@inbook{Allen_Gomery_1985, address={New York}, edition={1st ed}, title={The role of the star in film history in Film History: Theory and Practice, pp.172-189}, booktitle={Film History: Theory and Practice}, publisher={Knopf}, author={Allen, Robert C and Gomery, Douglas}, year={1985}, pages={172–189} }
@inbook{Balio_1998, address={London}, title={‘A Major Presence in all of the World’s Important Markets: The Globalisation of Hollywood in the 1990s’ from Contemporary Hollywood Cinema, pp.58-73}, booktitle={Contemporary Hollywood cinema}, publisher={Routledge}, author={Balio, Tina}, year={1998}, pages={58–73} }
@book{Bordwell_2006a, address={Berkeley}, title={The Way Hollywood Tells It: Story and Style in Modern Movies}, url={http://www.UEA.eblib.com/EBLWeb/patron/?target=patron&extendedid=E_414750_0}, journal={The way Hollywood tells it: story and style in modern movies}, publisher={University of California Press}, author={Bordwell, David}, year={2006} }
@inbook{Bordwell_2006b, address={Berkeley}, title={’ ‘A Certain Amount of Plot: Tentpoles, Locomotives, Blockbusters, Megapictures and the Action Movie’ from The Way Hollywood Tells It: Story and Style in Modern Movies, pp.104-114}, url={http://www.UEA.eblib.com/EBLWeb/patron/?target=patron&extendedid=E_414750_0}, booktitle={The way Hollywood tells it: story and style in modern movies}, publisher={University of California Press}, author={Bordwell, David}, year={2006}, pages={104–114} }
@inbook{Bordwell_Bordwell_1985, address={Madison, WI}, title={‘Classical Narration: The Hollywood Example’ from Narration in the Fiction Film, pp.156-166 (extract)}, booktitle={Narration in the fiction film}, publisher={University of Wisconsin Press}, author={Bordwell, David and Bordwell, David}, year={1985}, pages={156–166} }
@inbook{Cook_2007, address={London}, edition={3rd ed}, title={‘Part 2: The Star System’ from The Cinema Book, pp.110-125}, booktitle={The cinema book}, publisher={BFI}, author={Cook, Pam}, year={2007}, pages={110–125} }
@inbook{Drake_2007, address={Malden, Mass}, title={‘Distribution and Marketing in Contemporary Hollywood’ from The Contemporary Hollywood Film Industry, pp.63-82}, booktitle={The contemporary Hollywood film industry}, publisher={Blackwell Pub}, author={Drake, Philip}, year={2007}, pages={63–82} }
@inbook{Dyer_2004, address={London}, edition={2nd ed}, title={‘Monroe and Sexuality’ from Heavenly Bodies: Film Stars and Society, pp.17-63}, url={http://lib.myilibrary.com/browse/open.asp?id=419648&entityid=https://login.uea.ac.uk/entity}, publisher={Routledge}, author={Dyer, Richard}, year={2004}, pages={17–63} }
@inbook{Gomery_1985, address={Madison, Wis}, edition={Rev. ed}, title={‘The Coming of Sound: Technological Change in the American Film Industry’ from The American Film Industry, pp.229-251}, url={http://lib.myilibrary.com/Open.aspx?id=278814&src=0}, booktitle={The American film industry}, publisher={University of Wisconsin}, author={Gomery, Douglas}, year={1985}, pages={229–251} }
@inbook{Gomery_1996a, address={Oxford}, title={‘The Rise of Hollywood: The Hollywood Studio System’ in The Oxford History of World Cinema, pp. 43-53.}, url={http://UEA.eblib.com/patron/FullRecord.aspx?p=431159}, booktitle={The Oxford history of world cinema}, publisher={Oxford University Press}, author={Gomery, Douglas}, year={1996}, pages={43–53} }
@inbook{Gomery_1996b, address={Oxford}, title={‘The New Hollywood’ from The Oxford History of World Cinema, pp.475-482}, url={http://UEA.eblib.com/patron/FullRecord.aspx?p=431159}, booktitle={The Oxford history of world cinema}, publisher={Oxford University Press}, author={Gomery, Douglas}, year={1996}, pages={475–482} }
@inbook{Gomery_2003, address={London}, title={The Hollywood Blockbuster: Industrial Analysis and Practice}, url={http://ebookcentral.proquest.com/lib/uea/detail.action?docID=1487013}, booktitle={Movie blockbusters}, publisher={Routledge}, author={Gomery, Douglas}, year={2003}, pages={72–83} }
@inbook{Hesmondhalgh_2013, address={London}, edition={3rd ed}, title={‘Neither Globalisation nor Cultural Imperialism’; ‘The International Film Industry: Hollywood Power’; ‘Other Film Industries, Other Texts: India and Hong Kong’ from The Cultural Industries, pp.270-277; 293-301}, booktitle={The cultural industries}, publisher={SAGE}, author={Hesmondhalgh, David}, year={2013}, pages={270–301} }
@inbook{Johnson_2013, address={New York}, title={‘Imagining the Franchise: Structures, Social Relations and Cultural Work’ from Media Franchising: Creative License and Collaboration in the Culture Industries, pp.27-46}, volume={Postmillennial pop}, url={http://UEA.eblib.com/patron/FullRecord.aspx?p=1137509}, booktitle={Media franchising: creative license and collaboration in the culture industries}, publisher={New York University Press}, author={Johnson, Derek}, year={2013}, pages={27–46} }
@article{Jones_1996, title={The Summer of Our Malcontent [in] Film Comment}, volume={XXXII}, url={http://fiaf.chadwyck.com/fulltext/indexFullText.do?id=004/0092921&area=index&resultNum=155&queryId=../session/1451922128_28126&extra_SOURCE=config.cfg&QueryIndex=index&fromHistory=search&jid=006/0000127}, number={5}, journal={Film Comment}, author={Jones, Kent}, year={1996}, pages={3–4} }
@inbook{King_2000, address={London}, title={‘Frontier Narrative and Spectacle in Twister and Independence Day’ from Spectacular Narratives: Hollywood in the Age of the Blockbuster, pp.17-40}, url={http://www.myilibrary.com/browse/open.asp?id=252940&entityid=https://login.uea.ac.uk/entity}, booktitle={Spectacular narratives: Hollywood in the age of the blockbuster}, publisher={I.B. Tauris}, author={King, Geoff}, year={2000}, pages={17–40} }
@inbook{King_2002, address={New York}, title={‘Narrative vs Spectacle in the Contemporary Blockbuster’ from New Hollywood Cinema: an Introduction, pp.178-223}, url={http://UEA.eblib.com/patron/FullRecord.aspx?p=676374}, booktitle={New Hollywood cinema: an introduction}, publisher={Columbia University Press}, author={King, Geoff}, year={2002}, pages={178–223} }
@inbook{King_2007, address={London}, edition={3rd ed}, title={‘The Major Independents’ from The Cinema Book, pp.54-59}, booktitle={The cinema book}, publisher={BFI}, author={King, Geoff}, year={2007}, pages={54–59} }
@inbook{Kuhn_Schatz_2007, address={London}, edition={3rd ed}, title={‘The Classic Studio System’ and ‘Classic Hollywood Narrative’ from The Cinema Book, pp.19-44;45-48}, booktitle={The cinema book}, publisher={BFI}, author={Kuhn, Annette and Schatz, Thomas}, year={2007}, pages={19–48} }
@inbook{Lent_2007, address={Malden, Mass}, title={East Asia: For Better or Worse}, booktitle={The contemporary Hollywood film industry}, publisher={Blackwell Pub}, author={Lent, John A.}, year={2007}, pages={275–284} }
@inbook{Maltby_1996, address={Oxford}, title={Censorship and Self-Regulation}, url={https://ebookcentral.proquest.com/lib/uea/detail.action?docID=431159}, booktitle={The Oxford history of world cinema}, publisher={Oxford University Press}, author={Maltby, Richard}, year={1996}, pages={235–248} }
@inbook{Maltby_2003a, address={Malden, Mass}, edition={2nd ed}, title={Chapter 1: Taking Hollywood Seriously}, booktitle={Hollywood cinema}, publisher={Blackwell}, author={Maltby, Richard}, year={2003}, pages={5–32} }
@inbook{Maltby_2003b, address={Malden, Mass}, edition={2nd ed}, title={‘Narrative 1’ from Hollywood Cinema, Chapter 15, pp.452-470}, booktitle={Hollywood cinema}, publisher={Blackwell}, author={Maltby, Richard}, year={2003}, pages={452–470} }
@inbook{Maltby_2003c, address={Malden, Mass}, edition={2nd ed}, title={‘Industry Since 1980’ from Hollywood Cinema, Chapter 7, pp.189-226}, booktitle={Hollywood cinema}, publisher={Blackwell}, author={Maltby, Richard}, year={2003} }
@inbook{McDonald_2013, address={Malden, MA}, title={‘The Symbolic Commerce of Hollywood Stardom’ from Hollywood Stardom, pp.11-40}, booktitle={Hollywood stardom}, publisher={Wiley-Blackwell}, author={McDonald, Paul}, year={2013}, pages={11–40} }
@inbook{Meehan_2015, edition={2nd}, title={‘Holy Commodity Fetish, Batman!’ [in] The Many More Lives of the Batman}, booktitle={The Many More Lives of the Batman}, publisher={British Film Institute}, author={Meehan, Eileen}, year={2015}, pages={69–87} }
@inbook{Miller_British Film Institute_2005, address={London}, title={‘The New International Division of Cultural Labour’ from Global Hollywood 2, pp.111-123; 149-151}, booktitle={Global Hollywood 2}, publisher={BFI}, author={Miller, Toby and British Film Institute}, year={2005}, pages={111–151} }
@inbook{Ohmer_2006, address={New York}, title={Chapter 10: Like, dislike, like very much}, volume={Film and culture}, url={https://ebookcentral.proquest.com/lib/uea/detail.action?docID=908469}, booktitle={George Gallup in Hollywood}, publisher={Columbia University Press}, author={Ohmer, Susan}, year={2006}, pages={215–229} }
@inbook{Schatz_1993, address={New York}, title={‘The New Hollywood’ from Film Theory Goes to the Movies, pp.8-36}, volume={AFI film readers}, booktitle={Film theory goes to the movies}, publisher={Routledge}, author={Schatz, Thomas}, year={1993}, pages={8–36} }
@inbook{Schatz_1998, address={London}, title={Warner Bros.: Talking Their Way to the Top}, booktitle={The genius of the system: Hollywood filmmaking in the studio era}, publisher={Faber}, author={Schatz, Thomas Schatz}, year={1998}, pages={58–66} }
@inbook{Schatz_2007, address={Malden, Mass}, title={The Studio System and Conglomerate Hollywood}, booktitle={The contemporary Hollywood film industry}, publisher={Blackwell Pub}, author={Schatz, Tom}, year={2007}, pages={29–42} }
@inbook{Staiger_1985, address={Berkeley}, title={‘Mass-produced Photoplays: Economic and Signifying Practices in the First Years of Hollywood’ from Movies and Methods: An Anthology (Vol 2), pp.144-161}, booktitle={Movies and methods: an anthology}, publisher={University of California Press}, author={Staiger, Janet}, year={1985}, pages={144–161} }
@article{Street_1996, title={Citizen Kane [in] History Today}, volume={46}, url={http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=9603114648&authtype=sso&custid=s8993828&site=ehost-live}, number={3}, journal={History Today}, author={Street, Sarah}, year={1996}, pages={48–52} }
@inbook{Trumpboar_2007, address={Malden, Mass}, title={‘Hollywood and the World: Export or Die’ from The Contemporary Hollywood Film Industry, pp.209-219}, url={http://www.loc.gov/catdir/toc/ecip0715/2007014550.html}, booktitle={The contemporary Hollywood film industry}, publisher={Blackwell Pub}, author={Trumpboar, John}, year={2007}, pages={209–219} }
@inbook{Wyatt_1994, address={Austin, Tex}, edition={1st ed}, title={Chapter 1}, volume={Texas film studies series}, url={https://uea.idm.oclc.org/login?url=https://www.jstor.org/stable/10.7560/790902}, booktitle={High Concept: Movies and Marketing in Hollywood}, publisher={University of Texas Press}, author={Wyatt, Justin}, year={1994}, pages={1–23} }
@inbook{Wyatt_1998, address={London}, title={‘The Formation of the Major Independents’ from Contemporary Hollywood Cinema, pp.74-90}, booktitle={Contemporary Hollywood cinema}, publisher={Routledge}, author={Wyatt, Justin}, year={1998}, pages={74–90} }
