. Strategic Management. 8th ed. Pearson Education Limited; 2018. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=5347868
27.
Epstein EJ. The Hollywood Economist: The Hidden Financial Reality behind the Movies. Release 2.0, rev.updated ed. Melville House Pub
28.
Hughes D. Tales from Development Hell: The Greatest Movies Never Made? 1st updated and expanded ed. Titan Books; 2012. http://ebookcentral.proquest.com/lib/uea/detail.action?docID=1764331
29.
Küng L. Strategic Management in the Media: Theory to Practice. 2nd edition. SAGE; 2017.
30.
McDonald P, Wasko J. The Contemporary Hollywood Film Industry. Blackwell Pub; 2007.
31.
Levine R. Free Ride: How the Internet Is Destroying the Culture Business and How It Can Fight Back. Vintage; 2012.
32.
McIntyre P. Creativity and Cultural Production: Issues for Media Practice. Palgrave Macmillan; 2012. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=815882
33.
Calvisi DP. Story Maps: TV Drama : The Structure of the One-Hour Television Pilot. Act Four Screenplays; 2016.
34.
Picado, B., & Jacob de Souza, M. Dimensions of authorship and style in television serial fiction formats in MATRIZes, 12(2), 53-77. MATRIZes. Published online 2018. http://www.revistas.usp.br/matrizes/article/view/143970/147056
35.
Cirucci AM, Vacker B, eds. Black Mirror and Critical Media Theory. Lexington Books; 2018.
36.
Cirucci AM, Vacker B, eds. Black Mirror and Critical Media Theory. Lexington Books; 2018.
37.
Aronson L. The 21st-Century Screenplay: A Comprehensive Guide to Writing Tomorrow’s Films. Silman-James Press; 2010. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=5487976
38.
Dancyger K, Rush J. Alternative Scriptwriting: Beyond the Hollywood Formula. Fifth edition. Focal Press; 2013. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1130204
39.
Snyder B. Save the Cat!: The Last Book on Screenwriting You’ll Ever Need. Michael Wiese Productions; 2005.
40.
Snyder B. Save the Cat! Strikes Back: More Trouble for Screenwriters to Get into-- and out Of. Save the Cat! Press; 2009.
41.
Rubio S, Snyder B. Save the Cat! Goes to the Indies: The Screenwriter’s Guide to 50 Films from the Masters. Save the Cat! Press; 2017.
42.
Yorke J. Into the Woods: How Stories Work and Why We Tell Them. Penguin; 2014.
43.
Selbo J. Film Genre for the Screenwriter. Routledge; 2015. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1753249
44.
Vogler C. The Writer’s Journey: Mythic Structure for Writers. 3rd ed. Michael Wiese Productions; 2007.
45.
Field S. Screenplay: The Foundations of Screenwriting. Rev. ed. Delta Trade Paperbacks; 2005. http://www.loc.gov/catdir/enhancements/fy0625/2005048491-s.html
46.
Lees N. Greenlit: Developing Factual/Reality TV Ideas from Concept to Pitch. Methuen Drama; 2010. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=669528
47.
Bazalgette P. Billion Dollar Game: How Three Men Risked It All and Changed the Face of Television. Time Warner; 2005.
48.
Thirkell R. C.O.N.F.L.I.C.T.: An Insiders’ Guide to Storytelling in Factual/Reality TV and Film. Vol Professional media practice. Methuen Drama; 2010. https://search.ebscohost.com/login.aspx?direct=true&db=cat01883a&AN=uea.003858943&authtype=sso&custid=s8993828&site=eds-live&scope=site
49.
Collie C. The Business of TV Production. Cambridge University Press; 2007. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=307030
50.
Barber B. $ell Your TV Show Ideas: An Outsider’s Guide to Getting inside the TV Format Industry. Bookshaker; 2012.