1
Harrison C, Wood P, Wood P. ‘Modernist Painting’ (1960-5  from Art in theory, 1900-2000: an anthology of changing ideas: p 773-779. Oxford: : Blackwell 2003.
2
Duve T de. Kant after Duchamp: p 88-120 and 147-154. Cambridge, Mass: : MIT Press 1997.
3
Ikegami H, Rauschenberg R. ‘A Spectacle in Venice - Inside and Outside Rauschenberg’s Victory’ from The great migrator: Robert Rauschenberg and the global rise of American art: p 56-101. Cambridge, Mass: : MIT Press 2010.
4
Rauschenberg R, Joseph BW, Steinberg L. ‘On the Museum’s Ruins’ from Robert Rauschenberg: p 57-74. Cambridge, Mass: : MIT Press 2003.
5
‘The Enemies of Women’s liberation in the Arts Will be Crushed’: A.I.R. Gallery’s Role in the American Feminist Art Movement’ from Archives of American Art (2012). https://www.aaa.si.edu/publications/essay-prize/2012-essay-prize-meredith-brown
6
Ault J, Social Text Collective, Drawing Center (New York, N.Y.). Alternative art, New York, 1965-1985: a cultural politics book for the Social Text Collective. Minneapolis: : Drawing Center 2002.
7
Germer S. Haacke, Broodthaers, Beuys. October 1988;45. doi:10.2307/779044
8
Borgemeister R, Cullens C. ‘Section des Figures:’ The Eagle from the Oligocene to the Present. October 1987;42. doi:10.2307/778271
9
James Quandt on Tacita Dean - artforum.com / in print. Artforum: vol45, no3: p 287-288https://www.artforum.com/inprint/issue=200609&id=9720
10
‘Carston Holler’ (Joselit, David). Artforum, vol50, no6https://www.artforum.com/inprint/issue=201202
11
‘Tacita Dean’ (Quandt, James) from Artforum. Artforum, vol45, no3https://www.artforum.com/inprint/issue=200609
12
Foster H, Krauss RE, Bois Y-A, et al. ‘Roundtable: The Predicament of Contemporary Art’ from Art since 1900: modernism, antimodernism, postmodernism: p 671-679. London: : Thames & Hudson 2016.
13
Lawler L, Molesworth HA, Wexner Center for the Arts. ‘Louise Lawler: Just the Facts’ from Twice untitled and other pictures: (looking back): p 143-152. Cambridge, Mass: : MIT 2006.
14
Fraser A, Alberro A. ‘Official Welcome’ from Museum highlights: the writings of Andrea Fraser: p 212-228. Cambridge, Mass: : MIT Press 2005.
15
González JA. ‘Fred Wilson: Material Museology’ from Subject to display: reframing race in contemporary installation art: p 64-119. Cambridge, Mass: : MIT Press 2008.
16
Altshuler B, editor. ‘Magiciens de la Terre’ from Biennials and beyond: exhibitions that made art history, 1962-2002: p 281-294. London: : Phaidon Press 2013.
17
Dean. ‘Section Cinema’, ‘Darmstadter Werkblock’ and ’ ‘The Studio of Giorgio Morandi’ from Seven books grey: p 55 , 96-98 and 105. Steidl 2011.
18
Dean. ‘Salvage’ from Seven books grey. Steidl 2011.
19
Altshuler B, editor. ‘Traffic’ from Biennials and beyond: exhibitions that made art history, 1962-2002: p 325-340. London: : Phaidon Press 2013.