1
Briggs K. This Little Art. London, England: : Fitzcarraldo Editions 2017. http://ebookcentral.proquest.com/lib/uea/detail.action?docID=5046656
2
‘Critical-Creative Re-Writing: A Briefing’ from Issue VIII/2 – Autumn 1999 – The ESSE Messenger. The ESSEhttp://essenglish.org/messenger/back-issues-1990-2005/issue-viii2-autumn-1999/
3
Loffredo E, Perteghella M, Loffredo E, et al. Translation and creativity: perspectives on creative writing and translation studies. London: : Continuum 2006. https://search-ebscohost-com.uea.idm.oclc.org/login.aspx?direct=true&db=nlebk&AN=837693&site=eds-live&scope=site
4
Bassnett S, Bush PR, Bassnett S. ‘The Writer of Translations’ from The translator as writer: p 23-32. London: : Continuum 2006. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=742337
5
Nikolaou P, Kyritsi M-V. ‘Turning inward: Liaisons of Literary Translation and Life-Writing’ from Translating selves: experience and identity between languages and literatures: p 53-70. London: : Continuum 2008.
6
Boase-Beier J, Holman M. The practices of literary translation: constraints and creativity. Manchester: : St. Jerome 1998.
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Wilson R, Gerber L. Creative constraints: translation and authorship. Clayton, VIC: : Monash University Publishing 2012.
8
Nicholas Jose. Translation Plus: On Literary Translation and Creative Writing. The AALITRA Review 2015;:5–17.https://www.lib.latrobe.edu.au/ojs/index.php/AALITRA/article/view/731/657
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Translation vs. Creative Writing Workshops: Structural Differences - Words Without Borders. http://www.wordswithoutborders.org/dispatches/article/translation-vs.-creative-writing-workshops-structural-differences
10
Harding S-A, Carbonell i Cortés O, editors. Chapter 20: ‘Translation as a creative force’. In: The Routledge handbook of translation and culture. Abigndon, Oxon: : Routledge 2018. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=5306310
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Washbourne RK, Van Wyke B, editors. Routledge handbook of literary translation. 1st ed. London: : Routledge 2018. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=5582764
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Malmkjær K. Translation and creativity. New York, NY: : Routledge 2019.
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Malmkjær K. Translation and creativity. New York, NY: : Routledge 2019.
14
Balmer J, Catullus GV, Catullus GV. Chasing Catullus: poems, translations & transgressions: p 9-10. Tarset: : Bloodaxe 2004.
15
Balmer J. Piecing together the fragments: translating classical verse, creating contemporary poetry. 1st ed. Oxford: : Oxford University Press 2013.
16
Bassnett S, Bush PR, Bassnett S. The translator as writer. London: : Continuum 2006.
17
Boland E. In a time of violence. Manchester: : Carcanet 1994.
18
Paterson D. The eyes: a version of Antonio Machado. London: : Faber 1999.
19
Paterson D, Rilke RM. Orpheus: a version of Rilke’s Die Sonette an Orpheus. London: : Faber 2007.
20
Barthes R. ‘From Work to Text’ from The rustle of language: p 56-64. Berkeley: : University of California Press 1989.
21
Scott CA. Translating Apollinaire. Exeter, U.K.: : University of Exeter Press 2014.
22
Scott C. Translating the perception of text: literary translation and phenomenology. London: : Legenda 2012. https://uea.idm.oclc.org/login?url=https://www.taylorfrancis.com/books/9781315084619
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Scott C. Literary translation and the rediscovery of reading. Cambridge: : Cambridge University Press 2012.
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Clive Scott, ‘Free Verse and the translation of rhythm’. Thinking Verse I (2011), 67-101. http://thinkingverse.org/issue01/Clive%20Scott,%20Free%20Verse%20and%20the%20Translation%20of%20Rhythm.pdf
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Scott C. Translating Rimbaud’s ‘Illuminations’. Exeter: : University of Exeter Press 2006.
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Experimenting with a Single String: Apollinaire’s ‘Chantre’ Clive Scott in Experiments in Translation. Norwich Papers;16 (2008).https://www.uea.ac.uk/documents/595249/1420270/NP+Volume+16.pdf/7952e8ec-db97-49e2-82c7-4f2a6396b1ed
27
Loffredo E, Perteghella M, Loffredo E, et al. ‘Translation and the Spaces of Reading’ from Translation and creativity: perspectives on creative writing and translation studies: p 33-46. London: : Continuum 2006.
28
Borges JL, Yates DA, Irby JE. Labyrinths: selected stories and other writings. London: : Penguin 2000.
29
Genette G. Palimpsests: literature in the second degree. Lincoln: : University of Nebraska Press 1997.
30
Dillon S. The palimpsest: literature, criticism, theory. London: : Continuum 2007.
31
Collins S, editor. Currently & emotion: translations. London: : Test Centre Publications 2016.
32
Gilman EB, Gilman EB. Introduction from The curious perspective: literary and pictorial wit in the seventeenth century: p 1-15. New Haven: : Yale University Press 1978.
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Brooks P. Reading for the plot: design and intention in narrative. Cambridge, Mass: : Harvard University Press 1992.
34
Scott C. The spoken image: photography and language. London: : Reaktion 1999. http://ebookcentral.proquest.com/lib/uea/detail.action?docID=480986
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Burnside J. Black cat bone. London: : Cape Poetry 2011.
36
Elbow P. ‘What Do We Mean When We Talk about Voice in Texts?’ from Voices on voice: p 1-35. In: Voices on Voice: Perspectives, Definitions, Inquiry. Urbana, IL: : National Council of Teachers of English 1994. https://eric.ed.gov/?id=ED375404
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Cixous H, Calle-Gruber M, Calle-Gruber M, et al. Hélène Cixous, rootprints: memory and life writing. London: : Routledge 1997.
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Boulter A. Writing fiction: creative and critical approaches. Basingstoke: : Palgrave Macmillan 2007.
39
Scott C. Translating the perception of text: literary translation and phenomenology: p 1 and p 14-15. In: Translating the perception of text: literary translation and phenomenology. London: : Legenda 2012. https://uea.idm.oclc.org/login?url=https://www.taylorfrancis.com/books/9781315084619
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Bassnett S, Bush PR, Bassnett S. ‘A Dialogue: On a Translator’s Interventions’ from The translator as writer: p 9-19. London: : Continuum 2006. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=742337
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Maier C. Perspectives on translation: eggsgells, selt-translation and the encouragement of student translators (IOW no.21). In Other Words 2003;21:53–61.
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Hermans T. ‘The translator’s voice in translated narrative’ - Chapter 11 in ‘Critical readings in translation studies’. London: : Routledge 2010. 193–212.
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Stockwell P. Cognitive poetics: an introduction. London: : Routledge 2002.
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Pope R. Creativity: theory, history, practice: p 62-69. London: : Routledge 2005. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=214782
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Wilson R, Gerber L. Creative constraints: translation and authorship. Clayton, VIC: : Monash University Publishing 2012.
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Marjorie Perloff. A Humument: A Treated Victorian Novel by Tom Phillips (review). A Humument: A Treated Victorian Novel by Tom Phillips (review) 2018;24:312–3.https://search.ebscohost.com/login.aspx?direct=true&db=edspmu&AN=edspmu.S1538457818200084&site=eds-live&scope=site