1.
Bloore P. The screenplay business: managing creativity and the film industry [Internet]. Abingdon: Routledge; 2013. Available from: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1075346
2.
Finney A, Triana E. The international film business: a market guide beyond Hollywood [Internet]. Second edition. London: Routledge, Taylor & Francis Group; 2015. Available from: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1813096
3.
Finney A. The international film business: a market guide beyond Hollywood [Internet]. London: Routledge; 2010. Available from: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=515374
4.
Ulin J. The business of media distribution: monetizing film, TV, and video content in an online world [Internet]. Third edition. New York: Routledge; 2019. Available from: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=5781595
5.
McDonald K, Smith-Rowsey D, editors. The Netflix effect: technology and entertainment in the 21st century [Internet]. 1st edition. New York: Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc; 2016. Available from: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4542879
6.
Smith MD, Telang R. Streaming, sharing, stealing: big data and the future of entertainment [Internet]. Cambridge, Massachusetts: MIT Press; 2016. Available from: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4690670
7.
ScreenDaily | Film News, Film Reviews, Film Festivals, Film Awards and Film Features [Internet]. Available from: http://www.screendaily.com/
8.
Sources of funding for UK filmmakers BFI Website [Internet]. Available from: https://www.bfi.org.uk/sources-funding-uk/sources-funding-uk-filmmaker
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Supporting UK film | BFI [Internet]. Available from: http://www.bfi.org.uk/supporting-uk-film
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Launching Films | UK Film Distributors’ Association | A Guide to UK Film and Cinema Releases [Internet]. Available from: http://www.launchingfilms.com/
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The PACT Report 2017 State of the UK Independent Film Sector [Internet]. Available from: https://www.o-spi.com/projects/the-state-of-the-uk-independent-film-sector
12.
Kerrigan F. Film marketing [Internet]. Second edition. Milton Park, Abingdon, Oxon: Routledge; 2017. Available from: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4921872
13.
Reiss J. Think outside the box office: the ultimate guide to film distribution and marketing for the digital era [Internet]. [Los Angeles]: Hybrid Cinema Publishing; 2010. Available from: https://shibboleth.ebscohost.com/Shibboleth.sso/Login?entityID=https%3A%2F%2Flogin.uea.ac.uk%2Fentity&target=http%3A%2F%2Fsearch.ebscohost.com%2Flogin.aspx%3Fdirect%3Dtrue%26scope%3Dsite%26db%3Dnlebk%26db%3Dnlabk%26AN%3D550794
14.
Marich R. Marketing to moviegoers: a handbook of strategies and tactics [Internet]. 3rd ed. Carbondale: Southern Illinois University Press; 2013. Available from: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1354521
15.
Bryant A, Mawer C. The TV brand builders: how to win audiences and influence viewers [Internet]. London: KoganPage; 2016. Available from: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4461589
16.
Grainge P, Johnson C. Promotional screen industries [Internet]. New York: Routledge; 2015. Available from: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=2005427
17.
Squire JE, editor. The movie business book. Fourth edition. New York: Routledge, Taylor & Francis Group; 2017.
18.
Anderson C, Anderson C. The longer long tail: how endless choice is creating unlimited demand. Updated and expanded ed. London: Random House Business Books; 2009.
19.
Hesmondhalgh D. The cultural industries [Internet]. Fourth edition. Los Angeles: SAGE; 2019. Available from: https://app.talis.com/textbooks/9781526453471
20.
Vogel HL. Entertainment industry economics: a guide for financial analysis [Internet]. Ninth edition. New York, NY: Cambridge University Press; 2015. Available from: https://search.ebscohost.com/login.aspx?direct=true&db=cat01883a&AN=uea.003942866&authtype=sso&custid=s8993828&site=eds-live&scope=site
21.
Aris A, Bughin J. Managing media companies: harnessing creative values. 2nd ed. Chichester: John Wiley & Sons; 2009.
22.
Baillieu B, Goodchild J, Goodchild J. Chapter 12 Lessons from C20th in The British film business. In: The British film business. Chichester: John Wiley; 2002.
23.
Drake, P; Franklin, M. I.; Sathe, D and Tierney, S. 2015. We Are Colony: Digital VOD Distribution for Independent Film. Project Report. Nesta, London. [Report]. Available from: http://research.gold.ac.uk/16928/
24.
Caldwell JT. Production culture: industrial reflexivity and critical practice in film and television [Internet]. Durham, N.C.: Duke University Press; 2008. Available from: https://search.ebscohost.com/login.aspx?direct=true&db=cat01883a&AN=uea.003858557&authtype=sso&custid=s8993828&site=eds-live&scope=site
25.
Epstein EJ. The big picture: money and power in Hollywood. New York: Random House; 2006.
26.
Lynch R. Strategic Management [Internet]. 8th ed. Harlow, United Kingdom: Pearson Education Limited; 2018. Available from: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=5347868
27.
Epstein EJ. The Hollywood economist: the hidden financial reality behind the movies. Release 2.0, rev.updated ed. Brooklyn, NY: Melville House Pub;
28.
Hughes D. Tales from development hell: the greatest movies never made? [Internet]. 1st updated and expanded ed. London: Titan Books; 2012. Available from: http://ebookcentral.proquest.com/lib/uea/detail.action?docID=1764331
29.
Küng L. Strategic management in the media: theory to practice. 2nd edition. London: SAGE; 2017.
30.
McDonald P, Wasko J. The contemporary Hollywood film industry. Malden, Mass: Blackwell Pub; 2007.
31.
Levine R. Free ride: how the Internet is destroying the culture business and how it can fight back. London: Vintage; 2012.
32.
McIntyre P. Creativity and cultural production: issues for media practice [Internet]. Basingstoke: Palgrave Macmillan; 2012. Available from: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=815882
33.
Calvisi DP. Story maps: TV drama : the structure of the one-hour television pilot. [Redondo, Calif. USA]: Act Four Screenplays; 2016.
34.
Picado, B., & Jacob de Souza, M. Dimensions of authorship and style in television serial fiction formats in MATRIZes, 12(2), 53-77. MATRIZes [Internet]. 2018; Available from: http://www.revistas.usp.br/matrizes/article/view/143970/147056
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Cirucci AM, Vacker B, editors. Black mirror and critical media theory. Lanham, Maryland: Lexington Books; 2018.
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Cirucci AM, Vacker B, editors. Black mirror and critical media theory. Lanham, Maryland: Lexington Books; 2018.
37.
Aronson L. The 21st-century screenplay: a comprehensive guide to writing tomorrow’s films [Internet]. Los Angeles: Silman-James Press; 2010. Available from: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=5487976
38.
Dancyger K, Rush J. Alternative scriptwriting: beyond the Hollywood formula [Internet]. Fifth edition. Burlington, MA: Focal Press; 2013. Available from: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1130204
39.
Snyder B. Save the cat!: the last book on screenwriting you’ll ever need. Studio City, CA: Michael Wiese Productions; 2005.
40.
Snyder B. Save the cat! strikes back: more trouble for screenwriters to get into-- and out of. [S.l.]: Save the Cat! Press; 2009.
41.
Rubio S, Snyder B. Save the cat! goes to the indies: the screenwriter’s guide to 50 films from the masters. [Los Angeles, Calif.]: Save the Cat! Press; 2017.
42.
Yorke J. Into the woods: how stories work and why we tell them. London: Penguin; 2014.
43.
Selbo J. Film genre for the screenwriter [Internet]. London: Routledge; 2015. Available from: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1753249
44.
Vogler C. The writer’s journey: mythic structure for writers. 3rd ed. Studio City, CA: Michael Wiese Productions; 2007.
45.
Field S. Screenplay: the foundations of screenwriting [Internet]. Rev. ed. New York, N.Y.: Delta Trade Paperbacks; 2005. Available from: http://www.loc.gov/catdir/enhancements/fy0625/2005048491-s.html
46.
Lees N. Greenlit: developing factual/reality TV ideas from concept to pitch [Internet]. London: Methuen Drama; 2010. Available from: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=669528
47.
Bazalgette P. Billion dollar game: how three men risked it all and changed the face of television. London: Time Warner; 2005.
48.
Thirkell R. C.O.N.F.L.I.C.T.: an insiders’ guide to storytelling in factual/reality TV and film [Internet]. Vol. Professional media practice. London: Methuen Drama; 2010. Available from: https://search.ebscohost.com/login.aspx?direct=true&db=cat01883a&AN=uea.003858943&authtype=sso&custid=s8993828&site=eds-live&scope=site
49.
Collie C. The business of TV production [Internet]. New York: Cambridge University Press; 2007. Available from: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=307030
50.
Barber B. $ell your TV show ideas: an outsider’s guide to getting inside the TV format industry. [Great Yarmouth]: Bookshaker; 2012.