Bibliography for CONTEMPORARY GALLERY AND MUSEUM STUDIES BETA

Altshuler, Bruce, ed. 2013a. ‘“Magiciens de La Terre” from Biennials and beyond: Exhibitions That Made Art History, 1962-2002: P 281-294’. In . London: Phaidon Press.

———, ed. 2013b. ‘“Traffic” from Biennials and beyond: Exhibitions That Made Art History, 1962-2002: P 325-340’. In . London: Phaidon Press.

Ault, Julie, Social Text Collective, and Drawing Center (New York, N.Y.). 2002. Alternative Art, New York, 1965-1985: A Cultural Politics Book for the Social Text Collective. Minneapolis: Drawing Center.

Borgemeister, Rainer, and Chris Cullens. 1987. ‘“Section Des Figures:” The Eagle from the Oligocene to the Present’. October 42 (Autumn). https://doi.org/10.2307/778271.

‘“Carston Holler” (Joselit, David)’. n.d. Artforum, Vol.50, No.6. https://www.artforum.com/inprint/issue=201202.

Dean. 2011a. ‘“Salvage” from Seven Books Grey’. In . Steidl.

———. 2011b. ‘“Section Cinema”, “Darmstadter Werkblock” and ’ “The Studio of Giorgio Morandi” from Seven Books Grey: P 55 , 96-98 and 105.’ In . Steidl.

Duve, Thierry de. 1997. ‘Kant after Duchamp: P 88-120 and 147-154.’ In . Cambridge, Mass: MIT Press.

Foster, Hal, Rosalind E. Krauss, Yve-Alain Bois, B. H. D. Buchloh, and David Joselit. 2016. ‘“Roundtable: The Predicament of Contemporary Art” from Art since 1900: Modernism, Antimodernism, Postmodernism: P 671-679’. In , Third edition. London: Thames & Hudson.

Fraser, Andrea, and Alexander Alberro. 2005. ‘“Official Welcome” from Museum Highlights: The Writings of Andrea Fraser: P 212-228’. In . Vol. MIT Press writing art series. Cambridge, Mass: MIT Press.

Germer, Stefan. 1988. ‘Haacke, Broodthaers, Beuys’. October 45 (Summer). https://doi.org/10.2307/779044.

González, Jennifer A. 2008. ‘“Fred Wilson: Material Museology” from Subject to Display: Reframing Race in Contemporary Installation Art: P 64-119’. In . Cambridge, Mass: MIT Press.

Harrison, Charles, Paul Wood, and Paul Wood. 2003. ‘“Modernist Painting” (1960-5  from Art in Theory, 1900-2000: An Anthology of Changing Ideas: P 773-779’. In , 2nd ed. Oxford: Blackwell.

Ikegami, Hiroko, and Robert Rauschenberg. 2010. ‘“A Spectacle in Venice - Inside and Outside Rauschenberg’s Victory” from The Great Migrator: Robert Rauschenberg and the Global Rise of American Art: P 56-101’. In . Cambridge, Mass: MIT Press.

‘James Quandt on Tacita Dean - Artforum.Com / in Print’. n.d. Artforum: Vol.45, No.3: P 287-288. https://www.artforum.com/inprint/issue=200609&id=9720.

Lawler, Louise, Helen Anne Molesworth, and Wexner Center for the Arts. 2006. ‘“Louise Lawler: Just the Facts” from Twice Untitled and Other Pictures: (Looking Back): P 143-152’. In . Cambridge, Mass: MIT.

Rauschenberg, Robert, Branden Wayne Joseph, and Leo Steinberg. 2003. ‘“On the Museum’s Ruins” from Robert Rauschenberg: P 57-74’. In . Vol. October files. Cambridge, Mass: MIT Press.

‘“Tacita Dean” (Quandt, James) from Artforum’. n.d. Artforum, Vol.45, No.3. https://www.artforum.com/inprint/issue=200609.

‘“The Enemies of Women’s Liberation in the Arts Will Be Crushed”: A.I.R. Gallery’s Role in the American Feminist Art Movement’ from Archives of American Art (2012)’. n.d. https://www.aaa.si.edu/publications/essay-prize/2012-essay-prize-meredith-brown.