Bibliography for Gender and Genre in Contemporary Cinema BETA

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Lima K. Enchanted. 2008.

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McRobbie A. Post-feminism and popular culture : Bridget Jones [in] The aftermath of feminism: gender, culture and social change. The aftermath of feminism: gender, culture and social change [Internet]. London: SAGE; 2009. Available from: http://lib.myilibrary.com/browse/open.asp?id=496970&entityid=https://login.uea.ac.uk/entity

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Tasker Y. Enchanted (2007) by postfeminism : gender, irony and the new romantic comedy [in] Feminism at the movies: understanding gender in contemporary popular cinema. Feminism at the movies: understanding gender in contemporary popular cinema [Internet]. Oxon: Routledge; 2011. Available from: http://lib.myilibrary.com/Open.aspx?id=344197&src=0

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Gill R. Post-postfeminism?: new feminist visibilities in postfeminist times. Feminist Media Studies. 2016 Jul 3;16(4):610–630.

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Byerly C. The geography of women and media scholarship [in] The handbook of gender, sex, and media. The handbook of gender, sex, and media [Internet]. Chichester: Wiley-Blackwell; 2012. Available from: http://lib.myilibrary.com/browse/open.asp?id=422805&entityid=https://login.uea.ac.uk/entity

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Genz S, Brabon BA. Postfeminism: cultural texts and theories [Internet]. Edinburgh: Edinburgh University Press; 2009. Available from: http://uea.eblib.com/patron/FullRecord.aspx?p=448738

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McRobbie A. The aftermath of feminism: gender, culture and social change [Internet]. London: SAGE; 2009. Available from: http://lib.myilibrary.com/browse/open.asp?id=496970&entityid=https://login.uea.ac.uk/entity

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Tasker Y, Negra D. Bridget Jones and the new gender regime [in] Interrogating postfeminism: gender and the politics of popular culture. Interrogating postfeminism: gender and the politics of popular culture [Internet]. Durham, N.C.: Duke University Press; 2007. Available from: http://UEA.eblib.com/patron/FullRecord.aspx?p=1170497

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Milestone K, Meyer A. Gender and popular culture. Cambridge: Polity; 2012.

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Negra D. What a girl wants: fantasizing the reclamation of self in postfeminism [Internet]. Abingdon: Routledge; 2009. Available from: http://www.uea.eblib.com/EBLWeb/patron?target=patron&extendedid=P_432807_0&

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Rahman M, Jackson S. Gender and sexuality: sociological approaches. Cambridge: Polity; 2010.

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Redfern C, Aune K. Reclaiming the F word: the new feminist movement [Internet]. London: Zed Books; 2010. Available from: http://lib.myilibrary.com/browse/open.asp?id=273866&entityid=https://login.uea.ac.uk/entity

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Shiftman L, Lemish D. Virtually blonde : blonde jokes in the global age and post–feminist discourse [in] The handbook of gender, sex, and media. The handbook of gender, sex, and media [Internet]. Chichester: Wiley-Blackwell; 2012. Available from: http://lib.myilibrary.com/browse/open.asp?id=422805&entityid=https://login.uea.ac.uk/entity

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Stone A. An introduction to feminist philosophy. Cambridge: Polity; 2007.

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Tasker Y, Negra D. Interrogating postfeminism: gender and the politics of popular culture [Internet]. Durham, N.C.: Duke University Press; 2007. Available from: http://uea.eblib.com/patron/FullRecord.aspx?p=1170497

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Thornham S. What if I had been the hero?: investigating women’s cinema. London: Palgrave Macmillan on behalf of the British Film Institute; 2012.

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Walby S. The future of feminism [Internet]. Cambridge: Polity; 2011. Available from: http://ebookcentral.proquest.com/lib/uea/detail.action?docID=1175963

21.

Walter N. Living dolls: the return of sexism. London: Virago; 2011.

22.

Whelehan I. Overloaded: popular culture and the future of feminism. London: Women’s Press; 2000.

23.

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Fletcher A. 27 dresses. [London?]: 20th Century Fox Home Entertainment; 2008.

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Winick G. 13 going on 30. [s.l.]: Columbia; 2004.

26.

Mangold J. Kate & Leopold. [s.l.]: Miramax; 2003.

27.

Liddi-Brown A. Princess protection programme. [s.l.]: Disney DVD; 2009.

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Rosman M, Santostefano D. A Cinderella story: [and] Another Cinderella story; [and] A Cinderella story : once upon a song. Burbank, Ca: Warner Home Video; 2012.

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Marshall G. The princess diaries. [s.l.]: Walt Disney Home Video; 2002.

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Marshall G. Princess diaries 2: royal engagement. [s.l.]: Walt Disney Home Video; 2005.

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Buck C, Lee J. Frozen. [Place of publication not identified]: Disney; 2014.

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O’Haver T. Ella enchanted. [s.l.]: Miramax; 2004.

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Winick G. Bride Wars. [s.l.]: 20th Century Fox; 2009.

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Weiland P. Made of honour. [s.l.]: Sony Pictures Home Entertainment; 2008.

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Greno N, Howard B. Tangled. [s.l.]: Disney DVD; 2010.

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Andrews M, Chapman B. Brave. [s.l.]: Disney/Pixar; 2012.

37.

Waters MS. Freaky Friday. [s.l.]: Disney DVD; 2003.

38.

Hogan PJ. Confessions of a shopaholic. [s.l.]: Touchstone Home Entertainment; 2005.

39.

Hanson C. In her shoes. [s.l.]: Twentieth Century Fox Home Entertainment; 2005.

40.

Stromberg R. Maleficent [Internet]. Walt Disney Studios Home Entertainment Z1A BUA0218201; 2004. Available from: http://copac.jisc.ac.uk/search?title=maleficent&rn=4

41.

Jones K, Cross S, Hach H, Murkoff HE, Diaz C, Kendrick A, Lopez J, Morrison M, Banks E, Quaid D, Crawford C, Rock C, Decker B, Santoro R, Lions Gate Entertainment (Firm). What to expect when you’re expecting. [S.l.]: Lionsgate Home Entertainment; 2012.

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Butler J. "Women” as the subject of feminism [in] Gender trouble: feminism and the subversion of identity. Gender trouble: feminism and the subversion of identity [Internet]. New York: Routledge; 2006. Available from: http://lib.myilibrary.com/browse/open.asp?id=344208&entityid=https://login.uea.ac.uk/entity

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Kaklamanidou B. The baby crazed rom-com [in] Genre, gender and the effects of neoliberalism: the new millennium Hollywood rom com. Genre, gender and the effects of neoliberalism: the new millennium Hollywood rom com [Internet]. London: Routledge; 2013. Available from: http://lib.myilibrary.com/browse/open.asp?id=459206&entityid=https://login.uea.ac.uk/entity

44.

Miller T, Miller T. Cultural Scripts [in] Making sense of motherhood: a narrative approach. Making sense of motherhood: a narrative approach. Cambridge: Cambridge University Press; 2005.

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Bradley H. Gender [Internet]. 2nd ed. Cambridge: Polity; 2013. Available from: http://lib.myilibrary.com/browse/open.asp?id=478135&entityid=https://login.uea.ac.uk/entity

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Hill Collins P. Black feminist thought: knowledge, consciousness, and the politics of empowerment [Internet]. [2nd ed.]. New York: Routledge; 2009. Available from: http://lib.myilibrary.com/browse/open.asp?id=35502&entityid=https://login.uea.ac.uk/entity

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Douglas SJ, Michaels MW. The mommy myth: the idealization of motherhood and how it has undermined women. New York, N.Y.: Free Press; 2004.

48.

Feasey R. From happy homemaker to desperate housewives: motherhood and popular television. London: Anthem; 2012.

49.

Hall AC, Bishop M. Mommy angst: motherhood in American popular culture. Santa Barbara, Calif: Praeger; 2009.

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Maher J. Eggs in many baskets : Juno (2007), Baby Mama (2008), and the new intimacies of reproduction  [in] Feminism at the movies: understanding gender in contemporary popular cinema. Feminism at the movies: understanding gender in contemporary popular cinema [Internet]. Oxon: Routledge; 2011. Available from: http://lib.myilibrary.com/browse/open.asp?id=344197&entityid=https://login.uea.ac.uk/entity

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Miller T, Miller T. Making sense of motherhood: a narrative approach. Cambridge: Cambridge University Press; 2005.

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Orr M. Kristeva and the trans-missions of the intertext : signs, mothers and speaking in tongues [in] Third wave feminism: a critical exploration. Third wave feminism: a critical exploration. Expanded 2nd ed. Basingstoke: Palgrave Macmillan; 2007.

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Rahman M, Jackson S. Gender and sexuality: sociological approaches. Cambridge: Polity; 2010.

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Stone A. Feminism, psychoanalysis, and maternal subjectivity [Internet]. New York: Routledge; 2012. Available from: http://lib.myilibrary.com/browse/open.asp?id=346198&entityid=https://login.uea.ac.uk/entity

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Taylor JS, Layne LL, Wozniak DF. Consuming motherhood. New Brunswick, N.J.: Rutgers University Press; 2004.

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Warner J. Perfect madness: motherhood in the age of anxiety. London: Vermilion; 2006.

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Shapiro L. Labor pains. [S.l.]: Momentum Pictures; 2009.

58.

Weitz P. Admission. [S.l.]: Universal; 2013.

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Poul A. The back-up plan. [S.l.]: Sony Pictures Home Entertainment; 2011.

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Gordon J, Speck W. The switch. [S.l.]: Lions Gate Home Entertainment; 2011.

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Apatow J. Knocked up. [s.l.]: Universal Pictures; 2007.

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Jones K. What to expect when you’re expecting. [S.l.]: Lionsgate Home Entertainment; 2012.

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Cuarón A. Gravity. [Place of publication not identified]: Warner Bros. Entertainment Inc; 2014.

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Westfeldt J. Friends with kids. [S.l.]: Lionsgate Home Entertainment; 2012.

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Levy S. Date night. Extended ed. [S.l.]: Twentieth Century Fox Home Entertainment; 2010.

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Bird B. The Incredibles. [s.l.]: Disney/Pixar; 2005.

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Dieckmann K. Motherhood. [S.l.]: Metrodome; 2010.

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Reitman J. Juno. [S.l.]: 20th Century Fox Home Entertainment; 2008.

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Berlanti G. Life as we know it. [S.l.]: Warner Home Entertainment; 2011.

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Ramsay L. We need to talk about Kevin. [London]: Artificial Eye; 2012.

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Apatow J. This Is 40 [Internet]. 2012. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/05F34BF4?bcast=122012834

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O’Day M. Chapter 12 : Beauty in Motion: Gender, Spectacle and Action Babe Cinema [in] Action and adventure cinema. Action and adventure cinema [Internet]. London: Routledge; 2004. Available from: http://lib.myilibrary.com/browse/open.asp?id=10275&entityid=https://login.uea.ac.uk/entity

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Dubrofsky RE, Ryalls ED. : Performing Not-performing to Authenticate Femininity and Whiteness. Critical Studies in Media Communication. 2014 Oct 20;31(5):395–409.

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Kirby P. The Girl on Fire: The Hunger Games, Feminist Geopolitics and the Contemporary Female Action Hero. Geopolitics. 2015 Apr 3;20(2):460–478.

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Gilpatric K. Violent Female Action Characters in Contemporary American Cinema. Sex Roles. 2010;62(11–12):734–746.

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Arroyo J. Action/spectacle cinema: a Sight and sound reader. London: British Film Institute; 1999.

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Jeffrey A. Brown. Gender and the Action Heroine: Hardbodies and the ‘Point of No Return’. Cinema Journal [Internet]. 1996;35(3):52–71. Available from: https://uea.idm.oclc.org/login?url=http://www.jstor.org/stable/1225765?seq=1#page_scan_tab_contents

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Chaudhuri S. Feminist film theorists: Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed [Internet]. London: Routledge; 2006. Available from: http://uea.eblib.com/patron/FullRecord.aspx?p=274415

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Cook P. No Fixed Address: The Women’s Picture From Outrage to Blue Steel [in] Contemporary Hollywood cinema. Contemporary Hollywood cinema. London: Routledge; 1998.

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Coulthard L. Killing Bill: Rethinking Feminism and Film Violence [in] Interrogating postfeminism: gender and the politics of popular culture. Interrogating postfeminism: gender and the politics of popular culture [Internet]. Durham, N.C.: Duke University Press; 2007. Available from: http://uea.eblib.com/patron/FullRecord.aspx?p=1170497

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Goodwill J. The new female action hero: an analysis of female masculinity in the new female action hero in recent films and television shows. [S.l.]: Brave New World Publishing; 2011.

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Hart L. Fatal women: lesbian sexuality and the mark of aggression [Internet]. London: Routledge; 1994. Available from: http://lib.myilibrary.com/browse/open.asp?id=14490&entityid=https://login.uea.ac.uk/entity

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Hills E. From "figurative males” to action heroines: further thoughts on active women in the cinema. Screen [Internet]. 1999;40(1):38–50. Available from: http://screen.oxfordjournals.org/content/40/1.toc

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Horeck T. Public rape: representing violation in fiction and film [Internet]. London: Routledge; 2003. Available from: http://uea.eblib.com/patron/FullRecord.aspx?p=1144705

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Inness SA. Tough girls: women warriors and wonder women in popular culture. Philadelphia, Pa: University of Pennsylvania Press; 1999.

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Inness SA. Action chicks: new images of tough women in popular culture [Internet]. 1st ed. Basingstoke: Palgrave Macmillan; 2004. Available from: http://lib.myilibrary.com/browse/open.asp?id=136484&entityid=https://login.uea.ac.uk/entity

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Jermyn D. Rereading the Bitches from Hell: A Feminist Appropriation of the Female Psychopath. Screen [Internet]. 37(3):251–267. Available from: http://screen.oxfordjournals.org/content/37/3.toc

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Lichtenfeld E. Action speaks louder: violence, spectacle, and the American action movie. Westport, Conn: Praeger; 2004.

90.

Neroni H. The violent woman: femininity, narrative, and violence in contemporary American cinema. Albany, N.Y.: State University of New York Press; 2005.

91.

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92.

Read J. The new avengers: feminism, femininity, and the rape-revenge cycle. Manchester: Manchester University Press; 2000.

93.

Stasia CL. ”My Guns are in the Fendi!” The postfeminist Female Action Hero [in] Third wave feminism: a critical exploration. Third wave feminism: a critical exploration. Expanded 2nd ed. Basingstoke: Palgrave Macmillan; 2007.

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Schubart R. High Trash Heroines: Lara, Beatrix and Three Angels [in] Super bitches and action babes: the female hero in popular cinema, 1970-2006. Super bitches and action babes: the female hero in popular cinema, 1970-2006 [Internet]. Jefferson, N.C.: McFarland & Co; 2007. Available from: http://uea.eblib.com/patron/FullRecord.aspx?p=1771629

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Stringer R. From Victim to Vigilante: Gender, Violence and Revenge in The Brave One (2007) and Hard Candy (2005) [in] Feminism at the movies: understanding gender in contemporary popular cinema. Feminism at the movies: understanding gender in contemporary popular cinema [Internet]. Oxon: Routledge; 2011. Available from: http://lib.myilibrary.com/browse/open.asp?id=344197&entityid=https://login.uea.ac.uk/entity

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Stuller JK. Ink-stained amazons and cinematic warriors: superwomen in modern mythology [Internet]. London: I. B. Tauris; 2010. Available from: http://lib.myilibrary.com/browse/open.asp?id=288131&entityid=https://login.uea.ac.uk/entity

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Tasker Y. Spectacular bodies: gender, genre, and the action cinema [Internet]. London: Routledge; 1993. Available from: http://www.uea.eblib.com/patron/FullRecord.aspx?p=179873

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Tasker Y. Action and adventure cinema [Internet]. London: Routledge; 2004. Available from: http://lib.myilibrary.com/browse/open.asp?id=10275&entityid=https://login.uea.ac.uk/entity

99.

Tasker Y. Chapter 21 - Fantasizing Gender and Race: Women in Contemporary US Action [in] Contemporary American cinema. Contemporary American cinema [Internet]. London: Open University Press; 2006. p. 410–428. Available from: http://www.uea.eblib.com/patron/FullRecord.aspx?p=295533

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Tasker Y. Violence, Duty and Choice: the Military Woman in Contemporary Hollywood Cinema [in] Women willing to fight: the fighting woman in film. Women willing to fight: the fighting woman in film. Newcastle: Cambridge Scholars Pub; 2007. p. 78–94.

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Williams L. Film Bodies: Gender, Genre and Excess [in] Feminist film theory: a reader. Feminist film theory: a reader. Edinburgh: Edinburgh University Press; 1999.

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Williams LR. Ready for Action: G.I. Jane, Demi Moore’s Body and the Female Combat Movie [in] Action and adventure cinema. Action and adventure cinema [Internet]. London: Routledge; 2004. Available from: http://lib.myilibrary.com/browse/open.asp?id=10275&entityid=https://login.uea.ac.uk/entity

103.

Vares T. Framing ‘Killer Women’ Films: Audience Use of Genre. Feminist Media Studies. 2002;2(2):213–229.

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Ross G. The Hunger Games [Internet]. 2012. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/02E3193E?bcast=123285655

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Burger N. Divergent. Santa Monica, California: Summit Entertainment; 2014.

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Feig P. Bridesmaids. 2011.

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Kathleen R. Pig ladies, big ladies, and ladies with big mouths: Feminism and the carnivalesque [in] The unruly woman: gender and the genres of laughter. The unruly woman: gender and the genres of laughter [Internet]. 1st ed. Austin, Tex: University of Texas Press; 1995. p. 25–49. Available from: http://www.loc.gov/catdir/description/texas041/94013656.html

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Winch A. We can have it all:  the girlfriend flick. Feminist Media Studies. 2012;12(1):69–82.

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Warner H. A New Feminist Revolution in Hollywood Comedy’?:Postfeminist Discourses and the Critical Reception of Bridesmaids [in] Postfeminism and contemporary Hollywood cinema. In: Gwynne J, Müller N, editors. Postfeminism and contemporary Hollywood cinema [Internet]. New York: Palgrave Macmillan; 2013. p. 222–237. Available from: http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=622495&authtype=sso&custid=s8993828&site=ehost-live&scope=site

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Boyle K, Berridge S. I love you, man. Feminist Media Studies. 2014;14(3):353–368.

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Bore ILK. (Un)funny women: TV comedy audiences and the gendering of humour. European Journal of Cultural Studies [Internet]. 2010;13. Available from: https://uea.idm.oclc.org/login?url=http://ecs.sagepub.com/content/13/2.toc

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King G. Film comedy. London: Wallflower; 2002.

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Kotthoff H. Gender and joking: on the complexities of women’s image politics in humorous narratives. Journal of Pragmatics. 2000;32(1):55–80.

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Kotthoff H. Gender and humor: the state of the art. Journal of Pragmatics. 2006;38(1):4–25.

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Lauzen M. The funny business of being Tina Fey: constructing a (feminist) comedy icon. Feminist Media Studies. 2014;14(1):106–117.

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Matthews N. Comic politics: gender in Hollywood comedy after the new right. Manchester: Manchester University Press; 2000.

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Mortimer C. Romantic comedy [Internet]. London: Routledge; 2010. Available from: http://lib.myilibrary.com/browse/open.asp?id=258635&entityid=https://login.uea.ac.uk/entity

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Richardson M. Where can the others meet? Gender, race and film comedy [Internet]. 2004. Available from: http://sensesofcinema.com/2004/comedy-and-perception/where_can_others_meet/

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Karlyn KR. The unruly woman: gender and the genres of laughter [Internet]. 1st ed. Austin, Tex: University of Texas Press; 1995. Available from: http://www.loc.gov/catdir/description/texas041/94013656.html

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Karlyn KR. Unruly girls, unrepentant mothers: redefining feminism on screen [Internet]. 1st ed. Austin: University of Texas Press; 2011. Available from: http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=351591&authtype=sso&custid=s8993828&site=ehost-live&scope=site

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Rubinfeld MD, Rubinfield MD. Bound to bond: gender, genre, and the Hollywood romantic comedy. Westport, Conn: Praeger; 2001.

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White R. Women are angry! : Lizzie and Sarah as feminist critique. Feminist Media Studies. 2013;13(3):415–426.

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155.

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Creed, Barbara. HORROR AND THE MONSTROUS-FEMININE: AN IMAGINARY ABJECTION. Screen; Jan/Feb86, Vol [Internet]. 27(Issue 1, p44-70, 27p):44–70. Available from: http://search.ebscohost.com/login.aspx?direct=true&db=edb&AN=31426388&authtype=sso&custid=s8993828&site=ehost-live

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