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Rahman M, Jackson S. Gender and Sexuality: Sociological Approaches. Polity; 2010.
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Redfern C, Aune K. Reclaiming the F Word: The New Feminist Movement. Zed Books; 2010. http://lib.myilibrary.com/browse/open.asp?id=273866&entityid=https://login.uea.ac.uk/entity
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Segal L. Why Feminism?: Gender, Psychology, Politics. Vol Gender and culture. Columbia University Press; 1999.
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Walter N. Living Dolls: The Return of Sexism. Virago; 2011.
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Kaklamanidou B. The baby crazed rom-com [in] Genre, gender and the effects of neoliberalism: the new millennium Hollywood rom com. In: Genre, Gender and the Effects of Neoliberalism: The New Millennium Hollywood Rom Com. Vol Popular culture and world politics. Routledge; 2013. http://lib.myilibrary.com/browse/open.asp?id=459206&entityid=https://login.uea.ac.uk/entity
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Hill Collins P. Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. Vol Routledge classics. [2nd ed.]. Routledge; 2009. http://lib.myilibrary.com/browse/open.asp?id=35502&entityid=https://login.uea.ac.uk/entity
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Taylor JS, Layne LL, Wozniak DF. Consuming Motherhood. Rutgers University Press; 2004.
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Berridge S, Boyle K. I love you man: Gendered narratives of friendship in contemporary Hollywood comedies. Feminist Media Studies. 2012;14(3):353-368. https://uea.idm.oclc.org/login?url=http://www.tandfonline.com/openurl/toc/rfms20/14/3
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Ayers, Drew. Bodies, Bullets, and Bad Guys: Elements of the Hardbody Film. Film Criticism. 32(3). http://search.proquest.com/docview/200940087?pq-origsite=gscholar
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Anderson E. Inclusive Masculinity: The Changing Nature of Masculinities. Vol Routledge research in gender and society. Taylor & Francis; 2009. http://www.UEA.eblib.com/EBLWeb/patron?target=patron&extendedid=P_439168_0&
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Baker B. Masculinity in Fiction and Film: Representing Men in Popular Genres, 1945-2000. Vol Continuum literary studies. Continuum; 2006. http://lib.myilibrary.com/browse/open.asp?id=129499&entityid=https://login.uea.ac.uk/entity
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Ducat S. The Wimp Factor: Gender Gaps, Holy Wars, and the Politics of Anxious Masculinity. Beacon Press; 2004.
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Faludi. Stiffed. Harper; 2000.
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‘The more you look, the less you really know’: the redemption of white masculinity in contemporary American and French cinema. Cinema Journal. 2008;XLVII(3):29-47. https://uea.idm.oclc.org/login?url=http://fiaf.chadwyck.com/fulltext/indexFullText.do?id=004/0349097&area=index&fromToC=yes&jid=006/0000069
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Gallagher M. Action Figures: Men, Action Films, and Contemporary Adventure Narratives. 1st ed. Palgrave Macmillan; 2006. http://lib.myilibrary.com/browse/open.asp?id=136360&entityid=https://login.uea.ac.uk/entity
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Harris KM. Boys, Boyz, Bois: An Ethics of Black Masculinity in Film and Popular Media. Vol Studies in African American history and culture. Routledge; 2006.
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Heartfield J. There is No Masculinity Crisis [in] Genders OnLine Journal. Genders OnLine Journal - There is No Masculinity Crisis. 2002;(35). https://web.archive.org/web/20141021210202/http://www.genders.org/g35/g35_heartfield.html
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Hooks B. Doing it for daddy: black masculinity in the mainstream [in] Reel to real: race, sex, and class at the movies. In: Reel to Real: Race, Sex, and Class at the Movies. Routledge; 1996.
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Powrie P, Davies A, Babington B. The Trouble with Men: Masculinities in European and Hollywood Cinema. Wallflower; 2004.
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