Anders, W. A. (2015). Bridges and tunnels: negotiating the national in transnational television drama [in] Nordic genre film: small nation film cultures in the global marketplace. In T. Gustafsson & P. Kääpä (Eds.), Nordic genre film: small nation film cultures in the global marketplace. Edinburgh University Press. http://ebookcentral.proquest.com/lib/uea/detail.action?docID=4306124
Ang, I. (1991). ‘Television Audiences as Taxonomic Collective’, [in], Desperately seeking the audience. In Desperately seeking the audience. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?milDocID=47832
Ang, I. (2005). Watching Dallas: soap opera and the melodramatic imagination. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1395429
Bennett, J. (2008). The television personality system: televisual stardom revisited after film theory. Screen, 49(1), 32–50. https://doi.org/10.1093/screen/hjn003
Bennett, J. (2011). Television personalities: stardom and the small screen. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=589598
Bignell, J. (2004). ‘Television Representation’, [in], The Television Studies Reader. In The Television Studies Reader. Routledge.
Bignell, J. (2005). 'Genre and Format’, [in], The television handbook. In The television handbook (3rd ed). Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=308596
Bignell, J. (2013a). ‘Television Genres and Formats’, [in], An introduction to television studies. In An introduction to television studies (3rd ed, pp. 123–146). Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1092810
Bignell, J. (2013b). ‘Television texts and narratives’ [in] An introduction to television studies. In An introduction to television studies (3rd ed, pp. 93–122). Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1092810
Bonner, F. (2003). The people Involved [in] Ordinary television: analyzing popular TV. In Ordinary television: analyzing popular TV (pp. 64–97). SAGE. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=537788
Bonner, F. (2011). Personality presenters: television’s intermediaries with viewers. Ashgate. http://lib.myilibrary.com/browse/open.asp?id=309032&entityid=https://login.uea.ac.uk/entity
Boyle, K. (2008). Feminism without men: Feminist Media Studies in a Postfeminist age [in] Feminist television criticism: a reader. In Feminist television criticism: a reader (2nd ed). Open University Press.
Brown, M. E., & Brown, M. E. (1990). Television and women’s culture: the politics of the popular: Vol. Communication and human values. Sage.
Brundson, C. (1989). ‘Text and Audience’, [in], Remote control: television, audiences, and cultural power. In Remote control: television, audiences, and cultural power. Routledge. http://uea.eblib.com/patron/FullRecord.aspx?p=1221523
Brunson, C. (1990). Problems with quality. Screen, 31(1), 67–90. https://doi.org/10.1093/screen/31.1.67
Buckingham, D. (1993). ‘What are words worth? Interpreting children’s talk about television’, [in], Children talking television: the making of television literacy. In Children talking television: the making of television literacy: Vol. Critical perspectives on literary [i.e. literacy] and education. Falmer Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=201310
Buckingham, D. (1996). Moving images: understanding children’s emotional responses to television. Manchester University Press.
Buckingham, D. (2000). After the death of childhood: growing up in the age of electronic media. Polity Press. http://uea.eblib.com/patron/FullRecord.aspx?p=1211884
Buckingham, D., & Buckingham, D. (1999). Children’s television in Britain: history, discourse, and policy. British Film Institute.
Burroughs, Benjamin and Adam Rugg. (2014). Extending the Broadcast: Streaming Culture and the Problems of Digital Geog... Journal of Broadcasting & Electronic Media. http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=98053666&authtype=sso&custid=s8993828&site=ehost-live
Chalaby, J. K. (2005). Transnational television worldwide: towards a new media order. I.B. Tauris.
Creeber, G. (2006). ‘Decoding Television: Issues of Ideology and Discourse’, [in],Tele-Visions: An Introduction to Studying Television. In Tele-Visions: An Introduction to Studying Television. BFI.
Creeber, G. (Ed.). (2015). The television genre book (Third edition). BFI. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4763274
Creeber, G. & British Film Institute. (2006). ‘Analysing Television: Issues and Methods in Textual Analysis’ [in] Tele-visions: an introduction to studying television. In Tele-visions: an introduction to studying television. BFI.
Davies, M. M. (2010a). Children, media and culture: Vol. Issues in cultural and media studies. McGraw-Hill Open University Press. http://UEA.eblib.com/patron/FullRecord.aspx?p=557090
Davies, M. M. (2010b). Children’s Television [in] Children, Media and Culture. In Children, Media and Culture: Vol. Issues in cultural and media studies. McGraw-Hill Open University Press.
Deller, R. (2011). ‘Twittering on: Audience Research and Participation Using Twitter’, (Participations: Volume 8, Issue 1). http://www.participations.org/Volume%208/Issue%201/deller.htm
Denison, R. (2011). Anime fandom and the liminal spaces between fan creativity and piracy. International Journal of Cultural Studies, 14(5), 449–466. https://doi.org/10.1177/1367877910394565
Dyer, R. (2004). Heavenly bodies: film stars and society (2nd ed). Routledge. http://lib.myilibrary.com/browse/open.asp?id=419648&entityid=https://login.uea.ac.uk/entity
Dyer, R., & McDonald, P. (1998). Stars (New ed). BFI Pub.
Ellis, J. (2000). 'Working Through and the Genres of Television’, [in], Seeing things: television in the age of uncertainty. In Seeing things: television in the age of uncertainty. I.B. Tauris.
Ellis, J. (2015). Stars as Cinematic Phenomenon [in] Visible fictions: cinema : television : video. In Visible fictions: cinema : television : video (Revised edition). Routledge, Taylor & Francis Group. http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=460171&authtype=sso&custid=s8993828&site=ehost-live&scope=site
Evans, E. (2011a). Transmedia television: audiences, new media and daily life: Vol. Routledge advances in television studies. Routledge. http://www.UEA.eblib.com/patron/FullRecord.aspx?p=668562
Evans, E. (2011b). Transmedia television: audiences, new media and daily life: Vol. Routledge advances in television studies. Routledge. http://www.UEA.eblib.com/patron/FullRecord.aspx?p=668562
Feasey, R. (2008). ‘Soap Opera: The Male Role in the Women’s Genre’, [in] Masculinity and popular Television. In Masculinity and popular Television. Edinburgh University Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=380402
Feuer, J. (1992). ‘Genre Study and Television’, [in], Channels of discourse, reassembled: television and contemporary criticism. In Channels of discourse, reassembled: television and contemporary criticism (2nd ed). Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?milDocID=23657
Fickers, A., & Johnson, C. (2012). Transnational television history: a comparative approach. Routledge.
Fiske, J. (1989). ‘Moments of Television: Neither the Text nor the Audience’, [in], Remote control: television, audiences, and cultural power. In Remote control: television, audiences, and cultural power. Routledge. http://uea.eblib.com/patron/FullRecord.aspx?p=1221523
Forrest, Jennifer and Martinez, Sergio. (2015). Remapping socio-cultural specificity in the American remake of The Bridge. Continuum: Journal of Media & Cultural Studies. https://www.tandfonline.com/doi/full/10.1080/10304312.2015.1068725
Gauntlett, D., Hill, A., & British Film Institute. (1999). TV living: television, culture, and everyday life. Routledge in association with the British Film Institute. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=165172
Genz, S., & Brabon, B. A. (2009). Postfeminism: cultural texts and theories. Edinburgh University Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=448738
Geraghty, C. (1991). ‘A Woman’s Space’, [in], ‘Women and soap opera: a study of prime time soaps’,. In ‘A Woman’s Space’, [in], ‘Women and soap opera: a study of prime time soaps’,. Polity.
Geraghty, C., & Lusted, D. (1997a). ‘Audiences and Ethnography: Questions of Practice’, [in], The television studies book. In The television studies book. Arnold.
Geraghty, C., & Lusted, D. (1997b). Gripsrud, Jostein (1998) Television broadcast, flow: Key metaphors in television theory, in C. Geraghty and D Lusted EDs, The Television Studies Book, London: Arnold. In The Television Studies Book. Bloomsbury Publishing PLC.
Geraghty, L., & Jancovich, M. (2008). The shifting definitions of genre: essays on labeling films, television shows and media. McFarland. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1734104
Gibson, P. C. (2012). 'Contemporary Television: So many celebrities, so little fashion?’, [in], Fashion and celebrity culture. In Fashion and celebrity culture. Berg. http://UEA.eblib.com/patron/FullRecord.aspx?p=1335914
Gillespie, M. (2003). Television, ethnicity and cultural change: Vol. Comedia. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=178278
Gorton, K. (2009). Media audiences: television, meaning and emotion: Vol. Media topics. Edinburgh University Press. http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=325006&authtype=sso&custid=s8993828&site=ehost-live&scope=site
Gray, J. (2010). ‘The reviews are in: TV critics and the (pre)creation of meaning’, [in], Flow TV: television in the age of media convergence. In Flow TV: television in the age of media convergence. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=574457
Hall, S. & University of Birmingham. Centre for Contemporary Cultural Studies. (1980). Culture, media, language: working papers in cultural studies, 1972-79. Hutchinson in association with the Centre for Contemporary Cultural Studies, University of Birmingham. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=179321
Hartley, J. (2002). ‘Textual Analysis’, [in],Television Studies. In Television Studies. BFI Pub.
Herbert, D. (2005). Extract from Media, Publics and Democracy’ [in] Media audiences. In Media audiences. Open University Press.
Hollows, J., & Moseley, R. (2006). Feminism in popular culture. Berg.
Holmes, S. (2008). The quiz show: Vol. TV genres. Edinburgh University Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=380401
Householder, A. K., & Trier-Bieniek, A. M. (Eds.). (2016). Fryett, Sarah E (2016) ‘Chocolate and Vanilla Swirl, Sw-irl’ [in] Feminist perspectives on Orange is the new black: thirteen critical essays. In Feminist perspectives on Orange is the new black: thirteen critical essays. McFarland & Company, Inc., Publishers. http://ebookcentral.proquest.com/lib/uea/detail.action?docID=4573748
Iwabuchi, K. (2002). Recentering globalization: popular culture and Japanese transnationalism. Duke University Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1167824
Iwabuchi, K. (2004). Introduction: Cultural Globalization and Asian Media Connections [in] Feeling Asian modernities: transnational consumption of Japanese TV dramas. In Feeling Asian modernities: transnational consumption of Japanese TV dramas. Hong Kong University Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=677420
Jermyn, D. (2004). ‘In love with Sarah Jessica Parker: Celebrating Female Fandom and Friendship in Sex and the City’, [in], Reading Sex and the city. In Reading Sex and the city. I.B. Tauris. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=676497
Jermyn, D. (2006). ‘Bringing out the Star in You’: SJP, Carrie Bradshaw and the Evolution of Television Stardom, [in], Framing celebrity: new directions in celebrity culture. In Framing celebrity: new directions in celebrity culture. Routledge. http://lib.myilibrary.com/browse/open.asp?id=415553&entityid=https://login.uea.ac.uk/entity
Kaplan, Ann. E. (1992). ‘Feminist Criticism and Television’, [in], Channels of discourse, reassembled: television and contemporary criticism. In Channels of discourse, reassembled: television and contemporary criticism (2nd ed). Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=254107
Kavka, M. (2016). Celevision: Mobilizations of the Television Screen [in] A companion to celebrity. In P. D. Marshall & S. Redmond (Eds.), A companion to celebrity. Wiley Blackwell. http://UEA.eblib.com/patron/FullRecord.aspx?p=4035676
Kilborn, Richard (1994) ‘Drama over Lockerbie’: A new look at television drama-documentaries’, Historical Journal of Film, Radio and Television, 14 (1): pp.59-76. (n.d.). http://www.tandfonline.com/doi/pdf/10.1080/01439689400260051?needAccess=true
Lacey, N. (2000). Narrative and genre: key concepts in media studies. Palgrave.
Langer, J. (1981). Television’s ‘Personality System’. Media, Culture & Society, 3(4), 351–365. https://doi.org/10.1177/016344378100300405
Leverette, M., Ott, B. L., & Buckley, C. L. (2008). It’s not TV: watching HBO in the post-television era. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=425228
Marshall, D. (2009). ‘Screens: Television’s Dispersed "Broadcast”’, [in], Television studies after TV: understanding television in the post-broadcast era. In Television studies after TV: understanding television in the post-broadcast era. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=425387
Marshall, P. D. (2014). ‘Television’s Construction of the Celebrity’, [in], Celebrity and power: fame in contemporary culture. In Celebrity and power: fame in contemporary culture. University of Minnesota Press. http://UEA.eblib.com/patron/FullRecord.aspx?p=1762165
McCabe, J. (2005). ‘Creating “Quality” Audiences for ER on Channel Four’, [in], The contemporary television series. In The contemporary television series. Edinburgh University Press.
McCabe, J., & Akass, K. (2007a). Debating Quality [in] Quality TV: contemporary American television and beyond. In Quality TV: contemporary American television and beyond. I. B. Tauris. http://lib.myilibrary.com/browse/open.asp?id=258336&entityid=https://login.uea.ac.uk/entity
McCabe, J., & Akass, K. (2007b). ‘Debating Quality’, [in], Quality TV: contemporary American television and beyond. In Quality TV: contemporary American television and beyond. I. B. Tauris. https://ebookcentral.proquest.com/lib/uea/detail.action?milDocID=258336
Messenger-Davies, M. (1995). Babes ‘n’ the Hood: Pre-school Television and its Audiences in the United States and Britain [in] In front of the children: screen entertainment and young audiences. In In front of the children: screen entertainment and young audiences. British Film Institute.
Michele Hilmes[1]
University of Wisconsin–Madison
mhilmes [AT] wisc.edu, & Hilmes, Michele. (n.d.). mediaindustries
Transnational TV: What Do We Mean by "Coproduction” Anymore? https://quod.lib.umich.edu/m/mij/15031809.0001.203?view=text;rgn=main
Mills, B. (2010). Invisible Television: The Programmes No-One Talks about Even Though Lots of People Watch Them. Critical Studies in Television: The International Journal of Television Studies, 5(1), 1–16. https://doi.org/10.7227/CST.5.1.3
Mills, B. (2013). ‘What does it mean to call television "cinematic?’. [in] Television aesthetics and style. In Television aesthetics and style. Bloomsbury Academic. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1224263
Mills, B. (2015). Chapter 14 ‘Shoved Online’ BBC Three British televion and the marginalisation of young adult audiences [in] Media, Margins and Popular Culture. In E. Thorsen (Ed.), Media, Margins and Popular Culture. Palgrave Macmillan. http://ebookcentral.proquest.com/lib/uea/detail.action?docID=4001203
Mittell, J. (2004a). A Cultural Approach to Television Genre Theory [in] The television studies reader. In The television studies reader. Routledge.
Mittell, J. (2004b). Genre and television: from cop shows to cartoons in American culture. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=200862
Moran, A., & Malbon, J. (2006). Understanding the global TV format. Intellect Books.
Morley, D. (1992). Television, audiences, and cultural studies. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=179188
Neale, S. (1990). Question of genre. Screen, 31(1), 45–66. https://doi.org/10.1093/screen/31.1.45
Neale, S. (2008). Genre and Television [in] television genre book. In The television genre book (2nd ed). Palgrave Macmillan.
Oswell, D. (2002). Television, childhood, and the home: a history of the making of the child television audience in Britain: Vol. Oxford television studies. Clarendon Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4964294
Peacock, S., & Jacobs, J. (2013). Television aesthetics and style. Bloomsbury Academic. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1224263
Seiter, E. (1989). ‘”Don’t treat us like we’re so stupid and naïve”: towards an ethnography of soap opera viewers’, [in], Remote control: television, audiences, and cultural power. In Remote control: television, audiences, and cultural power. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1221523
Seiter, E. (1999). Television and new media audiences: Vol. Oxford television studies. Clarendon. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4964504
Skeggs, B., & Wood, H. (2012). Reacting to reality television: performance, audience and value. Routledge. http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=456194&authtype=sso&custid=s8993828&site=ehost-live&scope=site
Steemers, J. (2004). Selling television: British television in the global marketplace. British Film Institute.
Steemers, J. (2010). Creating preschool television: a story of commerce, creativity and curriculum. Palgrave Macmillan. http://www.UEA.eblib.com/patron/FullRecord.aspx?p=668025
Storey, J. (2015). Marxisms [in] Cultural theory and popular culture: an introduction. In Cultural theory and popular culture: an introduction (Seventh edition). Routledge, Taylor & Francis Group. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=2046454
Strinati, D. (2004a). Chapter of ‘Feminism and Popular Culture’, [in], An introduction to theories of popular culture. In An introduction to theories of popular culture (2nd ed). Routledge. http://www.uea.eblib.com/patron/FullRecord.aspx?p=200017
Strinati, D. (2004b). Marxism, Political Economy and Ideology [in], An introduction to theories of popular culture. In An introduction to theories of popular culture (2nd ed). Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=200017
Thompson, R. J. (1997). Television’s second golden age: from Hill Street blues to ER : Hill Street blues, Thirtysomething, St. Elsewhere, China Beach, Cagney & Lacey, Twin Peaks, Moonlighting, Northern exposure, L.A. law, Picket fences, with brief reflections on Homicide, NYPD blue & Chicago hope, and other quality dramas: Vol. The television series (1st Syracuse University Press ed). Syracuse University Press.
Thornham, S., & Purvis, T. (2005a). Chapter 2.2: ‘Genre’, [in], Television drama: theories and identities. In Television drama: theories and identities. Palgrave Macmillan.
Thornham, S., & Purvis, T. (2005b). Television drama: theories and identities, p.74-92. Palgrave Macmillan.
Turner, G. (2001a). ‘Genre, Format and "Live” Television’, [in], The television genre book. In The television genre book. British Film Institute.
Turner, G. (2001b). ‘The Uses and Limitations of Genre’, [in], The television genre book. In The television genre book. British Film Institute. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4763274
Turner, G. (2003). Chapter 6: ‘Ideology’, [in], British Cultural Studies: An Introduction (pp.166-189 only). In British Cultural Studies: An Introduction (3rd ed). Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=235094
Turner, G. (2010). Ordinary people and the media: the demotic turn: Vol. Theory, culture&society. SAGE. http://UEA.eblib.com/patron/FullRecord.aspx?p=483413
Turner, G. (2014). Understanding celebrity (Second edition). SAGE. http://UEA.eblib.com/patron/FullRecord.aspx?p=1590533
Wheatley, H. (2016). Wheatley, Helen (2016) ‘Introduction: What is spectacular television? What is(tele)visual pleasure?’, in Wheatley, Spectacular Television: Exploring Televisual Pleasure (London: I.B Tauris), pp.1-20. I.B.Tauris & Co Ltd.
White, M. (1992). ‘Ideological Analysis and Television’ [in] Channels of discourse, reassembled: television and contemporary criticism. In Channels of discourse, reassembled: television and contemporary criticism (2nd ed). Routledge. https://ebookcentral.proquest.com/lib/uea/reader.action?docID=254107&ppg=129
Williams, K. (2003). The audience strikes back: new audience and reception theory [in] Understanding media theory. In Understanding media theory. Arnold.
