Bibliography for Gender and Genre in Contemporary Cinema BETA

‘A Maternal Heart: Angelina Jolie, Choices of Maternity, and Hegemonic Femininity in People Magazine: Feminist Media Studies: Vol 15, No 4’. n. pag. Web. <http://www.tandfonline.com/doi/full/10.1080/14680777.2015.1009929>.

‘A World Ruled by Hilarity: Gender and Low Comedy in the Films of Amy Heckerling [in] Senses of Cinema’. N.p., n.d. Web. <http://sensesofcinema.com/2002/filmmaker-profiles/heckerling/>.

Abrams, J. J. ‘Mission Impossible III’. 2006. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/00730A54?bcast=105426600>.

Alberti, John. ‘"I Love You, Man”: Bromances, the Construction of Masculinity, and the Continuing Evolution of the Romantic Comedy’. Quarterly Review of Film and Video 30.2 (2013): 159–172. Web. <https://uea.idm.oclc.org/login?url=http://ejournals.ebsco.com/Issue.asp?IssueID=1614966>.

Anders, Sean et al. ‘Daddy’s Home’. 2016 : n. pag. Print.

Anderson, Eric. Inclusive Masculinity: The Changing Nature of Masculinities. Routledge research in gender and society. Hoboken: Taylor & Francis, 2009. Web. <http://www.UEA.eblib.com/EBLWeb/patron?target=patron&amp;extendedid=P_439168_0&amp;>.

---. Inclusive Masculinity: The Changing Nature of Masculinities. Routledge research in gender and society. Hoboken: Taylor & Francis, 2009. Web. <http://www.UEA.eblib.com/EBLWeb/patron?target=patron&amp;extendedid=P_439168_0&amp;>.

Andrews, Mark, and Brenda Chapman. ‘Brave’. 2012 : n. pag. Print.

Apatow, Judd. ‘Knocked Up’. 2007 : n. pag. Print.

---. ‘Knocked Up’. 2007 : n. pag. Print.

---. ‘Knocked Up’. 2007 : n. pag. Print.

---. ‘The 40 Year Old Virgin’. 2005 : n. pag. Print.

---. ‘This Is 40’. 2012. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/05F34BF4?bcast=122012834>.

---. ‘This Is 40’. 2012. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/05F34BF4?bcast=122012834>.

Apted, Michael. ‘Enough’. 2006 : n. pag. Print.

Arroyo, José. Action/Spectacle Cinema: A Sight and Sound Reader. London: British Film Institute, 1999. Print.

Ayers, Drew. ‘Bodies, Bullets, and Bad Guys: Elements of the Hardbody Film’. Film Criticism 32.3 n. pag. Web. <http://search.proquest.com/docview/200940087?pq-origsite=gscholar>.

Baker, Brian. Masculinity in Fiction and Film: Representing Men in Popular Genres, 1945-2000. Continuum literary studies. London: Continuum, 2006. Web. <http://lib.myilibrary.com/browse/open.asp?id=129499&amp;entityid=https://login.uea.ac.uk/entity>.

---. Masculinity in Fiction and Film: Representing Men in Popular Genres, 1945-2000. Continuum literary studies. London: Continuum, 2006. Web. <http://lib.myilibrary.com/browse/open.asp?id=129499&amp;entityid=https://login.uea.ac.uk/entity>.

Barreca, Regina. New Perspectives on Women and Comedy. Studies in gender and culture. Philadelphia: GHordon and Breach, 1992. Print.

Beltran, Mary. ‘Mas Macha: The New Latina American Action Hero [in] Action and Adventure Cinema’. Action and Adventure Cinema. London: Routledge, 2004. Web. <http://lib.myilibrary.com/browse/open.asp?id=10275&amp;entityid=https://login.uea.ac.uk/entity>.

Benshoff, Harry M., and Sean Griffin. America on Film: Representing Race, Class, Gender, and Sexuality at the Movies. 2nd ed. Malden, MA, USA: Wiley-Blackwell, 2009. Web. <http://www.uea.eblib.com/patron/FullRecord.aspx?p=819377>.

Berlanti, Greg. ‘Life as We Know It’. 2011 : n. pag. Print.

Bernardi, Daniel. The Persistence of Whiteness: Race and Contemporary Hollywood Cinema. Abingdon: Routledge, 2008. Web. <http://www.loc.gov/catdir/toc/ecip0712/2007008736.html>.

Berridge, Susan, and Karen Boyle. ‘I Love You Man: Gendered Narratives of Friendship in Contemporary Hollywood Comedies’. Feminist Media Studies 14.3 (2012): 353–368. Web. <https://uea.idm.oclc.org/login?url=http://www.tandfonline.com/openurl/toc/rfms20/14/3>.

Bezucha, Thomas. ‘The Family Stone’. 2008 : n. pag. Print.

Billig, Michael and Nottingham Trent University. TCS Centre. Laughter and Ridicule: Towards a Social Critique of Laughter. Theory, culture&society. London: Sage in association with Theory, Culture & Society, Nottingham Trent University, 2005. Print.

Bird, Brad. ‘Mission Impossible - Ghost Protocol’. 2011 : n. pag. Print.

---. ‘The Incredibles’. 2005 : n. pag. Print.

Bont, Jan de. ‘Twister’. 1996 : n. pag. Print.

Bordo, Susan. ‘Gentleman or Beast?: The Double Bind of Masculinity’ [in] The Male Body: A New Look at Men in Public and in Private. 1st ed. New York: Farrar, Straus and Giroux, 1999. Print.

---. ‘Gentleman or Beast? The Double Bind of Masculinity [in] The Male Body: A New Look at Men in Public and in Private’. The Male Body: A New Look at Men in Public and in Private. 1st ed. New York: Farrar, Straus and Giroux, 1999. Print.

Bore, Inger-Lise Kalviknes. ‘(Un)Funny Women: TV Comedy Audiences and the Gendering of Humour’. European Journal of Cultural Studies 13 (2010): n. pag. Web. <https://uea.idm.oclc.org/login?url=http://ecs.sagepub.com/content/13/2.toc>.

Bowdre, Karen. ‘Romantic Comedies and the Raced Body [in] Falling in Love Again: Romantic Comedy in Contemporary Cinema’. Falling in Love Again: Romantic Comedy in Contemporary Cinema. London: I. B. Tauris, 2009. Web. <http://lib.myilibrary.com/browse/open.asp?id=261914&entityid=https://login.uea.ac.uk/entity>.

Boyle, Karen, and Susan Berridge. ‘I Love You, Man’. Feminist Media Studies 14.3 (2014): 353–368. Web.

Bradley, Harriet. Gender. 2nd ed. Key concepts series. Cambridge: Polity, 2013. Web. <http://lib.myilibrary.com/browse/open.asp?id=478135&entityid=https://login.uea.ac.uk/entity>.

Brest, Martin. ‘Gigli’. 2003 : n. pag. Print.

Buck, Chris, and Jennifer Lee. ‘Frozen’. 2014 : n. pag. Print.

Burger, Neil. ‘Divergent’. 2014 : n. pag. Print.

Butler, Judith. ‘"Women” as the Subject of Feminism [in] Gender Trouble: Feminism and the Subversion of Identity’. Gender Trouble: Feminism and the Subversion of Identity. Routledge classics. New York: Routledge, 2006. Web. <http://lib.myilibrary.com/browse/open.asp?id=344208&amp;entityid=https://login.uea.ac.uk/entity>.

Byerly, Carolyn. ‘The Geography of Women and Media Scholarship [in] The Handbook of Gender, Sex, and Media’. The Handbook of Gender, Sex, and Media. Handbooks in communication and media. Chichester: Wiley-Blackwell, 2012. Web. <http://lib.myilibrary.com/browse/open.asp?id=422805&entityid=https://login.uea.ac.uk/entity>.

Cameron, James. ‘Aliens’. 1986 : n. pag. Print.

Cardoso, Patricia. ‘Real Women Have Curves’. 2002 : n. pag. Print.

Chapman, Rowena, and Jonathan Rutherford. Male Order: Unwrapping Masculinity. London: Lawrence & Wishart, 1988. Print.

Chaudhuri, Shohini. Feminist Film Theorists: Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed. Routledge critical thinkers. London: Routledge, 2006. Web. <http://uea.eblib.com/patron/FullRecord.aspx?p=274415>.

---. ‘“Monstrous-Feminine” [in] Feminist Film Theorists: Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed’. Feminist Film Theorists: Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed. Routledge critical thinkers. London: Routledge, 2006. Web. <http://UEA.eblib.com/patron/FullRecord.aspx?p=274415>.

Clooney, George. ‘Good Night, and Good Luck’. 2005 : n. pag. Print.

Coen, Joel, and Ethan Coen. ‘A Serious Man’. 2009 : n. pag. Print.

---. ‘Burn after Reading’. 2008 : n. pag. Print.

---. ‘No Country for Old Men’. 2007 : n. pag. Print.

Cohan, Steven, and Ina Rae Hark. Screening the Male: Exploring Masculinities in Hollywood Cinema. London: Routledge, 1993. Web. <http://www.uea.eblib.com/patron/FullRecord.aspx?p=179867>.

Colebrook, Claire. Irony. The new critical idiom. London: Routledge, 2004. Web. <http://lib.myilibrary.com/browse/open.asp?id=5123&amp;entityid=https://login.uea.ac.uk/entity>.

Cook, P. ‘Masculinity in Crisis?’ Screen 23.3–4 (1982): 39–46. Web.

Cook, Pam. ‘No Fixed Address: The Women’s Picture From Outrage to Blue Steel [in] Contemporary Hollywood Cinema’. Contemporary Hollywood Cinema. London: Routledge, 1998. Print.

Cosmatos, George Pan. ‘Rambo: First Blood’. 2008 : n. pag. Print.

Coulthard, Lisa. ‘Killing Bill: Rethinking Feminism and Film Violence [in] Interrogating Postfeminism: Gender and the Politics of Popular Culture’. Interrogating Postfeminism: Gender and the Politics of Popular Culture. Console-ing passions : television and cultural power. Durham, N.C.: Duke University Press, 2007. Web. <http://uea.eblib.com/patron/FullRecord.aspx?p=1170497>.

Creed, Barbara. ‘HORROR AND THE MONSTROUS-FEMININE: AN IMAGINARY ABJECTION.’ Screen; Jan/Feb86, Vol 27.Issue 1, p44-70, 27p 44–70. Web. <http://search.ebscohost.com/login.aspx?direct=true&amp;db=edb&amp;AN=31426388&amp;authtype=sso&amp;custid=s8993828&amp;site=ehost-live>.

Cuarón, Alfonso. ‘Gravity’. 2014 : n. pag. Print.

Davies, Jude, Carol R. Smith, and British Association for American Studies. Gender, Ethnicity and Sexuality in Contemporary American Film. BAAS paperbacks. Keele: Keele University Press [in association with the British Association for American Studies], 1997. Print.

De Palma, Brian. ‘Mission Impossible’. 1996 : n. pag. Print.

Di Meglio, Vince and Inferno Distribution (Firm). ‘Smother’. 2007 : n. pag. Print.

Dieckmann, Katherine. ‘Motherhood’. 2010 : n. pag. Print.

---. ‘Motherhood’. 2010 : n. pag. Print.

Dobkin, David. ‘Wedding Crashers’. 2005 : n. pag. Print.

Douglas, Susan J., and Meredith W. Michaels. The Mommy Myth: The Idealization of Motherhood and How It Has Undermined Women. New York, N.Y.: Free Press, 2004. Print.

Dubrofsky, Rachel E., and Emily D. Ryalls. : ‘: Performing Not-Performing to Authenticate Femininity and Whiteness’. Critical Studies in Media Communication 31.5 (2014): 395–409. Web.

Ducat, Stephen. The Wimp Factor: Gender Gaps, Holy Wars, and the Politics of Anxious Masculinity. Boston, MA: Beacon Press, 2004. Print.

Dyer, Richard. White. London: Routledge, 1997. Print.

Dyer, Richard, and Paul McDonald. ‘Stars as Social Phenomenon’ [in] Stars. New ed. London: BFI Pub, 1998. Print.

Edwards, Tim. ‘Crisis, What Crisis? [In] Cultures of Masculinity’. Cultures of Masculinity. London: Routledge, 2006. Web. <http://lib.myilibrary.com/browse/open.asp?id=29157&amp;entityid=https://login.uea.ac.uk/entity>.

---. Cultures of Masculinity. London: Routledge, 2006. Web. <http://lib.myilibrary.com/browse/open.asp?id=29157&amp;entityid=https://login.uea.ac.uk/entity>.

---. Cultures of Masculinity. London: Routledge, 2006. Web. <http://lib.myilibrary.com/browse/open.asp?id=29157&amp;entityid=https://login.uea.ac.uk/entity>.

Emmerich, Roland. ‘Independence Day’. 1996 : n. pag. Print.

---. ‘The Day after Tomorrow’. 2004 : n. pag. Print.

Faludi. Stiffed. Harper, 2000. Print.

Faludi, Susan. ‘The Return of Superman [in] The Terror Dream: Fear and Fantasy in Post-9/11 America’. The Terror Dream: Fear and Fantasy in Post-9/11 America. 1st ed. New York: Metropolitan Books, 2007. 46–64. Print.

---. ‘The Son, the Moon, and the Stars: The Promise of Postwar Manhood [in] Stiffed: The Betrayal of Modern Man’. Stiffed: The Betrayal of Modern Man. London: Chatto & Windus, 1999. 3–47. Print.

---. The Terror Dream: Fear and Fantasy in Post-9/11 America. 1st ed. New York: Metropolitan Books, 2007. Print.

Farrelly, Peter, and Bob Farrelly. ‘Hall Pass’. 2011 : n. pag. Print.

Feasey, Rebecca. From Happy Homemaker to Desperate Housewives: Motherhood and Popular Television. London: Anthem, 2012. Print.

Feig, Paul. ‘Bridesmaids’. 2011 : n. pag. Print.

Fincher, David. ‘Alien 3’. 1992 : n. pag. Print.

Finney, Gail. Look Who’s Laughing: Gender and Comedy. Studies in humor and gender. Langhorne, Pa: Gordon and Breach, 1994. Print.

Fletcher, Anne. ‘27 Dresses’. 2008 : n. pag. Print.

---. ‘27 Dresses’. 2008 : n. pag. Print.

Ford, Tom. ‘A Single Man’. 2009 : n. pag. Print.

Forster, Marc. ‘Monster’s Ball’. 2001 : n. pag. Print.

---. ‘Quantum of Solace’. 2008 : n. pag. Print.

Friedman, Lester D. Unspeakable Images: Ethnicity and the American Cinema. Urbana: University of Illinois Press, 1991. Print.

Gaghan, Stephen. ‘Syriana’. 2005 : n. pag. Print.

Gaines, Jane. ‘White Privilege and Looking Relations : Race and Gender in Feminist Film Theory [in] Feminist Film Theory: A Reader’. Feminist Film Theory: A Reader. Edinburgh: Edinburgh University Press, 1999. Print.

Gallagher, Mark. Action Figures: Men, Action Films, and Contemporary Adventure Narratives. 1st ed. New York: Palgrave Macmillan, 2006. Web. <http://lib.myilibrary.com/browse/open.asp?id=136360&amp;entityid=https://login.uea.ac.uk/entity>.

Garrett, Roberta. Postmodern Chick Flicks: The Return of the Woman’s Film. Basingstoke: Palgrave Macmillan, 2007. Print.

Genz, Stéphanie, and Benjamin A. Brabon. Postfeminism: Cultural Texts and Theories. Edinburgh: Edinburgh University Press, 2009. Web. <http://uea.eblib.com/patron/FullRecord.aspx?p=448738>.

Gilbert, Joanne. ‘Performing Marginality: Comedy, Identity and Cutural Critique [in] Text and Performance Quarterly’. Text and Performance Quarterly 17.4 (1997): 317–330. Web. <https://uea.idm.oclc.org/login?url=http://www.tandfonline.com/toc/rtpq20/17/4>.

Gill, Rosalind. ‘Post-Postfeminism?: New Feminist Visibilities in Postfeminist Times’. Feminist Media Studies 16.4 (2016): 610–630. Web.

Gilpatric, Katy. ‘Violent Female Action Characters in Contemporary American Cinema’. Sex Roles 62.11–12 (2010): 734–746. Web.

Gilroy, Tony. ‘Michael Clayton’. 2007 : n. pag. Print.

Ginneken, Jaap van. Screening Difference: How Hollywood’s Blockbuster Films Imagine Race, Ethnicity, and Culture. Lanham: Rowman & Littlefield, 2007. Print.

Gluck, Will. ‘Easy A’. 2011 : n. pag. Print.

---. ‘Friends with Benefits’. 2011 : n. pag. Print.

Goldwyn, Tony. ‘The Last Kiss’. 2006 : n. pag. Print.

Goodwill, Joe. The New Female Action Hero: An Analysis of Female Masculinity in the New Female Action Hero in Recent Films and Television Shows. [S.l.]: Brave New World Publishing, 2011. Print.

Gordon, Josh, and Will Speck. ‘The Switch’. 2011 : n. pag. Print.

Grant, Barry Keith, ed. ‘Linda Williams, When the Woman Looks [in] The Dread of Difference: Gender and the Horror Film’. The Dread of Difference: Gender and the Horror Film. 2nd ed. Texas film studies series. Austin: University of Texas Press, 2015. Web. <http://ebookcentral.proquest.com/lib/uea/detail.action?docID=3571889>.

Greno, Nathan, and Byron Howard. ‘Tangled’. 2010 : n. pag. Print.

Greven, David. Manhood in Hollywood from Bush to Bush. Austin, Tex: University of Texas Press, 2009. Print.

---. Manhood in Hollywood from Bush to Bush. Austin, Tex: University of Texas Press, 2009. Print.

Haggis, Paul. ‘Crash’. 2004 : n. pag. Print.

Hall, Ann C., and Mardia Bishop. Mommy Angst: Motherhood in American Popular Culture. Santa Barbara, Calif: Praeger, 2009. Print.

Hamburg, John. ‘I Love You Man’. 2009 : n. pag. Print.

Hamilton, Tim et al. ‘Mama’s Boy’. 2007 : n. pag. Print.

Hamri, Sanaa. ‘Just Wright’. 2010 : n. pag. Print.

---. ‘Something New’. 2006 : n. pag. Print.

Hanson, Curtis. ‘In Her Shoes’. 2005 : n. pag. Print.

---. ‘In Her Shoes’. 2005 : n. pag. Print.

Harlin, Renny. ‘The Long Kiss Goodnight’. 2004 : n. pag. Print.

Harris, Keith M. Boys, Boyz, Bois: An Ethics of Black Masculinity in Film and Popular Media. Studies in African American history and culture. New York: Routledge, 2006. Print.

Harron, Mary. ‘American Psycho’. 2000 : n. pag. Print.

Hart, Lynda. Fatal Women: Lesbian Sexuality and the Mark of Aggression. London: Routledge, 1994. Web. <http://lib.myilibrary.com/browse/open.asp?id=14490&amp;entityid=https://login.uea.ac.uk/entity>.

Heartfield, James. ‘There Is No Masculinity Crisis [in] Genders OnLine Journal’. Genders OnLine Journal - There is No Masculinity Crisis 35 (2002): n. pag. Web. <https://web.archive.org/web/20141021210202/http://www.genders.org/g35/g35_heartfield.html>.

---. ‘There Is No Masculinity Crisis [in] Genders OnLine Journal’. Genders OnLine Journal - There is No Masculinity Crisis 35 (2002): n. pag. Web. <https://web.archive.org/web/20141021210202/http://www.genders.org/g35/g35_heartfield.html>.

Herman-Wurmfeld, Charles. ‘Legally Blonde 2’. 2003 : n. pag. Print.

Hill Collins, Patricia. Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. [2nd ed.]. Routledge classics. New York: Routledge, 2009. Web. <http://lib.myilibrary.com/browse/open.asp?id=35502&amp;entityid=https://login.uea.ac.uk/entity>.

Hills, Elizabeth. ‘From "figurative Males” to Action Heroines: Further Thoughts on Active Women in the Cinema’. Screen 40.1 (1999): 38–50. Web. <http://screen.oxfordjournals.org/content/40/1.toc>.

‘Hobbs, Alex:  Romancing the Crone: Hollywood’s Recent Mature Love Stories’. Journal of American Culture 36.1 (2013): 42–51. Web. <https://uea.idm.oclc.org/login?url=http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&amp;xri:pqil:res_ver=0.2&amp;res_id=xri:lion&amp;rft_id=xri:lion:ft:abell:R05097315:0&amp;rft.accountid=10637>.

Hogan, Paul J. ‘Confessions of a Shopaholic’. 2005 : n. pag. Print.

---. ‘Confessions of a Shopaholic’. 2005 : n. pag. Print.

Hollinger, Karen. ‘“Feminist Film Studies and Race” [in] Feminist Film Studies’. Feminist Film Studies. Routledge, 2012. Web. <http://lib.myilibrary.com/browse/open.asp?id=389764&amp;entityid=https://login.uea.ac.uk/entity>.

Hooks, Bell. ‘Doing It for Daddy: Black Masculinity in the Mainstream [in] Reel to Real: Race, Sex, and Class at the Movies’. Reel to Real: Race, Sex, and Class at the Movies. New York: Routledge, 1996. Print.

hooks, bell. ‘The Oppositional Gaze: Black Female Spectators’ [in] Feminist Film Theory: A Reader. Edinburgh: Edinburgh University Press, 1999. Print.

Hooks, Bell. ‘The Oppositional Gaze: Black Female Spectators [in] Feminist Film Theory: A Reader’. Feminist Film Theory: A Reader. Edinburgh: Edinburgh University Press, 1999. Print.

Horeck, Tanya. Public Rape: Representing Violation in Fiction and Film. Sussex studies in culture and communication. London: Routledge, 2003. Web. <http://uea.eblib.com/patron/FullRecord.aspx?p=1144705>.

Horton, Andrew. Comedy/Cinema/Theory. Berkeley: University of California Press, 1991. Print.

Howard, Ron. ‘Dilemma’. 2011 : n. pag. Print.

Hunter, Latham. ‘The Celluloid Cubicle: Regressive Constructions of Masculinity in 1990s Office Movies [in] Journal of American Culture’. Journal of American Culture 26.1 (2003): 71–86. Web. <https://uea.idm.oclc.org/login?url=http://web.a.ebscohost.com/ehost/detail/detail?vid=4&sid=8caeb0d3-0583-4d03-92ed-11d5227e24a6@sessionmgr4003&hid=4109&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ==#db=a9h&AN=9648771>.

Hutcheon, Linda. Irony’s Edge: The Theory and Politics of Irony. London: Routledge, 1994. Print.

Inness, Sherrie A. Action Chicks: New Images of Tough Women in Popular Culture. 1st ed. Basingstoke: Palgrave Macmillan, 2004. Web. <http://lib.myilibrary.com/browse/open.asp?id=136484&amp;entityid=https://login.uea.ac.uk/entity>.

---. Tough Girls: Women Warriors and Wonder Women in Popular Culture. Feminist cultural studies, the media, and political culture. Philadelphia, Pa: University of Pennsylvania Press, 1999. Print.

Jeffords, Susan. Hard Bodies: Hollywood Masculinity in the Reagan Era. New Brunswick, N.J.: Rutgers University Press, 1993. Print.

Jeffrey A. Brown. ‘Gender and the Action Heroine: Hardbodies and the “Point of No Return”’. Cinema Journal 35.3 (1996): 52–71. Web. <https://uea.idm.oclc.org/login?url=http://www.jstor.org/stable/1225765?seq=1#page_scan_tab_contents>.

Jermyn, Deborah. ‘Rereading the Bitches from Hell: A Feminist Appropriation of the Female Psychopath’. Screen 37.3 251–267. Web. <http://screen.oxfordjournals.org/content/37/3.toc>.

Jeunet, Jean-Pierre. ‘Alien Resurrection’. 1997 : n. pag. Print.

Jones, Kirk et al. ‘What to Expect When You’re Expecting’. 2012 : n. pag. Print.

---. ‘What to Expect When You’re Expecting’. 2012 : n. pag. Print.

---. ‘What to Expect When You’re Expecting’. 2012 : n. pag. Print.

Kaklamanidou, Betty. Genre, Gender and the Effects of Neoliberalism: The New Millennium Hollywood Rom Com. Popular culture and world politics. London: Routledge, 2013. Web. <http://lib.myilibrary.com/browse/open.asp?id=459206&amp;entityid=https://login.uea.ac.uk/entity>.

---. ‘The Baby Crazed Rom-Com [in] Genre, Gender and the Effects of Neoliberalism: The New Millennium Hollywood Rom Com’. Genre, Gender and the Effects of Neoliberalism: The New Millennium Hollywood Rom Com. Popular culture and world politics. London: Routledge, 2013. Web. <http://lib.myilibrary.com/browse/open.asp?id=459206&entityid=https://login.uea.ac.uk/entity>.

Kaplan, E. Ann. Looking for the Other: Feminism, Film, and the Imperial Gaze. New York: Routledge, 1997. Web. <http://uea.eblib.com/patron/FullRecord.aspx?p=1024672>.

Karlyn, Kathleen Rowe. The Unruly Woman: Gender and the Genres of Laughter. 1st ed. Texas film studies series. Austin, Tex: University of Texas Press, 1995. Web. <http://www.loc.gov/catdir/description/texas041/94013656.html>.

---. Unruly Girls, Unrepentant Mothers: Redefining Feminism on Screen. 1st ed. Austin: University of Texas Press, 2011. Web. <http://search.ebscohost.com/login.aspx?direct=true&amp;db=nlebk&amp;AN=351591&amp;authtype=sso&amp;custid=s8993828&amp;site=ehost-live&amp;scope=site>.

Kasdan, Jake. ‘Bad Teacher’. 2011 : n. pag. Print.

---. ‘Bad Teacher’. 2011 : n. pag. Print.

Kathleen, Rowe. ‘Pig Ladies, Big Ladies, and Ladies with Big Mouths: Feminism and the Carnivalesque [in] The Unruly Woman: Gender and the Genres of Laughter’. The Unruly Woman: Gender and the Genres of Laughter. 1st ed. Texas film studies series. Austin, Tex: University of Texas Press, 1995. 25–49. Web. <http://www.loc.gov/catdir/description/texas041/94013656.html>.

Kimmel, Michael S. Manhood in America: A Cultural History. Third edition. New York: Oxford University Press, 2012. Print.

---. Manhood in America: A Cultural History. Third edition. New York: Oxford University Press, 2012. Print.

King, Geoff. Film Comedy. London: Wallflower, 2002. Print.

---. ‘Regressions and Transgressions [in] Film Comedy’. Film Comedy. London: Wallflower, 2002. Print.

King, Michael Patrick. ‘Sex and the City: The Movie’. 2008 : n. pag. Print.

Kirby, Philip. ‘The Girl on Fire: The Hunger Games, Feminist Geopolitics and the Contemporary Female Action Hero’. Geopolitics 20.2 (2015): 460–478. Web.

Kirkland, Ewan. ‘Romantic Comedies and the Construction of Heterosexuality [in] Scope’. Scope n. pag. Web. <http://www.nottingham.ac.uk/scope/issues/2007/october-issue-09.aspx>.

Kotthoff, Helga. ‘Gender and Humor: The State of the Art’. Journal of Pragmatics 38.1 (2006): 4–25. Web.

---. ‘Gender and Joking: On the Complexities of Women’s Image Politics in Humorous Narratives’. Journal of Pragmatics 32.1 (2000): 55–80. Web.

Krutnik, Frank. Hollywood Comedians, the Film Reader. In focus. London: Routledge, 2002. Print.

Kumble, Roger. ‘Just Friends’. 2006 : n. pag. Print.

Kusama. Jennifer’s Body. N.p. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/017777E1?bcast=123261869>.

Kusama, Karyn. ‘Girlfight’. 2000 : n. pag. Print.

Lauzen, Martha. ‘The Funny Business of Being Tina Fey: Constructing a (Feminist) Comedy Icon’. Feminist Media Studies 14.1 (2014): 106–117. Web.

Lawrence. ‘Hunger Games: Complete 4-Film Collection’. : n. pag. Print.

Lehmann, Michael and Gold Circle Films. ‘Because I Said So’. 2007 : n. pag. Print.

Leiner, Danny. ‘Dude, Where’s My Car?’ 2000 : n. pag. Print.

Leonard, David J. Screens Fade to Black: Contemporary African American Cinema. Westport, CT: Praeger Publishers, 2006. Print.

Levy, Shawn. ‘Date Night’. 2010 : n. pag. Print.

Lichtenfeld, Eric. Action Speaks Louder: Violence, Spectacle, and the American Action Movie. Westport, Conn: Praeger, 2004. Print.

Liddi-Brown, Allison. ‘Princess Protection Programme’. 2009 : n. pag. Print.

Lima, Kevin. ‘Enchanted’. 2008 : n. pag. Print.

Liman, Doug. ‘Mr & Mrs Smith’. 2005. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/02F3DA70?bcast=122879028>.

---. ‘Swingers’. 1996 : n. pag. Print.

Lloyd, Phyllida, Universal Pictures Corporation, and Universal Pictures (UK). ‘Mamma Mia!’ 2008 : n. pag. Print.

Luketic, Robert. ‘Legally Blonde’. 2002 : n. pag. Print.

---. ‘Monster-in-Law’. 2005 : n. pag. Print.

Lyne, Adrian. ‘Fatal Attraction’. 2002 : n. pag. Print.

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