Anderson, Chris, and Chris Anderson. 2009. The Longer Long Tail: How Endless Choice Is Creating Unlimited Demand. Updated and Expanded ed. Random House Business Books.
Aris, Annet, and Jacques Bughin. 2009. Managing Media Companies: Harnessing Creative Values. 2nd ed. John Wiley & Sons.
Aronson, Linda. 2010. The 21st-Century Screenplay: A Comprehensive Guide to Writing Tomorrow’s Films. Silman-James Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=5487976.
Baillieu, Bill, John Goodchild, and John Goodchild. 2002. ‘Chapter 12 Lessons from C20th in The British Film Business’. In The British Film Business. John Wiley.
Barber, Bob. 2012. $ell Your TV Show Ideas: An Outsider’s Guide to Getting inside the TV Format Industry. Bookshaker.
Bazalgette, Peter. 2005. Billion Dollar Game: How Three Men Risked It All and Changed the Face of Television. Time Warner.
Bloore, Peter. 2013. The Screenplay Business: Managing Creativity and the Film Industry. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1075346.
Bryant, Andy, and Charlie Mawer. 2016. The TV Brand Builders: How to Win Audiences and Influence Viewers. KoganPage. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4461589.
Caldwell, John Thornton. 2008. Production Culture: Industrial Reflexivity and Critical Practice in Film and Television. Duke University Press. https://search.ebscohost.com/login.aspx?direct=true&db=cat01883a&AN=uea.003858557&authtype=sso&custid=s8993828&site=eds-live&scope=site.
Calvisi, Daniel P. 2016. Story Maps: TV Drama : The Structure of the One-Hour Television Pilot. Act Four Screenplays.
Cirucci, Angela M., and Barry Vacker, eds. 2018a. Black Mirror and Critical Media Theory. Lexington Books.
Cirucci, Angela M., and Barry Vacker, eds. 2018b. Black Mirror and Critical Media Theory. Lexington Books.
Collie, Craig. 2007. The Business of TV Production. Cambridge University Press. Electronic resource. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=307030.
Dancyger, Ken, and Jeff Rush. 2013. Alternative Scriptwriting: Beyond the Hollywood Formula. Fifth edition. Focal Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1130204.
Drake, P; Franklin, M. I.; Sathe, D and Tierney, S. 2015. We Are Colony: Digital VOD Distribution for Independent Film. Project Report. Nesta, London. [Report]. n.d. http://research.gold.ac.uk/16928/.
Epstein, Edward Jay. 2006. The Big Picture: Money and Power in Hollywood. Random House.
Epstein, Edward Jay. n.d. The Hollywood Economist: The Hidden Financial Reality behind the Movies. Release 2.0, rev.Updated ed. Melville House Pub.
Field, Syd. 2005. Screenplay: The Foundations of Screenwriting. Rev. ed. Delta Trade Paperbacks. http://www.loc.gov/catdir/enhancements/fy0625/2005048491-s.html.
Finney, Angus. 2010. The International Film Business: A Market Guide beyond Hollywood. Routledge. Electronic resource. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=515374.
Finney, Angus, and Eugenio Triana. 2015. The International Film Business: A Market Guide beyond Hollywood. Second edition. Routledge, Taylor & Francis Group. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1813096.
Grainge, Paul, and Catherine Johnson. 2015. Promotional Screen Industries. Routledge. Electronic resource. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=2005427.
Hesmondhalgh, David. 2019. The Cultural Industries. Fourth edition. SAGE. https://resolver.vitalsource.com/9781526453495.
Hughes, David. 2012. Tales from Development Hell: The Greatest Movies Never Made? 1st updated and Expanded ed. Titan Books. Electronic resource. http://ebookcentral.proquest.com/lib/uea/detail.action?docID=1764331.
Kerrigan, Finola. 2017. Film Marketing. Second edition. Routledge. Electronic resource. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4921872.
Küng, Lucy. 2017. Strategic Management in the Media: Theory to Practice. 2nd edition. SAGE.
‘Launching Films | UK Film Distributors’ Association | A Guide to UK Film and Cinema Releases’. n.d. http://www.launchingfilms.com/.
Lees, Nicola. 2010. Greenlit: Developing Factual/Reality TV Ideas from Concept to Pitch. Methuen Drama. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=669528.
Levine, Robert. 2012. Free Ride: How the Internet Is Destroying the Culture Business and How It Can Fight Back. Vintage.
Lynch, Richard. 2018. Strategic Management. 8th ed. Pearson Education Limited. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=5347868.
Marich, Robert. 2013. Marketing to Moviegoers: A Handbook of Strategies and Tactics. 3rd ed. Southern Illinois University Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1354521.
McDonald, Kevin, and Daniel Smith-Rowsey, eds. 2016. The Netflix Effect: Technology and Entertainment in the 21st Century. 1st edition. Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4542879.
McDonald, Paul, and Janet Wasko. 2007. The Contemporary Hollywood Film Industry. Blackwell Pub.
McIntyre, Phillip. 2012. Creativity and Cultural Production: Issues for Media Practice. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=815882.
Picado, B., & Jacob de Souza, M. 2018. ‘Dimensions of Authorship and Style in Television Serial Fiction Formats in MATRIZes, 12(2), 53-77.’ MATRIZes. http://www.revistas.usp.br/matrizes/article/view/143970/147056.
Reiss, Jon. 2010. Think Outside the Box Office: The Ultimate Guide to Film Distribution and Marketing for the Digital Era. Hybrid Cinema Publishing. https://shibboleth.ebscohost.com/Shibboleth.sso/Login?entityID=https%3A%2F%2Flogin.uea.ac.uk%2Fentity&target=http%3A%2F%2Fsearch.ebscohost.com%2Flogin.aspx%3Fdirect%3Dtrue%26scope%3Dsite%26db%3Dnlebk%26db%3Dnlabk%26AN%3D550794.
Rubio, Salva, and Blake Snyder. 2017. Save the Cat! Goes to the Indies: The Screenwriter’s Guide to 50 Films from the Masters. Save the Cat! Press.
‘ScreenDaily | Film News, Film Reviews, Film Festivals, Film Awards and Film Features’. n.d. http://www.screendaily.com/.
Selbo, Jule. 2015. Film Genre for the Screenwriter. Routledge. Electronic resource. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1753249.
Smith, Michael D., and Rahul Telang. 2016. Streaming, Sharing, Stealing: Big Data and the Future of Entertainment. MIT Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4690670.
Snyder, Blake. 2005. Save the Cat!: The Last Book on Screenwriting You’ll Ever Need. Michael Wiese Productions.
Snyder, Blake. 2009. Save the Cat! Strikes Back: More Trouble for Screenwriters to Get into-- and out Of. Save the Cat! Press.
‘Sources of Funding for UK Filmmakers BFI Website’. n.d. https://www.bfi.org.uk/sources-funding-uk/sources-funding-uk-filmmaker.
Squire, Jason E., ed. 2017. The Movie Business Book. Fourth edition. Routledge, Taylor & Francis Group.
‘Supporting UK Film | BFI’. n.d. http://www.bfi.org.uk/supporting-uk-film.
The PACT Report 2017 State of the UK Independent Film Sector. n.d. https://www.o-spi.com/projects/the-state-of-the-uk-independent-film-sector.
Thirkell, Robert. 2010. C.O.N.F.L.I.C.T.: An Insiders’ Guide to Storytelling in Factual/Reality TV and Film. Professional media practice. Methuen Drama. https://search.ebscohost.com/login.aspx?direct=true&db=cat01883a&AN=uea.003858943&authtype=sso&custid=s8993828&site=eds-live&scope=site.
Ulin, Jeff. 2019. The Business of Media Distribution: Monetizing Film, TV, and Video Content in an Online World. Third edition. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=5781595.
Vogel, Harold L. 2015. Entertainment Industry Economics: A Guide for Financial Analysis. Ninth edition. Cambridge University Press. https://search.ebscohost.com/login.aspx?direct=true&db=cat01883a&AN=uea.003942866&authtype=sso&custid=s8993828&site=eds-live&scope=site.
Vogler, Christopher. 2007. The Writer’s Journey: Mythic Structure for Writers. 3rd ed. Michael Wiese Productions.
Yorke, John. 2014. Into the Woods: How Stories Work and Why We Tell Them. Penguin.
