Angelaki, V. (Ed.). (2013). Contemporary British theatre: breaking new ground. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1431430
Billington, M. (2009). State of the nation: British theatre since 1945. Faber.
Craig, S. (1980). Dreams and deconstructions: alternative theatre in Britain. Amber Lane.
Donohue, J. W., Kershaw, B., Milling, J., & Thomson, P. (2004). The Cambridge history of British theatre: Vol.3: Since 1895. Cambridge University Press. https://www-cambridge-org.uea.idm.oclc.org/core/books/cambridge-history-of-british-theatre/7308629BDAD6D36E63CBF6D5D901E475
Goorney, H., & Goorney, H. (1981). The Theatre Workshop story. Eyre Methuen.
Kershaw, B. (2007). Theatre ecology: environments and performance events. Cambridge University Press.
McGrath, J. (1996). A good night out: popular theatre: audience, class and form. Nick Hern Books Limited.
Nelson, J. (2018). The voice exercise book: The warm-ups. Nick Hern Books.
Shellard, D. (1999). British theatre since the war. Yale University Press. https://www-jstor-org.uea.idm.oclc.org/stable/j.ctt5vm4r0
Shepherd, S. (2009). The Cambridge introduction to modern British theatre. Cambridge University Press.
Wandor, M., & Wandor, M. (1987). Look back in gender: sexuality and the family in post-war British drama. Methuen.
