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R. Maltby, ‘Chapter 1: Taking Hollywood Seriously’, in Hollywood cinema, 2nd ed., Malden, Mass: Blackwell, 2003, pp. 5–32.
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D. Gomery, ‘“The Rise of Hollywood: The Hollywood Studio System” in The Oxford History of World Cinema, pp. 43-53.’, in The Oxford history of world cinema, Oxford: Oxford University Press, 1996, pp. 43–53 [Online]. Available: http://UEA.eblib.com/patron/FullRecord.aspx?p=431159
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D. Gomery, ‘“The Coming of Sound: Technological Change in the American Film Industry” from The American Film Industry, pp.229-251’, in The American film industry, Rev. ed., Madison, Wis: University of Wisconsin, 1985, pp. 229–251 [Online]. Available: http://lib.myilibrary.com/Open.aspx?id=278814&src=0
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T. S. Schatz, ‘Warner Bros.: Talking Their Way to the Top’, in The genius of the system: Hollywood filmmaking in the studio era, London: Faber, 1998, pp. 58–66.
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J. Staiger, ‘“Mass-produced Photoplays: Economic and Signifying Practices in the First Years of Hollywood” from Movies and Methods: An Anthology (Vol 2), pp.144-161’, in Movies and methods: an anthology, Berkeley: University of California Press, 1985, pp. 144–161.
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D. Bordwell and D. Bordwell, ‘“Classical Narration: The Hollywood Example” from Narration in the Fiction Film, pp.156-166 (extract)’, in Narration in the fiction film, Madison, WI: University of Wisconsin Press, 1985, pp. 156–166.
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S. Street, ‘Citizen Kane [in] History Today’, History Today, vol. 46, no. 3, pp. 48–52, 1996 [Online]. Available: http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=9603114648&authtype=sso&custid=s8993828&site=ehost-live
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A. Kuhn and T. Schatz, ‘“The Classic Studio System” and “Classic Hollywood Narrative” from The Cinema Book, pp.19-44;45-48’, in The cinema book, 3rd ed., London: BFI, 2007, pp. 19–48.
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R. Maltby, ‘“Narrative 1” from Hollywood Cinema, Chapter 15, pp.452-470’, in Hollywood cinema, 2nd ed., Malden, Mass: Blackwell, 2003, pp. 452–470.
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R. C. Allen and D. Gomery, ‘The role of the star in film history in Film History: Theory and Practice, pp.172-189’, in Film History: Theory and Practice, 1st ed., New York: Knopf, 1985, pp. 172–189.
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S. Ohmer, ‘Chapter 10: Like, dislike, like very much’, in George Gallup in Hollywood, vol. Film and culture, New York: Columbia University Press, 2006, pp. 215–229 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=908469
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P. Cook, ‘“Part 2: The Star System” from The Cinema Book, pp.110-125’, in The cinema book, 3rd ed., London: BFI, 2007, pp. 110–125.
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R. Dyer, ‘“Monroe and Sexuality” from Heavenly Bodies: Film Stars and Society, pp.17-63’, 2nd ed., London: Routledge, 2004, pp. 17–63 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=419648&entityid=https://login.uea.ac.uk/entity
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P. McDonald, ‘“The Symbolic Commerce of Hollywood Stardom” from Hollywood Stardom, pp.11-40’, in Hollywood stardom, Malden, MA: Wiley-Blackwell, 2013, pp. 11–40.
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R. Maltby, ‘Censorship and Self-Regulation’, in The Oxford history of world cinema, Oxford: Oxford University Press, 1996, pp. 235–248 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=431159
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D. Bordwell, The Way Hollywood Tells It: Story and Style in Modern Movies. Berkeley: University of California Press, 2006 [Online]. Available: http://www.UEA.eblib.com/EBLWeb/patron/?target=patron&extendedid=E_414750_0
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J. Wyatt, ‘Chapter 1’, in High Concept: Movies and Marketing in Hollywood, 1st ed., vol. Texas film studies series, Austin, Tex: University of Texas Press, 1994, pp. 1–23 [Online]. Available: https://uea.idm.oclc.org/login?url=https://www.jstor.org/stable/10.7560/790902
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D. Gomery, ‘“The New Hollywood” from The Oxford History of World Cinema, pp.475-482’, in The Oxford history of world cinema, Oxford: Oxford University Press, 1996, pp. 475–482 [Online]. Available: http://UEA.eblib.com/patron/FullRecord.aspx?p=431159
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T. Schatz, ‘“The New Hollywood” from Film Theory Goes to the Movies, pp.8-36’, in Film theory goes to the movies, vol. AFI film readers, New York: Routledge, 1993, pp. 8–36.
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D. Gomery, ‘The Hollywood Blockbuster: Industrial Analysis and Practice’, in Movie blockbusters, London: Routledge, 2003, pp. 72–83 [Online]. Available: http://ebookcentral.proquest.com/lib/uea/detail.action?docID=1487013
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K. Jones, ‘The Summer of Our Malcontent [in] Film Comment’, Film Comment, vol. XXXII, no. 5, pp. 3–4, 1996 [Online]. Available: http://fiaf.chadwyck.com/fulltext/indexFullText.do?id=004/0092921&area=index&resultNum=155&queryId=../session/1451922128_28126&extra_SOURCE=config.cfg&QueryIndex=index&fromHistory=search&jid=006/0000127
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G. King, ‘“Frontier Narrative and Spectacle in Twister and Independence Day” from Spectacular Narratives: Hollywood in the Age of the Blockbuster, pp.17-40’, in Spectacular narratives: Hollywood in the age of the blockbuster, London: I.B. Tauris, 2000, pp. 17–40 [Online]. Available: http://www.myilibrary.com/browse/open.asp?id=252940&entityid=https://login.uea.ac.uk/entity
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D. Bordwell, ‘’ “A Certain Amount of Plot: Tentpoles, Locomotives, Blockbusters, Megapictures and the Action Movie” from The Way Hollywood Tells It: Story and Style in Modern Movies, pp.104-114’, in The way Hollywood tells it: story and style in modern movies, Berkeley: University of California Press, 2006, pp. 104–114 [Online]. Available: http://www.UEA.eblib.com/EBLWeb/patron/?target=patron&extendedid=E_414750_0
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G. King, ‘“Narrative vs Spectacle in the Contemporary Blockbuster” from New Hollywood Cinema: an Introduction, pp.178-223’, in New Hollywood cinema: an introduction, New York: Columbia University Press, 2002, pp. 178–223 [Online]. Available: http://UEA.eblib.com/patron/FullRecord.aspx?p=676374
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T. Schatz, ‘The Studio System and Conglomerate Hollywood’, in The contemporary Hollywood film industry, Malden, Mass: Blackwell Pub, 2007, pp. 29–42.
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J. Wyatt, ‘“The Formation of the Major Independents” from Contemporary Hollywood Cinema, pp.74-90’, in Contemporary Hollywood cinema, London: Routledge, 1998, pp. 74–90.
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G. King, ‘“The Major Independents” from The Cinema Book, pp.54-59’, in The cinema book, 3rd ed., London: BFI, 2007, pp. 54–59.
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R. Maltby, ‘“Industry Since 1980” from Hollywood Cinema, Chapter 7, pp.189-226’, in Hollywood cinema, 2nd ed., Malden, Mass: Blackwell, 2003.
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D. Johnson, ‘“Imagining the Franchise: Structures, Social Relations and Cultural Work” from Media Franchising: Creative License and Collaboration in the Culture Industries, pp.27-46’, in Media franchising: creative license and collaboration in the culture industries, vol. Postmillennial pop, New York: New York University Press, 2013, pp. 27–46 [Online]. Available: http://UEA.eblib.com/patron/FullRecord.aspx?p=1137509
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E. Meehan, ‘“Holy Commodity Fetish, Batman!” [in] The Many More Lives of the Batman’, in The Many More Lives of the Batman, 2nd ed., British Film Institute, 2015, pp. 69–87.
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P. Drake, ‘“Distribution and Marketing in Contemporary Hollywood” from The Contemporary Hollywood Film Industry, pp.63-82’, in The contemporary Hollywood film industry, Malden, Mass: Blackwell Pub, 2007, pp. 63–82.
[32]
T. Miller and British Film Institute, ‘“The New International Division of Cultural Labour” from Global Hollywood 2, pp.111-123; 149-151’, in Global Hollywood 2, London: BFI, 2005, pp. 111–151.
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J. Trumpboar, ‘“Hollywood and the World: Export or Die” from The Contemporary Hollywood Film Industry, pp.209-219’, in The contemporary Hollywood film industry, Malden, Mass: Blackwell Pub, 2007, pp. 209–219 [Online]. Available: http://www.loc.gov/catdir/toc/ecip0715/2007014550.html
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J. A. Lent, ‘East Asia: For Better or Worse’, in The contemporary Hollywood film industry, Malden, Mass: Blackwell Pub, 2007, pp. 275–284.
[35]
T. Balio, ‘“A Major Presence in all of the World’s Important Markets: The Globalisation of Hollywood in the 1990s” from Contemporary Hollywood Cinema, pp.58-73’, in Contemporary Hollywood cinema, London: Routledge, 1998, pp. 58–73.
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D. Hesmondhalgh, ‘“Neither Globalisation nor Cultural Imperialism”; “The International Film Industry: Hollywood Power”; “Other Film Industries, Other Texts: India and Hong Kong” from The Cultural Industries, pp.270-277; 293-301’, in The cultural industries, 3rd ed., London: SAGE, 2013, pp. 270–301.
