Bibliography for Film And TV Business in the digital age BETA

Anderson, C. and Anderson, C. (2009) The longer long tail: how endless choice is creating unlimited demand. Updated and expanded ed. London: Random House Business Books.

Aris, A. and Bughin, J. (2009) Managing media companies: harnessing creative values. 2nd ed. Chichester: John Wiley & Sons.

Aronson, L. (2010) The 21st-century screenplay: a comprehensive guide to writing tomorrow’s films. Los Angeles: Silman-James Press. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=5487976.

Baillieu, B., Goodchild, J. and Goodchild, J. (2002) ‘Chapter 12 Lessons from C20th in The British film business’, in The British film business. Chichester: John Wiley.

Barber, B. (2012) $ell your TV show ideas: an outsider’s guide to getting inside the TV format industry. [Great Yarmouth]: Bookshaker.

Bazalgette, P. (2005) Billion dollar game: how three men risked it all and changed the face of television. London: Time Warner.

Bloore, P. (2013) The screenplay business: managing creativity and the film industry. Abingdon: Routledge. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1075346.

Bryant, A. and Mawer, C. (2016) The TV brand builders: how to win audiences and influence viewers. London: KoganPage. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4461589.

Caldwell, J.T. (2008) Production culture: industrial reflexivity and critical practice in film and television. Durham, N.C.: Duke University Press. Available at: https://search.ebscohost.com/login.aspx?direct=true&db=cat01883a&AN=uea.003858557&authtype=sso&custid=s8993828&site=eds-live&scope=site.

Calvisi, D.P. (2016) Story maps: TV drama : the structure of the one-hour television pilot. [Redondo, Calif. USA]: Act Four Screenplays.

Cirucci, A.M. and Vacker, B. (eds) (2018a) Black mirror and critical media theory. Lanham, Maryland: Lexington Books.

Cirucci, A.M. and Vacker, B. (eds) (2018b) Black mirror and critical media theory. Lanham, Maryland: Lexington Books.

Collie, C. (2007) The business of TV production. New York: Cambridge University Press. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=307030.

Dancyger, K. and Rush, J. (2013) Alternative scriptwriting: beyond the Hollywood formula. Fifth edition. Burlington, MA: Focal Press. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1130204.

‘Drake, P; Franklin, M. I.; Sathe, D and Tierney, S. 2015. We Are Colony: Digital VOD Distribution for Independent Film. Project Report. Nesta, London. [Report]’ (no date). Available at: http://research.gold.ac.uk/16928/.

Epstein, E.J. (2006) The big picture: money and power in Hollywood. New York: Random House.

Epstein, E.J. (no date) The Hollywood economist: the hidden financial reality behind the movies. Release 2.0, rev.updated ed. Brooklyn, NY: Melville House Pub.

Field, S. (2005) Screenplay: the foundations of screenwriting. Rev. ed. New York, N.Y.: Delta Trade Paperbacks. Available at: http://www.loc.gov/catdir/enhancements/fy0625/2005048491-s.html.

Finney, A. (2010) The international film business: a market guide beyond Hollywood. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=515374.

Finney, A. and Triana, E. (2015) The international film business: a market guide beyond Hollywood. Second edition. London: Routledge, Taylor & Francis Group. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1813096.

Grainge, P. and Johnson, C. (2015) Promotional screen industries. New York: Routledge. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=2005427.

Hesmondhalgh, D. (2019) The cultural industries. Fourth edition. Los Angeles: SAGE. Available at: https://app.talis.com/textbooks/9781526453471.

Hughes, D. (2012) Tales from development hell: the greatest movies never made? 1st updated and expanded ed. London: Titan Books. Available at: http://ebookcentral.proquest.com/lib/uea/detail.action?docID=1764331.

Kerrigan, F. (2017) Film marketing. Second edition. Milton Park, Abingdon, Oxon: Routledge. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4921872.

Küng, L. (2017) Strategic management in the media: theory to practice. 2nd edition. London: SAGE.

Launching Films | UK Film Distributors’ Association | A Guide to UK Film and Cinema Releases (no date). Available at: http://www.launchingfilms.com/.

Lees, N. (2010) Greenlit: developing factual/reality TV ideas from concept to pitch. London: Methuen Drama. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=669528.

Levine, R. (2012) Free ride: how the Internet is destroying the culture business and how it can fight back. London: Vintage.

Lynch, R. (2018) Strategic Management. 8th ed. Harlow, United Kingdom: Pearson Education Limited. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=5347868.

Marich, R. (2013) Marketing to moviegoers: a handbook of strategies and tactics. 3rd ed. Carbondale: Southern Illinois University Press. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1354521.

McDonald, K. and Smith-Rowsey, D. (eds) (2016) The Netflix effect: technology and entertainment in the 21st century. 1st edition. New York: Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4542879.

McDonald, P. and Wasko, J. (2007) The contemporary Hollywood film industry. Malden, Mass: Blackwell Pub.

McIntyre, P. (2012) Creativity and cultural production: issues for media practice. Basingstoke: Palgrave Macmillan. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=815882.

Picado, B., & Jacob de Souza, M. (2018) ‘Dimensions of authorship and style in television serial fiction formats in MATRIZes, 12(2), 53-77.’, MATRIZes [Preprint]. Available at: http://www.revistas.usp.br/matrizes/article/view/143970/147056.

Reiss, J. (2010) Think outside the box office: the ultimate guide to film distribution and marketing for the digital era. [Los Angeles]: Hybrid Cinema Publishing. Available at: https://shibboleth.ebscohost.com/Shibboleth.sso/Login?entityID=https%3A%2F%2Flogin.uea.ac.uk%2Fentity&target=http%3A%2F%2Fsearch.ebscohost.com%2Flogin.aspx%3Fdirect%3Dtrue%26scope%3Dsite%26db%3Dnlebk%26db%3Dnlabk%26AN%3D550794.

Rubio, S. and Snyder, B. (2017) Save the cat! goes to the indies: the screenwriter’s guide to 50 films from the masters. [Los Angeles, Calif.]: Save the Cat! Press.

ScreenDaily | Film News, Film Reviews, Film Festivals, Film Awards and Film Features (no date). Available at: http://www.screendaily.com/.

Selbo, J. (2015) Film genre for the screenwriter. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1753249.

Smith, M.D. and Telang, R. (2016) Streaming, sharing, stealing: big data and the future of entertainment. Cambridge, Massachusetts: MIT Press. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4690670.

Snyder, B. (2005) Save the cat!: the last book on screenwriting you’ll ever need. Studio City, CA: Michael Wiese Productions.

Snyder, B. (2009) Save the cat! strikes back: more trouble for screenwriters to get into-- and out of. [S.l.]: Save the Cat! Press.

Sources of funding for UK filmmakers BFI Website (no date). Available at: https://www.bfi.org.uk/sources-funding-uk/sources-funding-uk-filmmaker.

Squire, J.E. (ed.) (2017) The movie business book. Fourth edition. New York: Routledge, Taylor & Francis Group.

Supporting UK film | BFI (no date). Available at: http://www.bfi.org.uk/supporting-uk-film.

‘The PACT Report 2017 State of the UK Independent Film Sector’ (no date). Available at: https://www.o-spi.com/projects/the-state-of-the-uk-independent-film-sector.

Thirkell, R. (2010) C.O.N.F.L.I.C.T.: an insiders’ guide to storytelling in factual/reality TV and film. London: Methuen Drama. Available at: https://search.ebscohost.com/login.aspx?direct=true&db=cat01883a&AN=uea.003858943&authtype=sso&custid=s8993828&site=eds-live&scope=site.

Ulin, J. (2019) The business of media distribution: monetizing film, TV, and video content in an online world. Third edition. New York: Routledge. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=5781595.

Vogel, H.L. (2015) Entertainment industry economics: a guide for financial analysis. Ninth edition. New York, NY: Cambridge University Press. Available at: https://search.ebscohost.com/login.aspx?direct=true&db=cat01883a&AN=uea.003942866&authtype=sso&custid=s8993828&site=eds-live&scope=site.

Vogler, C. (2007) The writer’s journey: mythic structure for writers. 3rd ed. Studio City, CA: Michael Wiese Productions.

Yorke, J. (2014) Into the woods: how stories work and why we tell them. London: Penguin.