[1]
Astley, N. 2002. Staying alive: real poems for unreal times. Bloodaxe.
[2]
Atkinson, T. 2014. So many moving parts. Bloodaxe Books.
[3]
Barry, K. 2013. Dark lies the island. Vintage Books.
[4]
Baxter 2008. Burning down the house. Graywolf Press.
[5]
Berry, E. 2013. Dear boy. Faber and Faber.
[6]
Brande, D. 1996. Becoming a writer. Macmillan.
[7]
Brande, D. 1996. Becoming a writer. Macmillan.
[8]
Brownjohn, S. 2002. The poet’s craft: a handbook of rhyme, metre, and verse. Hodder & Stoughton.
[9]
Carson, A. 2000. Men in the off hours. Jonathan Cape.
[10]
Chekhov, A.P. and Garnett, C. 1999. The essential tales of Chekhov. Granta Books.
[11]
Cowan, A. 2011. The art of writing fiction. Longman.
[12]
Cowan, A. 2011. The art of writing fiction. Longman.
[13]
Díaz, J. 1997. Drown. Faber and Faber.
[14]
Doty, M. 2010. The art of description: world into word. Graywolf Press.
[15]
Dufresne 2004. The lie that tells a truth. W.W. Norton.
[16]
Frank O’Hara Meditations in an Emergency. Meditations in an Emergency. 2.
[17]
Gaitskill 2009. Bad behavior. Simon & Schuster.
[18]
Gardner, J. 1999. On becoming a novelist. Norton.
[19]
Graham, W.S. 2004. New collected poems. Faber and Faber.
[20]
Hamilton, N. ed. 2013. Dear world & everyone in it: new poetry in the UK. Bloodaxe Books.
[21]
Herbert, W.N. 2010. Writing poetry. Routledge.
[22]
JHUMPA LAHIRI Interpreter of Maladies. Interpreter of Maladies. 47.
[23]
Johnson 2012. Jesus’ son. Granta Books.
[24]
July 2015. No one belongs here more than you. Canongate Books.
[25]
Kennard, L. 2007. The harbour beyond the movie. Salt.
[26]
King, S. 2010. On writing: a memoir of the craft. Scribner.
[27]
Lerner, B. 2012. Leaving the Atocha station: a novel. Granta.
[28]
Lodge, D. 1992. The art of fiction: illustrated from classic and modern texts. Penguin.
[29]
Mansfield, K. 1945. Collected stories of Katherine Mansfield. Constable.
[30]
O’Connor, F. et al. 1972. Mystery and manners: occasional prose. Faber and Faber Ltd.
[31]
Paris Review - Claudia Rankine, The Art of Poetry No. 102: https://www.theparisreview.org/interviews/6905/claudia-rankine-the-art-of-poetry-no-102-claudia-rankine.
[32]
Paris Review - James Salter, The Art of Fiction No. 133: https://www.theparisreview.org/interviews/1930/james-salter-the-art-of-fiction-no-133-james-salter.
[33]
Paris Review - Susan Sontag, The Art of Fiction No. 143: https://www.theparisreview.org/interviews/1505/susan-sontag-the-art-of-fiction-no-143-susan-sontag.
[34]
Rankine, C. 2015. Citizen: an American lyric. Penguin Books.
[35]
Riviere, S. 2012. 81 austerities. Faber and Faber.
[36]
Sansom, P. 1994. Writing poems. Bloodaxe Books.
[37]
Saunders, George 2011. TENTH OF DECEMBER. TENTH OF DECEMBER. 87, Issue 34, p80-89 (2011), 80–89.
[38]
Shapcott, J. et al. 1996. Emergency kit: poems for strange times. Faber and Faber.
[39]
Smith, A. 2008. The first person and other stories. Hamish Hamilton.
[40]
Sontag, S. 2002. Where the stress falls: essays. Jonathan Cape.
[41]
Strand, M. and Boland, E. 2000. The making of a poem: a Norton anthology of poetic forms. Norton.
[42]
Tan, M.-L. 2014. Things to make and break. CB Editions.
[43]
Welton, M. 2003. The book of Matthew. Carcanet.
[44]
Wigfall, C. 2007. The loudest sound and nothing: stories. Faber and Faber.
[45]
Wood, J. 2008. How fiction works. Jonathan Cape.
[46]
2008. The Reality Street book of sonnets. Reality Street.
