| Name Sort by name
|
Code Sort by code
|
Type Sort by type
|
| "QUEERS READ THIS": NARRATIVES OF GENDER AND SEXUALITY |
AMAS6061B |
Module |
| "QUEERS READ THIS": NARRATIVES OF GENDER AND SEXUALITY |
AMAS6062B |
Module |
| ACTION / ABSTRACTION:ART AFTER 1945 |
AMAA5103B |
Module |
| ADAPTATION AND SCRIPTWRITING |
AMAM6118B |
Module |
| ADAPTATION AND SCRIPTWRITING |
AMAP6102A |
Module |
| ADAPTATION AND SCRIPTWRITING |
AMAM6115A |
Module |
| ADAPTATION AND SCRIPTWRITING |
AMAM6117A |
Module |
| ADAPTATION: CROSS-MEDIA TRANSFORMATIONS |
AMAM5065A |
Module |
| ADVANCED DIRECTING WORKSHOP |
AMAM7025B |
Module |
| ADVANCED DIRECTING WORKSHOP (SPRING START) |
AMAM7035X |
Module |
| AFRICAN AMERICANS AND EMPIRE |
AMAH6042A |
Module |
| AFRICAN AMERICANS AND EMPIRE |
AMAH6041A |
Module |
| AGEING IN AMERICA |
AMAS6037A |
Module |
| ALTERNATIVE MEDIA |
AMAM6143B |
Module |
| ALTERNATIVE MEDIA |
AMAM6133B |
Module |
| AMERICA IN THE WORLD: THE HISTORY OF U.S. FOREIGN RELATIONS |
AMAH5051B |
Module |
| AMERICA NOW, AMERICA THEN |
AMAS4036A |
Module |
| AMERICAN APOCALYPSE: TWENTY-FIRST CENTURY CLIMATE CHANGE FICTION |
AMAL6013A |
Module |
| AMERICAN APOCALYPSE: TWENTY-FIRST CENTURY CLIMATE CHANGE FICTION |
AMAL6012A |
Module |
| AMERICAN ART AND AMERICAN PHOTOGRAPHY 1900-1950 |
AMAA5103A |
Module |
| AMERICAN GOTHIC |
AMAL6024A |
Module |
| AMERICAN HISTORY I: AGE OF REVOLUTIONS |
AMAF4008A |
Module |
| AMERICAN HISTORY II: THE AMERICAN CENTURY |
AMAF4010B |
Module |
| AMERICAN LITERATURE I: IMAGINING AMERICA |
AMAL4033A |
Module |
| AMERICAN LITERATURE II: MAKING IT 'NEW' |
AMAL4031B |
Module |
| AMERICAN LITERATURE ON SCREEN |
AMAL5082B |
Module |
| AMERICAN MUSIC |
AMAS5023A |
Module |
| AMERICAN SCHOLARS: RESEARCH AND READING IN AMERICAN STUDIES |
AMAS7018A |
Module |
| AMERICAN STUDIES DISSERTATION |
AMAS7007X |
Module |
| AMERICAN STUDIES DISSERTATION |
AMAS6056B |
Module |
| AMERICAN STUDIES II: BEYOND BOUNDARIES |
AMAS4037B |
Module |
| AMERICAN STUDIES SEMESTER ABROAD |
AMAS5028B |
Module |
| AMERICAN STUDIES SEMESTER ABROAD: AMERICA |
AMAY5027A |
Module |
| AMERICAN STUDIES SEMESTER ABROAD: AUSTRALIA |
AMAY5026B |
Module |
| AMERICAN STUDIES YEAR ABROAD |
AMAY5028Y |
Module |
| AMERICAN VOICES |
AMAL5078A |
Module |
| AMERICAN WORD AND IMAGE, POST-1945 |
AMAS7015A |
Module |
| ANALYSING FILM |
AMAM4009A |
Module |
| ANALYSING HOLLYWOOD CINEMA |
AMAM7011B |
Module |
| ANALYSING HOLLYWOOD CINEMA (SPRING START) |
AMAM7034X |
Module |
| ANALYSING TELEVISION |
AMAM4010A |
Module |
| ARCHAEOLOGIES OF THE MEDITERRANEAN WORLD |
AMAA5098B |
Module |
| ART AND ARCHAEOLOGY OF ANCIENT IRAQ AND IRAN |
AMAA6137B |
Module |
| ART AND ARCHITECTURE IN VENICE |
AMAA5093B |
Module |
| ART IN THE CONTEMPORARY WORLD |
AMAA5090B |
Module |
| ARTISTS' FILM AND VIDEO |
AMAA6016B |
Module |
| ARTISTS/MUSEUMS |
AMAA5106A |
Module |
| BEYOND NATIONAL CINEMA |
AMAM7013B |
Module |
| BLACK FREEDOM STRUGGLES: SLAVERY, 1619-1865 |
AMAH5043A |
Module |
| BLACK FREEDOM STRUGGLES: THE CIVIL RIGHTS MOVEMENT |
AMAH5050B |
Module |
| BRITISH CINEMA: REALISM AND SPECTACLE |
AMAM7012A |
Module |
| British Film & Television |
FTMF2001S_14_E |
Subject |
| BRITISH FILM SINCE THE 1960s |
AMAM6014B |
Module |
| BRITISH FILM SINCE THE 1960s |
AMAM6012B |
Module |
| BROADCASTING |
AMAM4032B |
Module |
| BROADCASTING, STREAMING, AND SHARING |
AMAM4038B |
Module |
| CELEBRITY |
AMAM6090B |
Module |
| CELEBRITY |
AMAM6091B |
Module |
| CHILDREN'S FILM AND TV CULTURES |
AMAM5061B |
Module |
| CINEMATOGRAPHY |
AMAP5129B |
Module |
| CINEMATOGRAPHY |
AMAM5060B |
Module |
| COMICS GET REAL: GRAPHIC NARRATIVES OF AUTOBIOGRAPHY, TRAUMA, AND WAR |
AMAS6059B |
Module |
| COMICS GET REAL: GRAPHIC NARRATIVES OF AUTOBIOGRAPHY, TRAUMA, AND WAR |
AMAS6060B |
Module |
| COMPULSORY YEAR ABROAD |
AMAA5001Y |
Module |
| CONTEMPORARY GALLERY AND MUSEUM STUDIES |
AMAA5102A |
Module |
| CONTEMPORARY SCREEN DISTRIBUTION AND EXHIBITION |
AMAM6025A |
Module |
| CREATING MEDIA |
AMAP4040A |
Module |
| CREATIVE CRITICAL DISSERTATION |
AMAP6001B |
Module |
| CREATIVE CRITICAL DISSERTATION |
AMAP6001A |
Module |
| CREATIVE CRITICAL METHODS: CREATIVE PROJECT AND RESEARCH |
AMAP4036B |
Module |
| CREATIVE WORK IN THE MEDIA INDUSTRIES |
AMAM6088B |
Module |
| CREATIVE WORK IN THE MEDIA INDUSTRIES |
AMAM6086B |
Module |
| CREATIVE WRITING AND IDENTITY: TUTORIAL UNIT |
AMAF4005B |
Module |
| CREATIVE WRITING-NARRATIVES |
AMAL6027A |
Module |
| CREATIVE WRITING-NARRATIVES |
AMAL6025A |
Module |
| CREATIVE-CRITICAL PRODUCTION |
AMAP7040A |
Module |
| CREATIVITY, INNOVATION AND ENTREPRENEURSHIP |
AMAP6107A |
Module |
| CREATIVITY, INNOVATION AND ENTREPRENEURSHIP |
AMAM6124A |
Module |
| CRIME AND PUNISHMENT ON SCREEN |
AMAM6004A |
Module |
| CRIME AND PUNISHMENT ON SCREEN |
AMAM6002A |
Module |
| CRIME AND PUNISHMENT: A HISTORY OF AMERICAN CRIMINAL JUSTICE |
AMAH6045B |
Module |
| CRIME AND PUNISHMENT: A HISTORY OF AMERICAN CRIMINAL JUSTICE |
AMAH6046B |
Module |
| CRITICAL PERSPECTIVES IN MUSEUMS AND HERITAGE |
AMAA7009A |
Module |
| CRITICAL PRACTICE |
AMAA7015X |
Module |
| CULTURAL HERITAGE AND MUSEUM STUDIES: DISSERTATION |
AMAA7013X |
Module |
| CURATING COLLECTIONS AND EXHIBITIONS |
AMAA7032B |
Module |
| DEMOCRACY AND DISSENT |
AMAS7014A |
Module |
| DEMOCRACY AND DISSENT |
AMAS7014B |
Module |
| DEVISED FILMMAKING |
AMAP6003B |
Module |
| DIGITAL HUMANITIES: THEORY AND PRACTICE |
AMAP5131B |
Module |
| DIGITAL MEDIA THEORY & PRACTICE |
AMAP5128B |
Module |
| DIGITAL MEDIA: CONCEPTS, TECHNOLOGIES & CULTURES |
AMAM4031B |
Module |
| DIGITAL MEDIASCAPES |
AMAM5063A |
Module |
| DIGITAL STORYTELLING |
AMAP6101A |
Module |
| DIRECTING WORKSHOP |
AMAP7041B |
Module |
| DISSERTATION |
AMAA6112B |
Module |
| DOCUMENTARY |
AMAP5045A |
Module |
| EDITING PRINCIPLES AND PRACTICE |
AMAP5133B |
Module |
| ENVIRONMENT, ART AND CULTURE |
AMAA4004B |
Module |
| EXPERIMENTAL FILM AND VIDEO ART |
AMAA6109B |
Module |
| FANTASY GENRES |
AMAM7001B |
Module |
| FEMINISMS AND TELEVISION |
AMAM7009B |
Module |
| FILM AND COMICS |
AMAM7017B |
Module |
| FILM AND TELEVISION STUDIES SEMESTER ABROAD |
AMAM5037B |
Module |
| FILM AND TELEVISION STUDIES YEAR ABROAD DISSERTATION |
AMAM6065A |
Module |
| FILM AND VIDEO PRODUCTION |
AMAP5125B |
Module |
| FILM AND VIDEO PRODUCTION |
AMAP5123A |
Module |
| FILM DIRECTING WORKSHOP: GENRE |
AMAP5130B |
Module |
| FILM GENRE WORKSHOP |
AMAP5002B |
Module |
| FILM GENRES |
AMAM5033B |
Module |
| FILM GENRES |
AMAM5033A |
Module |
| FILM HISTORY |
AMAM4001A |
Module |
| FILM STUDIES DISSERTATION |
AMAM7500X |
Module |
| FILM STUDIES: HISTORY, THEORY, CRITICISM |
AMAM7002A |
Module |
| FILM THEORY |
AMAM5030A |
Module |
| FILM, TELEVISION AND CREATIVE PRACTICE DISSERTATION |
AMAM7501X |
Module |
| FILM, TELEVISION AND MEDIA STUDIES DISSERTATION (SPRING) |
AMAM6080B |
Module |
| FILM, TELEVISION AND MEDIA STUDIES: DISSERTATION (AUTUMN) |
AMAM6079A |
Module |
| GALLERIES & MUSEUMS: HISTORIES/POLITICS/ETHICS |
AMAA4010B |
Module |
| GENDER AND AGE IN AMERICAN CULTURE |
AMAS6068A |
Module |
| GENDER AND AGE IN AMERICAN CULTURE |
AMAS6069A |
Module |
| GENDER AND GENRE IN AMERICAN CINEMA SINCE 2000 |
AMAM6146B |
Module |
| GENDER AND GENRE IN AMERICAN CINEMA SINCE 2000 |
AMAM6147B |
Module |
| GENDER AND GENRE IN AMERICAN CINEMA SINCE 2000 |
AMAM6024B |
Module |
| GENDER AND GENRE IN CONTEMPORARY AMERICAN CINEMA |
AMAM6062B |
Module |
| GENDER AND TELEVISION |
AMAM6145A |
Module |
| GENDER AND TELEVISION |
AMAM6045A |
Module |
| GODS, KINGS AND PRE-COLUMBIAN ART: DIVINE RULERSHIP IN ANCIENT AMERICA |
AMAA6142A |
Module |
| GODS, KINGS AND PRE-COLUMBIAN ART: DIVINE RULERSHIP IN ANCIENT AMERICA |
AMAA6145B |
Module |
| GODS, KINGS AND PRE-COLUMBIAN ART: DIVINE RULERSHIP IN ANCIENT AMERICA |
AMAA6140A |
Module |
| GOOD GOOD GIRLS AND GOOD BAD BOYS? AMERICAN FICTIONS OF INNOCENCE |
AMAL7000B |
Module |
| GOOD GOOD GIRLS AND GOOD BAD BOYS? AMERICAN FICTIONS OF INNOCENCE |
AMAL7000A |
Module |
| INDIGENOUS ARTS AND INDIGENOUS PEOPLES |
AMAA5105A |
Module |
| INTERPRETATION AND PARTICIPATION IN MUSEUMS AND HERITAGE |
AMAA7027A |
Module |
| INTRODUCTION TO ANTHROPOLOGY |
AMAA4024B |
Module |
| INTRODUCTION TO ARCHAEOLOGY |
AMAA4023B |
Module |
| INTRODUCTION TO ART HISTORY |
AMAA4001A |
Module |
| INTRODUCTION TO GALLERY AND MUSEUM STUDIES |
AMAA4009B |
Module |
| INTRODUCTION TO TELEVISION STUDIO PRODUCTION |
AMAP4001A |
Module |
| INTRODUCTION TO THE FILM AND TV INDUSTRY: CREATIVITY, COMMERCE AND CHANGE |
AMAP4042B |
Module |
| INTRODUCTION TO THE FILM AND TV INDUSTRY: CREATIVITY, COMMERCE AND CHANGE |
AMAM4039A |
Module |
| INVESTIGATING AUDIENCES AND RECEPTION |
AMAM6145B |
Module |
| INVESTIGATING AUDIENCES AND RECEPTION |
AMAM6144B |
Module |
| LEARNING ON SITE: THE SAINSBURY CENTRE FOR VISUAL ARTS |
AMAA4007A |
Module |
| LIVE TELEVISION STUDIO PRODUCTION |
AMAP5127B |
Module |
| MAKERS AND MAKING |
AMAA4002A |
Module |
| MAKING FILM AND VIDEO |
AMAP4038B |
Module |
| MAKING IT PUBLIC: PUBLISHING, AUDIENCE, AND CREATIVE ENTERPRISE |
AMAS5056A |
Module |
| MAPPING WORLDS |
AMAA6121A |
Module |
| MATERIAL WORLDS |
AMAA5009A |
Module |
| MEDIA AUDIENCES |
AMAM7006B |
Module |
| MEDIA HISTORY |
AMAM4029A |
Module |
| MEDIA INDUSTRIES |
AMAM4028A |
Module |
| MEDIA PRACTICE PROJECT (AUTUMN) |
AMAP6097A |
Module |
| MEDIA PRACTICE PROJECT (SPRING) |
AMAP6098B |
Module |
| MEDIA REPRESENTATION |
AMAM4034A |
Module |
| MEDIEVAL BODIES |
AMAA5086A |
Module |
| MODERN ART AND STATES OF MIND |
AMAA6141A |
Module |
| MODERNISM AND GENDER: FRANCE AND GERMANY 1900-1939 |
AMAA6128B |
Module |
| MUSEUM AND HERITAGE PRACTICE |
AMAA7000Y |
Module |
| MUSEUM WORK: THEORY & PRACTICE |
AMAA6144A |
Module |
| MUSEUM WORK: THEORY & PRACTICE |
AMAA6145A |
Module |
| MUSEUM WORK: THEORY AND PRACTICE |
AMAA6126A |
Module |
| NEW AMERICAN CENTURY: CULTURE AND CRISIS |
AMAS6053A |
Module |
| NEW AMERICAN CENTURY: CULTURE AND CRISIS |
AMAS6052B |
Module |
| POLITICS IN THE USA |
AMAH5058A |
Module |
| POPULAR MUSIC |
AMAM5046A |
Module |
| PORTRAITURE AND IDENTITY |
AMAA4025B |
Module |
| PUBLIC ART, PERFORMANCE AND MEMORY |
AMAA6135A |
Module |
| RACE AND RESISTANCE |
AMAS7019B |
Module |
| RACE AND VISUAL CULTURE |
AMAS5055B |
Module |
| READING THE SCREEN |
AMAP4002A |
Module |
| RESEARCHING MEDIA |
AMAM5025B |
Module |
| SCIENCE FICTION |
AMAM6121A |
Module |
| SCIENCE FICTION |
AMAM6122A |
Module |
| SCREENPLAY DEVELOPMENT (SPRING START) |
AMAM7033X |
Module |
| SCREENPLAY DEVELOPMENT, CREATIVITY, AND PRODUCTION FINANCE IN THE FILM AND TV BUSINESS |
AMAM7020B |
Module |
| SCRIPT DEVELOPMENT AND STORY EDITING |
AMAP5003B |
Module |
| SEMESTER ABROAD (AUTUMN) |
AMAA5005A |
Module |
| SEMESTER ABROAD (SPRING) |
AMAA5006B |
Module |
| SOUND ON SCREEN |
AMAP5134A |
Module |
| SRU DISSERTATION |
AMAA7020X |
Module |
| SRU MUSEOLOGY TIMED ESSAY |
AMAA7018B |
Module |
| STUDYING AUDIENCES |
AMAM5064A |
Module |
| STUDYING FILM AND TELEVISION |
AMAM7021A |
Module |
| STUDYING MEDIA |
AMAM7003A |
Module |
| TEENAGE KICKS: MEDIA, YOUTH AND SUBCULTURE |
AMAM5066B |
Module |
| TELEVISION AND SOCIETY |
AMAM7016A |
Module |
| TELEVISION HISTORY |
AMAM4001B |
Module |
| TELEVISION PRODUCTION FOR LIVE EVENTS |
AMAP6104B |
Module |
| TELEVISION: SCRIPTED & UNSCRIPTED PRODUCTION |
AMAP5001B |
Module |
| THE AFRICAN PAST: GLOBAL CROSSROADS AND EMPIRES |
AMAA6001B |
Module |
| THE AMERICAN NOVEL IN THE EARLY TWENTIETH CENTURY |
AMAL6010A |
Module |
| THE AMERICAN NOVEL IN THE EARLY TWENTIETH CENTURY |
AMAL6011A |
Module |
| THE ARTS AND ARCHAEOLOGY OF AFRICA |
AMAA7021B |
Module |
| THE ARTS OF OCEANIA |
AMAA7017A |
Module |
| THE ARTS OF THE AMERICAS |
AMAA7019B |
Module |
| THE BUSINESS OF FILM AND TV DRAMA IN THE DIGITAL AGE |
AMAP5026A |
Module |
| THE HOLLYWOOD STUDIO SYSTEM |
AMAM5042B |
Module |
| THE LIVES OF OBJECTS |
AMAA5089A |
Module |
| THE POLITICS OF STORYTELLING |
AMAS5054A |
Module |
| THEORISING MEDIA AND CULTURE |
AMAM4033B |
Module |
| THEORISING TELEVISION |
AMAM5047A |
Module |
| THEY CAME FROM OUTER-THE-CLOSET: GENDER, SEXUALITY AND PANIC IN AMERICAN FILM |
AMAS5020A |
Module |
| TRANSATLANTIC LITERATURES |
AMAL5081A |
Module |
| US EMPIRE |
AMAS5057A |
Module |
| US INTERVENTIONISM, THE CIA AND COVERT ACTION |
AMAH6009A |
Module |
| US INTERVENTIONISM, THE CIA AND COVERT ACTION |
AMAH6010A |
Module |
| VIDEO PRODUCTION |
AMAM7018A |
Module |
| WISHING UPON STARS: DISNEY'S AMERICA |
AMAS5053B |
Module |
| WOMEN AND FILM |
AMAM7008A |
Module |
| WORKING WITH ACTORS: DIRECTING THE DRAMATIC SCENE |
AMAP5001A |
Module |
| WORLD CINEMAS |
AMAM4035B |
Module |
| WORLD HERITAGE: PROBLEMS AND PROSPECTS |
AMAA7027B |
Module |
| WORLD HERITAGE: PROBLEMS AND PROSPECTS |
AMAA7012A |
Module |
| WRITING AND PUBLISHING AMERICAN CHILDREN'S LITERATURE: FROM LITTLE WOMEN TO BAREFOOT BOYS |
AMAL6057B |
Module |
| WRITING AND PUBLISHING AMERICAN CHILDREN'S LITERATURE: FROM LITTLE WOMEN TO BAREFOOT BOYS |
AMAL6056B |
Module |
| WRITING FOR MEDIA |
AMAP4037B |
Module |
| WRITING TELEVISION DRAMA |
AMAP6106B |
Module |
| WRITING THE AMERICAN SCRIPT |
AMAP5051A |
Module |
| WRITING THE AMERICAN SCRIPT |
AMAP5052B |
Module |
| WRITING THE SHORT FILM |
AMAM7022A |
Module |
| YEAR ABROAD |
AMAA5004Y |
Module |
