Anders, W.A. (2015) ‘Bridges and tunnels: negotiating the national in transnational television drama [in] Nordic genre film: small nation film cultures in the global marketplace’, in T. Gustafsson and P. Kääpä (eds) Nordic genre film: small nation film cultures in the global marketplace. Edinburgh: Edinburgh University Press. Available at: http://ebookcentral.proquest.com/lib/uea/detail.action?docID=4306124.
Ang, I. (1991) ‘“Television Audiences as Taxonomic Collective”, [in], Desperately seeking the audience’, in Desperately seeking the audience. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?milDocID=47832.
Ang, I. (2005) Watching Dallas: soap opera and the melodramatic imagination. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1395429.
Bennett, J. (2008) ‘The television personality system: televisual stardom revisited after film theory’, Screen, 49(1), pp. 32–50. Available at: https://doi.org/10.1093/screen/hjn003.
Bennett, J. (2011) Television personalities: stardom and the small screen. Abingdon: Routledge. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=589598.
Bignell, J. (2004) ‘“Television Representation”, [in], The Television Studies Reader’, in The Television Studies Reader. London: Routledge.
Bignell, J. (2005) ‘'Genre and Format’, [in], The television handbook’, in The television handbook. 3rd ed. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=308596.
Bignell, J. (2013a) ‘“Television Genres and Formats”, [in], An introduction to television studies’, in An introduction to television studies. 3rd ed. London: Routledge, pp. 123–146. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1092810.
Bignell, J. (2013b) ‘“Television texts and narratives” [in] An introduction to television studies’, in An introduction to television studies. 3rd ed. London: Routledge, pp. 93–122. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1092810.
Bonner, F. (2003) ‘The people Involved [in] Ordinary television: analyzing popular TV’, in Ordinary television: analyzing popular TV. London: SAGE, pp. 64–97. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=537788.
Bonner, F. (2011) Personality presenters: television’s intermediaries with viewers. Farnham, Surrey: Ashgate. Available at: http://lib.myilibrary.com/browse/open.asp?id=309032&entityid=https://login.uea.ac.uk/entity.
Boyle, K. (2008) ‘Feminism without men: Feminist Media Studies in a Postfeminist age [in] Feminist television criticism: a reader’, in Feminist television criticism: a reader. 2nd ed. Maidenhead: Open University Press.
Brown, M.E. and Brown, M.E. (1990) Television and women’s culture: the politics of the popular. New York: Sage.
Brundson, C. (1989) ‘“Text and Audience”, [in], Remote control: television, audiences, and cultural power’, in Remote control: television, audiences, and cultural power. London: Routledge. Available at: http://uea.eblib.com/patron/FullRecord.aspx?p=1221523.
Brunson, C. (1990) ‘Problems with quality’, Screen, 31(1), pp. 67–90. Available at: https://doi.org/10.1093/screen/31.1.67.
Buckingham, D. (1993) ‘“What are words worth? Interpreting children’s talk about television”, [in], Children talking television: the making of television literacy’, in Children talking television: the making of television literacy. London: Falmer Press. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=201310.
Buckingham, D. (1996) Moving images: understanding children’s emotional responses to television. Manchester: Manchester University Press.
Buckingham, D. (2000) After the death of childhood: growing up in the age of electronic media. Cambridge: Polity Press. Available at: http://uea.eblib.com/patron/FullRecord.aspx?p=1211884.
Buckingham, D. and Buckingham, D. (1999) Children’s television in Britain: history, discourse, and policy. London: British Film Institute.
Burroughs, Benjamin and Adam Rugg (2014) ‘Extending the Broadcast: Streaming Culture and the Problems of Digital Geog...’, Journal of Broadcasting & Electronic Media [Preprint]. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=98053666&authtype=sso&custid=s8993828&site=ehost-live.
Chalaby, J.K. (2005) Transnational television worldwide: towards a new media order. London: I.B. Tauris.
Creeber, G. (2006) ‘“Decoding Television: Issues of Ideology and Discourse”, [in],Tele-Visions: An Introduction to Studying Television’, in Tele-Visions: An Introduction to Studying Television. London: BFI.
Creeber, G. (ed.) (2015) The television genre book. Third edition. London: BFI. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4763274.
Creeber, G. and British Film Institute (2006) ‘“Analysing Television: Issues and Methods in Textual Analysis” [in] Tele-visions: an introduction to studying television’, in Tele-visions: an introduction to studying television. London: BFI.
Davies, M.M. (2010a) Children, media and culture. Maidenhead: McGraw-Hill Open University Press. Available at: http://UEA.eblib.com/patron/FullRecord.aspx?p=557090.
Davies, M.M. (2010b) ‘Children’s Television [in] Children, Media and Culture’, in Children, Media and Culture. Maidenhead: McGraw-Hill Open University Press.
Deller, R. (2011) ‘“Twittering on: Audience Research and Participation Using Twitter”, (Participations: Volume 8, Issue 1)’. Available at: http://www.participations.org/Volume%208/Issue%201/deller.htm.
Denison, R. (2011) ‘Anime fandom and the liminal spaces between fan creativity and piracy’, International Journal of Cultural Studies, 14(5), pp. 449–466. Available at: https://doi.org/10.1177/1367877910394565.
Dyer, R. (2004) Heavenly bodies: film stars and society. 2nd ed. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=419648&entityid=https://login.uea.ac.uk/entity.
Dyer, R. and McDonald, P. (1998) Stars. New ed. London: BFI Pub.
Ellis, J. (2000) ‘'Working Through and the Genres of Television’, [in], Seeing things: television in the age of uncertainty’, in Seeing things: television in the age of uncertainty. London: I.B. Tauris.
Ellis, J. (2015) ‘Stars as Cinematic Phenomenon [in] Visible fictions: cinema : television : video’, in Visible fictions: cinema : television : video. Revised edition. London: Routledge, Taylor & Francis Group. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=460171&authtype=sso&custid=s8993828&site=ehost-live&scope=site.
Evans, E. (2011a) ‘Transmedia television: audiences, new media and daily life’. New York: Routledge. Available at: http://www.UEA.eblib.com/patron/FullRecord.aspx?p=668562.
Evans, E. (2011b) ‘Transmedia television: audiences, new media and daily life’. New York: Routledge. Available at: http://www.UEA.eblib.com/patron/FullRecord.aspx?p=668562.
Feasey, R. (2008) ‘“Soap Opera: The Male Role in the Women’s Genre”, [in] Masculinity and popular Television’, in Masculinity and popular Television. Edinburgh: Edinburgh University Press. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=380402.
Feuer, J. (1992) ‘“Genre Study and Television”, [in], Channels of discourse, reassembled: television and contemporary criticism’, in Channels of discourse, reassembled: television and contemporary criticism. 2nd ed. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?milDocID=23657.
Fickers, A. and Johnson, C. (2012) Transnational television history: a comparative approach. London: Routledge.
Fiske, J. (1989) ‘“Moments of Television: Neither the Text nor the Audience”, [in], Remote control: television, audiences, and cultural power’, in Remote control: television, audiences, and cultural power. London: Routledge. Available at: http://uea.eblib.com/patron/FullRecord.aspx?p=1221523.
Forrest, Jennifer and Martinez, Sergio. (2015) ‘Remapping socio-cultural specificity in the American remake of The Bridge.’, Continuum: Journal of Media & Cultural Studies [Preprint]. Available at: https://www.tandfonline.com/doi/full/10.1080/10304312.2015.1068725.
Gauntlett, D., Hill, A., and British Film Institute (1999) TV living: television, culture, and everyday life. London: Routledge in association with the British Film Institute. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=165172.
Genz, S. and Brabon, B.A. (2009) Postfeminism: cultural texts and theories. Edinburgh: Edinburgh University Press. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=448738.
Geraghty, C. (1991) ‘“A Woman’s Space”, [in], “Women and soap opera: a study of prime time soaps”,’ in ‘A Woman’s Space’, [in], ‘Women and soap opera: a study of prime time soaps’,. Oxford: Polity.
Geraghty, C. and Lusted, D. (1997a) ‘“Audiences and Ethnography: Questions of Practice”, [in], The television studies book’, in The television studies book. London: Arnold.
Geraghty, C. and Lusted, D. (1997b) ‘Gripsrud, Jostein (1998) Television broadcast, flow: Key metaphors in television theory, in C. Geraghty and D Lusted EDs, The Television Studies Book, London: Arnold’, in The Television Studies Book. Bloomsbury Publishing PLC.
Geraghty, L. and Jancovich, M. (2008) The shifting definitions of genre: essays on labeling films, television shows and media. Jefferson, N.C.: McFarland. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1734104.
Gibson, P.C. (2012) ‘'Contemporary Television: So many celebrities, so little fashion?’, [in], Fashion and celebrity culture’, in Fashion and celebrity culture. London: Berg. Available at: http://UEA.eblib.com/patron/FullRecord.aspx?p=1335914.
Gillespie, M. (2003) Television, ethnicity and cultural change. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=178278.
Gorton, K. (2009) Media audiences: television, meaning and emotion. Edinburgh: Edinburgh University Press. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=325006&authtype=sso&custid=s8993828&site=ehost-live&scope=site.
Gray, J. (2010) ‘“The reviews are in: TV critics and the (pre)creation of meaning”, [in], Flow TV: television in the age of media convergence’, in Flow TV: television in the age of media convergence. New York, NY: Routledge. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=574457.
Hall, S. and University of Birmingham. Centre for Contemporary Cultural Studies (1980) Culture, media, language: working papers in cultural studies, 1972-79. London: Hutchinson in association with the Centre for Contemporary Cultural Studies, University of Birmingham. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=179321.
Hartley, J. (2002) ‘“Textual Analysis”, [in],Television Studies’, in Television Studies. London: BFI Pub.
Herbert, D. (2005) ‘Extract from Media, Publics and Democracy’ [in] Media audiences’, in Media audiences. Maidenhead: Open University Press.
Hollows, J. and Moseley, R. (2006) Feminism in popular culture. Oxford: Berg.
Holmes, S. (2008) The quiz show. Edinburgh: Edinburgh University Press. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=380401.
Householder, A.K. and Trier-Bieniek, A.M. (eds) (2016) ‘Fryett, Sarah E (2016) “Chocolate and Vanilla Swirl, Sw-irl” [in] Feminist perspectives on Orange is the new black: thirteen critical essays’, in Feminist perspectives on Orange is the new black: thirteen critical essays. Jefferson, North Carolina: McFarland & Company, Inc., Publishers. Available at: http://ebookcentral.proquest.com/lib/uea/detail.action?docID=4573748.
Iwabuchi, K. (2002) Recentering globalization: popular culture and Japanese transnationalism. Durham: Duke University Press. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1167824.
Iwabuchi, K. (2004) ‘Introduction: Cultural Globalization and Asian Media Connections [in] Feeling Asian modernities: transnational consumption of Japanese TV dramas’, in Feeling Asian modernities: transnational consumption of Japanese TV dramas. Hong Kong: Hong Kong University Press. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=677420.
Jermyn, D. (2004) ‘“In love with Sarah Jessica Parker: Celebrating Female Fandom and Friendship in Sex and the City”, [in], Reading Sex and the city’, in Reading Sex and the city. London: I.B. Tauris. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=676497.
Jermyn, D. (2006) ‘“Bringing out the Star in You”: SJP, Carrie Bradshaw and the Evolution of Television Stardom, [in], Framing celebrity: new directions in celebrity culture’, in Framing celebrity: new directions in celebrity culture. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=415553&entityid=https://login.uea.ac.uk/entity.
Kaplan, Ann.E. (1992) ‘“Feminist Criticism and Television”, [in], Channels of discourse, reassembled: television and contemporary criticism’, in Channels of discourse, reassembled: television and contemporary criticism. 2nd ed. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=254107.
Kavka, M. (2016) ‘Celevision: Mobilizations of the Television Screen [in] A companion to celebrity’, in P.D. Marshall and S. Redmond (eds) A companion to celebrity. Chichester, West Sussex, UK: Wiley Blackwell. Available at: http://UEA.eblib.com/patron/FullRecord.aspx?p=4035676.
‘Kilborn, Richard (1994) “Drama over Lockerbie”: A new look at television drama-documentaries’, Historical Journal of Film, Radio and Television, 14 (1): pp.59-76.’ (no date). Available at: http://www.tandfonline.com/doi/pdf/10.1080/01439689400260051?needAccess=true.
Lacey, N. (2000) Narrative and genre: key concepts in media studies. Basingstoke: Palgrave.
Langer, J. (1981) ‘Television’s “Personality System”’, Media, Culture & Society, 3(4), pp. 351–365. Available at: https://doi.org/10.1177/016344378100300405.
Leverette, M., Ott, B.L. and Buckley, C.L. (2008) It’s not TV: watching HBO in the post-television era. New York: Routledge. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=425228.
Marshall, D. (2009) ‘‘Screens: Television’s Dispersed "Broadcast”’, [in], Television studies after TV: understanding television in the post-broadcast era’, in Television studies after TV: understanding television in the post-broadcast era. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=425387.
Marshall, P.D. (2014) ‘“Television’s Construction of the Celebrity”, [in], Celebrity and power: fame in contemporary culture’, in Celebrity and power: fame in contemporary culture. Minneapolis: University of Minnesota Press. Available at: http://UEA.eblib.com/patron/FullRecord.aspx?p=1762165.
McCabe, J. (2005) ‘“Creating ‘Quality’ Audiences for ER on Channel Four”, [in], The contemporary television series’, in The contemporary television series. Edinburgh: Edinburgh University Press.
McCabe, J. and Akass, K. (2007a) ‘Debating Quality [in] Quality TV: contemporary American television and beyond’, in Quality TV: contemporary American television and beyond. London: I. B. Tauris. Available at: http://lib.myilibrary.com/browse/open.asp?id=258336&entityid=https://login.uea.ac.uk/entity.
McCabe, J. and Akass, K. (2007b) ‘“Debating Quality”, [in], Quality TV: contemporary American television and beyond’, in Quality TV: contemporary American television and beyond. London: I. B. Tauris. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?milDocID=258336.
Messenger-Davies, M. (1995) ‘Babes “n” the Hood: Pre-school Television and its Audiences in the United States and Britain [in] In front of the children: screen entertainment and young audiences’, in In front of the children: screen entertainment and young audiences. London: British Film Institute.
Michele Hilmes[1]
University of Wisconsin–Madison
mhilmes [AT] wisc.edu and Hilmes, Michele (no date) ‘mediaindustries
Transnational TV: What Do We Mean by "Coproduction” Anymore?’ Available at: https://quod.lib.umich.edu/m/mij/15031809.0001.203?view=text;rgn=main.
Mills, B. (2010) ‘Invisible Television: The Programmes No-One Talks about Even Though Lots of People Watch Them’, Critical Studies in Television: The International Journal of Television Studies, 5(1), pp. 1–16. Available at: https://doi.org/10.7227/CST.5.1.3.
Mills, B. (2013) ‘“What does it mean to call television "cinematic?”. [in] Television aesthetics and style’, in Television aesthetics and style. New York: Bloomsbury Academic. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1224263.
Mills, B. (2015) ‘Chapter 14 “Shoved Online” BBC Three British televion and the marginalisation of young adult audiences [in] Media, Margins and Popular Culture’, in E. Thorsen (ed.) Media, Margins and Popular Culture. Basingstoke, England: Palgrave Macmillan. Available at: http://ebookcentral.proquest.com/lib/uea/detail.action?docID=4001203.
Mittell, J. (2004a) ‘A Cultural Approach to Television Genre Theory [in] The television studies reader’, in The television studies reader. London: Routledge.
Mittell, J. (2004b) Genre and television: from cop shows to cartoons in American culture. New York: Routledge. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=200862.
Moran, A. and Malbon, J. (2006) Understanding the global TV format. Bristol: Intellect Books.
Morley, D. (1992) Television, audiences, and cultural studies. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=179188.
Neale, S. (1990) ‘Question of genre’, Screen, 31(1), pp. 45–66. Available at: https://doi.org/10.1093/screen/31.1.45.
Neale, S. (2008) ‘Genre and Television [in] television genre book’, in The television genre book. 2nd ed. Basingstoke: Palgrave Macmillan.
Oswell, D. (2002) Television, childhood, and the home: a history of the making of the child television audience in Britain. Oxford: Clarendon Press. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4964294.
Peacock, S. and Jacobs, J. (2013) Television aesthetics and style. New York: Bloomsbury Academic. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1224263.
Seiter, E. (1989) ‘‘”Don’t treat us like we’re so stupid and naïve”: towards an ethnography of soap opera viewers’, [in], Remote control: television, audiences, and cultural power’, in Remote control: television, audiences, and cultural power. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1221523.
Seiter, E. (1999) Television and new media audiences. Oxford: Clarendon. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4964504.
Skeggs, B. and Wood, H. (2012) Reacting to reality television: performance, audience and value. London: Routledge. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=456194&authtype=sso&custid=s8993828&site=ehost-live&scope=site.
Steemers, J. (2004) Selling television: British television in the global marketplace. London: British Film Institute.
Steemers, J. (2010) Creating preschool television: a story of commerce, creativity and curriculum. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. Available at: http://www.UEA.eblib.com/patron/FullRecord.aspx?p=668025.
Storey, J. (2015) ‘Marxisms [in] Cultural theory and popular culture: an introduction’, in Cultural theory and popular culture: an introduction. Seventh edition. Abingdon, Oxon: Routledge, Taylor & Francis Group. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=2046454.
Strinati, D. (2004a) ‘Chapter of “Feminism and Popular Culture”, [in], An introduction to theories of popular culture’, in An introduction to theories of popular culture. 2nd ed. London: Routledge. Available at: http://www.uea.eblib.com/patron/FullRecord.aspx?p=200017.
Strinati, D. (2004b) ‘Marxism, Political Economy and Ideology [in], An introduction to theories of popular culture’, in An introduction to theories of popular culture. 2nd ed. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=200017.
Thompson, R.J. (1997) Television’s second golden age: from Hill Street blues to ER : Hill Street blues, Thirtysomething, St. Elsewhere, China Beach, Cagney & Lacey, Twin Peaks, Moonlighting, Northern exposure, L.A. law, Picket fences, with brief reflections on Homicide, NYPD blue & Chicago hope, and other quality dramas. 1st Syracuse University Press ed. Syracuse, N.Y.: Syracuse University Press.
Thornham, S. and Purvis, T. (2005a) ‘Chapter 2.2: “Genre”, [in], Television drama: theories and identities’, in Television drama: theories and identities. Basingstoke: Palgrave Macmillan.
Thornham, S. and Purvis, T. (2005b) Television drama: theories and identities, p.74-92. Basingstoke: Palgrave Macmillan.
Turner, G. (2001a) ‘‘Genre, Format and "Live” Television’, [in], The television genre book’, in The television genre book. London: British Film Institute.
Turner, G. (2001b) ‘“The Uses and Limitations of Genre”, [in], The television genre book’, in The television genre book. London: British Film Institute. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4763274.
Turner, G. (2003) ‘Chapter 6: “Ideology”, [in], British Cultural Studies: An Introduction (pp.166-189 only)’, in British Cultural Studies: An Introduction. 3rd ed. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=235094.
Turner, G. (2010) Ordinary people and the media: the demotic turn. London: SAGE. Available at: http://UEA.eblib.com/patron/FullRecord.aspx?p=483413.
Turner, G. (2014) Understanding celebrity. Second edition. Los Angeles: SAGE. Available at: http://UEA.eblib.com/patron/FullRecord.aspx?p=1590533.
Wheatley, H. (2016) ‘Wheatley, Helen (2016) “Introduction: What is spectacular television? What is(tele)visual pleasure?”, in Wheatley, Spectacular Television: Exploring Televisual Pleasure (London: I.B Tauris), pp.1-20.’, in. London: I.B.Tauris & Co Ltd.
White, M. (1992) ‘“Ideological Analysis and Television” [in] Channels of discourse, reassembled: television and contemporary criticism’, in Channels of discourse, reassembled: television and contemporary criticism. 2nd ed. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/uea/reader.action?docID=254107&ppg=129.
Williams, K. (2003) ‘The audience strikes back: new audience and reception theory [in] Understanding media theory’, in Understanding media theory. London: Arnold.
