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Geraghty C, Lusted D. Gripsrud, Jostein (1998) Television broadcast, flow: Key metaphors in television theory, in C. Geraghty and D Lusted EDs, The Television Studies Book, London: Arnold. In: The Television Studies Book. Bloomsbury Publishing PLC 1997.
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Wheatley H. Wheatley, Helen (2016) ‘Introduction: What is spectacular television? What is(tele)visual pleasure?’, in Wheatley, Spectacular Television: Exploring Televisual Pleasure (London: I.B Tauris), pp.1-20. London: : I.B.Tauris & Co Ltd 2016.
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Creeber G, British Film Institute. ‘Analysing Television: Issues and Methods in Textual Analysis’ [in] Tele-visions: an introduction to studying television. In: Tele-visions: an introduction to studying television. London: : BFI 2006.
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Hartley J. ‘Textual Analysis’, [in],Television Studies. In: Television Studies. London: : BFI Pub 2002.
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Bignell J. ‘Television texts and narratives’ [in] An introduction to television studies. In: An introduction to television studies. London: : Routledge 2013. 93–122.https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1092810
6
Peacock S, Jacobs J. Television aesthetics and style. New York: : Bloomsbury Academic 2013. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1224263
7
Turner G. Chapter 6: ‘Ideology’, [in], British Cultural Studies: An Introduction (pp.166-189 only). In: British Cultural Studies: An Introduction. London: : Routledge 2003. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=235094
8
White M. ‘Ideological Analysis and Television’ [in] Channels of discourse, reassembled: television and contemporary criticism. In: Channels of discourse, reassembled: television and contemporary criticism. London: : Routledge 1992. https://ebookcentral.proquest.com/lib/uea/reader.action?docID=254107&ppg=129
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Creeber G. ‘Decoding Television: Issues of Ideology and Discourse’, [in],Tele-Visions: An Introduction to Studying Television. In: Tele-Visions: An Introduction to Studying Television. London: : BFI 2006.
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Holmes S. The quiz show. Edinburgh: : Edinburgh University Press 2008. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=380401
11
Thornham S, Purvis T. Television drama: theories and identities, p.74-92. Basingstoke: : Palgrave Macmillan 2005.
12
Storey J. Marxisms [in] Cultural theory and popular culture: an introduction. In: Cultural theory and popular culture: an introduction. Abingdon, Oxon: : Routledge, Taylor & Francis Group 2015. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=2046454
13
Strinati D. Marxism, Political Economy and Ideology [in], An introduction to theories of popular culture. In: An introduction to theories of popular culture. London: : Routledge 2004. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=200017
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Geraghty C. ‘A Woman’s Space’, [in], ‘Women and soap opera: a study of prime time soaps’,. In: ‘A Woman’s Space’, [in], ‘Women and soap opera: a study of prime time soaps’,. Oxford: : Polity 1991.
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Householder AK, Trier-Bieniek AM, editors. Fryett, Sarah E (2016) ‘Chocolate and Vanilla Swirl, Sw-irl’ [in] Feminist perspectives on Orange is the new black: thirteen critical essays. In: Feminist perspectives on Orange is the new black: thirteen critical essays. Jefferson, North Carolina: : McFarland & Company, Inc., Publishers 2016. http://ebookcentral.proquest.com/lib/uea/detail.action?docID=4573748
16
Ang I. Watching Dallas: soap opera and the melodramatic imagination. London: : Routledge 2005. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1395429
17
Boyle K. Feminism without men: Feminist Media Studies in a Postfeminist age [in] Feminist television criticism: a reader. In: Feminist television criticism: a reader. Maidenhead: : Open University Press 2008.
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Bignell J. ‘Television Representation’, [in], The Television Studies Reader. In: The Television Studies Reader. London: : Routledge 2004.
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Brown ME, Brown ME. Television and women’s culture: the politics of the popular. New York: : Sage 1990.
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Feasey R. ‘Soap Opera: The Male Role in the Women’s Genre’, [in] Masculinity and popular Television. In: Masculinity and popular Television. Edinburgh: : Edinburgh University Press 2008. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=380402
21
Kaplan AnnE. ‘Feminist Criticism and Television’, [in], Channels of discourse, reassembled: television and contemporary criticism. In: Channels of discourse, reassembled: television and contemporary criticism. London: : Routledge 1992. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=254107
22
Genz S, Brabon BA. Postfeminism: cultural texts and theories. Edinburgh: : Edinburgh University Press 2009. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=448738
23
Hollows J, Moseley R. Feminism in popular culture. Oxford: : Berg 2006.
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Strinati D. Chapter of ‘Feminism and Popular Culture’, [in], An introduction to theories of popular culture. In: An introduction to theories of popular culture. London: : Routledge 2004. http://www.uea.eblib.com/patron/FullRecord.aspx?p=200017
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Mills B. Chapter 14 ‘Shoved Online’ BBC Three British televion and the marginalisation of young adult audiences [in] Media, Margins and Popular Culture. In: Thorsen E, ed. Media, Margins and Popular Culture. Basingstoke, England: : Palgrave Macmillan 2015. http://ebookcentral.proquest.com/lib/uea/detail.action?docID=4001203
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Messenger-Davies M. Babes ‘n’ the Hood: Pre-school Television and its Audiences in the United States and Britain [in] In front of the children: screen entertainment and young audiences. In: In front of the children: screen entertainment and young audiences. London: : British Film Institute 1995.
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Davies MM. Children’s Television [in] Children, Media and Culture. In: Children, Media and Culture. Maidenhead: : McGraw-Hill Open University Press 2010.
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Brundson C. ‘Text and Audience’, [in], Remote control: television, audiences, and cultural power. In: Remote control: television, audiences, and cultural power. London: : Routledge 1989. http://uea.eblib.com/patron/FullRecord.aspx?p=1221523
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Fiske J. ‘Moments of Television: Neither the Text nor the Audience’, [in], Remote control: television, audiences, and cultural power. In: Remote control: television, audiences, and cultural power. London: : Routledge 1989. http://uea.eblib.com/patron/FullRecord.aspx?p=1221523
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Buckingham D, Buckingham D. Children’s television in Britain: history, discourse, and policy. London: : British Film Institute 1999.
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Buckingham D. Moving images: understanding children’s emotional responses to television. Manchester: : Manchester University Press 1996.
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Buckingham D. After the death of childhood: growing up in the age of electronic media. Cambridge: : Polity Press 2000. http://uea.eblib.com/patron/FullRecord.aspx?p=1211884
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Davies MM. Children, media and culture. Maidenhead: : McGraw-Hill Open University Press 2010. http://UEA.eblib.com/patron/FullRecord.aspx?p=557090
34
Oswell D. Television, childhood, and the home: a history of the making of the child television audience in Britain. Oxford: : Clarendon Press 2002. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4964294
35
Steemers J. Creating preschool television: a story of commerce, creativity and curriculum. Houndmills, Basingstoke, Hampshire: : Palgrave Macmillan 2010. http://www.UEA.eblib.com/patron/FullRecord.aspx?p=668025
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Williams K. The audience strikes back: new audience and reception theory [in] Understanding media theory. In: Understanding media theory. London: : Arnold 2003.
37
Evans E. Transmedia television: audiences, new media and daily life. 2011;Routledge advances in television studies.http://www.UEA.eblib.com/patron/FullRecord.aspx?p=668562
38
Ang I. ‘Television Audiences as Taxonomic Collective’, [in], Desperately seeking the audience. In: Desperately seeking the audience. London: : Routledge 1991. https://ebookcentral.proquest.com/lib/uea/detail.action?milDocID=47832
39
Buckingham D. ‘What are words worth? Interpreting children’s talk about television’, [in], Children talking television: the making of television literacy. In: Children talking television: the making of television literacy. London: : Falmer Press 1993. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=201310
40
Deller R. ‘Twittering on: Audience Research and Participation Using Twitter’, (Participations: Volume 8, Issue 1). Published Online First: 2011.http://www.participations.org/Volume%208/Issue%201/deller.htm
41
Gauntlett D, Hill A, British Film Institute. TV living: television, culture, and everyday life. London: : Routledge in association with the British Film Institute 1999. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=165172
42
Geraghty C, Lusted D. ‘Audiences and Ethnography: Questions of Practice’, [in], The television studies book. In: The television studies book. London: : Arnold 1997.
43
Gillespie M. Television, ethnicity and cultural change. London: : Routledge 2003. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=178278
44
Gorton K. Media audiences: television, meaning and emotion. Edinburgh: : Edinburgh University Press 2009. http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=325006&authtype=sso&custid=s8993828&site=ehost-live&scope=site
45
Hall S, University of Birmingham. Centre for Contemporary Cultural Studies. Culture, media, language: working papers in cultural studies, 1972-79. London: : Hutchinson in association with the Centre for Contemporary Cultural Studies, University of Birmingham 1980. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=179321
46
Seiter E. ‘”Don’t treat us like we’re so stupid and naïve”: towards an ethnography of soap opera viewers’, [in], Remote control: television, audiences, and cultural power. In: Remote control: television, audiences, and cultural power. London: : Routledge 1989. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1221523
47
Jermyn D. ‘In love with Sarah Jessica Parker: Celebrating Female Fandom and Friendship in Sex and the City’, [in], Reading Sex and the city. In: Reading Sex and the city. London: : I.B. Tauris 2004. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=676497
48
Marshall D. ‘Screens: Television’s Dispersed "Broadcast”’, [in], Television studies after TV: understanding television in the post-broadcast era. In: Television studies after TV: understanding television in the post-broadcast era. London: : Routledge 2009. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=425387
49
Skeggs B, Wood H. Reacting to reality television: performance, audience and value. London: : Routledge 2012. http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=456194&authtype=sso&custid=s8993828&site=ehost-live&scope=site
50
Morley D. Television, audiences, and cultural studies. London: : Routledge 1992. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=179188
51
Seiter E. Television and new media audiences. Oxford: : Clarendon 1999. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4964504
52
Evans E. Transmedia television: audiences, new media and daily life. 2011;Routledge advances in television studies.http://www.UEA.eblib.com/patron/FullRecord.aspx?p=668562
53
Gray J. ‘The reviews are in: TV critics and the (pre)creation of meaning’, [in], Flow TV: television in the age of media convergence. In: Flow TV: television in the age of media convergence. New York, NY: : Routledge 2010. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=574457
54
Turner G. ‘The Uses and Limitations of Genre’, [in], The television genre book. In: The television genre book. London: : British Film Institute 2001. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4763274
55
Mittell J. A Cultural Approach to Television Genre Theory [in] The television studies reader. In: The television studies reader. London: : Routledge 2004.
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Turner G. ‘Genre, Format and "Live” Television’, [in], The television genre book. In: The television genre book. London: : British Film Institute 2001.
57
Bignell J. ‘Television Genres and Formats’, [in], An introduction to television studies. In: An introduction to television studies. London: : Routledge 2013. 123–46.https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1092810
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Bignell J. 'Genre and Format’, [in], The television handbook. In: The television handbook. London: : Routledge 2005. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=308596
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Creeber G, editor. The television genre book. Third edition. London: : BFI 2015. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4763274
60
Ellis J. 'Working Through and the Genres of Television’, [in], Seeing things: television in the age of uncertainty. In: Seeing things: television in the age of uncertainty. London: : I.B. Tauris 2000.
61
Feuer J. ‘Genre Study and Television’, [in], Channels of discourse, reassembled: television and contemporary criticism. In: Channels of discourse, reassembled: television and contemporary criticism. London: : Routledge 1992. https://ebookcentral.proquest.com/lib/uea/detail.action?milDocID=23657
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Geraghty L, Jancovich M. The shifting definitions of genre: essays on labeling films, television shows and media. Jefferson, N.C.: : McFarland 2008. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1734104
63
Lacey N. Narrative and genre: key concepts in media studies. Basingstoke: : Palgrave 2000.
64
Mittell J. Genre and television: from cop shows to cartoons in American culture. New York: : Routledge 2004. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=200862
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Neale S. Question of genre. Screen 1990;31:45–66. doi:10.1093/screen/31.1.45
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Neale S. Genre and Television [in] television genre book. In: The television genre book. Basingstoke: : Palgrave Macmillan 2008.
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Thornham S, Purvis T. Chapter 2.2: ‘Genre’, [in], Television drama: theories and identities. In: Television drama: theories and identities. Basingstoke: : Palgrave Macmillan 2005.
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Kilborn, Richard (1994) ‘Drama over Lockerbie’: A new look at television drama-documentaries’, Historical Journal of Film, Radio and Television, 14 (1): pp.59-76. http://www.tandfonline.com/doi/pdf/10.1080/01439689400260051?needAccess=true
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Herbert D. Extract from Media, Publics and Democracy’ [in] Media audiences. In: Media audiences. Maidenhead: : Open University Press 2005.
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McCabe J, Akass K. Debating Quality [in] Quality TV: contemporary American television and beyond. In: Quality TV: contemporary American television and beyond. London: : I. B. Tauris 2007. http://lib.myilibrary.com/browse/open.asp?id=258336&entityid=https://login.uea.ac.uk/entity
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Mills B. Invisible Television: The Programmes No-One Talks about Even Though Lots of People Watch Them. Critical Studies in Television: The International Journal of Television Studies 2010;5:1–16. doi:10.7227/CST.5.1.3
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McCabe J, Akass K. ‘Debating Quality’, [in], Quality TV: contemporary American television and beyond. In: Quality TV: contemporary American television and beyond. London: : I. B. Tauris 2007. https://ebookcentral.proquest.com/lib/uea/detail.action?milDocID=258336
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Leverette M, Ott BL, Buckley CL. It’s not TV: watching HBO in the post-television era. New York: : Routledge 2008. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=425228
74
Brunson C. Problems with quality. Screen 1990;31:67–90. doi:10.1093/screen/31.1.67
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McCabe J. ‘Creating “Quality” Audiences for ER on Channel Four’, [in], The contemporary television series. In: The contemporary television series. Edinburgh: : Edinburgh University Press 2005.
76
Mills B. ‘What does it mean to call television "cinematic?’. [in] Television aesthetics and style. In: Television aesthetics and style. New York: : Bloomsbury Academic 2013. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1224263
77
Thompson RJ. Television’s second golden age: from Hill Street blues to ER : Hill Street blues, Thirtysomething, St. Elsewhere, China Beach, Cagney & Lacey, Twin Peaks, Moonlighting, Northern exposure, L.A. law, Picket fences, with brief reflections on Homicide, NYPD blue & Chicago hope, and other quality dramas. 1st Syracuse University Press ed. Syracuse, N.Y.: : Syracuse University Press 1997.
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Anders WA. Bridges and tunnels: negotiating the national in transnational television drama [in] Nordic genre film: small nation film cultures in the global marketplace. In: Gustafsson T, Kääpä P, eds. Nordic genre film: small nation film cultures in the global marketplace. Edinburgh: : Edinburgh University Press 2015. http://ebookcentral.proquest.com/lib/uea/detail.action?docID=4306124
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Iwabuchi K. Introduction: Cultural Globalization and Asian Media Connections [in] Feeling Asian modernities: transnational consumption of Japanese TV dramas. In: Feeling Asian modernities: transnational consumption of Japanese TV dramas. Hong Kong: : Hong Kong University Press 2004. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=677420
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Burroughs, Benjamin and Adam Rugg. Extending the Broadcast: Streaming Culture and the Problems of Digital Geog... Journal of Broadcasting & Electronic Media Published Online First: 2014.http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=98053666&authtype=sso&custid=s8993828&site=ehost-live
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Steemers J. Selling television: British television in the global marketplace. London: : British Film Institute 2004.
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Moran A, Malbon J. Understanding the global TV format. Bristol: : Intellect Books 2006.
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Denison R. Anime fandom and the liminal spaces between fan creativity and piracy. International Journal of Cultural Studies 2011;14:449–66. doi:10.1177/1367877910394565
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Forrest, Jennifer and Martinez, Sergio. Remapping socio-cultural specificity in the American remake of The Bridge. Continuum: Journal of Media & Cultural Studies Published Online First: 2015.https://www.tandfonline.com/doi/full/10.1080/10304312.2015.1068725
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Iwabuchi K. Recentering globalization: popular culture and Japanese transnationalism. Durham: : Duke University Press 2002. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1167824
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Michele Hilmes[1]
University of Wisconsin–Madison
mhilmes [AT] wisc.edu, Hilmes, Michele. mediaindustries
Transnational TV: What Do We Mean by "Coproduction” Anymore? https://quod.lib.umich.edu/m/mij/15031809.0001.203?view=text;rgn=main
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Fickers A, Johnson C. Transnational television history: a comparative approach. London: : Routledge 2012.
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Chalaby JK. Transnational television worldwide: towards a new media order. London: : I.B. Tauris 2005.
89
Bonner F. The people Involved [in] Ordinary television: analyzing popular TV. In: Ordinary television: analyzing popular TV. London: : SAGE 2003. 64–97.https://ebookcentral.proquest.com/lib/uea/detail.action?docID=537788
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Kavka M. Celevision: Mobilizations of the Television Screen [in] A companion to celebrity. In: Marshall PD, Redmond S, eds. A companion to celebrity. Chichester, West Sussex, UK: : Wiley Blackwell 2016. http://UEA.eblib.com/patron/FullRecord.aspx?p=4035676
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Bennett J. The television personality system: televisual stardom revisited after film theory. Screen 2008;49:32–50. doi:10.1093/screen/hjn003
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Bennett J. Television personalities: stardom and the small screen. Abingdon: : Routledge 2011. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=589598
93
Bonner F. Personality presenters: television’s intermediaries with viewers. Farnham, Surrey: : Ashgate 2011. http://lib.myilibrary.com/browse/open.asp?id=309032&entityid=https://login.uea.ac.uk/entity
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Gibson PC. 'Contemporary Television: So many celebrities, so little fashion?’, [in], Fashion and celebrity culture. In: Fashion and celebrity culture. London: : Berg 2012. http://UEA.eblib.com/patron/FullRecord.aspx?p=1335914
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Dyer R. Heavenly bodies: film stars and society. 2nd ed. London: : Routledge 2004. http://lib.myilibrary.com/browse/open.asp?id=419648&entityid=https://login.uea.ac.uk/entity
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Dyer R, McDonald P. Stars. New ed. London: : BFI Pub 1998.
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Ellis J. Stars as Cinematic Phenomenon [in] Visible fictions: cinema : television : video. In: Visible fictions: cinema : television : video. London: : Routledge, Taylor & Francis Group 2015. http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=460171&authtype=sso&custid=s8993828&site=ehost-live&scope=site
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Marshall PD. ‘Television’s Construction of the Celebrity’, [in], Celebrity and power: fame in contemporary culture. In: Celebrity and power: fame in contemporary culture. Minneapolis: : University of Minnesota Press 2014. http://UEA.eblib.com/patron/FullRecord.aspx?p=1762165
99
Jermyn D. ‘Bringing out the Star in You’: SJP, Carrie Bradshaw and the Evolution of Television Stardom, [in], Framing celebrity: new directions in celebrity culture. In: Framing celebrity: new directions in celebrity culture. London: : Routledge 2006. http://lib.myilibrary.com/browse/open.asp?id=415553&entityid=https://login.uea.ac.uk/entity
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Langer J. Television’s ‘Personality System’. Media, Culture & Society 1981;3:351–65. doi:10.1177/016344378100300405
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Turner G. Understanding celebrity. Second edition. Los Angeles: : SAGE 2014. http://UEA.eblib.com/patron/FullRecord.aspx?p=1590533
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Turner G. Ordinary people and the media: the demotic turn. London: : SAGE 2010. http://UEA.eblib.com/patron/FullRecord.aspx?p=483413
