Adichie, Chimamanda Ngozi. Americanah. London: Fourth Estate, 2013. Print.
‘“Aloha State Apparatuses” in American Quarterly [0003-0678] Teves, S N Yr:2015 Vol:67 Iss:3 Pg:705 -726’. n. pag. Web. <https://uea.idm.oclc.org/login?url=https://literature-proquest-com/searchCritRef.do?DurUrl=Yes&listType=crit_all&value(Searchin)=ftonly&forward=criticism&value(PubDate1)=20150000&value(Title)=Aloha%20state%20apparatuses&value(ISSN)=0003-0678&value(PubDate2)=20150000&value(Author)=Teves>.
Appadurai, Arjun. ‘"Here and Now” in Modernity at Large: Cultural Dimensions of Globalization’. Modernity at Large: Cultural Dimensions of Globalization. Public worlds. Minneapolis, Minn: University of Minnesota Press, 1996. 1–26. Web. <http://UEA.eblib.com/patron/FullRecord.aspx?p=310379>.
‘Arthur Krystal. "Easy Writers” New Yorker, 28 May, 2012.’ n. pag. Web. <http://www.newyorker.com/magazine/2012/05/28/easy-writers>.
‘Arthur Krystal. "It’s Genre. Not That There’s Anything Wrong With It!” New Yorker, 24 October, 2012.’ n. pag. Web. <http://www.newyorker.com/books/page-turner/its-genre-not-that-theres-anything-wrong-with-it>.
Benhabib, Seyla. ‘"Introduction” in The Rights of Others’. The Rights of Others: Aliens, Residents and Citizens. The Seeley lectures. Cambridge: Cambridge University Press, 2004. 1–24. Web. <https://doi.org/10.1017/CBO9780511790799>.
‘Brennan, Sue. "Time, Space, and National Belonging in The Namesake: Redrawing South Asian American Citizenship in the Shadow of 9/11.” Journal of Transnational American Studies 3.1 (2011): 1-22.’ n. pag. Web. <http://escholarship.org/uc/item/6cm9z5hd>.
Desmond, Jane. ‘“'Picturing Hawai’i:” In Staging Tourism: Bodies on Display from Waikiki to Sea World: P 34-59.’ Chicago: University of Chicago Press, 1999. Print.
Díaz, Junot. The Brief Wondrous Life of Oscar Wao. London: Faber, 2009. Print.
‘Ed Finn. "Revenge of the Nerd: Junot Diaz and the Networks of American Literary Imagination.” DHQ 7.1 (2013)’. n. pag. Web. <http://www.digitalhumanities.org/dhq/vol/7/1/000148/000148.html#mcgurl2009>.
‘Elspeth Probyn. “Writing Shame”’. Affect Theory Reader. N.p. Web. <http://ebookcentral.proquest.com/lib/uea/reader.action?docID=1172305&ppg=84>.
Friedman, Natalie. ‘From Hybrids to Tourists: Children of Immigrants in Jhumpa Lahiri’s The Namesake’. Critique: Studies in Contemporary Fiction 50 (2008): 111–128. Web.
Gaiman, Neil. American Gods: The Author’s Preferred Text. London: Review, 2004. Print.
Giles, Paul. ‘"The Deterritorialisation of American Literature” in The Global Remapping of American Literature’. The Global Remapping of American Literature. Princeton, N.J.: Princeton University Press, 2011. 1–25. Web. <http://lib.myilibrary.com/browse/open.asp?id=296451&entityid=https://login.uea.ac.uk/entity>.
---. ‘Virtual Subjects: Transnational Fictions and the Transatlantic Imaginary’. Virtual Americas: Transnational Fictions and the Transatlantic Imaginary. New Americanists. Durham [N.C.]: Duke University Press, 2002. 1–21. Web. <http://ebookcentral.proquest.com/lib/uea/detail.action?docID=1167852>.
Gurnah, Abdulrazak, ed. ‘“The Ground Beneath Her Feet and Fury: The Reinvention of Location” in The Cambridge Companion to Salman Rushdie’. The Cambridge Companion to Salman Rushdie. Cambridge companions to literature. Cambridge: Cambridge University Press, 2007. 169–184. Web. <https://uea.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL0521847192>.
Hale, Dorothy J. ‘On Beauty as Beautiful?: The Problem of Novelistic Aesthetics by Way of Zadie Smith’. Contemporary Literature 53.4 (2012): 814–844. Web.
Hallemeier, Katherine. ‘“To Be from the Country of People Who Gave”: National Allegory and the United States of Adichie’s Americanah’. Studies in the Novel. 47.Issue 2, p231 (2015): n. pag. Web. <https://uea.idm.oclc.org/login?url=https://muse-jhu-edu/article/583862>.
‘Jake La Jeunesse. "Locating Lakeside, Wisconsin: Neil Gaiman’s American Gods and the American Small-Town Utopia.” Mythlore 35.1 (2016): 45-64.’ n. pag. Web. <https://uea.idm.oclc.org/login?url=https://literature-proquest-com/searchFulltext.do?id=R05471606&divLevel=0&queryId=3007185126454&trailId=15D7A9AFA10&area=abell&forward=critref_ft>.
Kahakauwila, Kristiana. This Is Paradise: Stories. First edition. London: Hogarth, 2013. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=5337389>.
‘Kanika Batra. “Kipps, Belsey, and Jegede: Cosmopolitanism, Transnationalism, and Black Studies in Zadie Smith’s On Beauty” Callaloo: A Journal of African Diaspora Arts and Letters, 33.4 (2010): 1079-1092.’ n. pag. Web. <http://www.jstor.org/stable/40962783>.
Lahiri, Jhumpa. The Namesake. Boston: Mariner Books, 2004. Print.
Lauret, Maria. ‘"Your Own Goddamn Idiom”: Junot Díaz’s Translingualism in The Brief Wondrous Life of Oscar Wao’. Studies in the Novel 48.4 (2016): 494–512. Web.
‘Lev Grossman. "Literary Revolution in the Supermarket Aisle: Genre Fiction Is Disruptive Technology” Time, 23 May, 2012.’ n. pag. Web. <http://entertainment.time.com/2012/05/23/genre-fiction-is-disruptive-technology/>.
Levine, Caroline. ‘“Network” in Forms: Whole, Rhythm, Hierarchy, Network’. Forms: Whole, Rhythm, Hierarchy, Network. Princeton: Princeton University Press, 2015. 112–131. Web. <https://uea.idm.oclc.org/login?url=http://www.jstor.org/stable/j.ctt7zvk8s>.
---. ‘"The Strange Familiar”: Structure, Infrastructure, and Adichie’s Americanah’. MFS Modern Fiction Studies 61.4 (2015): 587–605. Web.
McDougall, Brandy Nālani. The Salt-Wind =: Ka Makani Paʻakai. Wayne Kaumualii Westlake monograph series. [S. l.]: Kuleana ʻŌiwi Press, 2008. Print.
‘Michel Foucault. “Of Other Spaces: Utopias and Heterotopias”’. Web. <http://web.mit.edu/allanmc/www/foucault1.pdf>.
‘“One of These Things (Is and) Is Not like the Others: Comparative Australian-American Studies and ‘Enchanted’ Pedagogy.” Australasian Journal of American Studies 33.2 Special Issue: “Pacific Triangles” (December 2014): P 121-137.’ Web. <https://ueaeprints.uea.ac.uk/64370/1/Accepted_manuscript.pdf>.
Roberts, Brian Russell, and Michelle Ann Stephens, eds. ‘“We Are Not American” in Archipelagic American Studies’. Archipelagic American Studies. Durham: Duke University Press, 2017. 259–278. Web. <http://ebookcentral.proquest.com/lib/uea/detail.action?docID=4866670>.
Rushdie, Salman, Salman Rushdie, and Salman Rushdie. Fury: A Novel. 1st ed. London: Jonathan Cape, 2001. Print.
‘Sara Ahmed. “Introduction: Feel Your Way” in Cultural Politics of Emotion (Edinburgh UP, 2014): 1-19.’ N.p. Web. <http://ebookcentral.proquest.com/lib/uea/reader.action?docID=1767554&ppg=1>.
Smith, Zadie. On Beauty: A Novel. London: Hamish Hamilton, 2005. Print.
Tranter, Kirsten. The Legacy. London: Quercus, 2011. Print.
Van Maanen, John. Tales of the Field: On Writing Ethnography. 2nd ed. Chicago guides to writing, editing, and publishing. Chicago, [Ill.]: University of Chicago Press, 2011. Print.
Vermeulen, Han F. et al. ‘“Malinowski and the Origins of Ethnographic Method” from Fieldwork and Footnotes: Studies in the History of European Anthropology’. London: Routledge, 1995. Print.
Watson, C. W. Being There: Fieldwork in Anthropology. Anthropology, culture, and society. London: Pluto Press, 1999. Web. <https://ebookcentral.proquest.com/lib/uea/detail.action?docID=3386556>.
Zimring, R. ‘The Passionate Cosmopolitan in Salman Rushdie’s Fury’. JOURNAL OF POSTCOLONIAL WRITING (2010): n. pag. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=000209006600002&authtype=sso&custid=s8993828&site=ehost-live>.
