Anderson, Chris, and Chris Anderson. The Longer Long Tail: How Endless Choice Is Creating Unlimited Demand. Updated and expanded ed. London: Random House Business Books, 2009. Print.
Aris, Annet, and Jacques Bughin. Managing Media Companies: Harnessing Creative Values. 2nd ed. Chichester: John Wiley & Sons, 2009. Print.
Aronson, Linda. The 21st-Century Screenplay: A Comprehensive Guide to Writing Tomorrow’s Films. Los Angeles: Silman-James Press, 2010. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=5487976>.
Baillieu, Bill, John Goodchild, and John Goodchild. ‘Chapter 12 Lessons from C20th in The British Film Business’. The British Film Business. Chichester: John Wiley, 2002. Print.
Barber, Bob. $ell Your TV Show Ideas: An Outsider’s Guide to Getting inside the TV Format Industry. [Great Yarmouth]: Bookshaker, 2012. Print.
Bazalgette, Peter. Billion Dollar Game: How Three Men Risked It All and Changed the Face of Television. London: Time Warner, 2005. Print.
Bloore, Peter. The Screenplay Business: Managing Creativity and the Film Industry. Abingdon: Routledge, 2013. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1075346>.
Bryant, Andy, and Charlie Mawer. The TV Brand Builders: How to Win Audiences and Influence Viewers. London: KoganPage, 2016. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4461589>.
Caldwell, John Thornton. Production Culture: Industrial Reflexivity and Critical Practice in Film and Television. Durham, N.C.: Duke University Press, 2008. Web. <https://search.ebscohost.com/login.aspx?direct=true&amp;db=cat01883a&amp;AN=uea.003858557&amp;authtype=sso&amp;custid=s8993828&amp;site=eds-live&amp;scope=site>.
Calvisi, Daniel P. Story Maps: TV Drama : The Structure of the One-Hour Television Pilot. [Redondo, Calif. USA]: Act Four Screenplays, 2016. Print.
Cirucci, Angela M., and Barry Vacker, eds. Black Mirror and Critical Media Theory. Lanham, Maryland: Lexington Books, 2018. Print.
---, eds. Black Mirror and Critical Media Theory. Lanham, Maryland: Lexington Books, 2018. Print.
Collie, Craig. The Business of TV Production. New York: Cambridge University Press, 2007. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=307030>.
Dancyger, Ken, and Jeff Rush. Alternative Scriptwriting: Beyond the Hollywood Formula. Fifth edition. Burlington, MA: Focal Press, 2013. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1130204>.
‘Drake, P; Franklin, M. I.; Sathe, D and Tierney, S. 2015. We Are Colony: Digital VOD Distribution for Independent Film. Project Report. Nesta, London. [Report]’. n. pag. Web. <http://research.gold.ac.uk/16928/>.
Epstein, Edward Jay. The Big Picture: Money and Power in Hollywood. New York: Random House, 2006. Print.
---. The Hollywood Economist: The Hidden Financial Reality behind the Movies. Release 2.0, rev.updated ed. Brooklyn, NY: Melville House Pub. Print.
Field, Syd. Screenplay: The Foundations of Screenwriting. Rev. ed. New York, N.Y.: Delta Trade Paperbacks, 2005. Web. <http://www.loc.gov/catdir/enhancements/fy0625/2005048491-s.html>.
Finney, Angus. The International Film Business: A Market Guide beyond Hollywood. London: Routledge, 2010. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=515374>.
Finney, Angus, and Eugenio Triana. The International Film Business: A Market Guide beyond Hollywood. Second edition. London: Routledge, Taylor & Francis Group, 2015. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1813096>.
Grainge, Paul, and Catherine Johnson. Promotional Screen Industries. New York: Routledge, 2015. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=2005427>.
Hesmondhalgh, David. The Cultural Industries. Fourth edition. Los Angeles: SAGE, 2019. Web. <https://app.talis.com/textbooks/9781526453471>.
Hughes, David. Tales from Development Hell: The Greatest Movies Never Made? 1st updated and expanded ed. London: Titan Books, 2012. Web. <http://ebookcentral.proquest.com/lib/uea/detail.action?docID=1764331>.
Kerrigan, Finola. Film Marketing. Second edition. Milton Park, Abingdon, Oxon: Routledge, 2017. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4921872>.
Küng, Lucy. Strategic Management in the Media: Theory to Practice. 2nd edition. London: SAGE, 2017. Print.
‘Launching Films | UK Film Distributors’ Association | A Guide to UK Film and Cinema Releases’. N.p., n.d. Web. <http://www.launchingfilms.com/>.
Lees, Nicola. Greenlit: Developing Factual/Reality TV Ideas from Concept to Pitch. London: Methuen Drama, 2010. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=669528>.
Levine, Robert. Free Ride: How the Internet Is Destroying the Culture Business and How It Can Fight Back. London: Vintage, 2012. Print.
Lynch, Richard. Strategic Management. 8th ed. Harlow, United Kingdom: Pearson Education Limited, 2018. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=5347868>.
Marich, Robert. Marketing to Moviegoers: A Handbook of Strategies and Tactics. 3rd ed. Carbondale: Southern Illinois University Press, 2013. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1354521>.
McDonald, Kevin, and Daniel Smith-Rowsey, eds. The Netflix Effect: Technology and Entertainment in the 21st Century. 1st edition. New York: Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc, 2016. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4542879>.
McDonald, Paul, and Janet Wasko. The Contemporary Hollywood Film Industry. Malden, Mass: Blackwell Pub, 2007. Print.
McIntyre, Phillip. Creativity and Cultural Production: Issues for Media Practice. Basingstoke: Palgrave Macmillan, 2012. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=815882>.
Picado, B., & Jacob de Souza, M. ‘Dimensions of Authorship and Style in Television Serial Fiction Formats in MATRIZes, 12(2), 53-77.’ MATRIZes (2018): n. pag. Web. <http://www.revistas.usp.br/matrizes/article/view/143970/147056>.
Reiss, Jon. Think Outside the Box Office: The Ultimate Guide to Film Distribution and Marketing for the Digital Era. [Los Angeles]: Hybrid Cinema Publishing, 2010. Web. <https://shibboleth.ebscohost.com/Shibboleth.sso/Login?entityID=https%3A%2F%2Flogin.uea.ac.uk%2Fentity&amp;target=http%3A%2F%2Fsearch.ebscohost.com%2Flogin.aspx%3Fdirect%3Dtrue%26scope%3Dsite%26db%3Dnlebk%26db%3Dnlabk%26AN%3D550794>.
Rubio, Salva, and Blake Snyder. Save the Cat! Goes to the Indies: The Screenwriter’s Guide to 50 Films from the Masters. [Los Angeles, Calif.]: Save the Cat! Press, 2017. Print.
‘ScreenDaily | Film News, Film Reviews, Film Festivals, Film Awards and Film Features’. N.p., n.d. Web. <http://www.screendaily.com/>.
Selbo, Jule. Film Genre for the Screenwriter. London: Routledge, 2015. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1753249>.
Smith, Michael D., and Rahul Telang. Streaming, Sharing, Stealing: Big Data and the Future of Entertainment. Cambridge, Massachusetts: MIT Press, 2016. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4690670>.
Snyder, Blake. Save the Cat! Strikes Back: More Trouble for Screenwriters to Get into-- and out Of. [S.l.]: Save the Cat! Press, 2009. Print.
---. Save the Cat!: The Last Book on Screenwriting You’ll Ever Need. Studio City, CA: Michael Wiese Productions, 2005. Print.
‘Sources of Funding for UK Filmmakers BFI Website’. N.p., n.d. Web. <https://www.bfi.org.uk/sources-funding-uk/sources-funding-uk-filmmaker>.
Squire, Jason E., ed. The Movie Business Book. Fourth edition. New York: Routledge, Taylor & Francis Group, 2017. Print.
‘Supporting UK Film | BFI’. N.p., n.d. Web. <http://www.bfi.org.uk/supporting-uk-film>.
‘The PACT Report 2017 State of the UK Independent Film Sector’. Web. <https://www.o-spi.com/projects/the-state-of-the-uk-independent-film-sector>.
Thirkell, Robert. C.O.N.F.L.I.C.T.: An Insiders’ Guide to Storytelling in Factual/Reality TV and Film. Professional media practice. London: Methuen Drama, 2010. Web. <https://search.ebscohost.com/login.aspx?direct=true&amp;db=cat01883a&amp;AN=uea.003858943&amp;authtype=sso&amp;custid=s8993828&amp;site=eds-live&amp;scope=site>.
Ulin, Jeff. The Business of Media Distribution: Monetizing Film, TV, and Video Content in an Online World. Third edition. New York: Routledge, 2019. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=5781595>.
Vogel, Harold L. Entertainment Industry Economics: A Guide for Financial Analysis. Ninth edition. New York, NY: Cambridge University Press, 2015. Web. <https://search.ebscohost.com/login.aspx?direct=true&amp;db=cat01883a&amp;AN=uea.003942866&amp;authtype=sso&amp;custid=s8993828&amp;site=eds-live&amp;scope=site>.
Vogler, Christopher. The Writer’s Journey: Mythic Structure for Writers. 3rd ed. Studio City, CA: Michael Wiese Productions, 2007. Print.
Yorke, John. Into the Woods: How Stories Work and Why We Tell Them. London: Penguin, 2014. Print.