@inbook{Altman_1999, address={London}, title={What is generally understood by the notion of film genre? [in] Film/genre}, booktitle={Film/genre}, publisher={British Film Institute}, author={Altman, Rick}, year={1999} }
@misc{Arliss_Rank Film Distributors_2003, address={[London]}, title={The wicked lady}, publisher={Carlton Visual Entertainment Limited}, author={Arliss, Leslie and Rank Film Distributors}, year={2003} }
@book{Ashby_Higson_2000, address={London}, title={British cinema, past and present}, url={https://uea.idm.oclc.org/login?url=https://www.taylorfrancis.com/books/9780203354865}, publisher={Routledge}, author={Ashby, Justine and Higson, Andrew}, year={2000} }
@book{Aspinall_Murphy_British Film Institute_1983, address={London}, title={Gainsborough melodrama}, volume={BFI dossier}, publisher={BFI Publishing}, author={Aspinall, Sue and Murphy, Robert and British Film Institute}, year={1983} }
@inbook{Basinger_Arnold_2003, address={Middletown, Conn}, edition={1st Wesleyan University Press pbk. ed}, title={Chapter One: ‘Definition’}, booktitle={The World War II combat film: anatomy of a genre}, publisher={Wesleyan University Press}, author={Basinger, Jeanine and Arnold, Jeremy}, year={2003} }
@book{Boggs_Pollard_2007, address={Boulder, Colo}, title={The Hollywood war machine: U.S. militarism and popular culture}, url={http://ebookcentral.proquest.com/lib/uea/detail.action?docID=4906791}, publisher={Paradigm}, author={Boggs, Carl and Pollard, Tom}, year={2007} }
@book{Bratton_Cook_Gledhill_British Film Institute_1994, address={London}, title={Melodrama: stage, picture, screen}, publisher={British Film Institute}, author={Bratton, J. S. and Cook, Jim and Gledhill, Christine and British Film Institute}, year={1994} }
@article{Brislin_2016, title={Time, Ethics, and the Films of Christopher Nolan}, volume={23}, DOI={10.1080/15551393.2016.1252655}, number={4}, journal={Visual Communication Quarterly}, author={Brislin, Tom}, year={2016}, month={Oct}, pages={199–209} }
@book{Bruzzi_2013, address={Edinburgh}, title={Men’s cinema: masculinity and mise-en-scène in Hollywood}, publisher={Edinburgh University Press}, author={Bruzzi, Stella}, year={2013} }
@inbook{Byars_1991, address={Chapel Hill}, title={Chapter Five: ‘Race, Class, and Gender: Film Melodrama of the Late 1950s’ in All that Hollywood allows: re-reading gender in 1950s melodrama}, volume={Gender&American culture}, booktitle={All that Hollywood allows: re-reading gender in 1950s melodrama}, publisher={University of North Carolina Press}, author={Byars, Jackie}, year={1991} }
@misc{Capra_2004, address={[s.l.]}, title={Prelude to war: directed by Frank Capra}, volume={Why we fight}, publisher={Elstree Hill}, author={Capra, Frank}, year={2004} }
@inbook{Carroll_2011, address={Durham, NC}, title={Chapter Six of Affirmative Reaction New Formations Of White Masculinity}, volume={New Americanists}, url={https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1172241}, booktitle={Affirmative reaction: new formations of white masculinity}, publisher={Duke University Press}, author={Carroll, Hamilton}, year={2011} }
@book{Cook_2005, address={London}, title={Screening the past: memory and nostalgia in cinema}, url={https://ebookcentral.proquest.com/lib/uea/detail.action?docID=199353}, publisher={Routledge}, author={Cook, Pam}, year={2005} }
@book{Doherty_1999, address={New York}, title={Projections of war: Hollywood, American culture, and World War II}, volume={Film and culture}, publisher={Columbia University Press}, author={Doherty, Thomas Patrick}, year={1999} }
@inbook{Eagle_2017, address={New Brunswick}, title={Introduction to Imperial Affects: Sensational Melodrama and the Attractions of American Cinema (War Culture Series)}, url={https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4789878}, booktitle={Imperial affects: sensational melodrama and the attractions of American cinema}, publisher={Rutgers University Press}, author={Eagle, Jonna}, year={2017} }
@book{Eberwein_2010, address={Oxford}, title={The Hollywood war film}, volume={5}, url={https://uea.idm.oclc.org/login?url=https://onlinelibrary.wiley.com/doi/book/10.1002/9781444315103}, publisher={Wiley-Blackwell}, author={Eberwein, Robert T.}, year={2010} }
@book{Eberwein_Eberwein_2005, address={New Brunswick, N.J.}, title={The war film}, volume={Rutgers depth of field series}, publisher={Rutgers University Press}, author={Eberwein, Robert T. and Eberwein, Robert T.}, year={2005} }
@article{Flitterman-Lewis_1994, title={The Blossom and the Bole: Narrative and Visual Spectacle in Early Film Melodrama}, volume={33}, DOI={10.2307/1225585}, number={3}, journal={Cinema Journal}, author={Flitterman-Lewis, Sandy}, year={1994}, month={Spring} }
@misc{Gasnier_MacKenzie_Goddard_Seitz_White_Eclectic Film Company_20AD, address={Phoenix, AZ}, edition={[European ed.]}, title={The perils of Pauline}, publisher={Grapevine Video}, author={Gasnier, Louis J. and MacKenzie, Donald and Goddard, Charles and Seitz, George B. and White, Pearl and Eclectic Film Company}, year={20AD} }
@book{Gibbs_2002, address={London}, title={Mise-en-scène: film style and interpretation}, volume={Short cuts}, url={http://ebookcentral.proquest.com/lib/uea/detail.action?docID=1880199}, publisher={Wallflower}, author={Gibbs, John}, year={2002} }
@book{Glancy_1999, address={Manchester}, title={When Hollywood loved Britain: the Hollywood ‘British’ film, 1939-1945}, publisher={Manchester University Press}, author={Glancy, H. Mark}, year={1999} }
@book{Gledhill_Gledhill_British Film Institute_1987a, address={London}, title={Home is where the heart is: studies in melodrama and the woman’s film}, publisher={British Film Institute}, author={Gledhill, Christine and Gledhill, Christine and British Film Institute}, year={1987} }
@inbook{Gledhill_Gledhill_British Film Institute_1987b, address={London}, title={‘Historical Pleasures’ in Home is where the heart is: studies in melodrama and the woman’s film}, publisher={British Film Institute}, author={Gledhill, Christine and Gledhill, Christine and British Film Institute}, year={1987} }
@book{Gledhill_Gledhill_British Film Institute_1987c, address={London}, title={Laura Mulvey ‘Notes on Sirk and Melodrama’ in Home is where the heart is: studies in melodrama and the woman’s film}, publisher={British Film Institute}, author={Gledhill, Christine and Gledhill, Christine and British Film Institute}, year={1987} }
@inbook{Gledhill_Swanson_Gledhill_1996, address={Manchester}, title={Chapter Thirteen of Nationalising femininity: culture, sexuality, and British cinema in the Second World War}, publisher={Manchester University Press}, author={Gledhill, Christine and Swanson, Gillian and Gledhill, Christine}, year={1996} }
@misc{Griffith_Shepard_2001, address={[s.l.]}, title={Way down East}, publisher={Eureka Video}, author={Griffith, D. W. and Shepard, David}, year={2001} }
@book{Harper_British Film Institute_1994, address={London}, title={Picturing the past: the rise and fall of the British costume film}, publisher={BFI Publishing}, author={Harper, Sue and British Film Institute}, year={1994} }
@misc{Howard_2016, address={[United Kingdom]}, title={Gentle sex}, volume={World War II collection}, publisher={Strawberry Media Limited}, author={Howard, Leslie}, year={2016} }
@inbook{Jacobs, address={Berkeley}, title={Chapter Four - The Male Adventure Story}, url={https://ebookcentral.proquest.com/lib/uea/reader.action?docID=470861&ppg=115}, booktitle={The decline of sentiment: American film in the 1920s}, publisher={University of California Press}, author={Jacobs, Lea} }
@book{Kelly_Kelly_1997, address={London}, title={Cinema and the Great War}, volume={Cinema and society}, publisher={Routledge}, author={Kelly, Andrew and Kelly, Andrew}, year={1997} }
@inbook{Klinger_1994, address={Bloomington}, title={Chapter 2}, url={http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=619&authtype=sso&custid=s8993828&site=ehost-live&scope=site}, booktitle={Melodrama and meaning: history, culture, and the films of Douglas Sirk}, publisher={Indiana University Press}, author={Klinger, Barbara}, year={1994} }
@book{Lang_1989, address={Princeton, N.J.}, title={American film melodrama: Griffith, Vidor, Minnelli}, publisher={Princeton University Press}, author={Lang, Robert}, year={1989} }
@book{Lant_1991, address={Princeton, N.J.}, title={Blackout: reinventing women for wartime British cinema}, url={http://ebookcentral.proquest.com/lib/uea/detail.action?docID=3030785}, publisher={Princeton University Press}, author={Lant, Antonia}, year={1991} }
@misc{Launder_Gilliat_2010, address={[United Kingdom]}, title={Millions like us}, publisher={Simply Home Entertainment}, author={Launder, Frank and Gilliat, Sidney}, year={2010} }
@article{Leigh, Jacob_2003, title={Unanswered questions: vision and experience in Terrence Malick’s The Thin Red Line}, url={http://search.ebscohost.com/login.aspx?direct=true&db=edsglr&AN=edsgcl.112720629&site=ehost-live}, number={62}, journal={CineAction.}, author={Leigh, Jacob}, year={2003} }
@misc{Litvak_Sherriff_Power_Fontaine_Knight_Twentieth Century-Fox Film Corporation_2010, address={[s.l.]}, title={Sé fiel a ti mismo (This above all)}, publisher={Twentieth Century Fox Home Entertainment}, author={Litvak, Anatole and Sherriff, R. C. and Power, Tyrone and Fontaine, Joan and Knight, Eric and Twentieth Century-Fox Film Corporation}, year={2010} }
@misc{Malick_Penn_Clooney_Cusack_Nolte_Harrelson_Zimmer_Jones_2000, address={[London?]}, title={The thin red line}, publisher={Twentieth Century Fox Home Entertainment}, author={Malick, Terrence and Penn, Sean and Clooney, George and Cusack, John and Nolte, Nick and Harrelson, Woody and Zimmer, Hans and Jones, James}, year={2000} }
@book{Murphy_1989, address={London}, title={Realism and tinsel: cinema and society in Britain, 1939-1949}, url={https://ebookcentral.proquest.com/lib/uea/detail.action?docID=179234}, publisher={Routledge}, author={Murphy, Robert}, year={1989} }
@inbook{Neale_2000, address={London}, title={Chapter 5}, volume={Sightlines}, url={https://ebookcentral.proquest.com/lib/uea/detail.action?docID=240335}, booktitle={Genre and Hollywood}, publisher={Routledge}, author={Neale, Stephen}, year={2000} }
@book{Neale_British Film Institute_2002, address={London}, title={Genre and contemporary Hollywood}, url={https://ebookcentral.proquest.com/lib/uea/detail.action?docID=240335}, publisher={BFI}, author={Neale, Stephen and British Film Institute}, year={2002} }
@inbook{Patterson_2007, address={London}, edition={2nd ed}, title={Chapter 13}, volume={Directors’ cuts}, url={https://ebookcentral.proquest.com/lib/uea/detail.action?docID=939936}, booktitle={The cinema of Terrence Malick: poetic visions of America}, publisher={Wallflower}, author={Patterson, Hannah}, year={2007} }
@misc{Powell_Pressburger_Niven_Hunter_Livesey_Massey_Sofaer_Goring_Coote_Attenborough_et al._2005, address={[S.l.]}, title={A matter of life and death}, publisher={Granada}, author={Powell, Michael and Pressburger, Emeric and Niven, David and Hunter, Kim and Livesey, Roger and Massey, Raymond and Sofaer, Abraham and Goring, Marius and Coote, Robert and Attenborough, Richard and Rank Organisation and Archers (Firm)}, year={2005} }
@book{Singer_2001, address={New York}, title={Chapter Two of Melodrama and modernity: early sensational cinema and its contexts}, volume={Film and culture}, publisher={Columbia University Press}, author={Singer, Ben}, year={2001} }
@misc{Sirk_2007, title={Written on the wind}, publisher={Universal Studios}, author={Sirk, Douglas}, year={2007} }
@book{Tasker_2011, address={Durham, NC}, title={Soldiers’ stories: military women in cinema and television since World War II}, url={https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1172299}, publisher={Duke University Press}, author={Tasker, Yvonne}, year={2011} }
@book{Tasker_2015, address={Chichester, West Sussex, UK}, title={The Hollywood action and adventure film}, volume={New Approaches to Film Genre}, url={https://ebookcentral.proquest.com/lib/uea/detail.action?docID=4040532}, publisher={Wiley Blackwell}, author={Tasker, Yvonne}, year={2015} }
@misc{Vidor_Stallings_Gilbert_Adorée_Metro-Goldwyn-Mayer_2014, address={[s.l}, title={El Gran Desfile}, volume={Joyas del cine (Círculo Media Direct)}, publisher={s.n.]}, author={Vidor, King and Stallings, Laurence and Gilbert, John and Adorée, Renée and Metro-Goldwyn-Mayer}, year={2014} }
@book{Weber_2005, address={Oxfordshire}, title={Imagining America at war: morality, politics and film}, url={http://www.loc.gov/catdir/toc/ecip0512/2005012064.html}, publisher={Routledge}, author={Weber, Cynthia}, year={2005} }
@misc{Weber_2003, address={[s.l.]}, title={The blot}, publisher={Image Entertainment}, author={Weber, Lois}, year={2003} }
@misc{Wellman_Bow_Rogers_Arlen_Cooper_Paramount Famous Lasky Corporation_2003, address={[s.l}, title={Wings}, publisher={s.n.]}, author={Wellman, William A. and Bow, Clara and Rogers, Charles and Arlen, Richard and Cooper, Gary and Paramount Famous Lasky Corporation}, year={2003} }
@misc{Wells, title={Company men}, author={Wells, John} }
@inbook{Williams_2001, address={Princeton, N.J.}, title={Chapter One of Playing the race card: melodramas of black and white from Uncle Tom to O.J. Simpson}, publisher={Princeton University Press}, author={Williams, Linda}, year={2001} }
@inbook{‘Genre and Hollywood’ in The Oxford guide to Film Studies_1998, address={Oxford}, publisher={Oxford University Press}, year={1998} }
@article{Lois Weber’s ‘The Blot’: Rewriting Melodrama, Reproducing the Middle Class_1999, url={http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.1225797&site=ehost-live}, journal={Cinema Journal}, year={1999} }
@misc{Hell is For Heroes_2003, year={2003} }
@book{Lois Weber in Early Hollywood - Shelley Stamp - Paperback - University of California Press, url={http://www.ucpress.edu/book.php?isbn=9780520284463} }
@article{Neoliberal frames and genres of inequality: Recession-era chick flicks and ...: EBSCOhost, url={https://uea.idm.oclc.org/login?url=http://web.a.ebscohost.com/ehost/detail/detail?vid=13&sid=513fa34d-3ca1-4732-be42-371923a8bbfc%40sessionmgr4006&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=30450990&db=eoah} }
@misc{Observations on film art : DUNKIRK Part 1: Straight to the good stuff, url={http://www.davidbordwell.net/blog/2017/08/02/dunkirk-part-1-straight-to-the-good-stuff/} }
@misc{Observations on film art : DUNKIRK Part 2: The art film as event movie, url={http://www.davidbordwell.net/blog/2017/08/09/dunkirk-part-2-the-art-film-as-event-movie/} }
