Angelaki, Vicky, ed. Contemporary British Theatre: Breaking New Ground. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2013. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1431430>.
Billington, Michael. State of the Nation: British Theatre since 1945. London: Faber, 2009. Print.
Craig, Sandy. Dreams and Deconstructions: Alternative Theatre in Britain. Ambergate: Amber Lane, 1980. Print.
Donohue, Joseph W. et al. The Cambridge History of British Theatre: Vol.3: Since 1895. Cambridge: Cambridge University Press, 2004. Web. <https://www-cambridge-org.uea.idm.oclc.org/core/books/cambridge-history-of-british-theatre/7308629BDAD6D36E63CBF6D5D901E475>.
Goorney, Howard, and Howard Goorney. The Theatre Workshop Story. London: Eyre Methuen, 1981. Print.
Kershaw, Baz. Theatre Ecology: Environments and Performance Events. Cambridge: Cambridge University Press, 2007. Print.
McGrath, John. A Good Night out: Popular Theatre: Audience, Class and Form. Nick Hern Books Limited, 1996. Print.
Nelson, Jeannette. The Voice Exercise Book: The Warm-Ups. London: Nick Hern Books, 2018. Print.
Shellard, Dominic. British Theatre since the War. New Haven, Conn: Yale University Press, 1999. Web. <https://www-jstor-org.uea.idm.oclc.org/stable/j.ctt5vm4r0>.
Shepherd, Simon. The Cambridge Introduction to Modern British Theatre. Cambridge, UK: Cambridge University Press, 2009. Print.
Wandor, Michelene, and Michelene Wandor. Look Back in Gender: Sexuality and the Family in Post-War British Drama. London: Methuen, 1987. Print.
