Altman, Rick. ‘What Is Generally Understood by the Notion of Film Genre? [In] Film/Genre’. Film/Genre. London: British Film Institute, 1999. Print.
Arliss, Leslie and Rank Film Distributors. ‘The Wicked Lady’. 2003 : n. pag. Print.
Ashby, Justine, and Andrew Higson. British Cinema, Past and Present. London: Routledge, 2000. Web. <https://uea.idm.oclc.org/login?url=https://www.taylorfrancis.com/books/9780203354865>.
Aspinall, Sue, Robert Murphy, and British Film Institute. Gainsborough Melodrama. BFI dossier. London: BFI Publishing, 1983. Print.
Basinger, Jeanine, and Jeremy Arnold. ‘Chapter One: “Definition”’. The World War II Combat Film: Anatomy of a Genre. 1st Wesleyan University Press pbk. ed. Middletown, Conn: Wesleyan University Press, 2003. Print.
Boggs, Carl, and Tom Pollard. The Hollywood War Machine: U.S. Militarism and Popular Culture. Boulder, Colo: Paradigm, 2007. Web. <http://ebookcentral.proquest.com/lib/uea/detail.action?docID=4906791>.
Bratton, J. S. et al. Melodrama: Stage, Picture, Screen. London: British Film Institute, 1994. Print.
Brislin, Tom. ‘Time, Ethics, and the Films of Christopher Nolan’. Visual Communication Quarterly 23.4 (2016): 199–209. Web.
Bruzzi, Stella. Men’s Cinema: Masculinity and Mise-En-Scène in Hollywood. Edinburgh: Edinburgh University Press, 2013. Print.
Byars, Jackie. ‘Chapter Five: “Race, Class, and Gender: Film Melodrama of the Late 1950s” in All That Hollywood Allows: Re-Reading Gender in 1950s Melodrama’. All That Hollywood Allows: Re-Reading Gender in 1950s Melodrama. Gender&American culture. Chapel Hill: University of North Carolina Press, 1991. Print.
Capra, Frank. ‘Prelude to War: Directed by Frank Capra’. 2004 : n. pag. Print.
Carroll, Hamilton. ‘Chapter Six of Affirmative Reaction New Formations Of White Masculinity’. Affirmative Reaction: New Formations of White Masculinity. New Americanists. Durham, NC: Duke University Press, 2011. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1172241>.
Cook, Pam. Screening the Past: Memory and Nostalgia in Cinema. London: Routledge, 2005. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=199353>.
Doherty, Thomas Patrick. Projections of War: Hollywood, American Culture, and World War II. Film and culture. New York: Columbia University Press, 1999. Print.
Eagle, Jonna. ‘Introduction to Imperial Affects: Sensational Melodrama and the Attractions of American Cinema (War Culture Series)’. Imperial Affects: Sensational Melodrama and the Attractions of American Cinema. New Brunswick: Rutgers University Press, 2017. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4789878>.
Eberwein, Robert T. The Hollywood War Film. Vol. 5. Oxford: Wiley-Blackwell, 2010. Web. <https://uea.idm.oclc.org/login?url=https://onlinelibrary.wiley.com/doi/book/10.1002/9781444315103>.
Eberwein, Robert T., and Robert T. Eberwein. The War Film. Rutgers depth of field series. New Brunswick, N.J.: Rutgers University Press, 2005. Print.
Flitterman-Lewis, Sandy. ‘The Blossom and the Bole: Narrative and Visual Spectacle in Early Film Melodrama’. Cinema Journal 33.3 (1994): n. pag. Web.
Gasnier, Louis J. et al. ‘The Perils of Pauline’. 20AD : n. pag. Print.
‘“Genre and Hollywood” in The Oxford Guide to Film Studies’. Oxford: Oxford University Press, 1998. Print.
Gibbs, John. Mise-En-Scène: Film Style and Interpretation. Short cuts. London: Wallflower, 2002. Web. <http://ebookcentral.proquest.com/lib/uea/detail.action?docID=1880199>.
Glancy, H. Mark. When Hollywood Loved Britain: The Hollywood ‘British’ Film, 1939-1945. Manchester: Manchester University Press, 1999. Print.
Gledhill, Christine, Christine Gledhill, and British Film Institute. ‘“Historical Pleasures” in Home Is Where the Heart Is: Studies in Melodrama and the Woman’s Film’. London: British Film Institute, 1987. Print.
---. Home Is Where the Heart Is: Studies in Melodrama and the Woman’s Film. London: British Film Institute, 1987. Print.
---. Laura Mulvey ‘Notes on Sirk and Melodrama’ in Home Is Where the Heart Is: Studies in Melodrama and the Woman’s Film. London: British Film Institute, 1987. Print.
Gledhill, Christine, Gillian Swanson, and Christine Gledhill. ‘Chapter Thirteen of Nationalising Femininity: Culture, Sexuality, and British Cinema in the Second World War’. Manchester: Manchester University Press, 1996. Print.
Griffith, D. W., and David Shepard. ‘Way down East’. 2001 : n. pag. Print.
Harper, Sue and British Film Institute. Picturing the Past: The Rise and Fall of the British Costume Film. London: BFI Publishing, 1994. Print.
‘Hell Is For Heroes’. 2003 : n. pag. Print.
Howard, Leslie. ‘Gentle Sex’. 2016 : n. pag. Print.
Jacobs, Lea. ‘Chapter Four - The Male Adventure Story’. The Decline of Sentiment: American Film in the 1920s. Berkeley: University of California Press. Web. <https://ebookcentral.proquest.com/lib/uea/reader.action?docID=470861&ppg=115>.
Kelly, Andrew, and Andrew Kelly. Cinema and the Great War. Cinema and society. London: Routledge, 1997. Print.
Klinger, Barbara. ‘Chapter 2’. Melodrama and Meaning: History, Culture, and the Films of Douglas Sirk. Bloomington: Indiana University Press, 1994. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=619&authtype=sso&custid=s8993828&site=ehost-live&scope=site>.
Lang, Robert. American Film Melodrama: Griffith, Vidor, Minnelli. Princeton, N.J.: Princeton University Press, 1989. Print.
Lant, Antonia. Blackout: Reinventing Women for Wartime British Cinema. Princeton, N.J.: Princeton University Press, 1991. Web. <http://ebookcentral.proquest.com/lib/uea/detail.action?docID=3030785>.
Launder, Frank, and Sidney Gilliat. ‘Millions like Us’. 2010 : n. pag. Print.
Leigh, Jacob. ‘Unanswered Questions: Vision and Experience in Terrence Malick’s The Thin Red Line’. CineAction. 62 (2003): n. pag. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=edsglr&AN=edsgcl.112720629&site=ehost-live>.
Litvak, Anatole et al. ‘Sé Fiel a Ti Mismo (This above All)’. 2010 : n. pag. Print.
Lois Weber in Early Hollywood - Shelley Stamp - Paperback - University of California Press. N.p. Web. <http://www.ucpress.edu/book.php?isbn=9780520284463>.
‘Lois Weber’s “The Blot”: Rewriting Melodrama, Reproducing the Middle Class’. Cinema Journal (1999): n. pag. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.1225797&site=ehost-live>.
Malick, Terrence et al. ‘The Thin Red Line’. 2000 : n. pag. Print.
Murphy, Robert. Realism and Tinsel: Cinema and Society in Britain, 1939-1949. London: Routledge, 1989. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=179234>.
Neale, Stephen. ‘Chapter 5’. Genre and Hollywood. Sightlines. London: Routledge, 2000. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=240335>.
Neale, Stephen and British Film Institute. Genre and Contemporary Hollywood. London: BFI, 2002. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=240335>.
‘Neoliberal Frames and Genres of Inequality: Recession-Era Chick Flicks and ...: EBSCOhost’. n. pag. Web. <https://uea.idm.oclc.org/login?url=http://web.a.ebscohost.com/ehost/detail/detail?vid=13&sid=513fa34d-3ca1-4732-be42-371923a8bbfc%40sessionmgr4006&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=30450990&db=eoah>.
‘Observations on Film Art : DUNKIRK Part 1: Straight to the Good Stuff’. N.p., n.d. Web. <http://www.davidbordwell.net/blog/2017/08/02/dunkirk-part-1-straight-to-the-good-stuff/>.
‘Observations on Film Art : DUNKIRK Part 2: The Art Film as Event Movie’. N.p., n.d. Web. <http://www.davidbordwell.net/blog/2017/08/09/dunkirk-part-2-the-art-film-as-event-movie/>.
Patterson, Hannah. ‘Chapter 13’. The Cinema of Terrence Malick: Poetic Visions of America. 2nd ed. Directors’ cuts. London: Wallflower, 2007. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=939936>.
Powell, Michael et al. ‘A Matter of Life and Death’. 2005 : n. pag. Print.
Singer, Ben. Chapter Two of Melodrama and Modernity: Early Sensational Cinema and Its Contexts. Film and culture. New York: Columbia University Press, 2001. Print.
Sirk, Douglas. ‘Written on the Wind’. 2007 : n. pag. Print.
Tasker, Yvonne. Soldiers’ Stories: Military Women in Cinema and Television since World War II. Durham, NC: Duke University Press, 2011. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1172299>.
---. The Hollywood Action and Adventure Film. New Approaches to Film Genre. Chichester, West Sussex, UK: Wiley Blackwell, 2015. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4040532>.
Vidor, King et al. ‘El Gran Desfile’. 2014 : n. pag. Print.
Weber, Cynthia. Imagining America at War: Morality, Politics and Film. Oxfordshire: Routledge, 2005. Web. <http://www.loc.gov/catdir/toc/ecip0512/2005012064.html>.
Weber, Lois. ‘The Blot’. 2003 : n. pag. Print.
Wellman, William A. et al. ‘Wings’. 2003 : n. pag. Print.
Wells, John. ‘Company Men’. : n. pag. Print.
Williams, Linda. ‘Chapter One of Playing the Race Card: Melodramas of Black and White from Uncle Tom to O.J. Simpson’. Princeton, N.J.: Princeton University Press, 2001. Print.
