1.
Maltby, R.: Chapter 1: Taking Hollywood Seriously. In: Hollywood cinema. pp. 5–32. Blackwell, Malden, Mass (2003).
2.
Gomery, D.: ‘The Rise of Hollywood: The Hollywood Studio System’ in The Oxford History of World Cinema, pp. 43-53. In: The Oxford history of world cinema. pp. 43–53. Oxford University Press, Oxford (1996).
3.
Gomery, D.: ‘The Coming of Sound: Technological Change in the American Film Industry’ from The American Film Industry, pp.229-251. In: The American film industry. pp. 229–251. University of Wisconsin, Madison, Wis (1985).
4.
Schatz, T.S.: Warner Bros.: Talking Their Way to the Top. In: The genius of the system: Hollywood filmmaking in the studio era. pp. 58–66. Faber, London (1998).
5.
Staiger, J.: ‘Mass-produced Photoplays: Economic and Signifying Practices in the First Years of Hollywood’ from Movies and Methods: An Anthology (Vol 2), pp.144-161. In: Movies and methods: an anthology. pp. 144–161. University of California Press, Berkeley (1985).
6.
Bordwell, D., Bordwell, D.: ‘Classical Narration: The Hollywood Example’ from Narration in the Fiction Film, pp.156-166 (extract). In: Narration in the fiction film. pp. 156–166. University of Wisconsin Press, Madison, WI (1985).
7.
Street, S.: Citizen Kane [in] History Today. History Today. 46, 48–52 (1996).
8.
Kuhn, A., Schatz, T.: ‘The Classic Studio System’ and ‘Classic Hollywood Narrative’ from The Cinema Book, pp.19-44;45-48. In: The cinema book. pp. 19–48. BFI, London (2007).
9.
Maltby, R.: ‘Narrative 1’ from Hollywood Cinema, Chapter 15, pp.452-470. In: Hollywood cinema. pp. 452–470. Blackwell, Malden, Mass (2003).
10.
Allen, R.C., Gomery, D.: The role of the star in film history in Film History: Theory and Practice, pp.172-189. In: Film History: Theory and Practice. pp. 172–189. Knopf, New York (1985).
11.
Ohmer, S.: Chapter 10: Like, dislike, like very much. In: George Gallup in Hollywood. pp. 215–229. Columbia University Press, New York (2006).
12.
Cook, P.: ‘Part 2: The Star System’ from The Cinema Book, pp.110-125. In: The cinema book. pp. 110–125. BFI, London (2007).
13.
Dyer, R.: ‘Monroe and Sexuality’ from Heavenly Bodies: Film Stars and Society, pp.17-63. Presented at the (2004).
14.
McDonald, P.: ‘The Symbolic Commerce of Hollywood Stardom’ from Hollywood Stardom, pp.11-40. In: Hollywood stardom. pp. 11–40. Wiley-Blackwell, Malden, MA (2013).
15.
Maltby, R.: Censorship and Self-Regulation. In: The Oxford history of world cinema. pp. 235–248. Oxford University Press, Oxford (1996).
16.
Bordwell, D.: The Way Hollywood Tells It: Story and Style in Modern Movies. University of California Press, Berkeley (2006).
17.
Wyatt, J.: Chapter 1. In: High Concept: Movies and Marketing in Hollywood. pp. 1–23. University of Texas Press, Austin, Tex (1994).
18.
Gomery, D.: ‘The New Hollywood’ from The Oxford History of World Cinema, pp.475-482. In: The Oxford history of world cinema. pp. 475–482. Oxford University Press, Oxford (1996).
19.
Schatz, T.: ‘The New Hollywood’ from Film Theory Goes to the Movies, pp.8-36. In: Film theory goes to the movies. pp. 8–36. Routledge, New York (1993).
20.
Gomery, D.: The Hollywood Blockbuster: Industrial Analysis and Practice. In: Movie blockbusters. pp. 72–83. Routledge, London (2003).
21.
Jones, K.: The Summer of Our Malcontent [in] Film Comment. Film Comment. XXXII, 3–4 (1996).
22.
King, G.: ‘Frontier Narrative and Spectacle in Twister and Independence Day’ from Spectacular Narratives: Hollywood in the Age of the Blockbuster, pp.17-40. In: Spectacular narratives: Hollywood in the age of the blockbuster. pp. 17–40. I.B. Tauris, London (2000).
23.
Bordwell, D.: ’ ‘A Certain Amount of Plot: Tentpoles, Locomotives, Blockbusters, Megapictures and the Action Movie’ from The Way Hollywood Tells It: Story and Style in Modern Movies, pp.104-114. In: The way Hollywood tells it: story and style in modern movies. pp. 104–114. University of California Press, Berkeley (2006).
24.
King, G.: ‘Narrative vs Spectacle in the Contemporary Blockbuster’ from New Hollywood Cinema: an Introduction, pp.178-223. In: New Hollywood cinema: an introduction. pp. 178–223. Columbia University Press, New York (2002).
25.
Schatz, T.: The Studio System and Conglomerate Hollywood. In: The contemporary Hollywood film industry. pp. 29–42. Blackwell Pub, Malden, Mass (2007).
26.
Wyatt, J.: ‘The Formation of the Major Independents’ from Contemporary Hollywood Cinema, pp.74-90. In: Contemporary Hollywood cinema. pp. 74–90. Routledge, London (1998).
27.
King, G.: ‘The Major Independents’ from The Cinema Book, pp.54-59. In: The cinema book. pp. 54–59. BFI, London (2007).
28.
Maltby, R.: ‘Industry Since 1980’ from Hollywood Cinema, Chapter 7, pp.189-226. In: Hollywood cinema. Blackwell, Malden, Mass (2003).
29.
Johnson, D.: ‘Imagining the Franchise: Structures, Social Relations and Cultural Work’ from Media Franchising: Creative License and Collaboration in the Culture Industries, pp.27-46. In: Media franchising: creative license and collaboration in the culture industries. pp. 27–46. New York University Press, New York (2013).
30.
Meehan, E.: ‘Holy Commodity Fetish, Batman!’ [in] The Many More Lives of the Batman. In: The Many More Lives of the Batman. pp. 69–87. British Film Institute (2015).
31.
Drake, P.: ‘Distribution and Marketing in Contemporary Hollywood’ from The Contemporary Hollywood Film Industry, pp.63-82. In: The contemporary Hollywood film industry. pp. 63–82. Blackwell Pub, Malden, Mass (2007).
32.
Miller, T., British Film Institute: ‘The New International Division of Cultural Labour’ from Global Hollywood 2, pp.111-123; 149-151. In: Global Hollywood 2. pp. 111–151. BFI, London (2005).
33.
Trumpboar, J.: ‘Hollywood and the World: Export or Die’ from The Contemporary Hollywood Film Industry, pp.209-219. In: The contemporary Hollywood film industry. pp. 209–219. Blackwell Pub, Malden, Mass (2007).
34.
Lent, J.A.: East Asia: For Better or Worse. In: The contemporary Hollywood film industry. pp. 275–284. Blackwell Pub, Malden, Mass (2007).
35.
Balio, T.: ‘A Major Presence in all of the World’s Important Markets: The Globalisation of Hollywood in the 1990s’ from Contemporary Hollywood Cinema, pp.58-73. In: Contemporary Hollywood cinema. pp. 58–73. Routledge, London (1998).
36.
Hesmondhalgh, D.: ‘Neither Globalisation nor Cultural Imperialism’; ‘The International Film Industry: Hollywood Power’; ‘Other Film Industries, Other Texts: India and Hong Kong’ from The Cultural Industries, pp.270-277; 293-301. In: The cultural industries. pp. 270–301. SAGE, London (2013).