Altman, R. (1999). What is generally understood by the notion of film genre? [in] Film/genre. In Film/genre. British Film Institute.
Arliss, L. & Rank Film Distributors. (2003). The wicked lady [Videorecording]. Carlton Visual Entertainment Limited.
Ashby, J., & Higson, A. (2000). British cinema, past and present. Routledge. https://uea.idm.oclc.org/login?url=https://www.taylorfrancis.com/books/9780203354865
Aspinall, S., Murphy, R., & British Film Institute. (1983). Gainsborough melodrama: Vol. BFI dossier. BFI Publishing.
Basinger, J., & Arnold, J. (2003). Chapter One: ‘Definition’. In The World War II combat film: anatomy of a genre (1st Wesleyan University Press pbk. ed). Wesleyan University Press.
Boggs, C., & Pollard, T. (2007). The Hollywood war machine: U.S. militarism and popular culture. Paradigm. http://ebookcentral.proquest.com/lib/uea/detail.action?docID=4906791
Bratton, J. S., Cook, J., Gledhill, C., & British Film Institute. (1994). Melodrama: stage, picture, screen. British Film Institute.
Brislin, T. (2016). Time, Ethics, and the Films of Christopher Nolan. Visual Communication Quarterly, 23(4), 199–209. https://doi.org/10.1080/15551393.2016.1252655
Bruzzi, S. (2013). Men’s cinema: masculinity and mise-en-scène in Hollywood. Edinburgh University Press.
Byars, J. (1991). Chapter Five: ‘Race, Class, and Gender: Film Melodrama of the Late 1950s’ in All that Hollywood allows: re-reading gender in 1950s melodrama. In All that Hollywood allows: re-reading gender in 1950s melodrama: Vol. Gender&American culture. University of North Carolina Press.
Capra, F. (2004). Prelude to war: directed by Frank Capra: Vol. Why we fight [Videorecording]. Elstree Hill.
Carroll, H. (2011). Chapter Six of Affirmative Reaction New Formations Of White Masculinity [Electronic resource]. In Affirmative reaction: new formations of white masculinity: Vol. New Americanists. Duke University Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1172241
Cook, P. (2005). Screening the past: memory and nostalgia in cinema. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=199353
Doherty, T. P. (1999). Projections of war: Hollywood, American culture, and World War II: Vol. Film and culture. Columbia University Press.
Eagle, J. (2017). Introduction to Imperial Affects: Sensational Melodrama and the Attractions of American Cinema (War Culture Series). In Imperial affects: sensational melodrama and the attractions of American cinema. Rutgers University Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4789878
Eberwein, R. T. (2010). The Hollywood war film (Vol. 5) [Electronic resource]. Wiley-Blackwell. https://uea.idm.oclc.org/login?url=https://onlinelibrary.wiley.com/doi/book/10.1002/9781444315103
Eberwein, R. T., & Eberwein, R. T. (2005). The war film: Vol. Rutgers depth of field series. Rutgers University Press.
Flitterman-Lewis, S. (1994). The Blossom and the Bole: Narrative and Visual Spectacle in Early Film Melodrama. Cinema Journal, 33(3). https://doi.org/10.2307/1225585
Gasnier, L. J., MacKenzie, D., Goddard, C., Seitz, G. B., White, P., & Eclectic Film Company. (20 C.E.). The perils of Pauline ([European ed.]) [Videorecording]. Grapevine Video.
‘Genre and Hollywood’ in The Oxford guide to Film Studies. (1998). Oxford University Press.
Gibbs, J. (2002). Mise-en-scène: film style and interpretation: Vol. Short cuts. Wallflower. http://ebookcentral.proquest.com/lib/uea/detail.action?docID=1880199
Glancy, H. M. (1999). When Hollywood loved Britain: the Hollywood ‘British’ film, 1939-1945. Manchester University Press.
Gledhill, C., Gledhill, C., & British Film Institute. (1987a). ‘Historical Pleasures’ in Home is where the heart is: studies in melodrama and the woman’s film. British Film Institute.
Gledhill, C., Gledhill, C., & British Film Institute. (1987b). Home is where the heart is: studies in melodrama and the woman’s film. British Film Institute.
Gledhill, C., Gledhill, C., & British Film Institute. (1987c). Laura Mulvey ‘Notes on Sirk and Melodrama’ in Home is where the heart is: studies in melodrama and the woman’s film. British Film Institute.
Gledhill, C., Swanson, G., & Gledhill, C. (1996). Chapter Thirteen of Nationalising femininity: culture, sexuality, and British cinema in the Second World War. Manchester University Press.
Griffith, D. W., & Shepard, D. (2001). Way down East [Videorecording]. Eureka Video.
Harper, S. & British Film Institute. (1994). Picturing the past: the rise and fall of the British costume film. BFI Publishing.
Hell is For Heroes. (2003).
Howard, L. (2016). Gentle sex: Vol. World War II collection [Videorecording]. Strawberry Media Limited.
Jacobs, L. (n.d.). Chapter Four - The Male Adventure Story. In The decline of sentiment: American film in the 1920s. University of California Press. https://ebookcentral.proquest.com/lib/uea/reader.action?docID=470861&ppg=115
Kelly, A., & Kelly, A. (1997). Cinema and the Great War: Vol. Cinema and society. Routledge.
Klinger, B. (1994). Chapter 2. In Melodrama and meaning: history, culture, and the films of Douglas Sirk. Indiana University Press. http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=619&authtype=sso&custid=s8993828&site=ehost-live&scope=site
Lang, R. (1989). American film melodrama: Griffith, Vidor, Minnelli. Princeton University Press.
Lant, A. (1991). Blackout: reinventing women for wartime British cinema. Princeton University Press. http://ebookcentral.proquest.com/lib/uea/detail.action?docID=3030785
Launder, F., & Gilliat, S. (2010). Millions like us [Videorecording]. Simply Home Entertainment.
Leigh, Jacob. (2003). Unanswered questions: vision and experience in Terrence Malick’s The Thin Red Line. CineAction., 62. http://search.ebscohost.com/login.aspx?direct=true&db=edsglr&AN=edsgcl.112720629&site=ehost-live
Litvak, A., Sherriff, R. C., Power, T., Fontaine, J., Knight, E., & Twentieth Century-Fox Film Corporation. (2010). Sé fiel a ti mismo (This above all) [Videorecording]. Twentieth Century Fox Home Entertainment.
Lois Weber in Early Hollywood - Shelley Stamp - Paperback - University of California Press. (n.d.). http://www.ucpress.edu/book.php?isbn=9780520284463
Lois Weber’s ‘The Blot’: Rewriting Melodrama, Reproducing the Middle Class. (1999). Cinema Journal. http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.1225797&site=ehost-live
Malick, T., Penn, S., Clooney, G., Cusack, J., Nolte, N., Harrelson, W., Zimmer, H., & Jones, J. (2000). The thin red line [Videorecording]. Twentieth Century Fox Home Entertainment.
Murphy, R. (1989). Realism and tinsel: cinema and society in Britain, 1939-1949. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=179234
Neale, S. (2000). Chapter 5. In Genre and Hollywood: Vol. Sightlines. Routledge. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=240335
Neale, S. & British Film Institute. (2002). Genre and contemporary Hollywood. BFI. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=240335
Neoliberal frames and genres of inequality: Recession-era chick flicks and ...: EBSCOhost. (n.d.). https://uea.idm.oclc.org/login?url=http://web.a.ebscohost.com/ehost/detail/detail?vid=13&sid=513fa34d-3ca1-4732-be42-371923a8bbfc%40sessionmgr4006&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=30450990&db=eoah
Observations on film art : DUNKIRK Part 1: Straight to the good stuff. (n.d.). http://www.davidbordwell.net/blog/2017/08/02/dunkirk-part-1-straight-to-the-good-stuff/
Observations on film art : DUNKIRK Part 2: The art film as event movie. (n.d.). http://www.davidbordwell.net/blog/2017/08/09/dunkirk-part-2-the-art-film-as-event-movie/
Patterson, H. (2007). Chapter 13. In The cinema of Terrence Malick: poetic visions of America: Vol. Directors’ cuts (2nd ed). Wallflower. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=939936
Powell, M., Pressburger, E., Niven, D., Hunter, K., Livesey, R., Massey, R., Sofaer, A., Goring, M., Coote, R., Attenborough, R., Rank Organisation, & Archers (Firm). (2005). A matter of life and death [Videorecording]. Granada.
Singer, B. (2001). Chapter Two of Melodrama and modernity: early sensational cinema and its contexts: Vol. Film and culture. Columbia University Press.
Sirk, D. (2007). Written on the wind [Videorecording]. Universal Studios.
Tasker, Y. (2011). Soldiers’ stories: military women in cinema and television since World War II. Duke University Press. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1172299
Tasker, Y. (2015). The Hollywood action and adventure film: Vol. New Approaches to Film Genre. Wiley Blackwell. https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4040532
Vidor, K., Stallings, L., Gilbert, J., Adorée, R., & Metro-Goldwyn-Mayer. (2014). El Gran Desfile: Vol. Joyas del cine (Círculo Media Direct) [Videorecording]. s.n.].
Weber, C. (2005). Imagining America at war: morality, politics and film. Routledge. http://www.loc.gov/catdir/toc/ecip0512/2005012064.html
Weber, L. (2003). The blot [Videorecording]. Image Entertainment.
Wellman, W. A., Bow, C., Rogers, C., Arlen, R., Cooper, G., & Paramount Famous Lasky Corporation. (2003). Wings [Videorecording]. s.n.].
Wells, J. (n.d.). Company men.
Williams, L. (2001). Chapter One of Playing the race card: melodramas of black and white from Uncle Tom to O.J. Simpson. Princeton University Press.