‘A Maternal Heart: Angelina Jolie, choices of maternity, and hegemonic femininity in People magazine: Feminist Media Studies: Vol 15, No 4’ (no date). Available at: http://www.tandfonline.com/doi/full/10.1080/14680777.2015.1009929.
A world ruled by hilarity: gender and low comedy in the films of Amy Heckerling [in] Senses of Cinema (no date). Available at: http://sensesofcinema.com/2002/filmmaker-profiles/heckerling/.
Abrams, J.J. (2006) ‘Mission Impossible III’. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00730A54?bcast=105426600.
Alberti, J. (2013) ‘"I Love You, Man”: Bromances, the Construction of Masculinity, and the Continuing Evolution of the Romantic Comedy’, Quarterly Review of Film and Video, 30(2), pp. 159–172. Available at: https://uea.idm.oclc.org/login?url=http://ejournals.ebsco.com/Issue.asp?IssueID=1614966.
Anders, S. et al. (2016) ‘Daddy’s home’. [s.l.]: Paramount Home Entertainment.
Anderson, E. (2009a) Inclusive masculinity: the changing nature of masculinities. Hoboken: Taylor & Francis. Available at: http://www.UEA.eblib.com/EBLWeb/patron?target=patron&extendedid=P_439168_0&
Anderson, E. (2009b) Inclusive masculinity: the changing nature of masculinities. Hoboken: Taylor & Francis. Available at: http://www.UEA.eblib.com/EBLWeb/patron?target=patron&extendedid=P_439168_0&
Andrews, M. and Chapman, B. (2012) ‘Brave’. [s.l.]: Disney/Pixar.
Apatow, J. (2005) ‘The 40 year old virgin’. [s.l.]: Universal Pictures.
Apatow, J. (2007a) ‘Knocked up’. [s.l.]: Universal Pictures.
Apatow, J. (2007b) ‘Knocked up’. [s.l.]: Universal Pictures.
Apatow, J. (2007c) ‘Knocked up’. [s.l.]: Universal Pictures.
Apatow, J. (2012a) ‘This Is 40’. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/05F34BF4?bcast=122012834.
Apatow, J. (2012b) ‘This Is 40’. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/05F34BF4?bcast=122012834.
Apted, M. (2006) ‘Enough’. [s.l.]: Columbia Tristar.
Arroyo, J. (1999) Action/spectacle cinema: a Sight and sound reader. London: British Film Institute.
Ayers, Drew (no date) ‘Bodies, Bullets, and Bad Guys: Elements of the Hardbody Film’, Film Criticism, 32(3). Available at: http://search.proquest.com/docview/200940087?pq-origsite=gscholar.
Baker, B. (2006a) Masculinity in fiction and film: representing men in popular genres, 1945-2000. London: Continuum. Available at: http://lib.myilibrary.com/browse/open.asp?id=129499&entityid=https://login.uea.ac.uk/entity.
Baker, B. (2006b) Masculinity in fiction and film: representing men in popular genres, 1945-2000. London: Continuum. Available at: http://lib.myilibrary.com/browse/open.asp?id=129499&entityid=https://login.uea.ac.uk/entity.
Barreca, R. (1992) New perspectives on women and comedy. Philadelphia: GHordon and Breach.
Beltran, M. (2004) ‘Mas Macha: The New Latina American Action Hero [in] Action and adventure cinema’, in Action and adventure cinema. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=10275&entityid=https://login.uea.ac.uk/entity.
Benshoff, H.M. and Griffin, S. (2009) America on film: representing race, class, gender, and sexuality at the movies. 2nd ed. Malden, MA, USA: Wiley-Blackwell. Available at: http://www.uea.eblib.com/patron/FullRecord.aspx?p=819377.
Berlanti, G. (2011) ‘Life as we know it’. [S.l.]: Warner Home Entertainment.
Bernardi, D. (2008) The persistence of whiteness: race and contemporary Hollywood cinema. Abingdon: Routledge. Available at: http://www.loc.gov/catdir/toc/ecip0712/2007008736.html.
Berridge, S. and Boyle, K. (2012) ‘I love you man: Gendered narratives of friendship in contemporary Hollywood comedies’, Feminist Media Studies, 14(3), pp. 353–368. Available at: https://uea.idm.oclc.org/login?url=http://www.tandfonline.com/openurl/toc/rfms20/14/3.
Bezucha, T. (2008) ‘The family stone’. [S.l.]: Twentieth Century Fox Home Entertainment.
Billig, M. and Nottingham Trent University. TCS Centre (2005) Laughter and ridicule: towards a social critique of laughter. London: Sage in association with Theory, Culture & Society, Nottingham Trent University.
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Bordo, S. (1999a) ‘Gentleman or Beast?: The Double Bind of Masculinity’ [in] The male body: a new look at men in public and in private. 1st ed, The male body: a new look at men in public and in private. 1st ed. New York: Farrar, Straus and Giroux.
Bordo, S. (1999b) ‘Gentleman or Beast? The Double Bind of Masculinity [in] The male body: a new look at men in public and in private’, in The male body: a new look at men in public and in private. 1st ed. New York: Farrar, Straus and Giroux.
Bore, I.-L.K. (2010) ‘(Un)funny women: TV comedy audiences and the gendering of humour’, European Journal of Cultural Studies, 13. Available at: https://doi.org/10.1177/1367549409352272.
Bowdre, K. (2009) ‘Romantic Comedies and the Raced Body [in] Falling in love again: romantic comedy in contemporary cinema’, in Falling in love again: romantic comedy in contemporary cinema. London: I. B. Tauris. Available at: http://lib.myilibrary.com/browse/open.asp?id=261914&entityid=https://login.uea.ac.uk/entity.
Boyle, K. and Berridge, S. (2014) ‘I love you, man’, Feminist Media Studies, 14(3), pp. 353–368. Available at: https://doi.org/10.1080/14680777.2012.740494.
Bradley, H. (2013) Gender. 2nd ed. Cambridge: Polity. Available at: http://lib.myilibrary.com/browse/open.asp?id=478135&entityid=https://login.uea.ac.uk/entity.
Brest, M. (2003) ‘Gigli’. [S.l.]: Columbia Tristar Home Entertainment.
Buck, C. and Lee, J. (2014) ‘Frozen’. [Place of publication not identified]: Disney.
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Butler, J. (2006) ‘"Women” as the subject of feminism [in] Gender trouble: feminism and the subversion of identity’, in Gender trouble: feminism and the subversion of identity. New York: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=344208&entityid=https://login.uea.ac.uk/entity.
Byerly, C. (2012) ‘The geography of women and media scholarship [in] The handbook of gender, sex, and media’, in The handbook of gender, sex, and media. Chichester: Wiley-Blackwell. Available at: http://lib.myilibrary.com/browse/open.asp?id=422805&entityid=https://login.uea.ac.uk/entity.
Cameron, J. (1986) ‘Aliens’.
Cardoso, P. (2002) ‘Real women have curves’. [s.l.].
Chapman, R. and Rutherford, J. (1988) Male order: unwrapping masculinity. London: Lawrence & Wishart.
Chaudhuri, S. (2006a) Feminist film theorists: Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed. London: Routledge. Available at: http://uea.eblib.com/patron/FullRecord.aspx?p=274415.
Chaudhuri, S. (2006b) ‘“Monstrous-Feminine” [in] Feminist film theorists: Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed’, in Feminist film theorists: Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed. London: Routledge. Available at: http://UEA.eblib.com/patron/FullRecord.aspx?p=274415.
Clooney, G. (2005) ‘Good night, and good luck’.
Coen, J. and Coen, E. (2007) ‘No country for old men’. [S.l.]: Paramount Home Entertainment.
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Coen, J. and Coen, E. (2009) ‘A serious man’.
Cohan, S. and Hark, I.R. (1993) Screening the male: exploring masculinities in Hollywood cinema. London: Routledge. Available at: http://www.uea.eblib.com/patron/FullRecord.aspx?p=179867.
Colebrook, C. (2004) Irony. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=5123&entityid=https://login.uea.ac.uk/entity.
Cook, P. (1982) ‘Masculinity in Crisis?’, Screen, 23(3–4), pp. 39–46. Available at: https://doi.org/10.1093/screen/23.3-4.39.
Cook, P. (1998) ‘No Fixed Address: The Women’s Picture From Outrage to Blue Steel [in] Contemporary Hollywood cinema’, in Contemporary Hollywood cinema. London: Routledge.
Cosmatos, G.P. (2008) ‘Rambo: First blood’. [s.l]: Optimum Home Entertainment.
Coulthard, L. (2007) ‘Killing Bill: Rethinking Feminism and Film Violence [in] Interrogating postfeminism: gender and the politics of popular culture’, in Interrogating postfeminism: gender and the politics of popular culture. Durham, N.C.: Duke University Press. Available at: http://uea.eblib.com/patron/FullRecord.aspx?p=1170497.
Creed, Barbara (no date) ‘HORROR AND THE MONSTROUS-FEMININE: AN IMAGINARY ABJECTION.’, Screen; Jan/Feb86, Vol, 27(Issue 1, p44-70, 27p), pp. 44–70. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=edb&AN=31426388&authtype=sso&custid=s8993828&site=ehost-live.
Cuarón, A. (2014) ‘Gravity’. [Place of publication not identified]: Warner Bros. Entertainment Inc.
Davies, J., Smith, C.R., and British Association for American Studies (1997) Gender, ethnicity and sexuality in contemporary American film. Keele: Keele University Press [in association with the British Association for American Studies].
De Palma, B. (1996) ‘Mission impossible’. [s.l.]: Paramount Pictures.
Di Meglio, V. and Inferno Distribution (Firm) (2007) ‘Smother’. [S.l.]: Optimum Home Entertainment.
Dieckmann, K. (2010a) ‘Motherhood’. [S.l.]: Metrodome.
Dieckmann, K. (2010b) ‘Motherhood’. [S.l.]: Metrodome.
Dobkin, D. (2005) ‘Wedding crashers’. [London?]: New Line Productions.
Douglas, S.J. and Michaels, M.W. (2004) The mommy myth: the idealization of motherhood and how it has undermined women. New York, N.Y.: Free Press.
Dubrofsky, R.E. and Ryalls, E.D. (2014) : ‘Performing Not-performing to Authenticate Femininity and Whiteness’, Critical Studies in Media Communication, 31(5), pp. 395–409. Available at: https://doi.org/10.1080/15295036.2013.874038.
Ducat, S. (2004) The wimp factor: gender gaps, holy wars, and the politics of anxious masculinity. Boston, MA: Beacon Press.
Dyer, R. (1997) White. London: Routledge.
Dyer, R. and McDonald, P. (1998) ‘Stars as Social Phenomenon’ [in] Stars. New ed, Stars. New ed. London: BFI Pub.
Edwards, T. (2006a) ‘Crisis, what crisis? [in] Cultures of masculinity’, in Cultures of masculinity. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=29157&entityid=https://login.uea.ac.uk/entity.
Edwards, T. (2006b) Cultures of masculinity. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=29157&entityid=https://login.uea.ac.uk/entity.
Edwards, T. (2006c) Cultures of masculinity. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=29157&entityid=https://login.uea.ac.uk/entity.
Emmerich, R. (1996) ‘Independence day’. [S.l.]: Twentieth Century Fox Home Entertainment.
Emmerich, R. (2004) ‘The day after tomorrow’. [s.l.]: Twentieth Century Fox Home Entertainment.
Faludi (2000) Stiffed. Harper.
Faludi, S. (1999) ‘The son, the moon, and the stars: The promise of postwar manhood [in] Stiffed: the betrayal of modern man’, in Stiffed: the betrayal of modern man. London: Chatto & Windus, pp. 3–47.
Faludi, S. (2007a) ‘The return of Superman [in] The terror dream: fear and fantasy in post-9/11 America’, in The terror dream: fear and fantasy in post-9/11 America. 1st ed. New York: Metropolitan Books, pp. 46–64.
Faludi, S. (2007b) The terror dream: fear and fantasy in post-9/11 America. 1st ed. New York: Metropolitan Books.
Farrelly, P. and Farrelly, B. (2011) ‘Hall Pass’. [s.l.]: Warner Home Video.
Feasey, R. (2012) From happy homemaker to desperate housewives: motherhood and popular television. London: Anthem.
Feig, P. (2011) ‘Bridesmaids’.
Fincher, D. (1992) ‘Alien 3’.
Finney, G. (1994) Look who’s laughing: gender and comedy. Langhorne, Pa: Gordon and Breach.
Fletcher, A. (2008a) ‘27 dresses’. [London?]: 20th Century Fox Home Entertainment.
Fletcher, A. (2008b) ‘27 dresses’. [London?]: 20th Century Fox Home Entertainment.
Ford, T. (2009) ‘A single man’.
Forster, M. (2001) ‘Monster’s ball’. [s.l.]: Entertainment in Video.
Forster, M. (2008) ‘Quantum of solace’.
Friedman, L.D. (1991) Unspeakable images: ethnicity and the American cinema. Urbana: University of Illinois Press.
Gaghan, S. (2005) ‘Syriana’. Warner Bros.
Gaines, J. (1999) ‘White Privilege and Looking Relations : Race and Gender in Feminist Film Theory [in] Feminist film theory: a reader’, in Feminist film theory: a reader. Edinburgh: Edinburgh University Press.
Gallagher, M. (2006) Action figures: men, action films, and contemporary adventure narratives. 1st ed. New York: Palgrave Macmillan. Available at: http://lib.myilibrary.com/browse/open.asp?id=136360&entityid=https://login.uea.ac.uk/entity.
Garrett, R. (2007) Postmodern chick flicks: the return of the woman’s film. Basingstoke: Palgrave Macmillan.
Genz, S. and Brabon, B.A. (2009) Postfeminism: cultural texts and theories. Edinburgh: Edinburgh University Press. Available at: http://uea.eblib.com/patron/FullRecord.aspx?p=448738.
Gilbert, J. (1997) ‘Performing Marginality: Comedy, Identity and Cutural Critique [in] Text and Performance Quarterly’, Text and Performance Quarterly, 17(4), pp. 317–330. Available at: https://uea.idm.oclc.org/login?url=http://www.tandfonline.com/toc/rtpq20/17/4.
Gill, R. (2016) ‘Post-postfeminism?: new feminist visibilities in postfeminist times’, Feminist Media Studies, 16(4), pp. 610–630. Available at: https://doi.org/10.1080/14680777.2016.1193293.
Gilpatric, K. (2010) ‘Violent Female Action Characters in Contemporary American Cinema’, Sex Roles, 62(11–12), pp. 734–746. Available at: https://doi.org/10.1007/s11199-010-9757-7.
Gilroy, T. (2007) ‘Michael Clayton’. Twentieth Century Fox Home Entertainment LLC.
Ginneken, J. van (2007) Screening difference: how Hollywood’s blockbuster films imagine race, ethnicity, and culture. Lanham: Rowman & Littlefield.
Gluck, W. (2011a) ‘Easy A’. London: Sony Pictures Home Entertainment.
Gluck, W. (2011b) ‘Friends with benefits’. London: Sony Pictures Home Entertainment.
Goldwyn, T. (2006) ‘The Last Kiss’. [s.l.]: Momentum.
Goodwill, J. (2011) The new female action hero: an analysis of female masculinity in the new female action hero in recent films and television shows. [S.l.]: Brave New World Publishing.
Gordon, J. and Speck, W. (2011) ‘The switch’. [S.l.]: Lions Gate Home Entertainment.
Grant, B.K. (ed.) (2015) ‘Linda Williams, When the Woman Looks [in] The dread of difference: gender and the horror film’, in The dread of difference: gender and the horror film. 2nd ed. Austin: University of Texas Press. Available at: http://ebookcentral.proquest.com/lib/uea/detail.action?docID=3571889.
Greno, N. and Howard, B. (2010) ‘Tangled’. [s.l.]: Disney DVD.
Greven, D. (2009a) Manhood in Hollywood from Bush to Bush. Austin, Tex: University of Texas Press.
Greven, D. (2009b) Manhood in Hollywood from Bush to Bush. Austin, Tex: University of Texas Press.
Haggis, P. (2004) ‘Crash’. [s.l.]: Pathé.
Hall, A.C. and Bishop, M. (2009) Mommy angst: motherhood in American popular culture. Santa Barbara, Calif: Praeger.
Hamburg, J. (2009) ‘I love you man’. [s.l.]: Paramount Home Entertainment.
Hamilton, T. et al. (2007) ‘Mama’s boy’. [France]: BAC Video.
Hamri, S. (2006) ‘Something new’. [s.l.]: Universal.
Hamri, S. (2010) ‘Just Wright’.
Hanson, C. (2005a) ‘In her shoes’. [s.l.]: Twentieth Century Fox Home Entertainment.
Hanson, C. (2005b) ‘In her shoes’. [s.l.]: Twentieth Century Fox Home Entertainment.
Harlin, R. (2004) ‘The long kiss goodnight’. [s.l.]: Entertainment in Video.
Harris, K.M. (2006) Boys, boyz, bois: an ethics of Black masculinity in film and popular media. New York: Routledge.
Harron, M. (2000) ‘American psycho’. [s.l.]: Entertainment in Video.
Hart, L. (1994) Fatal women: lesbian sexuality and the mark of aggression. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=14490&entityid=https://login.uea.ac.uk/entity.
Heartfield, J. (2002a) ‘There is No Masculinity Crisis [in] Genders OnLine Journal’, Genders OnLine Journal - There is No Masculinity Crisis [Preprint], (35). Available at: https://web.archive.org/web/20141021210202/http://www.genders.org/g35/g35_heartfield.html.
Heartfield, J. (2002b) ‘There is No Masculinity Crisis [in] Genders OnLine Journal’, Genders OnLine Journal - There is No Masculinity Crisis [Preprint], (35). Available at: https://web.archive.org/web/20141021210202/http://www.genders.org/g35/g35_heartfield.html.
Herman-Wurmfeld, C. (2003) ‘Legally blonde 2’. [London?]: MGM Home Entertainment.
Hill Collins, P. (2009) Black feminist thought: knowledge, consciousness, and the politics of empowerment. [2nd ed.]. New York: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=35502&entityid=https://login.uea.ac.uk/entity.
Hills, E. (1999) ‘From "figurative males” to action heroines: further thoughts on active women in the cinema’, Screen, 40(1), pp. 38–50. Available at: http://screen.oxfordjournals.org/content/40/1.toc.
‘Hobbs, Alex: Romancing the Crone: Hollywood’s Recent Mature Love Stories’ (2013) Journal of American Culture, 36(1), pp. 42–51. Available at: https://uea.idm.oclc.org/login?url=http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion&rft_id=xri:lion:ft:abell:R05097315:0&rft.accountid=10637.
Hogan, P.J. (2005a) ‘Confessions of a shopaholic’. [s.l.]: Touchstone Home Entertainment.
Hogan, P.J. (2005b) ‘Confessions of a shopaholic’. [s.l.]: Touchstone Home Entertainment.
Hollinger, K. (2012) ‘“Feminist Film Studies and Race” [in] Feminist film studies’, in Feminist film studies. Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=389764&entityid=https://login.uea.ac.uk/entity.
hooks, bell (1999) ‘The Oppositional Gaze: Black Female Spectators’ [in] Feminist film theory: a reader, Feminist film theory: a reader. Edinburgh: Edinburgh University Press.
Hooks, B. (1996) ‘Doing it for daddy: black masculinity in the mainstream [in] Reel to real: race, sex, and class at the movies’, in Reel to real: race, sex, and class at the movies. New York: Routledge.
Hooks, B. (1999) ‘The Oppositional Gaze: Black Female Spectators [in] Feminist film theory: a reader’, in Feminist film theory: a reader. Edinburgh: Edinburgh University Press.
Horeck, T. (2003) Public rape: representing violation in fiction and film. London: Routledge. Available at: http://uea.eblib.com/patron/FullRecord.aspx?p=1144705.
Horton, A. (1991) Comedy/cinema/theory. Berkeley: University of California Press.
Howard, R. (2011) ‘Dilemma’.
Hunter, L. (2003) ‘The Celluloid Cubicle: Regressive Constructions of Masculinity in 1990s Office Movies [in] Journal of American Culture’, Journal of American Culture, 26(1), pp. 71–86. Available at: https://uea.idm.oclc.org/login?url=http://web.a.ebscohost.com/ehost/detail/detail?vid=4&sid=8caeb0d3-0583-4d03-92ed-11d5227e24a6@sessionmgr4003&hid=4109&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ==#db=a9h&AN=9648771.
Hutcheon, L. (1994) Irony’s edge: the theory and politics of irony. London: Routledge.
Inness, S.A. (1999) Tough girls: women warriors and wonder women in popular culture. Philadelphia, Pa: University of Pennsylvania Press.
Inness, S.A. (2004) Action chicks: new images of tough women in popular culture. 1st ed. Basingstoke: Palgrave Macmillan. Available at: http://lib.myilibrary.com/browse/open.asp?id=136484&entityid=https://login.uea.ac.uk/entity.
Jeffords, S. (1993) Hard bodies: Hollywood masculinity in the Reagan era. New Brunswick, N.J.: Rutgers University Press.
Jeffrey A. Brown (1996) ‘Gender and the Action Heroine: Hardbodies and the “Point of No Return”’, Cinema Journal, 35(3), pp. 52–71. Available at: https://uea.idm.oclc.org/login?url=http://www.jstor.org/stable/1225765?seq=1#page_scan_tab_contents.
Jermyn, D. (no date) ‘Rereading the Bitches from Hell: A Feminist Appropriation of the Female Psychopath’, Screen, 37(3), pp. 251–267. Available at: http://screen.oxfordjournals.org/content/37/3.toc.
Jeunet, J.-P. (1997) ‘Alien resurrection’.
Jones, K. et al. (2012) ‘What to expect when you’re expecting’. [S.l.]: Lionsgate Home Entertainment.
Jones, K. (2012a) ‘What to expect when you’re expecting’. [S.l.]: Lionsgate Home Entertainment.
Jones, K. (2012b) ‘What to expect when you’re expecting’. [S.l.]: Lionsgate Home Entertainment.
Kaklamanidou, B. (2013a) Genre, gender and the effects of neoliberalism: the new millennium Hollywood rom com. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=459206&entityid=https://login.uea.ac.uk/entity.
Kaklamanidou, B. (2013b) ‘The baby crazed rom-com [in] Genre, gender and the effects of neoliberalism: the new millennium Hollywood rom com’, in Genre, gender and the effects of neoliberalism: the new millennium Hollywood rom com. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=459206&entityid=https://login.uea.ac.uk/entity.
Kaplan, E.A. (1997) Looking for the other: feminism, film, and the imperial gaze. New York: Routledge. Available at: http://uea.eblib.com/patron/FullRecord.aspx?p=1024672.
Karlyn, K.R. (1995) The unruly woman: gender and the genres of laughter. 1st ed. Austin, Tex: University of Texas Press. Available at: http://www.loc.gov/catdir/description/texas041/94013656.html.
Karlyn, K.R. (2011) Unruly girls, unrepentant mothers: redefining feminism on screen. 1st ed. Austin: University of Texas Press. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=351591&authtype=sso&custid=s8993828&site=ehost-live&scope=site.
Kasdan, J. (2011a) ‘Bad teacher’. [Place of publication not identified]: Sony Pictures Home Entertainment.
Kasdan, J. (2011b) ‘Bad teacher’. Sony Pictures Home Entertainment.
Kathleen, R. (1995) ‘Pig ladies, big ladies, and ladies with big mouths: Feminism and the carnivalesque [in] The unruly woman: gender and the genres of laughter’, in The unruly woman: gender and the genres of laughter. 1st ed. Austin, Tex: University of Texas Press, pp. 25–49. Available at: http://www.loc.gov/catdir/description/texas041/94013656.html.
Kimmel, M.S. (2012a) Manhood in America: a cultural history. Third edition. New York: Oxford University Press.
Kimmel, M.S. (2012b) Manhood in America: a cultural history. Third edition. New York: Oxford University Press.
King, G. (2002a) Film comedy. London: Wallflower.
King, G. (2002b) ‘Regressions and Transgressions [in] Film comedy’, in Film comedy. London: Wallflower.
King, M.P. (2008) ‘Sex and the city: the movie’. [s.l.]: New Line Cinema.
Kirby, P. (2015) ‘The Girl on Fire: The Hunger Games, Feminist Geopolitics and the Contemporary Female Action Hero’, Geopolitics, 20(2), pp. 460–478. Available at: https://doi.org/10.1080/14650045.2014.984835.
Kirkland, E. (no date) ‘Romantic Comedies and the Construction of Heterosexuality [in] Scope’, Scope [Preprint]. Available at: http://www.nottingham.ac.uk/scope/issues/2007/october-issue-09.aspx.
Kotthoff, H. (2000) ‘Gender and joking: on the complexities of women’s image politics in humorous narratives’, Journal of Pragmatics, 32(1), pp. 55–80. Available at: https://doi.org/10.1016/S0378-2166(99)00031-4.
Kotthoff, H. (2006) ‘Gender and humor: the state of the art’, Journal of Pragmatics, 38(1), pp. 4–25. Available at: https://doi.org/10.1016/j.pragma.2005.06.003.
Krutnik, F. (2002) Hollywood comedians, the film reader. London: Routledge.
Kumble, R. (2006) ‘Just friends’. [S.l.]: Momentum Pictures.
Kusama (no date) Jennifer’s body. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/017777E1?bcast=123261869.
Kusama, K. (2000) ‘Girlfight’. [s.l.]: Columbia TriStar Home Entertainment.
Lauzen, M. (2014) ‘The funny business of being Tina Fey: constructing a (feminist) comedy icon’, Feminist Media Studies, 14(1), pp. 106–117. Available at: https://doi.org/10.1080/14680777.2012.740060.
Lawrence (no date) ‘Hunger games: complete 4-film collection’.
Lehmann, M. and Gold Circle Films (2007) ‘Because I said so’. [S.l.]: Entertainment in Video.
Leiner, D. (2000) ‘Dude, Where’s My Car?’ Twentieth Century Fox.
Leonard, D.J. (2006) Screens fade to black: contemporary African American cinema. Westport, CT: Praeger Publishers.
Levy, S. (2010) ‘Date night’. [S.l.]: Twentieth Century Fox Home Entertainment.
Lichtenfeld, E. (2004) Action speaks louder: violence, spectacle, and the American action movie. Westport, Conn: Praeger.
Liddi-Brown, A. (2009) ‘Princess protection programme’. [s.l.]: Disney DVD.
Lima, K. (2008) ‘Enchanted’.
Liman, D. (1996) ‘Swingers’.
Liman, D. (2005) ‘Mr & Mrs Smith’. Film4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/02F3DA70?bcast=122879028.
Lloyd, P., Universal Pictures Corporation, and Universal Pictures (UK) (2008) ‘Mamma mia!’ [S.l.]: Universal Pictures (UK).
Luketic, R. (2002) ‘Legally blonde’. [London?]: MGM Home Entertainment.
Luketic, R. (2005) ‘Monster-in-Law’. [s.l.]: Entertainment in Video.
Lyne, A. (2002) ‘Fatal attraction’. [s.l.]: Paramount Home Entertainment.
Maher, J. (2011) ‘Eggs in many baskets : Juno (2007), Baby Mama (2008), and the new intimacies of reproduction [in] Feminism at the movies: understanding gender in contemporary popular cinema’, in Feminism at the movies: understanding gender in contemporary popular cinema. Oxon: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=344197&entityid=https://login.uea.ac.uk/entity.
Mangold, J. (2003) ‘Kate & Leopold’. [s.l.]: Miramax.
Marshall, G. (2002) ‘The princess diaries’. [s.l.]: Walt Disney Home Video.
Marshall, G. (2005) ‘Princess diaries 2: royal engagement’. [s.l.]: Walt Disney Home Video.
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McRobbie, A. (2009b) The aftermath of feminism: gender, culture and social change. London: SAGE. Available at: http://lib.myilibrary.com/browse/open.asp?id=496970&entityid=https://login.uea.ac.uk/entity.
Mendible, M. (2007) From bananas to buttocks: the Latina body in popular film and culture. Austin, Tex: University of Texas Press.
Meyers, N. (1998) ‘The parent trap’. [S.l.]: Walt Disney Home Video.
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Mortimer, C. (2010) Romantic comedy. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=258635&entityid=https://login.uea.ac.uk/entity.
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Neale, S. (1983) ‘Masculinity as Spectacle’, Screen, 24(6), pp. 2–17. Available at: https://doi.org/10.1093/screen/24.6.2.
Negra, D. (2009) What a girl wants: fantasizing the reclamation of self in postfeminism. Abingdon: Routledge. Available at: http://www.uea.eblib.com/EBLWeb/patron?target=patron&extendedid=P_432807_0&.
Neroni, H. (2005) The violent woman: femininity, narrative, and violence in contemporary American cinema. Albany, N.Y.: State University of New York Press.
Nolan, C. (2010) ‘Inception’. [London]: Distributed by Warner Home Video.
Nussbaum, J. (2008) ‘Sydney White’. [S.l.]: Universal Pictures.
O’Day, M. (2004) ‘Chapter 12 : Beauty in Motion: Gender, Spectacle and Action Babe Cinema [in] Action and adventure cinema’, in Action and adventure cinema. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=10275&entityid=https://login.uea.ac.uk/entity.
O’Haver, T. (2004) ‘Ella enchanted’. [s.l.]: Miramax.
Orr, M. (2007) ‘Kristeva and the trans-missions of the intertext : signs, mothers and speaking in tongues [in] Third wave feminism: a critical exploration’, in Third wave feminism: a critical exploration. Expanded 2nd ed. Basingstoke: Palgrave Macmillan.
Pfeil, F. (1995a) White guys: studies in postmodern domination and difference. London: Verso.
Pfeil, F. (1995b) White guys: studies in postmodern domination and difference. London: Verso.
Pitof (2005) ‘Catwoman’. [s.l.]: Warner Home Video.
Pomerance, M. and Gateward, F.K. (2004) Where the boys are: cinemas of masculinity and youth. Detroit: Wayne State University Press.
Poul, A. (2011a) ‘The back-up plan’. [S.l.]: Sony Pictures Home Entertainment.
Poul, A. (2011b) ‘The back-up plan’. [S.l.]: Sony Pictures Home Entertainment.
Powrie, P., Davies, A. and Babington, B. (2004a) The trouble with men: masculinities in European and Hollywood cinema. London: Wallflower.
Powrie, P., Davies, A. and Babington, B. (2004b) The trouble with men: masculinities in European and Hollywood cinema. London: Wallflower.
Prince-Bythewood, G. (2000) ‘Love & basketball’. [S.l.]: Entertainment in Video.
Purse, L. (2011) Contemporary action cinema. Edinburgh: Edinburgh University Press.
Radner, H. (2011) ‘Something’s Gotta Give (2003): Nancy Meyers, Neo-Feminist Auteur [in] Neo-feminist cinema: girly films, chick flicks and consumer culture’, in Neo-feminist cinema: girly films, chick flicks and consumer culture. New York: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=304494&entityid=https://login.uea.ac.uk/entity.
Radner, H. and Stringer, R. (2011) ‘Introduction: "Re-Vision?”: feminist film criticism in the twenty-first century [in] Feminism at the movies: understanding gender in contemporary popular cinema’, in Feminism at the movies: understanding gender in contemporary popular cinema. Oxon: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=344197&entityid=https://login.uea.ac.uk/entity.
Rahman, M. and Jackson, S. (2010a) Gender and sexuality: sociological approaches. Cambridge: Polity.
Rahman, M. and Jackson, S. (2010b) Gender and sexuality: sociological approaches. Cambridge: Polity.
Rahman, M. and Jackson, S. (2010c) Gender and sexuality: sociological approaches. Cambridge: Polity.
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Redfern, C. and Aune, K. (2010) Reclaiming the F word: the new feminist movement. London: Zed Books. Available at: http://lib.myilibrary.com/browse/open.asp?id=273866&entityid=https://login.uea.ac.uk/entity.
Reitman, I. (2011) ‘No Strings Attached’. Paramount Home Entertainment.
Reitman, J. (2008a) ‘Juno’. [S.l.]: 20th Century Fox Home Entertainment.
Reitman, J. (2008b) ‘Juno’. [S.l.]: 20th Century Fox Home Entertainment.
Richardson, M. (2004) Where can the others meet? Gender, race and film comedy. Available at: http://sensesofcinema.com/2004/comedy-and-perception/where_can_others_meet/.
Roach, J. (2010) ‘Dinner for schmucks’.
Rosman, M. and Santostefano, D. (2012) ‘A Cinderella story: [and] Another Cinderella story; [and] A Cinderella story : once upon a song’. Burbank, Ca: Warner Home Video.
Ross, G. (2012) ‘The Hunger Games’. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/02E3193E?bcast=123285655.
Ross, K. (2012) ‘Save the Cheerleader, Save the Male: Resurgent Protective Paternalism in Popular Film and Television After 9/11 [in] The handbook of gender, sex, and media’, in The handbook of gender, sex, and media. Chichester: Wiley-Blackwell. Available at: http://lib.myilibrary.com/browse/open.asp?id=422805&entityid=https://login.uea.ac.uk/entity.
Rubinfeld, M.D. and Rubinfield, M.D. (2001) Bound to bond: gender, genre, and the Hollywood romantic comedy. Westport, Conn: Praeger.
Schaap, R. (2011) ‘No Country for Old Women: Gendering Cinema in Conglomerate Hollywood [in] Feminism at the movies: understanding gender in contemporary popular cinema’, in Feminism at the movies: understanding gender in contemporary popular cinema. Oxon: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=344197&entityid=https://login.uea.ac.uk/entity.
Schubart, R. (2007) ‘High Trash Heroines: Lara, Beatrix and Three Angels [in] Super bitches and action babes: the female hero in popular cinema, 1970-2006’, in Super bitches and action babes: the female hero in popular cinema, 1970-2006. Jefferson, N.C.: McFarland & Co. Available at: http://uea.eblib.com/patron/FullRecord.aspx?p=1771629.
Schumacher, J. (1993) ‘Falling down: a tale of urban reality’. [s.l.]: Warner Home Video.
Sconce, J. (2006) ‘Smart Cinema [in] Contemporary American cinema’, in Contemporary American cinema. London: Open University Press. Available at: http://www.uea.eblib.com/patron/FullRecord.aspx?p=295533.
Scott, R. (1979) ‘Alien’. Twentieth Century Fox Home Entertainment.
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Segal, L. (1999) Why feminism?: gender, psychology, politics. New York: Columbia University Press.
Shankman, A. (2003) ‘Bringing down the house’. [s.l.]: Touchstone Home Video.
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Shapiro, L. (2009b) ‘Labor pains’. [S.l.]: Momentum Pictures.
Shiftman, L. and Lemish, D. (2012) ‘Virtually blonde : blonde jokes in the global age and post–feminist discourse [in] The handbook of gender, sex, and media’, in The handbook of gender, sex, and media. Chichester: Wiley-Blackwell. Available at: http://lib.myilibrary.com/browse/open.asp?id=422805&entityid=https://login.uea.ac.uk/entity.
Shyamalan, M.N. (2002) ‘Signs’. Buena Vista Home Entertainment, Inc.
Singh, A. (2008) Scarlett Johansson: Women actresses are victims of Hollywood ageism - Telegraph. Available at: http://www.telegraph.co.uk/news/celebritynews/2547469/Scarlett-Johansson-Women-actresses-are-victims-of-Hollywood-ageism.html.
Siri, F.E. (2005) ‘Hostage’. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00588617?bcast=114808689.
Slade, D. (2005) ‘Hard Candy’. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/012804D0?bcast=111954177.
Soderbergh, S. (1998) ‘Out of Sight’. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/004BD3E0?bcast=116810639.
Spielberg, S. (2005) ‘War of the worlds’. [s.l.]: Paramount Pictures.
Staiger, J. (2011) ‘The First Bond Who Bleeds, Literally and Metaphorically: Gendered Spectatorship for "Pretty Boy” Action Movies [in] Feminism at the movies: understanding gender in contemporary popular cinema’, in Feminism at the movies: understanding gender in contemporary popular cinema. Oxon: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=344197&entityid=https://login.uea.ac.uk/entity.
Stallone, S. (2006) ‘Rocky Balboa’.
Stasia, C.L. (2007) ‘”My Guns are in the Fendi!” The postfeminist Female Action Hero [in] Third wave feminism: a critical exploration’, in Third wave feminism: a critical exploration. Expanded 2nd ed. Basingstoke: Palgrave Macmillan.
Stern, M. (2010) ‘Dudes, Bros, Boyfriends and Bugarrones: Redistributing the Stigma of Same-Sex Desire [in] Sprinkle: A Journal of Sexual Diversity Studies’, Sprinkle : A Journal of Sexual Diversity Studies, pp. 144–153. Available at: http://freireproject.org/wp-content/journals/sprinkle/Sprinkle_vol3.pdf.
Stone, A. (2007) An introduction to feminist philosophy. Cambridge: Polity.
Stone, A. (2012) Feminism, psychoanalysis, and maternal subjectivity. New York: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=346198&entityid=https://login.uea.ac.uk/entity.
Stone, O. (2010) ‘Wall Street’. [s.l.]: Twentieth Century Fox Home Entertainment.
Story, T. (2004) ‘Taxi’. [s.l.]: 20th Century Fox.
Stott, A. (2005) Comedy. New York: Routledge.
Stringer, R. (2011) ‘From Victim to Vigilante: Gender, Violence and Revenge in The Brave One (2007) and Hard Candy (2005) [in] Feminism at the movies: understanding gender in contemporary popular cinema’, in Feminism at the movies: understanding gender in contemporary popular cinema. Oxon: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=344197&entityid=https://login.uea.ac.uk/entity.
Stromberg, R. (2004) ‘Maleficent’. Walt Disney Studios Home Entertainment Z1A BUA0218201. Available at: http://copac.jisc.ac.uk/search?title=maleficent&rn=4.
Stromberg, R. (2014) Maleficent. [Place of publication not identified]: Disney.
Stuller, J.K. (2010) Ink-stained amazons and cinematic warriors: superwomen in modern mythology. London: I. B. Tauris. Available at: http://lib.myilibrary.com/browse/open.asp?id=288131&entityid=https://login.uea.ac.uk/entity.
Tally, M. (2008) ‘Something’s gotta give : Hollywood, female sexuality, and the older bird chick flick [in] Chick flicks: contemporary women at the movies’, in Chick flicks: contemporary women at the movies. New York: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=125986&entityid=https://login.uea.ac.uk/entity.
Tarantino, Q. (2004a) ‘Kill Bill: Volume 1’. [s.l.]: Buena Vista Home Entertainment.
Tarantino, Q. (2004b) ‘Kill Bill: Volume 2’. [s.l.]: Buena Vista Home Entertainment.
Tasker, Y. (1993a) ‘Dumb Movies for Dumb People [in] Screening the male: exploring masculinities in Hollywood cinema’, in Screening the male: exploring masculinities in Hollywood cinema. London: Routledge. Available at: http://www.uea.eblib.com/patron/FullRecord.aspx?p=179867.
Tasker, Y. (1993b) Spectacular bodies: gender, genre, and the action cinema. London: Routledge. Available at: http://www.uea.eblib.com/patron/FullRecord.aspx?p=179873.
Tasker, Y. (2004) Action and adventure cinema. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=10275&entityid=https://login.uea.ac.uk/entity.
Tasker, Y. (2006a) ‘Chapter 21 - Fantasizing Gender and Race: Women in Contemporary US Action [in] Contemporary American cinema’, in Contemporary American cinema. London: Open University Press, pp. 410–428. Available at: http://www.uea.eblib.com/patron/FullRecord.aspx?p=295533.
Tasker, Y. (2006b) ‘Fantasizing Gender and Race: Women in Contemporary US Action [in] Contemporary American cinema’, in Contemporary American cinema. London: Open University Press. Available at: http://www.uea.eblib.com/patron/FullRecord.aspx?p=295533.
Tasker, Y. (2007) ‘Violence, Duty and Choice: the Military Woman in Contemporary Hollywood Cinema [in] Women willing to fight: the fighting woman in film’, in Women willing to fight: the fighting woman in film. Newcastle: Cambridge Scholars Pub, pp. 78–94.
Tasker, Y. (2010) ‘Vision and Visibility: Women Filmmakers, Contemporary Authorship and Feminist Film Studies [in] Reclaiming the archive: feminism and film history’, in Reclaiming the archive: feminism and film history. Detroit, Mich: Wayne State University Press.
Tasker, Y. (2011) ‘Enchanted (2007) by postfeminism : gender, irony and the new romantic comedy [in] Feminism at the movies: understanding gender in contemporary popular cinema’, in Feminism at the movies: understanding gender in contemporary popular cinema. Oxon: Routledge. Available at: http://lib.myilibrary.com/Open.aspx?id=344197&src=0.
Tasker, Y. and Negra, Debra (2007) ‘Bridget Jones and the new gender regime [in] Interrogating postfeminism: gender and the politics of popular culture’, in Interrogating postfeminism: gender and the politics of popular culture. Durham, N.C.: Duke University Press. Available at: http://UEA.eblib.com/patron/FullRecord.aspx?p=1170497.
Tasker, Y. and Negra, Diane (2007) Interrogating postfeminism: gender and the politics of popular culture. Durham, N.C.: Duke University Press. Available at: http://uea.eblib.com/patron/FullRecord.aspx?p=1170497.
Taylor, J.S., Layne, L.L. and Wozniak, D.F. (2004) Consuming motherhood. New Brunswick, N.J.: Rutgers University Press.
Taylor, T. and Dreamworks Pictures (2011) ‘The help’. [S.l.]: Dreamworks II Distribution.
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‘“The more you look, the less you really know”: the redemption of white masculinity in contemporary American and French cinema.’ (2008a) Cinema Journal, XLVII(3), pp. 29–47. Available at: https://uea.idm.oclc.org/login?url=http://fiaf.chadwyck.com/fulltext/indexFullText.do?id=004/0349097&area=index&fromToC=yes&jid=006/0000069.
‘“The more you look, the less you really know”: the redemption of white masculinity in contemporary American and French cinema.’ (2008b) Cinema Journal, XLVII(3), pp. 29–47. Available at: https://uea.idm.oclc.org/login?url=http://fiaf.chadwyck.com/fulltext/indexFullText.do?id=004/0349097&area=index&fromToC=yes&jid=006/0000069.
Thomas, B. (2007) ‘John Tucker must die’. [S.l.]: Twentieth Century Fox Home Entertainment.
Thornham, S. (2007) ‘Narrating Femininity’ [in] Women, feminism and media, Women, feminism and media. Edinburgh: Edinburgh University Press. Available at: http://ebookcentral.proquest.com/lib/uea/detail.action?docID=1962331.
Thornham, S. (2012) What if I had been the hero?: investigating women’s cinema. London: Palgrave Macmillan on behalf of the British Film Institute.
Thurber, R.M. (2005) ‘Dodgeball: grab life by the balls’. [s.l.]: 20th Century Fox Home Entertainment.
Troyer, J. and Marchiselli, C. (2002) ‘Slack, Slacker, Slackest: Homosocial Bomding in Contemporary Dude Cinema [in] The trouble with men: masculinities in European and Hollywood cinema’, in The trouble with men: masculinities in European and Hollywood cinema. London: Wallflower.
Tyler, I., Coleman, R. and Ferreday, D. (2008) ‘Commentary and criticism’, Feminist Media Studies, 8(1), pp. 85–99. Available at: https://doi.org/10.1080/14680770801899226.
Vares, T. (2002) ‘Framing “Killer Women” Films: Audience Use of Genre’, Feminist Media Studies, 2(2), pp. 213–229. Available at: https://doi.org/10.1080/14680770220150872.
Wain, D. (2008) ‘Role Models’. [UK]: Universal Pictures UK.
Walby, S. (2011a) ‘Chapter 8: Alternative Futures [in] The future of feminism’, in The future of feminism. Cambridge: Polity. Available at: http://ebookcentral.proquest.com/lib/uea/detail.action?docID=1175963.
Walby, S. (2011b) The future of feminism. Cambridge: Polity. Available at: http://ebookcentral.proquest.com/lib/uea/detail.action?docID=1175963.
Walter, N. (2011) Living dolls: the return of sexism. London: Virago.
Wang, W. (2002) ‘Maid in Manhattan’. [s.l.]: Columbia.
Warner, H. (2013) ‘A New Feminist Revolution in Hollywood Comedy’?:Postfeminist Discourses and the Critical Reception of Bridesmaids [in] Postfeminism and contemporary Hollywood cinema’, in J. Gwynne and N. Müller (eds) Postfeminism and contemporary Hollywood cinema. New York: Palgrave Macmillan, pp. 222–237. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=622495&authtype=sso&custid=s8993828&site=ehost-live&scope=site.
Warner, J. (2006) Perfect madness: motherhood in the age of anxiety. London: Vermilion.
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Waters, M.S. (2004) ‘Mean girls’. [S.l.]: Paramount.
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Weiland, P. (2008) ‘Made of honour’. [s.l.]: Sony Pictures Home Entertainment.
Weitz, P. (1999) ‘American pie’. [s.l.]: Columbia Tristar Home Video.
Weitz, P. (2013a) ‘Admission’. [S.l.]: Universal.
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Wells, J. (2013) August: Osage County. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/068B75AE?bcast=123137895.
West, S. (2001) ‘Lara Croft, tomb raider’. [s.l.]: Paramount.
Westfeldt, J. (2012a) ‘Friends with kids’. [S.l.]: Lionsgate Home Entertainment.
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Whelehan, I. (2000) Overloaded: popular culture and the future of feminism. London: Women’s Press.
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White, R. (2013) ‘Women are angry! : Lizzie and Sarah as feminist critique’, Feminist Media Studies, 13(3), pp. 415–426. Available at: https://doi.org/10.1080/14680777.2011.651732.
Williams, L. (1999) ‘Film Bodies: Gender, Genre and Excess [in] Feminist film theory: a reader’, in Feminist film theory: a reader. Edinburgh: Edinburgh University Press.
Williams, L.R. (2004) ‘Ready for Action: G.I. Jane, Demi Moore’s Body and the Female Combat Movie [in] Action and adventure cinema’, in Action and adventure cinema. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=10275&entityid=https://login.uea.ac.uk/entity.
Willis, S. (1997) High contrast: race and gender in contemporary Hollywood film. Durham, N.C.: Duke University Press.
Winch, A. (2012) ‘We can have it all: the girlfriend flick’, Feminist Media Studies, 12(1), pp. 69–82. Available at: https://doi.org/10.1080/14680777.2011.558349.
Winick, G. (2004a) ‘13 going on 30’. [s.l.]: Columbia.
Winick, G. (2004b) ‘13 going on 30’. [s.l.]: Columbia.
Winick, G. (2009a) ‘Bride Wars’. [s.l.]: 20th Century Fox.
Winick, G. (2009b) ‘Bride Wars’. [s.l.]: 20th Century Fox.
Wiseman, L. (2007) ‘Die hard 4.0’.
Wolf, F. (2009) ‘House bunny’. [S.l.]: Sony Pictures Home Entertainment.
Wolf, N. (1991) The beauty myth: how images of beauty are used against women. London: Vintage.
Wolf, N. and Wolf, N. (1991) The beauty myth: how images of beauty are used against women. London: Vintage.
Woo, J. (2000) ‘Mission: Impossible II’. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/001266DC?bcast=122248021.
Woodruff, B. (2005) ‘Beauty shop’. [s.l.]: Metro-Goldwyn-Mayer.
Woodward, K.M. (1991) Aging and its discontents: Freud and other fictions. Bloomington: Indiana University Press.
Wu, A. (2004) ‘Saving face’. London: Sony Pictures.
Zackham, J. (2013) ‘The big wedding’. [S.l.]: Lionsgate Home Entertainment UK.
Zemeckis, R. (2008) ‘Beowulf’. [s.l.]: Warner Home Video.
Ziarek, E.P. (2011) ‘Kinship and Racist Violence in Gina Prince-Blythewood’s The Secret Life of Bees (2008 [in] Feminism at the movies: understanding gender in contemporary popular cinema’, in Feminism at the movies: understanding gender in contemporary popular cinema. Oxon: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=344197&entityid=https://login.uea.ac.uk/entity.
Zwick, J. (2002) ‘My big fat Greek wedding’. [s.l.]: Entertainment in Video.
