Anders, Wilhelm Aberg. ‘Bridges and Tunnels: Negotiating the National in Transnational Television Drama [in] Nordic Genre Film: Small Nation Film Cultures in the Global Marketplace’. Nordic Genre Film: Small Nation Film Cultures in the Global Marketplace. Ed. Tommy Gustafsson and Pietari Kääpä. Edinburgh: Edinburgh University Press, 2015. Web. <http://ebookcentral.proquest.com/lib/uea/detail.action?docID=4306124>.
Ang, Ien. ‘“Television Audiences as Taxonomic Collective”, [in], Desperately Seeking the Audience’. Desperately Seeking the Audience. London: Routledge, 1991. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?milDocID=47832>.
---. Watching Dallas: Soap Opera and the Melodramatic Imagination. London: Routledge, 2005. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1395429>.
Bennett, J. ‘The Television Personality System: Televisual Stardom Revisited after Film Theory’. Screen 49.1 (2008): 32–50. Web.
Bennett, James. Television Personalities: Stardom and the Small Screen. Abingdon: Routledge, 2011. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=589598>.
Bignell, Jonathan. ‘'Genre and Format’, [in], The Television Handbook’. The Television Handbook. 3rd ed. London: Routledge, 2005. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=308596>.
---. ‘“Television Genres and Formats”, [in], An Introduction to Television Studies’. An Introduction to Television Studies. 3rd ed. London: Routledge, 2013. 123–146. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1092810>.
---. ‘“Television Representation”, [in], The Television Studies Reader’. The Television Studies Reader. London: Routledge, 2004. Print.
---. ‘“Television Texts and Narratives” [in] An Introduction to Television Studies’. An Introduction to Television Studies. 3rd ed. London: Routledge, 2013. 93–122. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1092810>.
Bonner, Frances. Personality Presenters: Television’s Intermediaries with Viewers. Farnham, Surrey: Ashgate, 2011. Web. <http://lib.myilibrary.com/browse/open.asp?id=309032&entityid=https://login.uea.ac.uk/entity>.
---. ‘The People Involved [in] Ordinary Television: Analyzing Popular TV’. Ordinary Television: Analyzing Popular TV. London: SAGE, 2003. 64–97. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=537788>.
Boyle, Karen. ‘Feminism without Men: Feminist Media Studies in a Postfeminist Age [in] Feminist Television Criticism: A Reader’. Feminist Television Criticism: A Reader. 2nd ed. Maidenhead: Open University Press, 2008. Print.
Brown, Mary Ellen, and Mary Ellen Brown. Television and Women’s Culture: The Politics of the Popular. Communication and human values. New York: Sage, 1990. Print.
Brundson, Charlotte. ‘“Text and Audience”, [in], Remote Control: Television, Audiences, and Cultural Power’. Remote Control: Television, Audiences, and Cultural Power. London: Routledge, 1989. Web. <http://uea.eblib.com/patron/FullRecord.aspx?p=1221523>.
Brunson, C. ‘Problems with Quality’. Screen 31.1 (1990): 67–90. Web.
Buckingham, David. After the Death of Childhood: Growing up in the Age of Electronic Media. Cambridge: Polity Press, 2000. Web. <http://uea.eblib.com/patron/FullRecord.aspx?p=1211884>.
---. Moving Images: Understanding Children’s Emotional Responses to Television. Manchester: Manchester University Press, 1996. Print.
---. ‘“What Are Words Worth? Interpreting Children’s Talk about Television”, [in], Children Talking Television: The Making of Television Literacy’. Children Talking Television: The Making of Television Literacy. Critical perspectives on literary [i.e. literacy] and education. London: Falmer Press, 1993. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=201310>.
Buckingham, David, and David Buckingham. Children’s Television in Britain: History, Discourse, and Policy. London: British Film Institute, 1999. Print.
Burroughs, Benjamin and Adam Rugg. ‘Extending the Broadcast: Streaming Culture and the Problems of Digital Geog...’ Journal of Broadcasting & Electronic Media (2014): n. pag. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=98053666&authtype=sso&custid=s8993828&site=ehost-live>.
Chalaby, Jean K. Transnational Television Worldwide: Towards a New Media Order. London: I.B. Tauris, 2005. Print.
Creeber, Glen. ‘“Decoding Television: Issues of Ideology and Discourse”, [in],Tele-Visions: An Introduction to Studying Television’. Tele-Visions: An Introduction to Studying Television. London: BFI, 2006. Print.
---, ed. The Television Genre Book. Third edition. London: BFI, 2015. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4763274>.
Creeber, Glen and British Film Institute. ‘“Analysing Television: Issues and Methods in Textual Analysis” [in] Tele-Visions: An Introduction to Studying Television’. Tele-Visions: An Introduction to Studying Television. London: BFI, 2006. Print.
Davies, Máire Messenger. Children, Media and Culture. Issues in cultural and media studies. Maidenhead: McGraw-Hill Open University Press, 2010. Web. <http://UEA.eblib.com/patron/FullRecord.aspx?p=557090>.
---. ‘Children’s Television [in] Children, Media and Culture’. Children, Media and Culture. Issues in cultural and media studies. Maidenhead: McGraw-Hill Open University Press, 2010. Print.
Deller, Ruth. ‘“Twittering on: Audience Research and Participation Using Twitter”, (Participations: Volume 8, Issue 1)’. (2011): n. pag. Web. <http://www.participations.org/Volume%208/Issue%201/deller.htm>.
Denison, Rayna. ‘Anime Fandom and the Liminal Spaces between Fan Creativity and Piracy’. International Journal of Cultural Studies 14.5 (2011): 449–466. Web.
Dyer, Richard. Heavenly Bodies: Film Stars and Society. 2nd ed. London: Routledge, 2004. Web. <http://lib.myilibrary.com/browse/open.asp?id=419648&entityid=https://login.uea.ac.uk/entity>.
Dyer, Richard, and Paul McDonald. Stars. New ed. London: BFI Pub, 1998. Print.
Ellis, John. ‘Stars as Cinematic Phenomenon [in] Visible Fictions: Cinema : Television : Video’. Visible Fictions: Cinema : Television : Video. Revised edition. London: Routledge, Taylor & Francis Group, 2015. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=460171&authtype=sso&custid=s8993828&site=ehost-live&scope=site>.
---. ‘'Working Through and the Genres of Television’, [in], Seeing Things: Television in the Age of Uncertainty’. Seeing Things: Television in the Age of Uncertainty. London: I.B. Tauris, 2000. Print.
Evans, Elizabeth. ‘Transmedia Television: Audiences, New Media and Daily Life’. 2011. Web. <http://www.UEA.eblib.com/patron/FullRecord.aspx?p=668562>.
---. ‘Transmedia Television: Audiences, New Media and Daily Life’. 2011. Web. <http://www.UEA.eblib.com/patron/FullRecord.aspx?p=668562>.
Feasey, Rebecca. ‘“Soap Opera: The Male Role in the Women’s Genre”, [in] Masculinity and Popular Television’. Masculinity and Popular Television. Edinburgh: Edinburgh University Press, 2008. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=380402>.
Feuer, Jane. ‘“Genre Study and Television”, [in], Channels of Discourse, Reassembled: Television and Contemporary Criticism’. Channels of Discourse, Reassembled: Television and Contemporary Criticism. 2nd ed. London: Routledge, 1992. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?milDocID=23657>.
Fickers, Andreas, and Catherine Johnson. Transnational Television History: A Comparative Approach. London: Routledge, 2012. Print.
Fiske, John. ‘“Moments of Television: Neither the Text nor the Audience”, [in], Remote Control: Television, Audiences, and Cultural Power’. Remote Control: Television, Audiences, and Cultural Power. London: Routledge, 1989. Web. <http://uea.eblib.com/patron/FullRecord.aspx?p=1221523>.
Forrest, Jennifer and Martinez, Sergio. ‘Remapping Socio-Cultural Specificity in the American Remake of The Bridge.’ Continuum: Journal of Media & Cultural Studies (2015): n. pag. Web. <https://www.tandfonline.com/doi/full/10.1080/10304312.2015.1068725>.
Gauntlett, David, Annette Hill, and British Film Institute. TV Living: Television, Culture, and Everyday Life. London: Routledge in association with the British Film Institute, 1999. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=165172>.
Genz, Stéphanie, and Benjamin A. Brabon. Postfeminism: Cultural Texts and Theories. Edinburgh: Edinburgh University Press, 2009. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=448738>.
Geraghty, Christine. ‘“A Woman’s Space”, [in], “Women and Soap Opera: A Study of Prime Time Soaps”,’. ‘A Woman’s Space’, [in], ‘Women and Soap Opera: A Study of Prime Time Soaps’,. Oxford: Polity, 1991. Print.
Geraghty, Christine, and David Lusted. ‘“Audiences and Ethnography: Questions of Practice”, [in], The Television Studies Book’. The Television Studies Book. London: Arnold, 1997. Print.
---. ‘Gripsrud, Jostein (1998) Television Broadcast, Flow: Key Metaphors in Television Theory, in C. Geraghty and D Lusted EDs, The Television Studies Book, London: Arnold’. The Television Studies Book. Bloomsbury Publishing PLC, 1997. Print.
Geraghty, Lincoln, and Mark Jancovich. The Shifting Definitions of Genre: Essays on Labeling Films, Television Shows and Media. Jefferson, N.C.: McFarland, 2008. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1734104>.
Gibson, Pamela Church. ‘'Contemporary Television: So Many Celebrities, so Little Fashion?’, [In], Fashion and Celebrity Culture’. Fashion and Celebrity Culture. London: Berg, 2012. Web. <http://UEA.eblib.com/patron/FullRecord.aspx?p=1335914>.
Gillespie, Marie. Television, Ethnicity and Cultural Change. Comedia. London: Routledge, 2003. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=178278>.
Gorton, Kristyn. Media Audiences: Television, Meaning and Emotion. Media topics. Edinburgh: Edinburgh University Press, 2009. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=325006&authtype=sso&custid=s8993828&site=ehost-live&scope=site>.
Gray, Jonathan. ‘“The Reviews Are in: TV Critics and the (Pre)Creation of Meaning”, [in], Flow TV: Television in the Age of Media Convergence’. Flow TV: Television in the Age of Media Convergence. New York, NY: Routledge, 2010. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=574457>.
Hall, Stuart and University of Birmingham. Centre for Contemporary Cultural Studies. Culture, Media, Language: Working Papers in Cultural Studies, 1972-79. London: Hutchinson in association with the Centre for Contemporary Cultural Studies, University of Birmingham, 1980. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=179321>.
Hartley, John. ‘“Textual Analysis”, [in],Television Studies’. Television Studies. London: BFI Pub, 2002. Print.
Herbert, David. ‘Extract from Media, Publics and Democracy’ [in] Media Audiences’. Media Audiences. Maidenhead: Open University Press, 2005. Print.
Hollows, Joanne, and Rachel Moseley. Feminism in Popular Culture. Oxford: Berg, 2006. Print.
Holmes, Su. The Quiz Show. TV genres. Edinburgh: Edinburgh University Press, 2008. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=380401>.
Householder, April Kalogeropoulos, and Adrienne M. Trier-Bieniek, eds. ‘Fryett, Sarah E (2016) “Chocolate and Vanilla Swirl, Sw-Irl” [in] Feminist Perspectives on Orange Is the New Black: Thirteen Critical Essays’. Feminist Perspectives on Orange Is the New Black: Thirteen Critical Essays. Jefferson, North Carolina: McFarland & Company, Inc., Publishers, 2016. Web. <http://ebookcentral.proquest.com/lib/uea/detail.action?docID=4573748>.
Iwabuchi, Kōichi. ‘Introduction: Cultural Globalization and Asian Media Connections [in] Feeling Asian Modernities: Transnational Consumption of Japanese TV Dramas’. Feeling Asian Modernities: Transnational Consumption of Japanese TV Dramas. Hong Kong: Hong Kong University Press, 2004. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=677420>.
---. Recentering Globalization: Popular Culture and Japanese Transnationalism. Durham: Duke University Press, 2002. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1167824>.
Jermyn, Deborah. ‘“Bringing out the Star in You”: SJP, Carrie Bradshaw and the Evolution of Television Stardom, [in], Framing Celebrity: New Directions in Celebrity Culture’. Framing Celebrity: New Directions in Celebrity Culture. London: Routledge, 2006. Web. <http://lib.myilibrary.com/browse/open.asp?id=415553&entityid=https://login.uea.ac.uk/entity>.
---. ‘“In Love with Sarah Jessica Parker: Celebrating Female Fandom and Friendship in Sex and the City”, [in], Reading Sex and the City’. Reading Sex and the City. London: I.B. Tauris, 2004. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=676497>.
Kaplan, Ann. E. ‘“Feminist Criticism and Television”, [in], Channels of Discourse, Reassembled: Television and Contemporary Criticism’. Channels of Discourse, Reassembled: Television and Contemporary Criticism. 2nd ed. London: Routledge, 1992. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=254107>.
Kavka, Misha. ‘Celevision: Mobilizations of the Television Screen [in] A Companion to Celebrity’. A Companion to Celebrity. Ed. P. David Marshall and Sean Redmond. Chichester, West Sussex, UK: Wiley Blackwell, 2016. Web. <http://UEA.eblib.com/patron/FullRecord.aspx?p=4035676>.
‘Kilborn, Richard (1994) “Drama over Lockerbie”: A New Look at Television Drama-Documentaries’, Historical Journal of Film, Radio and Television, 14 (1): Pp.59-76.’ n. pag. Web. <http://www.tandfonline.com/doi/pdf/10.1080/01439689400260051?needAccess=true>.
Lacey, Nick. Narrative and Genre: Key Concepts in Media Studies. Basingstoke: Palgrave, 2000. Print.
Langer, John. ‘Television’s “Personality System”’. Media, Culture & Society 3.4 (1981): 351–365. Web.
Leverette, Marc, Brian L. Ott, and Cara Louise Buckley. It’s Not TV: Watching HBO in the Post-Television Era. New York: Routledge, 2008. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=425228>.
Marshall, David. ‘‘Screens: Television’s Dispersed "Broadcast”’, [in], Television Studies after TV: Understanding Television in the Post-Broadcast Era’. Television Studies after TV: Understanding Television in the Post-Broadcast Era. London: Routledge, 2009. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=425387>.
Marshall, P. David. ‘“Television’s Construction of the Celebrity”, [in], Celebrity and Power: Fame in Contemporary Culture’. Celebrity and Power: Fame in Contemporary Culture. Minneapolis: University of Minnesota Press, 2014. Web. <http://UEA.eblib.com/patron/FullRecord.aspx?p=1762165>.
McCabe, Janet. ‘“Creating ‘Quality’ Audiences for ER on Channel Four”, [in], The Contemporary Television Series’. The Contemporary Television Series. Edinburgh: Edinburgh University Press, 2005. Print.
McCabe, Janet, and Kim Akass. ‘Debating Quality [in] Quality TV: Contemporary American Television and Beyond’. Quality TV: Contemporary American Television and Beyond. London: I. B. Tauris, 2007. Web. <http://lib.myilibrary.com/browse/open.asp?id=258336&entityid=https://login.uea.ac.uk/entity>.
---. ‘“Debating Quality”, [in], Quality TV: Contemporary American Television and Beyond’. Quality TV: Contemporary American Television and Beyond. London: I. B. Tauris, 2007. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?milDocID=258336>.
Messenger-Davies, Maire. ‘Babes “n” the Hood: Pre-School Television and Its Audiences in the United States and Britain [in] In Front of the Children: Screen Entertainment and Young Audiences’. In Front of the Children: Screen Entertainment and Young Audiences. London: British Film Institute, 1995. Print.
Michele Hilmes[1]
University of Wisconsin–Madison
mhilmes [AT] wisc.edu, and Hilmes, Michele. ‘mediaindustries
Transnational TV: What Do We Mean by "Coproduction” Anymore?’ n. pag. Web. <https://quod.lib.umich.edu/m/mij/15031809.0001.203?view=text;rgn=main>.
Mills, Brett. ‘Chapter 14 “Shoved Online” BBC Three British Televion and the Marginalisation of Young Adult Audiences [in] Media, Margins and Popular Culture’. Media, Margins and Popular Culture. Ed. Einar Thorsen. Basingstoke, England: Palgrave Macmillan, 2015. Web. <http://ebookcentral.proquest.com/lib/uea/detail.action?docID=4001203>.
---. ‘Invisible Television: The Programmes No-One Talks about Even Though Lots of People Watch Them’. Critical Studies in Television: The International Journal of Television Studies 5.1 (2010): 1–16. Web.
---. ‘“What Does It Mean to Call Television "Cinematic?”. [In] Television Aesthetics and Style’. Television Aesthetics and Style. New York: Bloomsbury Academic, 2013. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1224263>.
Mittell, Jason. ‘A Cultural Approach to Television Genre Theory [in] The Television Studies Reader’. The Television Studies Reader. London: Routledge, 2004. Print.
---. Genre and Television: From Cop Shows to Cartoons in American Culture. New York: Routledge, 2004. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=200862>.
Moran, Albert, and Justin Malbon. Understanding the Global TV Format. Bristol: Intellect Books, 2006. Print.
Morley, David. Television, Audiences, and Cultural Studies. London: Routledge, 1992. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=179188>.
Neale, S. ‘Question of Genre’. Screen 31.1 (1990): 45–66. Web.
Neale, Steve. ‘Genre and Television [in] Television Genre Book’. The Television Genre Book. 2nd ed. Basingstoke: Palgrave Macmillan, 2008. Print.
Oswell, David. Television, Childhood, and the Home: A History of the Making of the Child Television Audience in Britain. Oxford television studies. Oxford: Clarendon Press, 2002. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4964294>.
Peacock, Steven, and Jason Jacobs. Television Aesthetics and Style. New York: Bloomsbury Academic, 2013. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1224263>.
Seiter, Ellen. ‘‘”Don’t Treat Us like We’re so Stupid and Naïve”: Towards an Ethnography of Soap Opera Viewers’, [in], Remote Control: Television, Audiences, and Cultural Power’. Remote Control: Television, Audiences, and Cultural Power. London: Routledge, 1989. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1221523>.
---. Television and New Media Audiences. Oxford television studies. Oxford: Clarendon, 1999. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4964504>.
Skeggs, Beverley, and Helen Wood. Reacting to Reality Television: Performance, Audience and Value. London: Routledge, 2012. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=456194&authtype=sso&custid=s8993828&site=ehost-live&scope=site>.
Steemers, Jeanette. Creating Preschool Television: A Story of Commerce, Creativity and Curriculum. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2010. Web. <http://www.UEA.eblib.com/patron/FullRecord.aspx?p=668025>.
---. Selling Television: British Television in the Global Marketplace. London: British Film Institute, 2004. Print.
Storey, John. ‘Marxisms [in] Cultural Theory and Popular Culture: An Introduction’. Cultural Theory and Popular Culture: An Introduction. Seventh edition. Abingdon, Oxon: Routledge, Taylor & Francis Group, 2015. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=2046454>.
Strinati, Dominic. ‘Chapter of “Feminism and Popular Culture”, [in], An Introduction to Theories of Popular Culture’. An Introduction to Theories of Popular Culture. 2nd ed. London: Routledge, 2004. Web. <http://www.uea.eblib.com/patron/FullRecord.aspx?p=200017>.
---. ‘Marxism, Political Economy and Ideology [in], An Introduction to Theories of Popular Culture’. An Introduction to Theories of Popular Culture. 2nd ed. London: Routledge, 2004. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=200017>.
Thompson, Robert J. Television’s Second Golden Age: From Hill Street Blues to ER : Hill Street Blues, Thirtysomething, St. Elsewhere, China Beach, Cagney & Lacey, Twin Peaks, Moonlighting, Northern Exposure, L.A. Law, Picket Fences, with Brief Reflections on Homicide, NYPD Blue & Chicago Hope, and Other Quality Dramas. 1st Syracuse University Press ed. The television series. Syracuse, N.Y.: Syracuse University Press, 1997. Print.
Thornham, Sue, and Tony Purvis. ‘Chapter 2.2: “Genre”, [in], Television Drama: Theories and Identities’. Television Drama: Theories and Identities. Basingstoke: Palgrave Macmillan, 2005. Print.
---. Television Drama: Theories and Identities, p.74-92. Basingstoke: Palgrave Macmillan, 2005. Print.
Turner, Graeme. ‘Chapter 6: “Ideology”, [in], British Cultural Studies: An Introduction (Pp.166-189 Only)’. British Cultural Studies: An Introduction. 3rd ed. London: Routledge, 2003. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=235094>.
---. ‘‘Genre, Format and "Live” Television’, [in], The Television Genre Book’. The Television Genre Book. London: British Film Institute, 2001. Print.
---. Ordinary People and the Media: The Demotic Turn. Theory, culture&society. London: SAGE, 2010. Web. <http://UEA.eblib.com/patron/FullRecord.aspx?p=483413>.
---. ‘“The Uses and Limitations of Genre”, [in], The Television Genre Book’. The Television Genre Book. London: British Film Institute, 2001. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4763274>.
---. Understanding Celebrity. Second edition. Los Angeles: SAGE, 2014. Web. <http://UEA.eblib.com/patron/FullRecord.aspx?p=1590533>.
Wheatley, Helen. ‘Wheatley, Helen (2016) “Introduction: What Is Spectacular Television? What Is(Tele)Visual Pleasure?”, In Wheatley, Spectacular Television: Exploring Televisual Pleasure (London: I.B Tauris), Pp.1-20.’ London: I.B.Tauris & Co Ltd, 2016. Print.
White, Mimi. ‘“Ideological Analysis and Television” [in] Channels of Discourse, Reassembled: Television and Contemporary Criticism’. Channels of Discourse, Reassembled: Television and Contemporary Criticism. 2nd ed. London: Routledge, 1992. Web. <https://ebookcentral.proquest.com/lib/uea/reader.action?docID=254107&ppg=129>.
Williams, Kevin. ‘The Audience Strikes Back: New Audience and Reception Theory [in] Understanding Media Theory’. Understanding Media Theory. London: Arnold, 2003. Print.
