Altman, R. (1999) ‘What is generally understood by the notion of film genre? [in] Film/genre’, in Film/genre. London: British Film Institute.
Arliss, L. and Rank Film Distributors (2003) ‘The wicked lady’. [London]: Carlton Visual Entertainment Limited.
Ashby, J. and Higson, A. (2000) British cinema, past and present. London: Routledge. Available at: https://uea.idm.oclc.org/login?url=https://www.taylorfrancis.com/books/9780203354865.
Aspinall, S., Murphy, R., and British Film Institute (1983) Gainsborough melodrama. London: BFI Publishing.
Basinger, J. and Arnold, J. (2003) ‘Chapter One: “Definition”’, in The World War II combat film: anatomy of a genre. 1st Wesleyan University Press pbk. ed. Middletown, Conn: Wesleyan University Press.
Boggs, C. and Pollard, T. (2007) The Hollywood war machine: U.S. militarism and popular culture. Boulder, Colo: Paradigm. Available at: http://ebookcentral.proquest.com/lib/uea/detail.action?docID=4906791.
Bratton, J.S. et al. (1994) Melodrama: stage, picture, screen. London: British Film Institute.
Brislin, T. (2016) ‘Time, Ethics, and the Films of Christopher Nolan’, Visual Communication Quarterly, 23(4), pp. 199–209. Available at: https://doi.org/10.1080/15551393.2016.1252655.
Bruzzi, S. (2013) Men’s cinema: masculinity and mise-en-scène in Hollywood. Edinburgh: Edinburgh University Press.
Byars, J. (1991) ‘Chapter Five: “Race, Class, and Gender: Film Melodrama of the Late 1950s” in All that Hollywood allows: re-reading gender in 1950s melodrama’, in All that Hollywood allows: re-reading gender in 1950s melodrama. Chapel Hill: University of North Carolina Press.
Capra, F. (2004) ‘Prelude to war: directed by Frank Capra’. [s.l.]: Elstree Hill.
Carroll, H. (2011) ‘Chapter Six of Affirmative Reaction New Formations Of White Masculinity’, in Affirmative reaction: new formations of white masculinity. Durham, NC: Duke University Press. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1172241.
Cook, P. (2005) Screening the past: memory and nostalgia in cinema. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=199353.
Doherty, T.P. (1999) Projections of war: Hollywood, American culture, and World War II. New York: Columbia University Press.
Eagle, J. (2017) ‘Introduction to Imperial Affects: Sensational Melodrama and the Attractions of American Cinema (War Culture Series)’, in Imperial affects: sensational melodrama and the attractions of American cinema. New Brunswick: Rutgers University Press. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4789878.
Eberwein, R.T. (2010) The Hollywood war film [electronic resource]. Oxford: Wiley-Blackwell. Available at: https://uea.idm.oclc.org/login?url=https://onlinelibrary.wiley.com/doi/book/10.1002/9781444315103.
Eberwein, R.T. and Eberwein, R.T. (2005) The war film. New Brunswick, N.J.: Rutgers University Press.
Flitterman-Lewis, S. (1994) ‘The Blossom and the Bole: Narrative and Visual Spectacle in Early Film Melodrama’, Cinema Journal, 33(3). Available at: https://doi.org/10.2307/1225585.
Gasnier, L.J. et al. (20AD) ‘The perils of Pauline’. Phoenix, AZ: Grapevine Video.
‘“Genre and Hollywood” in The Oxford guide to Film Studies’ (1998) in. Oxford: Oxford University Press.
Gibbs, J. (2002) Mise-en-scène: film style and interpretation. London: Wallflower. Available at: http://ebookcentral.proquest.com/lib/uea/detail.action?docID=1880199.
Glancy, H.M. (1999) When Hollywood loved Britain: the Hollywood ‘British’ film, 1939-1945. Manchester: Manchester University Press.
Gledhill, C., Gledhill, C., and British Film Institute (1987a) ‘“Historical Pleasures” in Home is where the heart is: studies in melodrama and the woman’s film’, in. London: British Film Institute.
Gledhill, C., Gledhill, C., and British Film Institute (1987b) Home is where the heart is: studies in melodrama and the woman’s film. London: British Film Institute.
Gledhill, C., Gledhill, C., and British Film Institute (1987c) Laura Mulvey ‘Notes on Sirk and Melodrama’ in Home is where the heart is: studies in melodrama and the woman’s film. London: British Film Institute.
Gledhill, C., Swanson, G. and Gledhill, C. (1996) ‘Chapter Thirteen of Nationalising femininity: culture, sexuality, and British cinema in the Second World War’, in. Manchester: Manchester University Press.
Griffith, D.W. and Shepard, D. (2001) ‘Way down East’. [s.l.]: Eureka Video.
Harper, S. and British Film Institute (1994) Picturing the past: the rise and fall of the British costume film. London: BFI Publishing.
‘Hell is For Heroes’ (2003).
Howard, L. (2016) ‘Gentle sex’. [United Kingdom]: Strawberry Media Limited.
Jacobs, L. (no date) ‘Chapter Four - The Male Adventure Story’, in The decline of sentiment: American film in the 1920s. Berkeley: University of California Press. Available at: https://ebookcentral.proquest.com/lib/uea/reader.action?docID=470861&ppg=115.
Kelly, A. and Kelly, A. (1997) Cinema and the Great War. London: Routledge.
Klinger, B. (1994) ‘Chapter 2’, in Melodrama and meaning: history, culture, and the films of Douglas Sirk. Bloomington: Indiana University Press. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=619&authtype=sso&custid=s8993828&site=ehost-live&scope=site.
Lang, R. (1989) American film melodrama: Griffith, Vidor, Minnelli. Princeton, N.J.: Princeton University Press.
Lant, A. (1991) Blackout: reinventing women for wartime British cinema. Princeton, N.J.: Princeton University Press. Available at: http://ebookcentral.proquest.com/lib/uea/detail.action?docID=3030785.
Launder, F. and Gilliat, S. (2010) ‘Millions like us’. [United Kingdom]: Simply Home Entertainment.
Leigh, Jacob (2003) ‘Unanswered questions: vision and experience in Terrence Malick’s The Thin Red Line’, CineAction. [Preprint], (62). Available at: http://search.ebscohost.com/login.aspx?direct=true&db=edsglr&AN=edsgcl.112720629&site=ehost-live.
Litvak, A. et al. (2010) ‘Sé fiel a ti mismo (This above all)’. [s.l.]: Twentieth Century Fox Home Entertainment.
Lois Weber in Early Hollywood - Shelley Stamp - Paperback - University of California Press (no date). Available at: http://www.ucpress.edu/book.php?isbn=9780520284463.
‘Lois Weber’s “The Blot”: Rewriting Melodrama, Reproducing the Middle Class’ (1999) Cinema Journal [Preprint]. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.1225797&site=ehost-live.
Malick, T. et al. (2000) ‘The thin red line’. [London?]: Twentieth Century Fox Home Entertainment.
Murphy, R. (1989) Realism and tinsel: cinema and society in Britain, 1939-1949. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=179234.
Neale, S. (2000) ‘Chapter 5’, in Genre and Hollywood. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=240335.
Neale, S. and British Film Institute (2002) Genre and contemporary Hollywood. London: BFI. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=240335.
‘Neoliberal frames and genres of inequality: Recession-era chick flicks and ...: EBSCOhost’ (no date). Available at: https://uea.idm.oclc.org/login?url=http://web.a.ebscohost.com/ehost/detail/detail?vid=13&sid=513fa34d-3ca1-4732-be42-371923a8bbfc%40sessionmgr4006&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=30450990&db=eoah.
Observations on film art : DUNKIRK Part 1: Straight to the good stuff (no date). Available at: http://www.davidbordwell.net/blog/2017/08/02/dunkirk-part-1-straight-to-the-good-stuff/.
Observations on film art : DUNKIRK Part 2: The art film as event movie (no date). Available at: http://www.davidbordwell.net/blog/2017/08/09/dunkirk-part-2-the-art-film-as-event-movie/.
Patterson, H. (2007) ‘Chapter 13’, in The cinema of Terrence Malick: poetic visions of America. 2nd ed. London: Wallflower. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=939936.
Powell, M. et al. (2005) ‘A matter of life and death’. [S.l.]: Granada.
Singer, B. (2001) Chapter Two of Melodrama and modernity: early sensational cinema and its contexts. New York: Columbia University Press.
Sirk, D. (2007) ‘Written on the wind’. Universal Studios.
Tasker, Y. (2011) Soldiers’ stories: military women in cinema and television since World War II. Durham, NC: Duke University Press. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1172299.
Tasker, Y. (2015) The Hollywood action and adventure film. Chichester, West Sussex, UK: Wiley Blackwell. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4040532.
Vidor, K. et al. (2014) ‘El Gran Desfile’. [s.l: s.n.].
Weber, C. (2005) Imagining America at war: morality, politics and film. Oxfordshire: Routledge. Available at: http://www.loc.gov/catdir/toc/ecip0512/2005012064.html.
Weber, L. (2003) ‘The blot’. [s.l.]: Image Entertainment.
Wellman, W.A. et al. (2003) ‘Wings’. [s.l: s.n.].
Wells, J. (no date) ‘Company men’.
Williams, L. (2001) ‘Chapter One of Playing the race card: melodramas of black and white from Uncle Tom to O.J. Simpson’, in. Princeton, N.J.: Princeton University Press.