Anders, Wilhelm Aberg. ‘Bridges and Tunnels: Negotiating the National in Transnational Television Drama [in] Nordic Genre Film: Small Nation Film Cultures in the Global Marketplace’. Nordic Genre Film: Small Nation Film Cultures in the Global Marketplace, edited by Tommy Gustafsson and Pietari Kääpä, Edinburgh University Press, 2015, http://ebookcentral.proquest.com/lib/uea/detail.action?docID=4306124. Electronic resource.
Ang, Ien. ‘“Television Audiences as Taxonomic Collective”, [in], Desperately Seeking the Audience’. Desperately Seeking the Audience, Routledge, 1991, https://ebookcentral.proquest.com/lib/uea/detail.action?milDocID=47832.
———. Watching Dallas: Soap Opera and the Melodramatic Imagination. Routledge, 2005, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1395429.
Bennett, J. ‘The Television Personality System: Televisual Stardom Revisited after Film Theory’. Screen, vol. 49, no. 1, Jan. 2008, pp. 32–50, https://doi.org/10.1093/screen/hjn003.
Bennett, James. Television Personalities: Stardom and the Small Screen. Routledge, 2011, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=589598.
Bignell, Jonathan. ‘'Genre and Format’, [in], The Television Handbook’. The Television Handbook, 3rd ed, Routledge, 2005, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=308596.
———. ‘“Television Genres and Formats”, [in], An Introduction to Television Studies’. An Introduction to Television Studies, 3rd ed, Routledge, 2013, pp. 123–46, https://ebookcentral.proquest.com/lib/uea/reader.action?docID=1092810&ppg=136.
———. ‘“Television Representation”, [in], The Television Studies Reader’. The Television Studies Reader, Routledge, 2004.
———. ‘“Television Texts and Narratives” [in] An Introduction to Television Studies’. An Introduction to Television Studies, 3rd ed, Routledge, 2013, pp. 93–122, https://ebookcentral.proquest.com/lib/uea/reader.action?docID=1092810&ppg=106.
Bonner, Frances. Personality Presenters: Television’s Intermediaries with Viewers. Ashgate, 2011, http://lib.myilibrary.com/browse/open.asp?id=309032&entityid=https://login.uea.ac.uk/entity.
———. ‘The People Involved [in] Ordinary Television: Analyzing Popular TV’. Ordinary Television: Analyzing Popular TV, SAGE, 2003, pp. 64–97, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=537788.
Boyle, Karen. ‘Feminism without Men: Feminist Media Studies in a Postfeminist Age [in] Feminist Television Criticism: A Reader’. Feminist Television Criticism: A Reader, 2nd ed, Open University Press, 2008.
Brown, Mary Ellen, and Mary Ellen Brown. Television and Women’s Culture: The Politics of the Popular. Sage, 1990.
Brundson, Charlotte. ‘“Text and Audience”, [in], Remote Control: Television, Audiences, and Cultural Power’. Remote Control: Television, Audiences, and Cultural Power, Routledge, 1989, http://uea.eblib.com/patron/FullRecord.aspx?p=1221523.
Brunson, C. ‘Problems with Quality’. Screen, vol. 31, no. 1, Mar. 1990, pp. 67–90, https://doi.org/10.1093/screen/31.1.67.
Buckingham, David. After the Death of Childhood: Growing up in the Age of Electronic Media. Polity Press, 2000, http://uea.eblib.com/patron/FullRecord.aspx?p=1211884.
———. Moving Images: Understanding Children’s Emotional Responses to Television. Manchester University Press, 1996.
———. ‘“What Are Words Worth? Interpreting Children’s Talk about Television”, [in], Children Talking Television: The Making of Television Literacy’. Children Talking Television: The Making of Television Literacy, Critical perspectives on literary [i.e. literacy] and education, Falmer Press, 1993, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=201310.
Buckingham, David, and David Buckingham. Children’s Television in Britain: History, Discourse, and Policy. British Film Institute, 1999.
Burroughs, Benjamin and Adam Rugg. ‘Extending the Broadcast: Streaming Culture and the Problems of Digital Geog...’ Journal of Broadcasting & Electronic Media, 2014, http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=98053666&authtype=sso&custid=s8993828&site=ehost-live.
Chalaby, Jean K. Transnational Television Worldwide: Towards a New Media Order. I.B. Tauris, 2005.
Creeber, Glen. ‘“Decoding Television: Issues of Ideology and Discourse”, [in],Tele-Visions: An Introduction to Studying Television’. Tele-Visions: An Introduction to Studying Television, BFI, 2006.
Creeber, Glen, editor. The Television Genre Book. Third edition, BFI, 2015, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4763274. Electronic resource.
Creeber, Glen and British Film Institute. ‘“Analysing Television: Issues and Methods in Textual Analysis” [in] Tele-Visions: An Introduction to Studying Television’. Tele-Visions: An Introduction to Studying Television, BFI, 2006.
Davies, Máire Messenger. Children, Media and Culture. McGraw-Hill Open University Press, 2010, http://UEA.eblib.com/patron/FullRecord.aspx?p=557090.
———. ‘Children’s Television [in] Children, Media and Culture’. Children, Media and Culture, Issues in cultural and media studies, McGraw-Hill Open University Press, 2010.
Deller, Ruth. ‘Twittering on: Audience Research and Participation Using Twitter’, (Participations: Volume 8, Issue 1). 2011, http://www.participations.org/Volume%208/Issue%201/deller.htm.
Denison, Rayna. ‘Anime Fandom and the Liminal Spaces between Fan Creativity and Piracy’. International Journal of Cultural Studies, vol. 14, no. 5, Sept. 2011, pp. 449–66, https://doi.org/10.1177/1367877910394565.
Dyer, Richard. Heavenly Bodies: Film Stars and Society. 2nd ed, Routledge, 2004, http://lib.myilibrary.com/browse/open.asp?id=419648&entityid=https://login.uea.ac.uk/entity.
Dyer, Richard, and Paul McDonald. Stars. New ed, BFI Pub, 1998.
Ellis, John. ‘Stars as Cinematic Phenomenon [in] Visible Fictions: Cinema : Television : Video’. Visible Fictions: Cinema : Television : Video, Revised edition, Routledge, Taylor & Francis Group, 2015, http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=460171&authtype=sso&custid=s8993828&site=ehost-live&scope=site.
———. ‘'Working Through and the Genres of Television’, [in], Seeing Things: Television in the Age of Uncertainty’. Seeing Things: Television in the Age of Uncertainty, I.B. Tauris, 2000.
Evans, Elizabeth. Transmedia Television: Audiences, New Media and Daily Life. Routledge, 2011, http://www.UEA.eblib.com/patron/FullRecord.aspx?p=668562. Electronic resource.
———. Transmedia Television: Audiences, New Media and Daily Life. Routledge, 2011, http://www.UEA.eblib.com/patron/FullRecord.aspx?p=668562. Electronic resource.
Feasey, Rebecca. ‘“Soap Opera: The Male Role in the Women’s Genre”, [in] Masculinity and Popular Television’. Masculinity and Popular Television, Edinburgh University Press, 2008, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=380402. Electronic resource.
Feuer, Jane. ‘“Genre Study and Television”, [in], Channels of Discourse, Reassembled: Television and Contemporary Criticism’. Channels of Discourse, Reassembled: Television and Contemporary Criticism, 2nd ed, Routledge, 1992, https://ebookcentral.proquest.com/lib/uea/detail.action?milDocID=23657.
Fickers, Andreas, and Catherine Johnson. Transnational Television History: A Comparative Approach. Routledge, 2012.
Fiske, John. ‘“Moments of Television: Neither the Text nor the Audience”, [in], Remote Control: Television, Audiences, and Cultural Power’. Remote Control: Television, Audiences, and Cultural Power, Routledge, 1989, http://uea.eblib.com/patron/FullRecord.aspx?p=1221523.
Forrest, Jennifer and Martinez, Sergio. ‘Remapping Socio-Cultural Specificity in the American Remake of The Bridge.’ Continuum: Journal of Media & Cultural Studies, 2015, https://www.tandfonline.com/doi/full/10.1080/10304312.2015.1068725.
Gauntlett, David, et al. TV Living: Television, Culture, and Everyday Life. Routledge in association with the British Film Institute, 1999, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=165172.
Genz, Stéphanie, and Benjamin A. Brabon. Postfeminism: Cultural Texts and Theories. Edinburgh University Press, 2009, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=448738.
Geraghty, Christine. ‘“A Woman’s Space”, [in], “Women and Soap Opera: A Study of Prime Time Soaps”,’. ‘A Woman’s Space’, [in], ‘Women and Soap Opera: A Study of Prime Time Soaps’, Polity, 1991.
Geraghty, Christine, and David Lusted. ‘“Audiences and Ethnography: Questions of Practice”, [in], The Television Studies Book’. The Television Studies Book, Arnold, 1997.
———. ‘Gripsrud, Jostein (1998) Television Broadcast, Flow: Key Metaphors in Television Theory, in C. Geraghty and D Lusted EDs, The Television Studies Book, London: Arnold’. The Television Studies Book, Bloomsbury Publishing PLC, 1997.
Geraghty, Lincoln, and Mark Jancovich. The Shifting Definitions of Genre: Essays on Labeling Films, Television Shows and Media. McFarland, 2008, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1734104.
Gibson, Pamela Church. ‘'Contemporary Television: So Many Celebrities, so Little Fashion?’, [In], Fashion and Celebrity Culture’. Fashion and Celebrity Culture, Berg, 2012, http://UEA.eblib.com/patron/FullRecord.aspx?p=1335914.
Gillespie, Marie. Television, Ethnicity and Cultural Change. Routledge, 2003, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=178278.
Gorton, Kristyn. Media Audiences: Television, Meaning and Emotion. Edinburgh University Press, 2009, http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=325006&authtype=sso&custid=s8993828&site=ehost-live&scope=site. Electronic resource.
Gray, Jonathan. ‘“The Reviews Are in: TV Critics and the (Pre)Creation of Meaning”, [in], Flow TV: Television in the Age of Media Convergence’. Flow TV: Television in the Age of Media Convergence, Routledge, 2010, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=574457.
Hall, Stuart and University of Birmingham. Centre for Contemporary Cultural Studies. Culture, Media, Language: Working Papers in Cultural Studies, 1972-79. Hutchinson in association with the Centre for Contemporary Cultural Studies, University of Birmingham, 1980, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=179321.
Hartley, John. ‘“Textual Analysis”, [in],Television Studies’. Television Studies, BFI Pub, 2002.
Herbert, David. ‘Extract from Media, Publics and Democracy’ [in] Media Audiences’. Media Audiences, Open University Press, 2005.
Hollows, Joanne, and Rachel Moseley. Feminism in Popular Culture. Berg, 2006.
Holmes, Su. The Quiz Show. Edinburgh University Press, 2008, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=380401.
Householder, April Kalogeropoulos, and Adrienne M. Trier-Bieniek, editors. ‘Fryett, Sarah E (2016) “Chocolate and Vanilla Swirl, Sw-Irl” [in] Feminist Perspectives on Orange Is the New Black: Thirteen Critical Essays’. Feminist Perspectives on Orange Is the New Black: Thirteen Critical Essays, McFarland & Company, Inc., Publishers, 2016, http://ebookcentral.proquest.com/lib/uea/detail.action?docID=4573748. Electronic resource.
Iwabuchi, Kōichi. ‘Introduction: Cultural Globalization and Asian Media Connections [in] Feeling Asian Modernities: Transnational Consumption of Japanese TV Dramas’. Feeling Asian Modernities: Transnational Consumption of Japanese TV Dramas, Hong Kong University Press, 2004, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=677420.
———. Recentering Globalization: Popular Culture and Japanese Transnationalism. Duke University Press, 2002, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1167824.
Jermyn, Deborah. ‘“Bringing out the Star in You”: SJP, Carrie Bradshaw and the Evolution of Television Stardom, [in], Framing Celebrity: New Directions in Celebrity Culture’. Framing Celebrity: New Directions in Celebrity Culture, Routledge, 2006, http://lib.myilibrary.com/browse/open.asp?id=415553&entityid=https://login.uea.ac.uk/entity.
———. ‘“In Love with Sarah Jessica Parker: Celebrating Female Fandom and Friendship in Sex and the City”, [in], Reading Sex and the City’. Reading Sex and the City, I.B. Tauris, 2004, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=676497.
Kaplan, Ann. E. ‘“Feminist Criticism and Television”, [in], Channels of Discourse, Reassembled: Television and Contemporary Criticism’. Channels of Discourse, Reassembled: Television and Contemporary Criticism, 2nd ed, Routledge, 1992, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=254107.
Kavka, Misha. ‘Celevision: Mobilizations of the Television Screen [in] A Companion to Celebrity’. A Companion to Celebrity, edited by P. David Marshall and Sean Redmond, Wiley Blackwell, 2016, http://UEA.eblib.com/patron/FullRecord.aspx?p=4035676.
Kilborn, Richard (1994) ‘Drama over Lockerbie’: A New Look at Television Drama-Documentaries’, Historical Journal of Film, Radio and Television, 14 (1): Pp.59-76. http://www.tandfonline.com/doi/pdf/10.1080/01439689400260051?needAccess=true.
Lacey, Nick. Narrative and Genre: Key Concepts in Media Studies. Palgrave, 2000.
Langer, John. ‘Television’s “Personality System”’. Media, Culture & Society, vol. 3, no. 4, Oct. 1981, pp. 351–65, https://doi.org/10.1177/016344378100300405.
Leverette, Marc, et al. It’s Not TV: Watching HBO in the Post-Television Era. Routledge, 2008, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=425228.
Marshall, David. ‘‘Screens: Television’s Dispersed "Broadcast”’, [in], Television Studies after TV: Understanding Television in the Post-Broadcast Era’. Television Studies after TV: Understanding Television in the Post-Broadcast Era, Routledge, 2009, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=425387.
Marshall, P. David. ‘“Television’s Construction of the Celebrity”, [in], Celebrity and Power: Fame in Contemporary Culture’. Celebrity and Power: Fame in Contemporary Culture, University of Minnesota Press, 2014, http://UEA.eblib.com/patron/FullRecord.aspx?p=1762165.
McCabe, Janet. ‘“Creating ‘Quality’ Audiences for ER on Channel Four”, [in], The Contemporary Television Series’. The Contemporary Television Series, Edinburgh University Press, 2005.
McCabe, Janet, and Kim Akass. ‘Debating Quality [in] Quality TV: Contemporary American Television and Beyond’. Quality TV: Contemporary American Television and Beyond, I. B. Tauris, 2007, http://lib.myilibrary.com/browse/open.asp?id=258336&entityid=https://login.uea.ac.uk/entity.
———. ‘“Debating Quality”, [in], Quality TV: Contemporary American Television and Beyond’. Quality TV: Contemporary American Television and Beyond, I. B. Tauris, 2007, https://ebookcentral.proquest.com/lib/uea/detail.action?milDocID=258336.
Messenger-Davies, Maire. ‘Babes “n” the Hood: Pre-School Television and Its Audiences in the United States and Britain [in] In Front of the Children: Screen Entertainment and Young Audiences’. In Front of the Children: Screen Entertainment and Young Audiences, British Film Institute, 1995.
Michele Hilmes[1]
University of Wisconsin–Madison
mhilmes [AT] wisc.edu, and Hilmes, Michele. mediaindustries
Transnational TV: What Do We Mean by "Coproduction” Anymore? https://quod.lib.umich.edu/m/mij/15031809.0001.203?view=text;rgn=main.
Mills, Brett. ‘Chapter 14 “Shoved Online” BBC Three British Televion and the Marginalisation of Young Adult Audiences [in] Media, Margins and Popular Culture’. Media, Margins and Popular Culture, edited by Einar Thorsen, Palgrave Macmillan, 2015, http://ebookcentral.proquest.com/lib/uea/detail.action?docID=4001203. Electronic resource.
———. ‘Invisible Television: The Programmes No-One Talks about Even Though Lots of People Watch Them’. Critical Studies in Television: The International Journal of Television Studies, vol. 5, no. 1, Mar. 2010, pp. 1–16, https://doi.org/10.7227/CST.5.1.3.
———. ‘“What Does It Mean to Call Television "Cinematic?”. [In] Television Aesthetics and Style’. Television Aesthetics and Style, Bloomsbury Academic, 2013, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1224263. Electronic resource.
Mittell, Jason. ‘A Cultural Approach to Television Genre Theory [in] The Television Studies Reader’. The Television Studies Reader, Routledge, 2004.
———. Genre and Television: From Cop Shows to Cartoons in American Culture. Routledge, 2004, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=200862.
Moran, Albert, and Justin Malbon. Understanding the Global TV Format. Intellect Books, 2006.
Morley, David. Television, Audiences, and Cultural Studies. Routledge, 1992, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=179188.
Neale, S. ‘Question of Genre’. Screen, vol. 31, no. 1, Mar. 1990, pp. 45–66, https://doi.org/10.1093/screen/31.1.45.
Neale, Steve. ‘Genre and Television [in] Television Genre Book’. The Television Genre Book, 2nd ed, Palgrave Macmillan, 2008.
Oswell, David. Television, Childhood, and the Home: A History of the Making of the Child Television Audience in Britain. Clarendon Press, 2002, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4964294.
Peacock, Steven, and Jason Jacobs. Television Aesthetics and Style. Bloomsbury Academic, 2013, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1224263. Electronic resource.
Seiter, Ellen. ‘‘”Don’t Treat Us like We’re so Stupid and Naïve”: Towards an Ethnography of Soap Opera Viewers’, [in], Remote Control: Television, Audiences, and Cultural Power’. Remote Control: Television, Audiences, and Cultural Power, Routledge, 1989, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1221523.
———. Seiter, Ellen (1999) Chapter 2, ‘Qualitative Audience Research’, in Seiter, Television and New Media Audiences, Oxford, Oxford University Press, Pp.9-36 ONLY Television and New Media Audiences. Clarendon, 1999, https://academic.oup.com/book/33012/chapter/280172939.
Skeggs, Beverley, and Helen Wood. Reacting to Reality Television: Performance, Audience and Value. Routledge, 2012, http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=456194&authtype=sso&custid=s8993828&site=ehost-live&scope=site.
Steemers, Jeanette. Creating Preschool Television: A Story of Commerce, Creativity and Curriculum. Palgrave Macmillan, 2010, http://www.UEA.eblib.com/patron/FullRecord.aspx?p=668025. Electronic resource.
———. Selling Television: British Television in the Global Marketplace. British Film Institute, 2004.
Storey, John. ‘Marxisms [in] Cultural Theory and Popular Culture: An Introduction’. Cultural Theory and Popular Culture: An Introduction, Seventh edition, Routledge, Taylor & Francis Group, 2015, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=2046454.
Strinati, Dominic. ‘Chapter of “Feminism and Popular Culture”, [in], An Introduction to Theories of Popular Culture’. An Introduction to Theories of Popular Culture, 2nd ed, Routledge, 2004, http://www.uea.eblib.com/patron/FullRecord.aspx?p=200017.
———. ‘Marxism, Political Economy and Ideology [in], An Introduction to Theories of Popular Culture’. An Introduction to Theories of Popular Culture, 2nd ed, Routledge, 2004, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=200017.
Thompson, Robert J. Television’s Second Golden Age: From Hill Street Blues to ER : Hill Street Blues, Thirtysomething, St. Elsewhere, China Beach, Cagney & Lacey, Twin Peaks, Moonlighting, Northern Exposure, L.A. Law, Picket Fences, with Brief Reflections on Homicide, NYPD Blue & Chicago Hope, and Other Quality Dramas. 1st Syracuse University Press ed, The television series, Syracuse University Press, 1997.
Thornham, Sue, and Tony Purvis. ‘Chapter 2.2: “Genre”, [in], Television Drama: Theories and Identities’. Television Drama: Theories and Identities, Palgrave Macmillan, 2005.
———. Television Drama: Theories and Identities, p.74-92. Palgrave Macmillan, 2005.
Turner, Graeme. ‘Chapter 6: “Ideology”, [in], British Cultural Studies: An Introduction (Pp.166-189 Only)’. British Cultural Studies: An Introduction, 3rd ed, Routledge, 2003, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=235094.
———. ‘‘Genre, Format and "Live” Television’, [in], The Television Genre Book’. The Television Genre Book, British Film Institute, 2001.
———. Ordinary People and the Media: The Demotic Turn. SAGE, 2010, http://UEA.eblib.com/patron/FullRecord.aspx?p=483413.
———. ‘“The Uses and Limitations of Genre”, [in], The Television Genre Book’. The Television Genre Book, British Film Institute, 2001, https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4763274.
———. Understanding Celebrity. Second edition, SAGE, 2014, http://UEA.eblib.com/patron/FullRecord.aspx?p=1590533. Electronic resource.
Wheatley, Helen. Wheatley, Helen (2016) ‘Introduction: What Is Spectacular Television? What Is(Tele)Visual Pleasure?’, In Wheatley, Spectacular Television: Exploring Televisual Pleasure (London: I.B Tauris), Pp.1-20. I.B.Tauris & Co Ltd, 2016.
White, Mimi. ‘“Ideological Analysis and Television” [in] Channels of Discourse, Reassembled: Television and Contemporary Criticism’. Channels of Discourse, Reassembled: Television and Contemporary Criticism, 2nd ed, Routledge, 1992, https://ebookcentral.proquest.com/lib/uea/reader.action?docID=254107&ppg=129.
Williams, Kevin. ‘The Audience Strikes Back: New Audience and Reception Theory [in] Understanding Media Theory’. Understanding Media Theory, Arnold, 2003.
