1
Craig S. Dreams and deconstructions: alternative theatre in Britain. Ambergate: : Amber Lane 1980.
2
Goorney H, Goorney H. The Theatre Workshop story. London: : Eyre Methuen 1981.
3
Shellard D. British theatre since the war. New Haven, Conn: : Yale University Press 1999. https://www-jstor-org.uea.idm.oclc.org/stable/j.ctt5vm4r0
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Billington M. State of the nation: British theatre since 1945. London: : Faber 2009.
5
Wandor M, Wandor M. Look back in gender: sexuality and the family in post-war British drama. London: : Methuen 1987.
6
McGrath J. A good night out: popular theatre: audience, class and form. Nick Hern Books Limited 1996.
7
Donohue JW, Kershaw B, Milling J, et al. The Cambridge history of British theatre: Vol.3: Since 1895. Cambridge: : Cambridge University Press 2004. https://www-cambridge-org.uea.idm.oclc.org/core/books/cambridge-history-of-british-theatre/7308629BDAD6D36E63CBF6D5D901E475
8
Shepherd S. The Cambridge introduction to modern British theatre. Cambridge, UK: : Cambridge University Press 2009.
9
Angelaki V, editor. Contemporary British theatre: breaking new ground. Houndmills, Basingstoke, Hampshire: : Palgrave Macmillan 2013. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1431430
10
Nelson J. The voice exercise book: The warm-ups. London: : Nick Hern Books 2018.
11
Kershaw B. Theatre ecology: environments and performance events. Cambridge: : Cambridge University Press 2007.
