Bibliography for The Hollywood Studio System BETA

1.

Maltby, R. Chapter 1: Taking Hollywood Seriously. in Hollywood cinema 5–32 (Blackwell, 2003).

2.

Gomery, D. ‘The Rise of Hollywood: The Hollywood Studio System’ in The Oxford History of World Cinema, pp. 43-53. in The Oxford history of world cinema 43–53 (Oxford University Press, 1996).

3.

Gomery, D. ‘The Coming of Sound: Technological Change in the American Film Industry’ from The American Film Industry, pp.229-251. in The American film industry 229–251 (University of Wisconsin, 1985).

4.

Schatz, T. S. Warner Bros.: Talking Their Way to the Top. in The genius of the system: Hollywood filmmaking in the studio era 58–66 (Faber, 1998).

5.

Staiger, J. ‘Mass-produced Photoplays: Economic and Signifying Practices in the First Years of Hollywood’ from Movies and Methods: An Anthology (Vol 2), pp.144-161. in Movies and methods: an anthology 144–161 (University of California Press, 1985).

6.

Bordwell, D. & Bordwell, D. ‘Classical Narration: The Hollywood Example’ from Narration in the Fiction Film, pp.156-166 (extract). in Narration in the fiction film 156–166 (University of Wisconsin Press, 1985).

7.

Street, S. Citizen Kane [in] History Today. History Today 46, 48–52 (1996).

8.

Kuhn, A. & Schatz, T. ‘The Classic Studio System’ and ‘Classic Hollywood Narrative’ from The Cinema Book, pp.19-44;45-48. in The cinema book 19–48 (BFI, 2007).

9.

Maltby, R. ‘Narrative 1’ from Hollywood Cinema, Chapter 15, pp.452-470. in Hollywood cinema 452–470 (Blackwell, 2003).

10.

Allen, R. C. & Gomery, D. The role of the star in film history in Film History: Theory and Practice, pp.172-189. in Film History: Theory and Practice 172–189 (Knopf, 1985).

11.

Ohmer, S. Chapter 10: Like, dislike, like very much. in George Gallup in Hollywood vol. Film and culture 215–229 (Columbia University Press, 2006).

12.

Cook, P. ‘Part 2: The Star System’ from The Cinema Book, pp.110-125. in The cinema book 110–125 (BFI, 2007).

13.

Dyer, R. ‘Monroe and Sexuality’ from Heavenly Bodies: Film Stars and Society, pp.17-63. in 17–63 (Routledge, 2004).

14.

McDonald, P. ‘The Symbolic Commerce of Hollywood Stardom’ from Hollywood Stardom, pp.11-40. in Hollywood stardom 11–40 (Wiley-Blackwell, 2013).

15.

Maltby, R. Censorship and Self-Regulation. in The Oxford history of world cinema 235–248 (Oxford University Press, 1996).

16.

Bordwell, D. The Way Hollywood Tells It: Story and Style in Modern Movies. The way Hollywood tells it: story and style in modern movies (University of California Press, 2006).

17.

Wyatt, J. Chapter 1. in High Concept: Movies and Marketing in Hollywood vol. Texas film studies series 1–23 (University of Texas Press, 1994).

18.

Gomery, D. ‘The New Hollywood’ from The Oxford History of World Cinema, pp.475-482. in The Oxford history of world cinema 475–482 (Oxford University Press, 1996).

19.

Schatz, T. ‘The New Hollywood’ from Film Theory Goes to the Movies, pp.8-36. in Film theory goes to the movies vol. AFI film readers 8–36 (Routledge, 1993).

20.

Gomery, D. The Hollywood Blockbuster: Industrial Analysis and Practice. in Movie blockbusters 72–83 (Routledge, 2003).

21.

Jones, K. The Summer of Our Malcontent [in] Film Comment. Film Comment XXXII, 3–4 (1996).

22.

King, G. ‘Frontier Narrative and Spectacle in Twister and Independence Day’ from Spectacular Narratives: Hollywood in the Age of the Blockbuster, pp.17-40. in Spectacular narratives: Hollywood in the age of the blockbuster 17–40 (I.B. Tauris, 2000).

23.

Bordwell, D. ’ ‘A Certain Amount of Plot: Tentpoles, Locomotives, Blockbusters, Megapictures and the Action Movie’ from The Way Hollywood Tells It: Story and Style in Modern Movies, pp.104-114. in The way Hollywood tells it: story and style in modern movies 104–114 (University of California Press, 2006).

24.

King, G. ‘Narrative vs Spectacle in the Contemporary Blockbuster’ from New Hollywood Cinema: an Introduction, pp.178-223. in New Hollywood cinema: an introduction 178–223 (Columbia University Press, 2002).

25.

Schatz, T. The Studio System and Conglomerate Hollywood. in The contemporary Hollywood film industry 29–42 (Blackwell Pub, 2007).

26.

Wyatt, J. ‘The Formation of the Major Independents’ from Contemporary Hollywood Cinema, pp.74-90. in Contemporary Hollywood cinema 74–90 (Routledge, 1998).

27.

King, G. ‘The Major Independents’ from The Cinema Book, pp.54-59. in The cinema book 54–59 (BFI, 2007).

28.

Maltby, R. ‘Industry Since 1980’ from Hollywood Cinema, Chapter 7, pp.189-226. in Hollywood cinema (Blackwell, 2003).

29.

Johnson, D. ‘Imagining the Franchise: Structures, Social Relations and Cultural Work’ from Media Franchising: Creative License and Collaboration in the Culture Industries, pp.27-46. in Media franchising: creative license and collaboration in the culture industries vol. Postmillennial pop 27–46 (New York University Press, 2013).

30.

Meehan, E. ‘Holy Commodity Fetish, Batman!’ [in] The Many More Lives of the Batman. in The Many More Lives of the Batman 69–87 (British Film Institute, 2015).

31.

Drake, P. ‘Distribution and Marketing in Contemporary Hollywood’ from The Contemporary Hollywood Film Industry, pp.63-82. in The contemporary Hollywood film industry 63–82 (Blackwell Pub, 2007).

32.

Miller, T. & British Film Institute. ‘The New International Division of Cultural Labour’ from Global Hollywood 2, pp.111-123; 149-151. in Global Hollywood 2 111–151 (BFI, 2005).

33.

Trumpboar, J. ‘Hollywood and the World: Export or Die’ from The Contemporary Hollywood Film Industry, pp.209-219. in The contemporary Hollywood film industry 209–219 (Blackwell Pub, 2007).

34.

Lent, J. A. East Asia: For Better or Worse. in The contemporary Hollywood film industry 275–284 (Blackwell Pub, 2007).

35.

Balio, T. ‘A Major Presence in all of the World’s Important Markets: The Globalisation of Hollywood in the 1990s’ from Contemporary Hollywood Cinema, pp.58-73. in Contemporary Hollywood cinema 58–73 (Routledge, 1998).

36.

Hesmondhalgh, D. ‘Neither Globalisation nor Cultural Imperialism’; ‘The International Film Industry: Hollywood Power’; ‘Other Film Industries, Other Texts: India and Hong Kong’ from The Cultural Industries, pp.270-277; 293-301. in The cultural industries 270–301 (SAGE, 2013).