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Gill R. Post-postfeminism?: new feminist visibilities in postfeminist times. Feminist Media Studies 2016;16:610–30. doi:10.1080/14680777.2016.1193293
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Genz S, Brabon BA. Postfeminism: cultural texts and theories. Edinburgh: : Edinburgh University Press 2009. http://uea.eblib.com/patron/FullRecord.aspx?p=448738
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McRobbie A. The aftermath of feminism: gender, culture and social change. London: : SAGE 2009. http://lib.myilibrary.com/browse/open.asp?id=496970&entityid=https://login.uea.ac.uk/entity
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Negra D. What a girl wants: fantasizing the reclamation of self in postfeminism. Abingdon: : Routledge 2009. http://www.uea.eblib.com/EBLWeb/patron?target=patron&extendedid=P_432807_0&
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Rahman M, Jackson S. Gender and sexuality: sociological approaches. Cambridge: : Polity 2010.
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Redfern C, Aune K. Reclaiming the F word: the new feminist movement. London: : Zed Books 2010. http://lib.myilibrary.com/browse/open.asp?id=273866&entityid=https://login.uea.ac.uk/entity
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Segal L. Why feminism?: gender, psychology, politics. New York: : Columbia University Press 1999.
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Shiftman L, Lemish D. Virtually blonde : blonde jokes in the global age and post–feminist discourse [in] The handbook of gender, sex, and media. In: The handbook of gender, sex, and media. Chichester: : Wiley-Blackwell 2012. http://lib.myilibrary.com/browse/open.asp?id=422805&entityid=https://login.uea.ac.uk/entity
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Stone A. An introduction to feminist philosophy. Cambridge: : Polity 2007.
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Tasker Y, Negra D. Interrogating postfeminism: gender and the politics of popular culture. Durham, N.C.: : Duke University Press 2007. http://uea.eblib.com/patron/FullRecord.aspx?p=1170497
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Thornham S. What if I had been the hero?: investigating women’s cinema. London: : Palgrave Macmillan on behalf of the British Film Institute 2012.
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Walby S. The future of feminism. Cambridge: : Polity 2011. http://ebookcentral.proquest.com/lib/uea/detail.action?docID=1175963
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Walter N. Living dolls: the return of sexism. London: : Virago 2011.
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Whelehan I. Overloaded: popular culture and the future of feminism. London: : Women’s Press 2000.
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Fletcher A. 27 dresses. 2008.
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Marshall G. The princess diaries. 2002.
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Greno N, Howard B. Tangled. 2010.
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Andrews M, Chapman B. Brave. 2012.
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Kaklamanidou B. The baby crazed rom-com [in] Genre, gender and the effects of neoliberalism: the new millennium Hollywood rom com. In: Genre, gender and the effects of neoliberalism: the new millennium Hollywood rom com. London: : Routledge 2013. http://lib.myilibrary.com/browse/open.asp?id=459206&entityid=https://login.uea.ac.uk/entity
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Bradley H. Gender. 2nd ed. Cambridge: : Polity 2013. http://lib.myilibrary.com/browse/open.asp?id=478135&entityid=https://login.uea.ac.uk/entity
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Hill Collins P. Black feminist thought: knowledge, consciousness, and the politics of empowerment. [2nd ed.]. New York: : Routledge 2009. http://lib.myilibrary.com/browse/open.asp?id=35502&entityid=https://login.uea.ac.uk/entity
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Douglas SJ, Michaels MW. The mommy myth: the idealization of motherhood and how it has undermined women. New York, N.Y.: : Free Press 2004.
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Feasey R. From happy homemaker to desperate housewives: motherhood and popular television. London: : Anthem 2012.
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Hall AC, Bishop M. Mommy angst: motherhood in American popular culture. Santa Barbara, Calif: : Praeger 2009.
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Miller T, Miller T. Making sense of motherhood: a narrative approach. Cambridge: : Cambridge University Press 2005.
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Stone A. Feminism, psychoanalysis, and maternal subjectivity. New York: : Routledge 2012. http://lib.myilibrary.com/browse/open.asp?id=346198&entityid=https://login.uea.ac.uk/entity
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Taylor JS, Layne LL, Wozniak DF. Consuming motherhood. New Brunswick, N.J.: : Rutgers University Press 2004.
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Warner J. Perfect madness: motherhood in the age of anxiety. London: : Vermilion 2006.
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Shapiro L. Labor pains. 2009.
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Poul A. The back-up plan. 2011.
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Gordon J, Speck W. The switch. 2011.
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Inness SA. Tough girls: women warriors and wonder women in popular culture. Philadelphia, Pa: : University of Pennsylvania Press 1999.
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Jermyn D. Rereading the Bitches from Hell: A Feminist Appropriation of the Female Psychopath. Screen;37:251–67.http://screen.oxfordjournals.org/content/37/3.toc
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Karlyn KR. Unruly girls, unrepentant mothers: redefining feminism on screen. 1st ed. Austin: : University of Texas Press 2011. http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=351591&authtype=sso&custid=s8993828&site=ehost-live&scope=site
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Rubinfeld MD, Rubinfield MD. Bound to bond: gender, genre, and the Hollywood romantic comedy. Westport, Conn: : Praeger 2001.
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Creed, Barbara. HORROR AND THE MONSTROUS-FEMININE: AN IMAGINARY ABJECTION. Screen; Jan/Feb86, Vol;27:44–70.http://search.ebscohost.com/login.aspx?direct=true&db=edb&AN=31426388&authtype=sso&custid=s8993828&site=ehost-live
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Bernardi D. The persistence of whiteness: race and contemporary Hollywood cinema. Abingdon: : Routledge 2008. http://www.loc.gov/catdir/toc/ecip0712/2007008736.html
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Gallagher M. Action figures: men, action films, and contemporary adventure narratives. 1st ed. New York: : Palgrave Macmillan 2006. http://lib.myilibrary.com/browse/open.asp?id=136360&entityid=https://login.uea.ac.uk/entity
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