Balmer, Josephine, et al. Chasing Catullus: Poems, Translations & Transgressions: P 9-10. Bloodaxe, 2004.
———. Piecing Together the Fragments: Translating Classical Verse, Creating Contemporary Poetry. 1st ed, Classical presences, Oxford University Press, 2013.
Barthes, Roland. ‘From Work to Text’ from The Rustle of Language: P 56-64. University of California Press, 1989.
Bassnett, Susan, et al. ‘A Dialogue: On a Translator’s Interventions’ from The Translator as Writer: P 9-19. Continuum, 2006, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=742337.
———. The Translator as Writer. Continuum, 2006.
———. ‘The Writer of Translations’ from The Translator as Writer: P 23-32. Continuum, 2006, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=742337.
Boase-Beier, Jean, and Michael Holman. The Practices of Literary Translation: Constraints and Creativity. St. Jerome, 1998.
Boland, Eavan. In a Time of Violence. Carcanet, 1994.
Borges, Jorge Luis, et al. Labyrinths: Selected Stories and Other Writings. Penguin, 2000.
Boulter, Amanda. Writing Fiction: Creative and Critical Approaches. Palgrave Macmillan, 2007.
Briggs, Kate. This Little Art. Fitzcarraldo Editions, 2017, http://ebookcentral.proquest.com/lib/uea/detail.action?docID=5046656. Electronic resource.
Brooks, Peter. Reading for the Plot: Design and Intention in Narrative. Harvard University Press, 1992.
Burnside, John. Black Cat Bone. Cape Poetry, 2011.
Cixous, Hélène, et al. Hélène Cixous, Rootprints: Memory and Life Writing. Routledge, 1997.
Clive Scott, ‘Free Verse and the Translation of Rhythm’. Thinking Verse I (2011), 67-101. http://thinkingverse.org/issue01/Clive%20Scott,%20Free%20Verse%20and%20the%20Translation%20of%20Rhythm.pdf.
Collins, Sophie, editor. Currently & Emotion: Translations. Test Centre Publications, 2016.
‘“Critical-Creative Re-Writing: A Briefing” from Issue VIII/2 – Autumn 1999 – The ESSE Messenger’. The ESSE, http://essenglish.org/messenger/back-issues-1990-2005/issue-viii2-autumn-1999/.
Dillon, Sarah. The Palimpsest: Literature, Criticism, Theory. Continuum, 2007.
Elbow, Peter. ‘“What Do We Mean When We Talk about Voice in Texts?” From Voices on Voice: P 1-35.’ Voices on Voice: Perspectives, Definitions, Inquiry, National Council of Teachers of English, 1994, https://eric.ed.gov/?id=ED375404.
‘Experimenting with a Single String: Apollinaire’s “Chantre” Clive Scott in Experiments in Translation’. Norwich Papers, 16 (2008), https://www.uea.ac.uk/documents/595249/1420270/NP+Volume+16.pdf/7952e8ec-db97-49e2-82c7-4f2a6396b1ed.
Genette, Gérard. Palimpsests: Literature in the Second Degree. University of Nebraska Press, 1997.
Gilman, Ernest B., and Ernest B. Gilman. Introduction from The Curious Perspective: Literary and Pictorial Wit in the Seventeenth Century: P 1-15. Yale University Press, 1978.
Harding, Sue-Ann, and Ovidi Carbonell i Cortés, editors. ‘Chapter 20: “Translation as a Creative Force”’. The Routledge Handbook of Translation and Culture, Routledge, 2018, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=5306310.
Hermans, Theo. ‘The Translator’s Voice in Translated Narrative’ - Chapter 11 in ‘Critical Readings in Translation Studies’. Routledge, 2010, pp. 193–212.
Loffredo, Eugenia, et al. Translation and Creativity: Perspectives on Creative Writing and Translation Studies. Continuum, 2006, https://search-ebscohost-com.uea.idm.oclc.org/login.aspx?direct=true&db=nlebk&AN=837693&site=eds-live&scope=site.
———. ‘Translation and the Spaces of Reading’ from Translation and Creativity: Perspectives on Creative Writing and Translation Studies: P 33-46. Continuum, 2006.
Maier, Carol. ‘Perspectives on Translation: Eggsgells, Selt-Translation and the Encouragement of Student Translators (IOW No.21)’. In Other Words, vol. 21, 2003, pp. 53–61.
Malmkjær, Kirsten. Translation and Creativity. Routledge, 2019.
———. Translation and Creativity. Routledge, 2019.
Marjorie Perloff. ‘A Humument: A Treated Victorian Novel by Tom Phillips (Review)’. A Humument: A Treated Victorian Novel by Tom Phillips (Review), vol. 24, no. 2, 2018, pp. 312–13, https://search.ebscohost.com/login.aspx?direct=true&db=edspmu&AN=edspmu.S1538457818200084&site=eds-live&scope=site.
Nicholas Jose. ‘Translation Plus: On Literary Translation and Creative Writing’. The AALITRA Review, no. 10, 2015, pp. 5–17, https://www.lib.latrobe.edu.au/ojs/index.php/AALITRA/article/view/731/657.
Nikolaou, Paschalis, and Maria-Venetia Kyritsi. ‘Turning Inward: Liaisons of Literary Translation and Life-Writing’ from Translating Selves: Experience and Identity between Languages and Literatures: P 53-70. Continuum, 2008.
Paterson, Don. The Eyes: A Version of Antonio Machado. Faber, 1999.
Paterson, Don, and Rainer Maria Rilke. Orpheus: A Version of Rilke’s Die Sonette an Orpheus. Faber, 2007.
Pope, Rob. Creativity: Theory, History, Practice: P 62-69. Routledge, 2005, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=214782.
Scott, Clive. Literary Translation and the Rediscovery of Reading. Cambridge University Press, 2012.
———. The Spoken Image: Photography and Language. Reaktion, 1999, http://ebookcentral.proquest.com/lib/uea/detail.action?docID=480986.
———. Translating Rimbaud’s ‘Illuminations’. University of Exeter Press, 2006.
———. Translating the Perception of Text: Literary Translation and Phenomenology. Legenda, 2012, https://uea.idm.oclc.org/login?url=https://www.taylorfrancis.com/books/9781315084619.
———. ‘Translating the Perception of Text: Literary Translation and Phenomenology: P 1 and p 14-15.’ Translating the Perception of Text: Literary Translation and Phenomenology, Legenda, 2012, https://uea.idm.oclc.org/login?url=https://www.taylorfrancis.com/books/9781315084619.
Scott, Clive A. Translating Apollinaire. University of Exeter Press, 2014.
Stockwell, Peter. Cognitive Poetics: An Introduction. Routledge, 2002.
Translation vs. Creative Writing Workshops: Structural Differences - Words Without Borders. http://www.wordswithoutborders.org/dispatches/article/translation-vs.-creative-writing-workshops-structural-differences.
Washbourne, R. Kelly, and Ben Van Wyke, editors. Routledge Handbook of Literary Translation. 1st edn, Routledge, 2018, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=5582764.
Wilson, Rita, and Leah Gerber. Creative Constraints: Translation and Authorship. Monash University Publishing, 2012.
———. Creative Constraints: Translation and Authorship. Monash University Publishing, 2012.
