Bibliography for Gender and Genre in Contemporary Cinema BETA

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Anon. 2008a. ‘“The More You Look, the Less You Really Know”: The Redemption of White Masculinity in Contemporary American and French Cinema.’ Cinema Journal XLVII(3):29–47.

Anon. 2008b. ‘“The More You Look, the Less You Really Know”: The Redemption of White Masculinity in Contemporary American and French Cinema.’ Cinema Journal XLVII(3):29–47.

Anon. 2013. ‘Hobbs, Alex:  Romancing the Crone: Hollywood’s Recent Mature Love Stories’. Journal of American Culture 36(1):42–51.

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Bernardi, Daniel. 2008. The Persistence of Whiteness: Race and Contemporary Hollywood Cinema. Abingdon: Routledge.

Berridge, Susan, and Karen Boyle. 2012. ‘I Love You Man: Gendered Narratives of Friendship in Contemporary Hollywood Comedies’. Feminist Media Studies 14(3):353–68.

Bezucha, Thomas. 2008. ‘The Family Stone’.

Billig, Michael and Nottingham Trent University. TCS Centre. 2005. Laughter and Ridicule: Towards a Social Critique of Laughter. Vol. Theory, culture&society. London: Sage in association with Theory, Culture & Society, Nottingham Trent University.

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Bordo, Susan. 1999a. ‘Gentleman or Beast?: The Double Bind of Masculinity’ [in] The Male Body: A New Look at Men in Public and in Private. 1st ed. New York: Farrar, Straus and Giroux.

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Bowdre, Karen. 2009. ‘Romantic Comedies and the Raced Body [in] Falling in Love Again: Romantic Comedy in Contemporary Cinema’. in Falling in love again: romantic comedy in contemporary cinema. London: I. B. Tauris.

Boyle, Karen, and Susan Berridge. 2014. ‘I Love You, Man’. Feminist Media Studies 14(3):353–68. doi: 10.1080/14680777.2012.740494.

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Chapman, Rowena, and Jonathan Rutherford. 1988. Male Order: Unwrapping Masculinity. London: Lawrence & Wishart.

Chaudhuri, Shohini. 2006a. Feminist Film Theorists: Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed. Vol. Routledge critical thinkers. London: Routledge.

Chaudhuri, Shohini. 2006b. ‘“Monstrous-Feminine” [in] Feminist Film Theorists: Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed’. in Feminist film theorists: Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed. Vol. Routledge critical thinkers. London: Routledge.

Clooney, George. 2005. ‘Good Night, and Good Luck’.

Coen, Joel, and Ethan Coen. 2007. ‘No Country for Old Men’.

Coen, Joel, and Ethan Coen. 2008. ‘Burn after Reading’.

Coen, Joel, and Ethan Coen. 2009. ‘A Serious Man’.

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Cook, Pam. 1998. ‘No Fixed Address: The Women’s Picture From Outrage to Blue Steel [in] Contemporary Hollywood Cinema’. in Contemporary Hollywood cinema. London: Routledge.

Cosmatos, George Pan. 2008. ‘Rambo: First Blood’.

Coulthard, Lisa. 2007. ‘Killing Bill: Rethinking Feminism and Film Violence [in] Interrogating Postfeminism: Gender and the Politics of Popular Culture’. in Interrogating postfeminism: gender and the politics of popular culture. Vol. Console-ing passions : television and cultural power. Durham, N.C.: Duke University Press.

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Davies, Jude, Carol R. Smith, and British Association for American Studies. 1997. Gender, Ethnicity and Sexuality in Contemporary American Film. Vol. BAAS paperbacks. Keele: Keele University Press [in association with the British Association for American Studies].

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Ducat, Stephen. 2004. The Wimp Factor: Gender Gaps, Holy Wars, and the Politics of Anxious Masculinity. Boston, MA: Beacon Press.

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Edwards, Tim. 2006a. ‘Crisis, What Crisis? [In] Cultures of Masculinity’. in Cultures of masculinity. London: Routledge.

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Emmerich, Roland. 1996. ‘Independence Day’.

Emmerich, Roland. 2004. ‘The Day after Tomorrow’.

Faludi. 2000. Stiffed. Harper.

Faludi, Susan. 1999. ‘The Son, the Moon, and the Stars: The Promise of Postwar Manhood [in] Stiffed: The Betrayal of Modern Man’. Pp. 3–47 in Stiffed: the betrayal of modern man. London: Chatto & Windus.

Faludi, Susan. 2007a. ‘The Return of Superman [in] The Terror Dream: Fear and Fantasy in Post-9/11 America’. Pp. 46–64 in The terror dream: fear and fantasy in post-9/11 America. New York: Metropolitan Books.

Faludi, Susan. 2007b. The Terror Dream: Fear and Fantasy in Post-9/11 America. 1st ed. New York: Metropolitan Books.

Farrelly, Peter, and Bob Farrelly. 2011. ‘Hall Pass’.

Feasey, Rebecca. 2012. From Happy Homemaker to Desperate Housewives: Motherhood and Popular Television. London: Anthem.

Feig, Paul. 2011. ‘Bridesmaids’.

Fincher, David. 1992. ‘Alien 3’.

Finney, Gail. 1994. Look Who’s Laughing: Gender and Comedy. Vol. Studies in humor and gender. Langhorne, Pa: Gordon and Breach.

Fletcher, Anne. 2008a. ‘27 Dresses’.

Fletcher, Anne. 2008b. ‘27 Dresses’.

Ford, Tom. 2009. ‘A Single Man’.

Forster, Marc. 2001. ‘Monster’s Ball’.

Forster, Marc. 2008. ‘Quantum of Solace’.

Friedman, Lester D. 1991. Unspeakable Images: Ethnicity and the American Cinema. Urbana: University of Illinois Press.

Gaghan, Stephen. 2005. ‘Syriana’.

Gaines, Jane. 1999. ‘White Privilege and Looking Relations : Race and Gender in Feminist Film Theory [in] Feminist Film Theory: A Reader’. in Feminist film theory: a reader. Edinburgh: Edinburgh University Press.

Gallagher, Mark. 2006. Action Figures: Men, Action Films, and Contemporary Adventure Narratives. 1st ed. New York: Palgrave Macmillan.

Garrett, Roberta. 2007. Postmodern Chick Flicks: The Return of the Woman’s Film. Basingstoke: Palgrave Macmillan.

Genz, Stéphanie, and Benjamin A. Brabon. 2009. Postfeminism: Cultural Texts and Theories. Edinburgh: Edinburgh University Press.

Gilbert, Joanne. 1997. ‘Performing Marginality: Comedy, Identity and Cutural Critique [in] Text and Performance Quarterly’. Text and Performance Quarterly 17(4):317–30.

Gill, Rosalind. 2016. ‘Post-Postfeminism?: New Feminist Visibilities in Postfeminist Times’. Feminist Media Studies 16(4):610–30. doi: 10.1080/14680777.2016.1193293.

Gilpatric, Katy. 2010. ‘Violent Female Action Characters in Contemporary American Cinema’. Sex Roles 62(11–12):734–46. doi: 10.1007/s11199-010-9757-7.

Gilroy, Tony. 2007. ‘Michael Clayton’.

Ginneken, Jaap van. 2007. Screening Difference: How Hollywood’s Blockbuster Films Imagine Race, Ethnicity, and Culture. Lanham: Rowman & Littlefield.

Gluck, Will. 2011a. ‘Easy A’.

Gluck, Will. 2011b. ‘Friends with Benefits’.

Goldwyn, Tony. 2006. ‘The Last Kiss’.

Goodwill, Joe. 2011. The New Female Action Hero: An Analysis of Female Masculinity in the New Female Action Hero in Recent Films and Television Shows. [S.l.]: Brave New World Publishing.

Gordon, Josh, and Will Speck. 2011. ‘The Switch’.

Grant, Barry Keith, ed. 2015. ‘Linda Williams, When the Woman Looks [in] The Dread of Difference: Gender and the Horror Film’. in The dread of difference: gender and the horror film. Vol. Texas film studies series. Austin: University of Texas Press.

Greno, Nathan, and Byron Howard. 2010. ‘Tangled’.

Greven, David. 2009a. Manhood in Hollywood from Bush to Bush. Austin, Tex: University of Texas Press.

Greven, David. 2009b. Manhood in Hollywood from Bush to Bush. Austin, Tex: University of Texas Press.

Haggis, Paul. 2004. ‘Crash’.

Hall, Ann C., and Mardia Bishop. 2009. Mommy Angst: Motherhood in American Popular Culture. Santa Barbara, Calif: Praeger.

Hamburg, John. 2009. ‘I Love You Man’.

Hamilton, Tim, Hank Nelken, Jon Heder, Diane Keaton, Jeff Daniels, Anna Faris, Warner Bros. Pictures (1923-1967), and Carr-Sentelli (Firm). 2007. ‘Mama’s Boy’.

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Hamri, Sanaa. 2010. ‘Just Wright’.

Hanson, Curtis. 2005a. ‘In Her Shoes’.

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Harlin, Renny. 2004. ‘The Long Kiss Goodnight’.

Harris, Keith M. 2006. Boys, Boyz, Bois: An Ethics of Black Masculinity in Film and Popular Media. Vol. Studies in African American history and culture. New York: Routledge.

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