1.
Craig S. Dreams and Deconstructions: Alternative Theatre in Britain. Amber Lane; 1980.
2.
Goorney H, Goorney H. The Theatre Workshop Story. Eyre Methuen; 1981.
3.
Shellard D. British Theatre since the War. Yale University Press; 1999. https://www-jstor-org.uea.idm.oclc.org/stable/j.ctt5vm4r0
4.
Billington M. State of the Nation: British Theatre since 1945. Faber; 2009.
5.
Wandor M, Wandor M. Look Back in Gender: Sexuality and the Family in Post-War British Drama. Methuen; 1987.
6.
McGrath J. A Good Night out: Popular Theatre: Audience, Class and Form. Nick Hern Books Limited; 1996.
7.
Donohue JW, Kershaw B, Milling J, Thomson P. The Cambridge History of British Theatre: Vol.3: Since 1895. Cambridge University Press; 2004. https://www-cambridge-org.uea.idm.oclc.org/core/books/cambridge-history-of-british-theatre/7308629BDAD6D36E63CBF6D5D901E475
8.
Shepherd S. The Cambridge Introduction to Modern British Theatre. Cambridge University Press; 2009.
9.
Angelaki V, ed. Contemporary British Theatre: Breaking New Ground. Palgrave Macmillan; 2013. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1431430
10.
Nelson J. The Voice Exercise Book: The Warm-Ups. Nick Hern Books; 2018.
11.
Kershaw B. Theatre Ecology: Environments and Performance Events. Cambridge University Press; 2007.
