Anders, Wilhelm Aberg. 2015. ‘Bridges and Tunnels: Negotiating the National in Transnational Television Drama [in] Nordic Genre Film: Small Nation Film Cultures in the Global Marketplace’. In Nordic Genre Film: Small Nation Film Cultures in the Global Marketplace, edited by Tommy Gustafsson and Pietari Kääpä. Edinburgh University Press. Electronic resource. http://ebookcentral.proquest.com/lib/uea/detail.action?docID=4306124.
Ang, Ien. 1991. ‘“Television Audiences as Taxonomic Collective”, [in], Desperately Seeking the Audience’. In Desperately Seeking the Audience. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?milDocID=47832.
Ang, Ien. 2005. Watching Dallas: Soap Opera and the Melodramatic Imagination. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1395429.
Bennett, J. 2008. ‘The Television Personality System: Televisual Stardom Revisited after Film Theory’. Screen 49 (1): 32–50. https://doi.org/10.1093/screen/hjn003.
Bennett, James. 2011. Television Personalities: Stardom and the Small Screen. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=589598.
Bignell, Jonathan. 2004. ‘“Television Representation”, [in], The Television Studies Reader’. In The Television Studies Reader. Routledge.
Bignell, Jonathan. 2005. ‘'Genre and Format’, [in], The Television Handbook’. In The Television Handbook, 3rd ed. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=308596.
Bignell, Jonathan. 2013a. ‘“Television Genres and Formats”, [in], An Introduction to Television Studies’. In An Introduction to Television Studies, 3rd ed. Routledge. https://ebookcentral.proquest.com/lib/uea/reader.action?docID=1092810&ppg=136.
Bignell, Jonathan. 2013b. ‘“Television Texts and Narratives” [in] An Introduction to Television Studies’. In An Introduction to Television Studies, 3rd ed. Routledge. https://ebookcentral.proquest.com/lib/uea/reader.action?docID=1092810&ppg=106.
Bonner, Frances. 2003. ‘The People Involved [in] Ordinary Television: Analyzing Popular TV’. In Ordinary Television: Analyzing Popular TV. SAGE. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=537788.
Bonner, Frances. 2011. Personality Presenters: Television’s Intermediaries with Viewers. Ashgate. http://lib.myilibrary.com/browse/open.asp?id=309032&entityid=https://login.uea.ac.uk/entity.
Boyle, Karen. 2008. ‘Feminism without Men: Feminist Media Studies in a Postfeminist Age [in] Feminist Television Criticism: A Reader’. In Feminist Television Criticism: A Reader, 2nd ed. Open University Press.
Brown, Mary Ellen, and Mary Ellen Brown. 1990. Television and Women’s Culture: The Politics of the Popular. Communication and Human values. Sage.
Brundson, Charlotte. 1989. ‘“Text and Audience”, [in], Remote Control: Television, Audiences, and Cultural Power’. In Remote Control: Television, Audiences, and Cultural Power. Routledge. http://uea.eblib.com/patron/FullRecord.aspx?p=1221523.
Brunson, C. 1990. ‘Problems with Quality’. Screen 31 (1): 67–90. https://doi.org/10.1093/screen/31.1.67.
Buckingham, David. 1993. ‘“What Are Words Worth? Interpreting Children’s Talk about Television”, [in], Children Talking Television: The Making of Television Literacy’. In Children Talking Television: The Making of Television Literacy, Critical perspectives on literary [i.e. literacy] and education. Falmer Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=201310.
Buckingham, David. 1996. Moving Images: Understanding Children’s Emotional Responses to Television. Manchester University Press.
Buckingham, David. 2000. After the Death of Childhood: Growing up in the Age of Electronic Media. Polity Press. http://uea.eblib.com/patron/FullRecord.aspx?p=1211884.
Buckingham, David, and David Buckingham. 1999. Children’s Television in Britain: History, Discourse, and Policy. British Film Institute.
Burroughs, Benjamin and Adam Rugg. 2014. ‘Extending the Broadcast: Streaming Culture and the Problems of Digital Geog...’ Journal of Broadcasting & Electronic Media. http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=98053666&authtype=sso&custid=s8993828&site=ehost-live.
Chalaby, Jean K. 2005. Transnational Television Worldwide: Towards a New Media Order. I.B. Tauris.
Creeber, Glen. 2006. ‘“Decoding Television: Issues of Ideology and Discourse”, [in],Tele-Visions: An Introduction to Studying Television’. In Tele-Visions: An Introduction to Studying Television. BFI.
Creeber, Glen, ed. 2015. The Television Genre Book. Third edition. BFI. Electronic resource. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4763274.
Creeber, Glen and British Film Institute. 2006. ‘“Analysing Television: Issues and Methods in Textual Analysis” [in] Tele-Visions: An Introduction to Studying Television’. In Tele-Visions: An Introduction to Studying Television. BFI.
Davies, Máire Messenger. 2010a. Children, Media and Culture. Issues in cultural and Media studies. McGraw-Hill Open University Press. http://UEA.eblib.com/patron/FullRecord.aspx?p=557090.
Davies, Máire Messenger. 2010b. ‘Children’s Television [in] Children, Media and Culture’. In Children, Media and Culture, Issues in cultural and media studies. McGraw-Hill Open University Press.
Deller, Ruth. 2011. ‘Twittering on: Audience Research and Participation Using Twitter’, (Participations: Volume 8, Issue 1). http://www.participations.org/Volume%208/Issue%201/deller.htm.
Denison, Rayna. 2011. ‘Anime Fandom and the Liminal Spaces between Fan Creativity and Piracy’. International Journal of Cultural Studies 14 (5): 449–66. https://doi.org/10.1177/1367877910394565.
Dyer, Richard. 2004. Heavenly Bodies: Film Stars and Society. 2nd ed. Routledge. http://lib.myilibrary.com/browse/open.asp?id=419648&entityid=https://login.uea.ac.uk/entity.
Dyer, Richard, and Paul McDonald. 1998. Stars. New ed. BFI Pub.
Ellis, John. 2000. ‘'Working Through and the Genres of Television’, [in], Seeing Things: Television in the Age of Uncertainty’. In Seeing Things: Television in the Age of Uncertainty. I.B. Tauris.
Ellis, John. 2015. ‘Stars as Cinematic Phenomenon [in] Visible Fictions: Cinema : Television : Video’. In Visible Fictions: Cinema : Television : Video, Revised edition. Routledge, Taylor & Francis Group. http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=460171&authtype=sso&custid=s8993828&site=ehost-live&scope=site.
Evans, Elizabeth. 2011a. Transmedia Television: Audiences, New Media and Daily Life. Routledge advances in television studies. Routledge. Electronic resource. http://www.UEA.eblib.com/patron/FullRecord.aspx?p=668562.
Evans, Elizabeth. 2011b. Transmedia Television: Audiences, New Media and Daily Life. Routledge advances in television studies. Routledge. Electronic resource. http://www.UEA.eblib.com/patron/FullRecord.aspx?p=668562.
Feasey, Rebecca. 2008. ‘“Soap Opera: The Male Role in the Women’s Genre”, [in] Masculinity and Popular Television’. In Masculinity and Popular Television. Edinburgh University Press. Electronic resource. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=380402.
Feuer, Jane. 1992. ‘“Genre Study and Television”, [in], Channels of Discourse, Reassembled: Television and Contemporary Criticism’. In Channels of Discourse, Reassembled: Television and Contemporary Criticism, 2nd ed. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?milDocID=23657.
Fickers, Andreas, and Catherine Johnson. 2012. Transnational Television History: A Comparative Approach. Routledge.
Fiske, John. 1989. ‘“Moments of Television: Neither the Text nor the Audience”, [in], Remote Control: Television, Audiences, and Cultural Power’. In Remote Control: Television, Audiences, and Cultural Power. Routledge. http://uea.eblib.com/patron/FullRecord.aspx?p=1221523.
Forrest, Jennifer and Martinez, Sergio. 2015. ‘Remapping Socio-Cultural Specificity in the American Remake of The Bridge.’ Continuum: Journal of Media & Cultural Studies. https://www.tandfonline.com/doi/full/10.1080/10304312.2015.1068725.
Gauntlett, David, Annette Hill, and British Film Institute. 1999. TV Living: Television, Culture, and Everyday Life. Routledge in association with the British Film Institute. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=165172.
Genz, Stéphanie, and Benjamin A. Brabon. 2009. Postfeminism: Cultural Texts and Theories. Edinburgh University Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=448738.
Geraghty, Christine. 1991. ‘“A Woman’s Space”, [in], “Women and Soap Opera: A Study of Prime Time Soaps”,’. In ‘A Woman’s Space’, [in], ‘Women and Soap Opera: A Study of Prime Time Soaps’,. Polity.
Geraghty, Christine, and David Lusted. 1997a. ‘“Audiences and Ethnography: Questions of Practice”, [in], The Television Studies Book’. In The Television Studies Book. Arnold.
Geraghty, Christine, and David Lusted. 1997b. ‘Gripsrud, Jostein (1998) Television Broadcast, Flow: Key Metaphors in Television Theory, in C. Geraghty and D Lusted EDs, The Television Studies Book, London: Arnold’. In The Television Studies Book. Bloomsbury Publishing PLC.
Geraghty, Lincoln, and Mark Jancovich. 2008. The Shifting Definitions of Genre: Essays on Labeling Films, Television Shows and Media. McFarland. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1734104.
Gibson, Pamela Church. 2012. ‘'Contemporary Television: So Many Celebrities, so Little Fashion?’, [In], Fashion and Celebrity Culture’. In Fashion and Celebrity Culture. Berg. http://UEA.eblib.com/patron/FullRecord.aspx?p=1335914.
Gillespie, Marie. 2003. Television, Ethnicity and Cultural Change. Comedia. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=178278.
Gorton, Kristyn. 2009. Media Audiences: Television, Meaning and Emotion. Media topics. Edinburgh University Press. Electronic resource. http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=325006&authtype=sso&custid=s8993828&site=ehost-live&scope=site.
Gray, Jonathan. 2010. ‘“The Reviews Are in: TV Critics and the (Pre)Creation of Meaning”, [in], Flow TV: Television in the Age of Media Convergence’. In Flow TV: Television in the Age of Media Convergence. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=574457.
Hall, Stuart and University of Birmingham. Centre for Contemporary Cultural Studies. 1980. Culture, Media, Language: Working Papers in Cultural Studies, 1972-79. Hutchinson in association with the Centre for Contemporary Cultural Studies, University of Birmingham. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=179321.
Hartley, John. 2002. ‘“Textual Analysis”, [in],Television Studies’. In Television Studies. BFI Pub.
Herbert, David. 2005. ‘Extract from Media, Publics and Democracy’ [in] Media Audiences’. In Media Audiences. Open University Press.
Hollows, Joanne, and Rachel Moseley. 2006. Feminism in Popular Culture. Berg.
Holmes, Su. 2008. The Quiz Show. TV genres. Edinburgh University Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=380401.
Householder, April Kalogeropoulos, and Adrienne M. Trier-Bieniek, eds. 2016. ‘Fryett, Sarah E (2016) “Chocolate and Vanilla Swirl, Sw-Irl” [in] Feminist Perspectives on Orange Is the New Black: Thirteen Critical Essays’. In Feminist Perspectives on Orange Is the New Black: Thirteen Critical Essays. McFarland & Company, Inc., Publishers. Electronic resource. http://ebookcentral.proquest.com/lib/uea/detail.action?docID=4573748.
Iwabuchi, Kōichi. 2002. Recentering Globalization: Popular Culture and Japanese Transnationalism. Duke University Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1167824.
Iwabuchi, Kōichi. 2004. ‘Introduction: Cultural Globalization and Asian Media Connections [in] Feeling Asian Modernities: Transnational Consumption of Japanese TV Dramas’. In Feeling Asian Modernities: Transnational Consumption of Japanese TV Dramas. Hong Kong University Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=677420.
Jermyn, Deborah. 2004. ‘“In Love with Sarah Jessica Parker: Celebrating Female Fandom and Friendship in Sex and the City”, [in], Reading Sex and the City’. In Reading Sex and the City. I.B. Tauris. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=676497.
Jermyn, Deborah. 2006. ‘“Bringing out the Star in You”: SJP, Carrie Bradshaw and the Evolution of Television Stardom, [in], Framing Celebrity: New Directions in Celebrity Culture’. In Framing Celebrity: New Directions in Celebrity Culture. Routledge. http://lib.myilibrary.com/browse/open.asp?id=415553&entityid=https://login.uea.ac.uk/entity.
Kaplan, Ann. E. 1992. ‘“Feminist Criticism and Television”, [in], Channels of Discourse, Reassembled: Television and Contemporary Criticism’. In Channels of Discourse, Reassembled: Television and Contemporary Criticism, 2nd ed. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=254107.
Kavka, Misha. 2016. ‘Celevision: Mobilizations of the Television Screen [in] A Companion to Celebrity’. In A Companion to Celebrity, edited by P. David Marshall and Sean Redmond. Wiley Blackwell. http://UEA.eblib.com/patron/FullRecord.aspx?p=4035676.
Kilborn, Richard (1994) ‘Drama over Lockerbie’: A New Look at Television Drama-Documentaries’, Historical Journal of Film, Radio and Television, 14 (1): Pp.59-76. n.d. http://www.tandfonline.com/doi/pdf/10.1080/01439689400260051?needAccess=true.
Lacey, Nick. 2000. Narrative and Genre: Key Concepts in Media Studies. Palgrave.
Langer, John. 1981. ‘Television’s “Personality System”’. Media, Culture & Society 3 (4): 351–65. https://doi.org/10.1177/016344378100300405.
Leverette, Marc, Brian L. Ott, and Cara Louise Buckley. 2008. It’s Not TV: Watching HBO in the Post-Television Era. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=425228.
Marshall, David. 2009. ‘‘Screens: Television’s Dispersed "Broadcast”’, [in], Television Studies after TV: Understanding Television in the Post-Broadcast Era’. In Television Studies after TV: Understanding Television in the Post-Broadcast Era. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=425387.
Marshall, P. David. 2014. ‘“Television’s Construction of the Celebrity”, [in], Celebrity and Power: Fame in Contemporary Culture’. In Celebrity and Power: Fame in Contemporary Culture. University of Minnesota Press. http://UEA.eblib.com/patron/FullRecord.aspx?p=1762165.
McCabe, Janet. 2005. ‘“Creating ‘Quality’ Audiences for ER on Channel Four”, [in], The Contemporary Television Series’. In The Contemporary Television Series. Edinburgh University Press.
McCabe, Janet, and Kim Akass. 2007a. ‘Debating Quality [in] Quality TV: Contemporary American Television and Beyond’. In Quality TV: Contemporary American Television and Beyond. I. B. Tauris. http://lib.myilibrary.com/browse/open.asp?id=258336&entityid=https://login.uea.ac.uk/entity.
McCabe, Janet, and Kim Akass. 2007b. ‘“Debating Quality”, [in], Quality TV: Contemporary American Television and Beyond’. In Quality TV: Contemporary American Television and Beyond. I. B. Tauris. https://ebookcentral.proquest.com/lib/uea/detail.action?milDocID=258336.
Messenger-Davies, Maire. 1995. ‘Babes “n” the Hood: Pre-School Television and Its Audiences in the United States and Britain [in] In Front of the Children: Screen Entertainment and Young Audiences’. In In Front of the Children: Screen Entertainment and Young Audiences. British Film Institute.
Michele Hilmes[1] University of Wisconsin–Madison mhilmes [AT] wisc.edu, and Hilmes, Michele. n.d. mediaindustries Transnational TV: What Do We Mean by "Coproduction” Anymore? https://quod.lib.umich.edu/m/mij/15031809.0001.203?view=text;rgn=main.
Mills, Brett. 2010. ‘Invisible Television: The Programmes No-One Talks about Even Though Lots of People Watch Them’. Critical Studies in Television: The International Journal of Television Studies 5 (1): 1–16. https://doi.org/10.7227/CST.5.1.3.
Mills, Brett. 2013. ‘“What Does It Mean to Call Television "Cinematic?”. [In] Television Aesthetics and Style’. In Television Aesthetics and Style. Bloomsbury Academic. Electronic resource. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1224263.
Mills, Brett. 2015. ‘Chapter 14 “Shoved Online” BBC Three British Televion and the Marginalisation of Young Adult Audiences  [in] Media, Margins and Popular Culture’. In Media, Margins and Popular Culture, edited by Einar Thorsen. Palgrave Macmillan. Electronic resource. http://ebookcentral.proquest.com/lib/uea/detail.action?docID=4001203.
Mittell, Jason. 2004a. ‘A Cultural Approach to Television Genre Theory [in] The Television Studies Reader’. In The Television Studies Reader. Routledge.
Mittell, Jason. 2004b. Genre and Television: From Cop Shows to Cartoons in American Culture. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=200862.
Moran, Albert, and Justin Malbon. 2006. Understanding the Global TV Format. Intellect Books.
Morley, David. 1992. Television, Audiences, and Cultural Studies. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=179188.
Neale, S. 1990. ‘Question of Genre’. Screen 31 (1): 45–66. https://doi.org/10.1093/screen/31.1.45.
Neale, Steve. 2008. ‘Genre and Television [in] Television Genre Book’. In The Television Genre Book, 2nd ed. Palgrave Macmillan.
Oswell, David. 2002. Television, Childhood, and the Home: A History of the Making of the Child Television Audience in Britain. Oxford television studies. Clarendon Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4964294.
Peacock, Steven, and Jason Jacobs. 2013. Television Aesthetics and Style. Bloomsbury Academic. Electronic resource. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1224263.
Seiter, Ellen. 1989. ‘‘”Don’t Treat Us like We’re so Stupid and Naïve”: Towards an Ethnography of Soap Opera Viewers’, [in], Remote Control: Television, Audiences, and Cultural Power’. In Remote Control: Television, Audiences, and Cultural Power. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1221523.
Seiter, Ellen. 1999. Seiter, Ellen (1999) Chapter 2, ‘Qualitative Audience Research’, in Seiter, Television and New Media Audiences, Oxford, Oxford University Press, Pp.9-36 ONLY Television and New Media Audiences. Oxford television studies. Clarendon. https://academic.oup.com/book/33012/chapter/280172939.
Skeggs, Beverley, and Helen Wood. 2012. Reacting to Reality Television: Performance, Audience and Value. Routledge. http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=456194&authtype=sso&custid=s8993828&site=ehost-live&scope=site.
Steemers, Jeanette. 2004. Selling Television: British Television in the Global Marketplace. British Film Institute.
Steemers, Jeanette. 2010. Creating Preschool Television: A Story of Commerce, Creativity and Curriculum. Palgrave Macmillan. Electronic resource. http://www.UEA.eblib.com/patron/FullRecord.aspx?p=668025.
Storey, John. 2015. ‘Marxisms [in] Cultural Theory and Popular Culture: An Introduction’. In Cultural Theory and Popular Culture: An Introduction, Seventh edition. Routledge, Taylor & Francis Group. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=2046454.
Strinati, Dominic. 2004a. ‘Chapter of “Feminism and Popular Culture”, [in], An Introduction to Theories of Popular Culture’. In An Introduction to Theories of Popular Culture, 2nd ed. Routledge. http://www.uea.eblib.com/patron/FullRecord.aspx?p=200017.
Strinati, Dominic. 2004b. ‘Marxism, Political Economy and Ideology [in], An Introduction to Theories of Popular Culture’. In An Introduction to Theories of Popular Culture, 2nd ed. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=200017.
Thompson, Robert J. 1997. Television’s Second Golden Age: From Hill Street Blues to ER : Hill Street Blues, Thirtysomething, St. Elsewhere, China Beach, Cagney & Lacey, Twin Peaks, Moonlighting, Northern Exposure, L.A. Law, Picket Fences, with Brief Reflections on Homicide, NYPD Blue & Chicago Hope, and Other Quality Dramas. 1st Syracuse University Press ed. The television series. Syracuse University Press.
Thornham, Sue, and Tony Purvis. 2005a. ‘Chapter 2.2: “Genre”, [in], Television Drama: Theories and Identities’. In Television Drama: Theories and Identities. Palgrave Macmillan.
Thornham, Sue, and Tony Purvis. 2005b. Television Drama: Theories and Identities, p.74-92. Palgrave Macmillan.
Turner, Graeme. 2001a. ‘‘Genre, Format and "Live” Television’, [in], The Television Genre Book’. In The Television Genre Book. British Film Institute.
Turner, Graeme. 2001b. ‘“The Uses and Limitations of Genre”, [in], The Television Genre Book’. In The Television Genre Book. British Film Institute. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4763274.
Turner, Graeme. 2003. ‘Chapter 6: “Ideology”, [in], British Cultural Studies: An Introduction (Pp.166-189 Only)’. In British Cultural Studies: An Introduction, 3rd ed. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=235094.
Turner, Graeme. 2010. Ordinary People and the Media: The Demotic Turn. Theory, Culture&Society. SAGE. http://UEA.eblib.com/patron/FullRecord.aspx?p=483413.
Turner, Graeme. 2014. Understanding Celebrity. Second edition. SAGE. Electronic resource. http://UEA.eblib.com/patron/FullRecord.aspx?p=1590533.
Wheatley, Helen. 2016. Wheatley, Helen (2016) ‘Introduction: What Is Spectacular Television? What Is(Tele)Visual Pleasure?’, In Wheatley, Spectacular Television: Exploring Televisual Pleasure (London: I.B Tauris), Pp.1-20. I.B.Tauris & Co Ltd.
White, Mimi. 1992. ‘“Ideological Analysis and Television” [in] Channels of Discourse, Reassembled: Television and Contemporary Criticism’. In Channels of Discourse, Reassembled: Television and Contemporary Criticism, 2nd ed. Routledge. https://ebookcentral.proquest.com/lib/uea/reader.action?docID=254107&ppg=129.
Williams, Kevin. 2003. ‘The Audience Strikes Back: New Audience and Reception Theory [in] Understanding Media Theory’. In Understanding Media Theory. Arnold.