[1]
‘Sara Ahmed. “Introduction: Feel Your Way” in Cultural Politics of Emotion (Edinburgh UP, 2014): 1-19.’, [Online]. Available: http://ebookcentral.proquest.com/lib/uea/reader.action?docID=1767554&ppg=1
[2]
‘Elspeth Probyn. “Writing Shame”’, in Affect Theory Reader, [Online]. Available: http://ebookcentral.proquest.com/lib/uea/reader.action?docID=1172305&ppg=84
[3]
‘Michel Foucault. “Of Other Spaces: Utopias and Heterotopias”’. [Online]. Available: http://web.mit.edu/allanmc/www/foucault1.pdf
[4]
A. Appadurai, ‘"Here and Now” in Modernity at large: cultural dimensions of globalization’, in Modernity at large: cultural dimensions of globalization, vol. Public worlds, Minneapolis, Minn: University of Minnesota Press, 1996, pp. 1–26 [Online]. Available: http://UEA.eblib.com/patron/FullRecord.aspx?p=310379
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S. Benhabib, ‘"Introduction” in The Rights of Others’, in The rights of others: aliens, residents and citizens, vol. The Seeley lectures, Cambridge: Cambridge University Press, 2004, pp. 1–24 [Online]. Available: https://doi.org/10.1017/CBO9780511790799
[6]
P. Giles, ‘"The Deterritorialisation of American Literature” in The global remapping of American literature’, in The global remapping of American literature, Princeton, N.J.: Princeton University Press, 2011, pp. 1–25 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=296451&entityid=https://login.uea.ac.uk/entity
[7]
C. Levine, ‘“Network” in Forms: whole, rhythm, hierarchy, network’, in Forms: whole, rhythm, hierarchy, network, Princeton: Princeton University Press, 2015, pp. 112–131 [Online]. Available: https://uea.idm.oclc.org/login?url=http://www.jstor.org/stable/j.ctt7zvk8s
[8]
J. Lahiri, The Namesake. Boston: Mariner Books, 2004.
[9]
N. Friedman, ‘From Hybrids to Tourists: Children of Immigrants in Jhumpa Lahiri’s The Namesake’, Critique: Studies in Contemporary Fiction, vol. 50, pp. 111–128, Sep. 2008, doi: 10.3200/CRIT.50.1.111-128.
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‘Brennan, Sue. "Time, Space, and National Belonging in The Namesake: Redrawing South Asian American Citizenship in the Shadow of 9/11.” Journal of Transnational American Studies 3.1 (2011): 1-22.’ [Online]. Available: http://escholarship.org/uc/item/6cm9z5hd
[11]
J. Díaz, The Brief Wondrous Life of Oscar Wao. London: Faber, 2009.
[12]
M. Lauret, ‘"Your Own Goddamn Idiom”: Junot Díaz’s Translingualism in The Brief Wondrous Life of Oscar Wao’, Studies in the Novel, vol. 48, no. 4, pp. 494–512, 2016, doi: 10.1353/sdn.2016.0051.
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‘Ed Finn. "Revenge of the Nerd: Junot Diaz and the Networks of American Literary Imagination.” DHQ 7.1 (2013)’ [Online]. Available: http://www.digitalhumanities.org/dhq/vol/7/1/000148/000148.html#mcgurl2009
[14]
N. Gaiman, American gods: the author’s preferred text. London: Review, 2004.
[15]
‘Arthur Krystal. "Easy Writers” New Yorker, 28 May, 2012.’ [Online]. Available: http://www.newyorker.com/magazine/2012/05/28/easy-writers
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‘Arthur Krystal. "It’s Genre. Not That There’s Anything Wrong With It!” New Yorker, 24 October, 2012.’ [Online]. Available: http://www.newyorker.com/books/page-turner/its-genre-not-that-theres-anything-wrong-with-it
[17]
‘Lev Grossman. "Literary Revolution in the Supermarket Aisle: Genre Fiction Is Disruptive Technology” Time, 23 May, 2012.’ [Online]. Available: http://entertainment.time.com/2012/05/23/genre-fiction-is-disruptive-technology/
[18]
‘Jake La Jeunesse. "Locating Lakeside, Wisconsin: Neil Gaiman’s American Gods and the American Small-Town Utopia.” Mythlore 35.1 (2016): 45-64.’ [Online]. Available: https://uea.idm.oclc.org/login?url=https://literature-proquest-com/searchFulltext.do?id=R05471606&divLevel=0&queryId=3007185126454&trailId=15D7A9AFA10&area=abell&forward=critref_ft
[19]
Z. Smith, On Beauty: A Novel. London: Hamish Hamilton, 2005.
[20]
D. J. Hale, ‘On Beauty as Beautiful?: The Problem of Novelistic Aesthetics by Way of Zadie Smith’, Contemporary Literature, vol. 53, no. 4, pp. 814–844, 2012, doi: 10.1353/cli.2012.0033.
[21]
‘Kanika Batra. “Kipps, Belsey, and Jegede: Cosmopolitanism, Transnationalism, and Black Studies in Zadie Smith’s On Beauty” Callaloo: A Journal of African Diaspora Arts and Letters, 33.4 (2010): 1079-1092.’ [Online]. Available: http://www.jstor.org/stable/40962783
[22]
C. N. Adichie, Americanah. London: Fourth Estate, 2013.
[23]
C. Levine, ‘"The Strange Familiar”: Structure, Infrastructure, and Adichie’s Americanah’, MFS Modern Fiction Studies, vol. 61, no. 4, pp. 587–605, 2015, doi: 10.1353/mfs.2015.0051.
[24]
Hallemeier, Katherine, ‘“To be from the country of people who gave”: National allegory and the United States of Adichie’s Americanah’, Studies in the Novel., vol. 47, no. Issue 2, p231, 2015 [Online]. Available: https://uea.idm.oclc.org/login?url=https://muse-jhu-edu/article/583862
[25]
S. Rushdie, S. Rushdie, and S. Rushdie, Fury: A Novel, 1st ed. London: Jonathan Cape, 2001.
[26]
Zimring, R, ‘The passionate cosmopolitan in Salman Rushdie’s Fury’, JOURNAL OF POSTCOLONIAL WRITING, 2010 [Online]. Available: http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=000209006600002&authtype=sso&custid=s8993828&site=ehost-live
[27]
A. Gurnah, Ed., ‘“The Ground Beneath Her Feet and Fury: The reinvention of location” in  The Cambridge companion to Salman Rushdie’, in The Cambridge companion to Salman Rushdie, vol. Cambridge companions to literature, Cambridge: Cambridge University Press, 2007, pp. 169–184 [Online]. Available: https://uea.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL0521847192
[28]
K. Tranter, The Legacy. London: Quercus, 2011.
[29]
‘“One of these things (is and) is not like the others: Comparative Australian-American Studies and ‘Enchanted’ Pedagogy.” Australasian Journal of American Studies 33.2 Special Issue: “Pacific Triangles” (December 2014): p 121-137.’ [Online]. Available: https://ueaeprints.uea.ac.uk/64370/1/Accepted_manuscript.pdf
[30]
P. Giles, ‘Virtual Subjects: Transnational Fictions and the Transatlantic Imaginary’, in Virtual Americas: transnational fictions and the transatlantic imaginary, vol. New Americanists, Durham [N.C.]: Duke University Press, 2002, pp. 1–21 [Online]. Available: http://ebookcentral.proquest.com/lib/uea/detail.action?docID=1167852
[31]
K. Kahakauwila, This is paradise: stories, First edition. London: Hogarth, 2013 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=5337389
[32]
B. N. McDougall, The salt-wind =: Ka makani paʻakai, vol. Wayne Kaumualii Westlake monograph series. [S. l.]: Kuleana ʻŌiwi Press, 2008.
[33]
J. Desmond, ‘“'Picturing Hawai’i:” in Staging tourism: bodies on display from Waikiki to Sea World: p 34-59.’, Chicago: University of Chicago Press, 1999.
[34]
B. R. Roberts and M. A. Stephens, Eds., ‘“We Are Not American” in Archipelagic American studies’, in Archipelagic American studies, Durham: Duke University Press, 2017, pp. 259–278 [Online]. Available: http://ebookcentral.proquest.com/lib/uea/detail.action?docID=4866670
[35]
‘“Aloha state apparatuses” in American Quarterly [0003-0678] Teves, S N yr:2015 vol:67 iss:3 pg:705 -726’ [Online]. Available: https://uea.idm.oclc.org/login?url=https://literature-proquest-com/searchCritRef.do?DurUrl=Yes&listType=crit_all&value(Searchin)=ftonly&forward=criticism&value(PubDate1)=20150000&value(Title)=Aloha%20state%20apparatuses&value(ISSN)=0003-0678&value(PubDate2)=20150000&value(Author)=Teves
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H. F. Vermeulen, A. Alvarez Roldán, A. A. Roldan, H. F. Vermeulen, and European Association of Social Anthropologists, ‘“Malinowski and the origins of ethnographic method” from Fieldwork and footnotes: studies in the history of European anthropology’, London: Routledge, 1995.
[37]
J. Van Maanen, Tales of the field: on writing ethnography, 2nd ed., vol. Chicago guides to writing, editing, and publishing. Chicago, [Ill.]: University of Chicago Press, 2011.
[38]
C. W. Watson, Being there: fieldwork in anthropology, vol. Anthropology, culture, and society. London: Pluto Press, 1999 [Online]. Available: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=3386556