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C. Geraghty and D. Lusted, ‘Gripsrud, Jostein (1998) Television broadcast, flow: Key metaphors in television theory, in C. Geraghty and D Lusted EDs, The Television Studies Book, London: Arnold’, in The Television Studies Book, Bloomsbury Publishing PLC, 1997.
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H. Wheatley, ‘Wheatley, Helen (2016) “Introduction: What is spectacular television? What is(tele)visual pleasure?”, in Wheatley, Spectacular Television: Exploring Televisual Pleasure (London: I.B Tauris), pp.1-20.’, London: I.B.Tauris & Co Ltd, 2016.
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G. Creeber and British Film Institute, ‘“Analysing Television: Issues and Methods in Textual Analysis” [in] Tele-visions: an introduction to studying television’, in Tele-visions: an introduction to studying television, London: BFI, 2006.
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J. Hartley, ‘“Textual Analysis”, [in],Television Studies’, in Television Studies, London: BFI Pub, 2002.
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J. Bignell, ‘“Television texts and narratives” [in] An introduction to television studies’, in An introduction to television studies, 3rd ed., London: Routledge, 2013, pp. 93–122 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1092810
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S. Peacock and J. Jacobs, Television aesthetics and style. New York: Bloomsbury Academic, 2013 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1224263
[7]
G. Turner, ‘Chapter 6: “Ideology”, [in], British Cultural Studies: An Introduction (pp.166-189 only)’, in British Cultural Studies: An Introduction, 3rd ed., London: Routledge, 2003 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=235094
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M. White, ‘“Ideological Analysis and Television” [in] Channels of discourse, reassembled: television and contemporary criticism’, in Channels of discourse, reassembled: television and contemporary criticism, 2nd ed., London: Routledge, 1992 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/reader.action?docID=254107&ppg=129
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G. Creeber, ‘“Decoding Television: Issues of Ideology and Discourse”, [in],Tele-Visions: An Introduction to Studying Television’, in Tele-Visions: An Introduction to Studying Television, London: BFI, 2006.
[10]
S. Holmes, The quiz show, vol. TV genres. Edinburgh: Edinburgh University Press, 2008 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=380401
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S. Thornham and T. Purvis, Television drama: theories and identities, p.74-92. Basingstoke: Palgrave Macmillan, 2005.
[12]
J. Storey, ‘Marxisms [in] Cultural theory and popular culture: an introduction’, in Cultural theory and popular culture: an introduction, Seventh edition., Abingdon, Oxon: Routledge, Taylor & Francis Group, 2015 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=2046454
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D. Strinati, ‘Marxism, Political Economy and Ideology [in], An introduction to theories of popular culture’, in An introduction to theories of popular culture, 2nd ed., London: Routledge, 2004 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=200017
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C. Geraghty, ‘“A Woman’s Space”, [in], “Women and soap opera: a study of prime time soaps”,’ in ‘A Woman’s Space’, [in], ‘Women and soap opera: a study of prime time soaps’, Oxford: Polity, 1991.
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A. K. Householder and A. M. Trier-Bieniek, Eds., ‘Fryett, Sarah E (2016) “Chocolate and Vanilla Swirl, Sw-irl” [in] Feminist perspectives on Orange is the new black: thirteen critical essays’, in Feminist perspectives on Orange is the new black: thirteen critical essays, Jefferson, North Carolina: McFarland & Company, Inc., Publishers, 2016 [Online]. Available: http://ebookcentral.proquest.com/lib/uea/detail.action?docID=4573748
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I. Ang, Watching Dallas: soap opera and the melodramatic imagination. London: Routledge, 2005 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1395429
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K. Boyle, ‘Feminism without men: Feminist Media Studies in a Postfeminist age [in] Feminist television criticism: a reader’, in Feminist television criticism: a reader, 2nd ed., Maidenhead: Open University Press, 2008.
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J. Bignell, ‘“Television Representation”, [in], The Television Studies Reader’, in The Television Studies Reader, London: Routledge, 2004.
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M. E. Brown and M. E. Brown, Television and women’s culture: the politics of the popular, vol. Communication and human values. New York: Sage, 1990.
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R. Feasey, ‘“Soap Opera: The Male Role in the Women’s Genre”, [in] Masculinity and popular Television’, in Masculinity and popular Television, Edinburgh: Edinburgh University Press, 2008 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=380402
[21]
Ann. E. Kaplan, ‘“Feminist Criticism and Television”, [in], Channels of discourse, reassembled: television and contemporary criticism’, in Channels of discourse, reassembled: television and contemporary criticism, 2nd ed., London: Routledge, 1992 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=254107
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S. Genz and B. A. Brabon, Postfeminism: cultural texts and theories. Edinburgh: Edinburgh University Press, 2009 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=448738
[23]
J. Hollows and R. Moseley, Feminism in popular culture. Oxford: Berg, 2006.
[24]
D. Strinati, ‘Chapter of “Feminism and Popular Culture”, [in], An introduction to theories of popular culture’, in An introduction to theories of popular culture, 2nd ed., London: Routledge, 2004 [Online]. Available: http://www.uea.eblib.com/patron/FullRecord.aspx?p=200017
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B. Mills, ‘Chapter 14 “Shoved Online” BBC Three British televion and the marginalisation of young adult audiences  [in] Media, Margins and Popular Culture’, in Media, Margins and Popular Culture, E. Thorsen, Ed. Basingstoke, England: Palgrave Macmillan, 2015 [Online]. Available: http://ebookcentral.proquest.com/lib/uea/detail.action?docID=4001203
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M. Messenger-Davies, ‘Babes “n” the Hood: Pre-school Television and its Audiences in the United States and Britain [in] In front of the children: screen entertainment and young audiences’, in In front of the children: screen entertainment and young audiences, London: British Film Institute, 1995.
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M. M. Davies, ‘Children’s Television [in] Children, Media and Culture’, in Children, Media and Culture, vol. Issues in cultural and media studies, Maidenhead: McGraw-Hill Open University Press, 2010.
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C. Brundson, ‘“Text and Audience”, [in], Remote control: television, audiences, and cultural power’, in Remote control: television, audiences, and cultural power, London: Routledge, 1989 [Online]. Available: http://uea.eblib.com/patron/FullRecord.aspx?p=1221523
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J. Fiske, ‘“Moments of Television: Neither the Text nor the Audience”, [in], Remote control: television, audiences, and cultural power’, in Remote control: television, audiences, and cultural power, London: Routledge, 1989 [Online]. Available: http://uea.eblib.com/patron/FullRecord.aspx?p=1221523
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D. Buckingham and D. Buckingham, Children’s television in Britain: history, discourse, and policy. London: British Film Institute, 1999.
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D. Buckingham, Moving images: understanding children’s emotional responses to television. Manchester: Manchester University Press, 1996.
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D. Buckingham, After the death of childhood: growing up in the age of electronic media. Cambridge: Polity Press, 2000 [Online]. Available: http://uea.eblib.com/patron/FullRecord.aspx?p=1211884
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M. M. Davies, Children, media and culture, vol. Issues in cultural and media studies. Maidenhead: McGraw-Hill Open University Press, 2010 [Online]. Available: http://UEA.eblib.com/patron/FullRecord.aspx?p=557090
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D. Oswell, Television, childhood, and the home: a history of the making of the child television audience in Britain, vol. Oxford television studies. Oxford: Clarendon Press, 2002 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4964294
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J. Steemers, Creating preschool television: a story of commerce, creativity and curriculum. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2010 [Online]. Available: http://www.UEA.eblib.com/patron/FullRecord.aspx?p=668025
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K. Williams, ‘The audience strikes back: new audience and reception theory [in] Understanding media theory’, in Understanding media theory, London: Arnold, 2003.
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E. Evans, ‘Transmedia television: audiences, new media and daily life’, vol. Routledge advances in television studies. Routledge, New York, 2011 [Online]. Available: http://www.UEA.eblib.com/patron/FullRecord.aspx?p=668562
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I. Ang, ‘“Television Audiences as Taxonomic Collective”, [in], Desperately seeking the audience’, in Desperately seeking the audience, London: Routledge, 1991 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?milDocID=47832
[39]
D. Buckingham, ‘“What are words worth? Interpreting children’s talk about television”, [in], Children talking television: the making of television literacy’, in Children talking television: the making of television literacy, vol. Critical perspectives on literary [i.e. literacy] and education, London: Falmer Press, 1993 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=201310
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R. Deller, ‘“Twittering on: Audience Research and Participation Using Twitter”, (Participations: Volume 8, Issue 1)’, 2011 [Online]. Available: http://www.participations.org/Volume%208/Issue%201/deller.htm
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D. Gauntlett, A. Hill, and British Film Institute, TV living: television, culture, and everyday life. London: Routledge in association with the British Film Institute, 1999 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=165172
[42]
C. Geraghty and D. Lusted, ‘“Audiences and Ethnography: Questions of Practice”, [in], The television studies book’, in The television studies book, London: Arnold, 1997.
[43]
M. Gillespie, Television, ethnicity and cultural change, vol. Comedia. London: Routledge, 2003 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=178278
[44]
K. Gorton, Media audiences: television, meaning and emotion, vol. Media topics. Edinburgh: Edinburgh University Press, 2009 [Online]. Available: http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=325006&authtype=sso&custid=s8993828&site=ehost-live&scope=site
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S. Hall and University of Birmingham. Centre for Contemporary Cultural Studies, Culture, media, language: working papers in cultural studies, 1972-79. London: Hutchinson in association with the Centre for Contemporary Cultural Studies, University of Birmingham, 1980 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=179321
[46]
E. Seiter, ‘‘”Don’t treat us like we’re so stupid and naïve”: towards an ethnography of soap opera viewers’, [in], Remote control: television, audiences, and cultural power’, in Remote control: television, audiences, and cultural power, London: Routledge, 1989 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1221523
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D. Jermyn, ‘“In love with Sarah Jessica Parker: Celebrating Female Fandom and Friendship in Sex and the City”, [in], Reading Sex and the city’, in Reading Sex and the city, London: I.B. Tauris, 2004 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=676497
[48]
D. Marshall, ‘‘Screens: Television’s Dispersed "Broadcast”’, [in], Television studies after TV: understanding television in the post-broadcast era’, in Television studies after TV: understanding television in the post-broadcast era, London: Routledge, 2009 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=425387
[49]
B. Skeggs and H. Wood, Reacting to reality television: performance, audience and value. London: Routledge, 2012 [Online]. Available: http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=456194&authtype=sso&custid=s8993828&site=ehost-live&scope=site
[50]
D. Morley, Television, audiences, and cultural studies. London: Routledge, 1992 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=179188
[51]
E. Seiter, Television and new media audiences, vol. Oxford television studies. Oxford: Clarendon, 1999 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4964504
[52]
E. Evans, ‘Transmedia television: audiences, new media and daily life’, vol. Routledge advances in television studies. Routledge, New York, 2011 [Online]. Available: http://www.UEA.eblib.com/patron/FullRecord.aspx?p=668562
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J. Gray, ‘“The reviews are in: TV critics and the (pre)creation of meaning”, [in], Flow TV: television in the age of media convergence’, in Flow TV: television in the age of media convergence, New York, NY: Routledge, 2010 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=574457
[54]
G. Turner, ‘“The Uses and Limitations of Genre”, [in], The television genre book’, in The television genre book, London: British Film Institute, 2001 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4763274
[55]
J. Mittell, ‘A Cultural Approach to Television Genre Theory [in] The television studies reader’, in The television studies reader, London: Routledge, 2004.
[56]
G. Turner, ‘‘Genre, Format and "Live” Television’, [in], The television genre book’, in The television genre book, London: British Film Institute, 2001.
[57]
J. Bignell, ‘“Television Genres and Formats”, [in], An introduction to television studies’, in An introduction to television studies, 3rd ed., London: Routledge, 2013, pp. 123–146 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1092810
[58]
J. Bignell, ‘'Genre and Format’, [in], The television handbook’, in The television handbook, 3rd ed., London: Routledge, 2005 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=308596
[59]
G. Creeber, Ed., The television genre book, Third edition. London: BFI, 2015 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4763274
[60]
J. Ellis, ‘'Working Through and the Genres of Television’, [in], Seeing things: television in the age of uncertainty’, in Seeing things: television in the age of uncertainty, London: I.B. Tauris, 2000.
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J. Feuer, ‘“Genre Study and Television”, [in], Channels of discourse, reassembled: television and contemporary criticism’, in Channels of discourse, reassembled: television and contemporary criticism, 2nd ed., London: Routledge, 1992 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?milDocID=23657
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L. Geraghty and M. Jancovich, The shifting definitions of genre: essays on labeling films, television shows and media. Jefferson, N.C.: McFarland, 2008 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1734104
[63]
N. Lacey, Narrative and genre: key concepts in media studies. Basingstoke: Palgrave, 2000.
[64]
J. Mittell, Genre and television: from cop shows to cartoons in American culture. New York: Routledge, 2004 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=200862
[65]
S. Neale, ‘Question of genre’, Screen, vol. 31, no. 1, pp. 45–66, Mar. 1990, doi: 10.1093/screen/31.1.45.
[66]
S. Neale, ‘Genre and Television [in] television genre book’, in The television genre book, 2nd ed., Basingstoke: Palgrave Macmillan, 2008.
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S. Thornham and T. Purvis, ‘Chapter 2.2: “Genre”, [in], Television drama: theories and identities’, in Television drama: theories and identities, Basingstoke: Palgrave Macmillan, 2005.
[68]
‘Kilborn, Richard (1994) “Drama over Lockerbie”: A new look at television drama-documentaries’, Historical Journal of Film, Radio and Television, 14 (1): pp.59-76.’ [Online]. Available: http://www.tandfonline.com/doi/pdf/10.1080/01439689400260051?needAccess=true
[69]
D. Herbert, ‘Extract from Media, Publics and Democracy’ [in] Media audiences’, in Media audiences, Maidenhead: Open University Press, 2005.
[70]
J. McCabe and K. Akass, ‘Debating Quality [in] Quality TV: contemporary American television and beyond’, in Quality TV: contemporary American television and beyond, London: I. B. Tauris, 2007 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=258336&entityid=https://login.uea.ac.uk/entity
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B. Mills, ‘Invisible Television: The Programmes No-One Talks about Even Though Lots of People Watch Them’, Critical Studies in Television: The International Journal of Television Studies, vol. 5, no. 1, pp. 1–16, Mar. 2010, doi: 10.7227/CST.5.1.3.
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J. McCabe and K. Akass, ‘“Debating Quality”, [in], Quality TV: contemporary American television and beyond’, in Quality TV: contemporary American television and beyond, London: I. B. Tauris, 2007 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?milDocID=258336
[73]
M. Leverette, B. L. Ott, and C. L. Buckley, It’s not TV: watching HBO in the post-television era. New York: Routledge, 2008 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=425228
[74]
C. Brunson, ‘Problems with quality’, Screen, vol. 31, no. 1, pp. 67–90, Mar. 1990, doi: 10.1093/screen/31.1.67.
[75]
J. McCabe, ‘“Creating ‘Quality’ Audiences for ER on Channel Four”, [in], The contemporary television series’, in The contemporary television series, Edinburgh: Edinburgh University Press, 2005.
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B. Mills, ‘“What does it mean to call television "cinematic?”. [in] Television aesthetics and style’, in Television aesthetics and style, New York: Bloomsbury Academic, 2013 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1224263
[77]
R. J. Thompson, Television’s second golden age: from Hill Street blues to ER : Hill Street blues, Thirtysomething, St. Elsewhere, China Beach, Cagney & Lacey, Twin Peaks, Moonlighting, Northern exposure, L.A. law, Picket fences, with brief reflections on Homicide, NYPD blue & Chicago hope, and other quality dramas, 1st Syracuse University Press ed., vol. The television series. Syracuse, N.Y.: Syracuse University Press, 1997.
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W. A. Anders, ‘Bridges and tunnels: negotiating the national in transnational television drama [in] Nordic genre film: small nation film cultures in the global marketplace’, in Nordic genre film: small nation film cultures in the global marketplace, T. Gustafsson and P. Kääpä, Eds. Edinburgh: Edinburgh University Press, 2015 [Online]. Available: http://ebookcentral.proquest.com/lib/uea/detail.action?docID=4306124
[79]
K. Iwabuchi, ‘Introduction: Cultural Globalization and Asian Media Connections [in] Feeling Asian modernities: transnational consumption of Japanese TV dramas’, in Feeling Asian modernities: transnational consumption of Japanese TV dramas, Hong Kong: Hong Kong University Press, 2004 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=677420
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Burroughs, Benjamin and Adam Rugg, ‘Extending the Broadcast: Streaming Culture and the Problems of Digital Geog...’, Journal of Broadcasting & Electronic Media, 2014 [Online]. Available: http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=98053666&authtype=sso&custid=s8993828&site=ehost-live
[81]
J. Steemers, Selling television: British television in the global marketplace. London: British Film Institute, 2004.
[82]
A. Moran and J. Malbon, Understanding the global TV format. Bristol: Intellect Books, 2006.
[83]
R. Denison, ‘Anime fandom and the liminal spaces between fan creativity and piracy’, International Journal of Cultural Studies, vol. 14, no. 5, pp. 449–466, Sep. 2011, doi: 10.1177/1367877910394565.
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Forrest, Jennifer and Martinez, Sergio., ‘Remapping socio-cultural specificity in the American remake of The Bridge.’, Continuum: Journal of Media & Cultural Studies, 2015 [Online]. Available: https://www.tandfonline.com/doi/full/10.1080/10304312.2015.1068725
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K. Iwabuchi, Recentering globalization: popular culture and Japanese transnationalism. Durham: Duke University Press, 2002 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1167824
[86]
Michele Hilmes[1] University of Wisconsin–Madison mhilmes [AT] wisc.edu and Hilmes, Michele, ‘mediaindustries Transnational TV: What Do We Mean by "Coproduction” Anymore?’ [Online]. Available: https://quod.lib.umich.edu/m/mij/15031809.0001.203?view=text;rgn=main
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A. Fickers and C. Johnson, Transnational television history: a comparative approach. London: Routledge, 2012.
[88]
J. K. Chalaby, Transnational television worldwide: towards a new media order. London: I.B. Tauris, 2005.
[89]
F. Bonner, ‘The people Involved [in] Ordinary television: analyzing popular TV’, in Ordinary television: analyzing popular TV, London: SAGE, 2003, pp. 64–97 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=537788
[90]
M. Kavka, ‘Celevision: Mobilizations of the Television Screen [in] A companion to celebrity’, in A companion to celebrity, P. D. Marshall and S. Redmond, Eds. Chichester, West Sussex, UK: Wiley Blackwell, 2016 [Online]. Available: http://UEA.eblib.com/patron/FullRecord.aspx?p=4035676
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J. Bennett, ‘The television personality system: televisual stardom revisited after film theory’, Screen, vol. 49, no. 1, pp. 32–50, Jan. 2008, doi: 10.1093/screen/hjn003.
[92]
J. Bennett, Television personalities: stardom and the small screen. Abingdon: Routledge, 2011 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=589598
[93]
F. Bonner, Personality presenters: television’s intermediaries with viewers. Farnham, Surrey: Ashgate, 2011 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=309032&entityid=https://login.uea.ac.uk/entity
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P. C. Gibson, ‘'Contemporary Television: So many celebrities, so little fashion?’, [in], Fashion and celebrity culture’, in Fashion and celebrity culture, London: Berg, 2012 [Online]. Available: http://UEA.eblib.com/patron/FullRecord.aspx?p=1335914
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R. Dyer, Heavenly bodies: film stars and society, 2nd ed. London: Routledge, 2004 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=419648&entityid=https://login.uea.ac.uk/entity
[96]
R. Dyer and P. McDonald, Stars, New ed. London: BFI Pub, 1998.
[97]
J. Ellis, ‘Stars as Cinematic Phenomenon [in] Visible fictions: cinema : television : video’, in Visible fictions: cinema : television : video, Revised edition., London: Routledge, Taylor & Francis Group, 2015 [Online]. Available: http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=460171&authtype=sso&custid=s8993828&site=ehost-live&scope=site
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P. D. Marshall, ‘“Television’s Construction of the Celebrity”, [in], Celebrity and power: fame in contemporary culture’, in Celebrity and power: fame in contemporary culture, Minneapolis: University of Minnesota Press, 2014 [Online]. Available: http://UEA.eblib.com/patron/FullRecord.aspx?p=1762165
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D. Jermyn, ‘“Bringing out the Star in You”: SJP, Carrie Bradshaw and the Evolution of Television Stardom, [in], Framing celebrity: new directions in celebrity culture’, in Framing celebrity: new directions in celebrity culture, London: Routledge, 2006 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=415553&entityid=https://login.uea.ac.uk/entity
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J. Langer, ‘Television’s “Personality System”’, Media, Culture & Society, vol. 3, no. 4, pp. 351–365, Oct. 1981, doi: 10.1177/016344378100300405.
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G. Turner, Understanding celebrity, Second edition. Los Angeles: SAGE, 2014 [Online]. Available: http://UEA.eblib.com/patron/FullRecord.aspx?p=1590533
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G. Turner, Ordinary people and the media: the demotic turn, vol. Theory, culture&society. London: SAGE, 2010 [Online]. Available: http://UEA.eblib.com/patron/FullRecord.aspx?p=483413