Anders, Wilhelm Aberg. 2015. ‘Bridges and Tunnels: Negotiating the National in Transnational Television Drama [in] Nordic Genre Film: Small Nation Film Cultures in the Global Marketplace’. In Nordic Genre Film: Small Nation Film Cultures in the Global Marketplace, edited by Tommy Gustafsson and Pietari Kääpä. Edinburgh: Edinburgh University Press. http://ebookcentral.proquest.com/lib/uea/detail.action?docID=4306124.
Ang, Ien. 1991. ‘“Television Audiences as Taxonomic Collective”, [in], Desperately Seeking the Audience’. In Desperately Seeking the Audience. London: Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?milDocID=47832.
———. 2005. Watching Dallas: Soap Opera and the Melodramatic Imagination. London: Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1395429.
Bennett, J. 2008. ‘The Television Personality System: Televisual Stardom Revisited after Film Theory’. Screen 49 (1): 32–50. https://doi.org/10.1093/screen/hjn003.
Bennett, James. 2011. Television Personalities: Stardom and the Small Screen. Abingdon: Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=589598.
Bignell, Jonathan. 2004. ‘“Television Representation”, [in], The Television Studies Reader’. In The Television Studies Reader. London: Routledge.
———. 2005. ‘'Genre and Format’, [in], The Television Handbook’. In The Television Handbook, 3rd ed. London: Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=308596.
———. 2013a. ‘“Television Genres and Formats”, [in], An Introduction to Television Studies’. In An Introduction to Television Studies, 3rd ed, 123–46. London: Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1092810.
———. 2013b. ‘“Television Texts and Narratives” [in] An Introduction to Television Studies’. In An Introduction to Television Studies, 3rd ed, 93–122. London: Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1092810.
Bonner, Frances. 2003. ‘The People Involved [in] Ordinary Television: Analyzing Popular TV’. In Ordinary Television: Analyzing Popular TV, 64–97. London: SAGE. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=537788.
———. 2011. Personality Presenters: Television’s Intermediaries with Viewers. Farnham, Surrey: Ashgate. http://lib.myilibrary.com/browse/open.asp?id=309032&entityid=https://login.uea.ac.uk/entity.
Boyle, Karen. 2008. ‘Feminism without Men: Feminist Media Studies in a Postfeminist Age [in] Feminist Television Criticism: A Reader’. In Feminist Television Criticism: A Reader, 2nd ed. Maidenhead: Open University Press.
Brown, Mary Ellen, and Mary Ellen Brown. 1990. Television and Women’s Culture: The Politics of the Popular. Vol. Communication and human values. New York: Sage.
Brundson, Charlotte. 1989. ‘“Text and Audience”, [in], Remote Control: Television, Audiences, and Cultural Power’. In Remote Control: Television, Audiences, and Cultural Power. London: Routledge. http://uea.eblib.com/patron/FullRecord.aspx?p=1221523.
Brunson, C. 1990. ‘Problems with Quality’. Screen 31 (1): 67–90. https://doi.org/10.1093/screen/31.1.67.
Buckingham, David. 1993. ‘“What Are Words Worth? Interpreting Children’s Talk about Television”, [in], Children Talking Television: The Making of Television Literacy’. In Children Talking Television: The Making of Television Literacy. Vol. Critical perspectives on literary [i.e. literacy] and education. London: Falmer Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=201310.
———. 1996. Moving Images: Understanding Children’s Emotional Responses to Television. Manchester: Manchester University Press.
———. 2000. After the Death of Childhood: Growing up in the Age of Electronic Media. Cambridge: Polity Press. http://uea.eblib.com/patron/FullRecord.aspx?p=1211884.
Buckingham, David, and David Buckingham. 1999. Children’s Television in Britain: History, Discourse, and Policy. London: British Film Institute.
Burroughs, Benjamin and Adam Rugg. 2014. ‘Extending the Broadcast: Streaming Culture and the Problems of Digital Geog...’ Journal of Broadcasting & Electronic Media. http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=98053666&authtype=sso&custid=s8993828&site=ehost-live.
Chalaby, Jean K. 2005. Transnational Television Worldwide: Towards a New Media Order. London: I.B. Tauris.
Creeber, Glen. 2006. ‘“Decoding Television: Issues of Ideology and Discourse”, [in],Tele-Visions: An Introduction to Studying Television’. In Tele-Visions: An Introduction to Studying Television. London: BFI.
———, ed. 2015. The Television Genre Book. Third edition. London: BFI. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4763274.
Creeber, Glen and British Film Institute. 2006. ‘“Analysing Television: Issues and Methods in Textual Analysis” [in] Tele-Visions: An Introduction to Studying Television’. In Tele-Visions: An Introduction to Studying Television. London: BFI.
Davies, Máire Messenger. 2010a. Children, Media and Culture. Vol. Issues in cultural and media studies. Maidenhead: McGraw-Hill Open University Press. http://UEA.eblib.com/patron/FullRecord.aspx?p=557090.
———. 2010b. ‘Children’s Television [in] Children, Media and Culture’. In Children, Media and Culture. Vol. Issues in cultural and media studies. Maidenhead: McGraw-Hill Open University Press.
Deller, Ruth. 2011. ‘“Twittering on: Audience Research and Participation Using Twitter”, (Participations: Volume 8, Issue 1)’. http://www.participations.org/Volume%208/Issue%201/deller.htm.
Denison, Rayna. 2011. ‘Anime Fandom and the Liminal Spaces between Fan Creativity and Piracy’. International Journal of Cultural Studies 14 (5): 449–66. https://doi.org/10.1177/1367877910394565.
Dyer, Richard. 2004. Heavenly Bodies: Film Stars and Society. 2nd ed. London: Routledge. http://lib.myilibrary.com/browse/open.asp?id=419648&entityid=https://login.uea.ac.uk/entity.
Dyer, Richard, and Paul McDonald. 1998. Stars. New ed. London: BFI Pub.
Ellis, John. 2000. ‘'Working Through and the Genres of Television’, [in], Seeing Things: Television in the Age of Uncertainty’. In Seeing Things: Television in the Age of Uncertainty. London: I.B. Tauris.
———. 2015. ‘Stars as Cinematic Phenomenon [in] Visible Fictions: Cinema : Television : Video’. In Visible Fictions: Cinema : Television : Video, Revised edition. London: Routledge, Taylor & Francis Group. http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=460171&authtype=sso&custid=s8993828&site=ehost-live&scope=site.
Evans, Elizabeth. 2011a. ‘Transmedia Television: Audiences, New Media and Daily Life’. New York: Routledge. http://www.UEA.eblib.com/patron/FullRecord.aspx?p=668562.
———. 2011b. ‘Transmedia Television: Audiences, New Media and Daily Life’. New York: Routledge. http://www.UEA.eblib.com/patron/FullRecord.aspx?p=668562.
Feasey, Rebecca. 2008. ‘“Soap Opera: The Male Role in the Women’s Genre”, [in] Masculinity and Popular Television’. In Masculinity and Popular Television. Edinburgh: Edinburgh University Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=380402.
Feuer, Jane. 1992. ‘“Genre Study and Television”, [in], Channels of Discourse, Reassembled: Television and Contemporary Criticism’. In Channels of Discourse, Reassembled: Television and Contemporary Criticism, 2nd ed. London: Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?milDocID=23657.
Fickers, Andreas, and Catherine Johnson. 2012. Transnational Television History: A Comparative Approach. London: Routledge.
Fiske, John. 1989. ‘“Moments of Television: Neither the Text nor the Audience”, [in], Remote Control: Television, Audiences, and Cultural Power’. In Remote Control: Television, Audiences, and Cultural Power. London: Routledge. http://uea.eblib.com/patron/FullRecord.aspx?p=1221523.
Forrest, Jennifer and Martinez, Sergio. 2015. ‘Remapping Socio-Cultural Specificity in the American Remake of The Bridge.’ Continuum: Journal of Media & Cultural Studies. https://www.tandfonline.com/doi/full/10.1080/10304312.2015.1068725.
Gauntlett, David, Annette Hill, and British Film Institute. 1999. TV Living: Television, Culture, and Everyday Life. London: Routledge in association with the British Film Institute. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=165172.
Genz, Stéphanie, and Benjamin A. Brabon. 2009. Postfeminism: Cultural Texts and Theories. Edinburgh: Edinburgh University Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=448738.
Geraghty, Christine. 1991. ‘“A Woman’s Space”, [in], “Women and Soap Opera: A Study of Prime Time Soaps”,’. In ‘A Woman’s Space’, [in], ‘Women and Soap Opera: A Study of Prime Time Soaps’,. Oxford: Polity.
Geraghty, Christine, and David Lusted. 1997a. ‘“Audiences and Ethnography: Questions of Practice”, [in], The Television Studies Book’. In The Television Studies Book. London: Arnold.
———. 1997b. ‘Gripsrud, Jostein (1998) Television Broadcast, Flow: Key Metaphors in Television Theory, in C. Geraghty and D Lusted EDs, The Television Studies Book, London: Arnold’. In The Television Studies Book. Bloomsbury Publishing PLC.
Geraghty, Lincoln, and Mark Jancovich. 2008. The Shifting Definitions of Genre: Essays on Labeling Films, Television Shows and Media. Jefferson, N.C.: McFarland. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1734104.
Gibson, Pamela Church. 2012. ‘'Contemporary Television: So Many Celebrities, so Little Fashion?’, [In], Fashion and Celebrity Culture’. In Fashion and Celebrity Culture. London: Berg. http://UEA.eblib.com/patron/FullRecord.aspx?p=1335914.
Gillespie, Marie. 2003. Television, Ethnicity and Cultural Change. Vol. Comedia. London: Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=178278.
Gorton, Kristyn. 2009. Media Audiences: Television, Meaning and Emotion. Vol. Media topics. Edinburgh: Edinburgh University Press. http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=325006&authtype=sso&custid=s8993828&site=ehost-live&scope=site.
Gray, Jonathan. 2010. ‘“The Reviews Are in: TV Critics and the (Pre)Creation of Meaning”, [in], Flow TV: Television in the Age of Media Convergence’. In Flow TV: Television in the Age of Media Convergence. New York, NY: Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=574457.
Hall, Stuart and University of Birmingham. Centre for Contemporary Cultural Studies. 1980. Culture, Media, Language: Working Papers in Cultural Studies, 1972-79. London: Hutchinson in association with the Centre for Contemporary Cultural Studies, University of Birmingham. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=179321.
Hartley, John. 2002. ‘“Textual Analysis”, [in],Television Studies’. In Television Studies. London: BFI Pub.
Herbert, David. 2005. ‘Extract from Media, Publics and Democracy’ [in] Media Audiences’. In Media Audiences. Maidenhead: Open University Press.
Hollows, Joanne, and Rachel Moseley. 2006. Feminism in Popular Culture. Oxford: Berg.
Holmes, Su. 2008. The Quiz Show. Vol. TV genres. Edinburgh: Edinburgh University Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=380401.
Householder, April Kalogeropoulos, and Adrienne M. Trier-Bieniek, eds. 2016. ‘Fryett, Sarah E (2016) “Chocolate and Vanilla Swirl, Sw-Irl” [in] Feminist Perspectives on Orange Is the New Black: Thirteen Critical Essays’. In Feminist Perspectives on Orange Is the New Black: Thirteen Critical Essays. Jefferson, North Carolina: McFarland & Company, Inc., Publishers. http://ebookcentral.proquest.com/lib/uea/detail.action?docID=4573748.
Iwabuchi, Kōichi. 2002. Recentering Globalization: Popular Culture and Japanese Transnationalism. Durham: Duke University Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1167824.
———. 2004. ‘Introduction: Cultural Globalization and Asian Media Connections [in] Feeling Asian Modernities: Transnational Consumption of Japanese TV Dramas’. In Feeling Asian Modernities: Transnational Consumption of Japanese TV Dramas. Hong Kong: Hong Kong University Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=677420.
Jermyn, Deborah. 2004. ‘“In Love with Sarah Jessica Parker: Celebrating Female Fandom and Friendship in Sex and the City”, [in], Reading Sex and the City’. In Reading Sex and the City. London: I.B. Tauris. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=676497.
———. 2006. ‘“Bringing out the Star in You”: SJP, Carrie Bradshaw and the Evolution of Television Stardom, [in], Framing Celebrity: New Directions in Celebrity Culture’. In Framing Celebrity: New Directions in Celebrity Culture. London: Routledge. http://lib.myilibrary.com/browse/open.asp?id=415553&entityid=https://login.uea.ac.uk/entity.
Kaplan, Ann. E. 1992. ‘“Feminist Criticism and Television”, [in], Channels of Discourse, Reassembled: Television and Contemporary Criticism’. In Channels of Discourse, Reassembled: Television and Contemporary Criticism, 2nd ed. London: Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=254107.
Kavka, Misha. 2016. ‘Celevision: Mobilizations of the Television Screen [in] A Companion to Celebrity’. In A Companion to Celebrity, edited by P. David Marshall and Sean Redmond. Chichester, West Sussex, UK: Wiley Blackwell. http://UEA.eblib.com/patron/FullRecord.aspx?p=4035676.
‘Kilborn, Richard (1994) “Drama over Lockerbie”: A New Look at Television Drama-Documentaries’, Historical Journal of Film, Radio and Television, 14 (1): Pp.59-76.’ n.d. http://www.tandfonline.com/doi/pdf/10.1080/01439689400260051?needAccess=true.
Lacey, Nick. 2000. Narrative and Genre: Key Concepts in Media Studies. Basingstoke: Palgrave.
Langer, John. 1981. ‘Television’s “Personality System”’. Media, Culture & Society 3 (4): 351–65. https://doi.org/10.1177/016344378100300405.
Leverette, Marc, Brian L. Ott, and Cara Louise Buckley. 2008. It’s Not TV: Watching HBO in the Post-Television Era. New York: Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=425228.
Marshall, David. 2009. ‘‘Screens: Television’s Dispersed "Broadcast”’, [in], Television Studies after TV: Understanding Television in the Post-Broadcast Era’. In Television Studies after TV: Understanding Television in the Post-Broadcast Era. London: Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=425387.
Marshall, P. David. 2014. ‘“Television’s Construction of the Celebrity”, [in], Celebrity and Power: Fame in Contemporary Culture’. In Celebrity and Power: Fame in Contemporary Culture. Minneapolis: University of Minnesota Press. http://UEA.eblib.com/patron/FullRecord.aspx?p=1762165.
McCabe, Janet. 2005. ‘“Creating ‘Quality’ Audiences for ER on Channel Four”, [in], The Contemporary Television Series’. In The Contemporary Television Series. Edinburgh: Edinburgh University Press.
McCabe, Janet, and Kim Akass. 2007a. ‘Debating Quality [in] Quality TV: Contemporary American Television and Beyond’. In Quality TV: Contemporary American Television and Beyond. London: I. B. Tauris. http://lib.myilibrary.com/browse/open.asp?id=258336&entityid=https://login.uea.ac.uk/entity.
———. 2007b. ‘“Debating Quality”, [in], Quality TV: Contemporary American Television and Beyond’. In Quality TV: Contemporary American Television and Beyond. London: I. B. Tauris. https://ebookcentral.proquest.com/lib/uea/detail.action?milDocID=258336.
Messenger-Davies, Maire. 1995. ‘Babes “n” the Hood: Pre-School Television and Its Audiences in the United States and Britain [in] In Front of the Children: Screen Entertainment and Young Audiences’. In In Front of the Children: Screen Entertainment and Young Audiences. London: British Film Institute.
Michele Hilmes[1] University of Wisconsin–Madison mhilmes [AT] wisc.edu, and Hilmes, Michele. n.d. ‘mediaindustries Transnational TV: What Do We Mean by "Coproduction” Anymore?’ https://quod.lib.umich.edu/m/mij/15031809.0001.203?view=text;rgn=main.
Mills, Brett. 2010. ‘Invisible Television: The Programmes No-One Talks about Even Though Lots of People Watch Them’. Critical Studies in Television: The International Journal of Television Studies 5 (1): 1–16. https://doi.org/10.7227/CST.5.1.3.
———. 2013. ‘“What Does It Mean to Call Television "Cinematic?”. [In] Television Aesthetics and Style’. In Television Aesthetics and Style. New York: Bloomsbury Academic. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1224263.
———. 2015. ‘Chapter 14 “Shoved Online” BBC Three British Televion and the Marginalisation of Young Adult Audiences  [in] Media, Margins and Popular Culture’. In Media, Margins and Popular Culture, edited by Einar Thorsen. Basingstoke, England: Palgrave Macmillan. http://ebookcentral.proquest.com/lib/uea/detail.action?docID=4001203.
Mittell, Jason. 2004a. ‘A Cultural Approach to Television Genre Theory [in] The Television Studies Reader’. In The Television Studies Reader. London: Routledge.
———. 2004b. Genre and Television: From Cop Shows to Cartoons in American Culture. New York: Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=200862.
Moran, Albert, and Justin Malbon. 2006. Understanding the Global TV Format. Bristol: Intellect Books.
Morley, David. 1992. Television, Audiences, and Cultural Studies. London: Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=179188.
Neale, S. 1990. ‘Question of Genre’. Screen 31 (1): 45–66. https://doi.org/10.1093/screen/31.1.45.
Neale, Steve. 2008. ‘Genre and Television [in] Television Genre Book’. In The Television Genre Book, 2nd ed. Basingstoke: Palgrave Macmillan.
Oswell, David. 2002. Television, Childhood, and the Home: A History of the Making of the Child Television Audience in Britain. Vol. Oxford television studies. Oxford: Clarendon Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4964294.
Peacock, Steven, and Jason Jacobs. 2013. Television Aesthetics and Style. New York: Bloomsbury Academic. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1224263.
Seiter, Ellen. 1989. ‘‘”Don’t Treat Us like We’re so Stupid and Naïve”: Towards an Ethnography of Soap Opera Viewers’, [in], Remote Control: Television, Audiences, and Cultural Power’. In Remote Control: Television, Audiences, and Cultural Power. London: Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1221523.
———. 1999. Television and New Media Audiences. Vol. Oxford television studies. Oxford: Clarendon. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4964504.
Skeggs, Beverley, and Helen Wood. 2012. Reacting to Reality Television: Performance, Audience and Value. London: Routledge. http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=456194&authtype=sso&custid=s8993828&site=ehost-live&scope=site.
Steemers, Jeanette. 2004. Selling Television: British Television in the Global Marketplace. London: British Film Institute.
———. 2010. Creating Preschool Television: A Story of Commerce, Creativity and Curriculum. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. http://www.UEA.eblib.com/patron/FullRecord.aspx?p=668025.
Storey, John. 2015. ‘Marxisms [in] Cultural Theory and Popular Culture: An Introduction’. In Cultural Theory and Popular Culture: An Introduction, Seventh edition. Abingdon, Oxon: Routledge, Taylor & Francis Group. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=2046454.
Strinati, Dominic. 2004a. ‘Chapter of “Feminism and Popular Culture”, [in], An Introduction to Theories of Popular Culture’. In An Introduction to Theories of Popular Culture, 2nd ed. London: Routledge. http://www.uea.eblib.com/patron/FullRecord.aspx?p=200017.
———. 2004b. ‘Marxism, Political Economy and Ideology [in], An Introduction to Theories of Popular Culture’. In An Introduction to Theories of Popular Culture, 2nd ed. London: Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=200017.
Thompson, Robert J. 1997. Television’s Second Golden Age: From Hill Street Blues to ER : Hill Street Blues, Thirtysomething, St. Elsewhere, China Beach, Cagney & Lacey, Twin Peaks, Moonlighting, Northern Exposure, L.A. Law, Picket Fences, with Brief Reflections on Homicide, NYPD Blue & Chicago Hope, and Other Quality Dramas. 1st Syracuse University Press ed. Vol. The television series. Syracuse, N.Y.: Syracuse University Press.
Thornham, Sue, and Tony Purvis. 2005a. ‘Chapter 2.2: “Genre”, [in], Television Drama: Theories and Identities’. In Television Drama: Theories and Identities. Basingstoke: Palgrave Macmillan.
———. 2005b. Television Drama: Theories and Identities, p.74-92. Basingstoke: Palgrave Macmillan.
Turner, Graeme. 2001a. ‘‘Genre, Format and "Live” Television’, [in], The Television Genre Book’. In The Television Genre Book. London: British Film Institute.
———. 2001b. ‘“The Uses and Limitations of Genre”, [in], The Television Genre Book’. In The Television Genre Book. London: British Film Institute. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4763274.
———. 2003. ‘Chapter 6: “Ideology”, [in], British Cultural Studies: An Introduction (Pp.166-189 Only)’. In British Cultural Studies: An Introduction, 3rd ed. London: Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=235094.
———. 2010. Ordinary People and the Media: The Demotic Turn. Vol. Theory, culture&society. London: SAGE. http://UEA.eblib.com/patron/FullRecord.aspx?p=483413.
———. 2014. Understanding Celebrity. Second edition. Los Angeles: SAGE. http://UEA.eblib.com/patron/FullRecord.aspx?p=1590533.
Wheatley, Helen. 2016. ‘Wheatley, Helen (2016) “Introduction: What Is Spectacular Television? What Is(Tele)Visual Pleasure?”, In Wheatley, Spectacular Television: Exploring Televisual Pleasure (London: I.B Tauris), Pp.1-20.’ In . London: I.B.Tauris & Co Ltd.
White, Mimi. 1992. ‘“Ideological Analysis and Television” [in] Channels of Discourse, Reassembled: Television and Contemporary Criticism’. In Channels of Discourse, Reassembled: Television and Contemporary Criticism, 2nd ed. London: Routledge. https://ebookcentral.proquest.com/lib/uea/reader.action?docID=254107&ppg=129.
Williams, Kevin. 2003. ‘The Audience Strikes Back: New Audience and Reception Theory [in] Understanding Media Theory’. In Understanding Media Theory. London: Arnold.