Angelaki, V. (ed.) (2013) Contemporary British theatre: breaking new ground. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. Available at: https://ebookcentral.proquest.com/lib/uea/detail.action?docID=1431430.
Billington, M. (2009) State of the nation: British theatre since 1945. London: Faber.
Craig, S. (1980) Dreams and deconstructions: alternative theatre in Britain. Ambergate: Amber Lane.
Donohue, J.W. et al. (2004) The Cambridge history of British theatre: Vol.3: Since 1895. Cambridge: Cambridge University Press. Available at: https://www-cambridge-org.uea.idm.oclc.org/core/books/cambridge-history-of-british-theatre/7308629BDAD6D36E63CBF6D5D901E475.
Goorney, H. and Goorney, H. (1981) The Theatre Workshop story. London: Eyre Methuen.
Kershaw, B. (2007) Theatre ecology: environments and performance events. Cambridge: Cambridge University Press.
McGrath, J. (1996) A good night out: popular theatre: audience, class and form. Nick Hern Books Limited.
Nelson, J. (2018) The voice exercise book: The warm-ups. London: Nick Hern Books.
Shellard, D. (1999) British theatre since the war. New Haven, Conn: Yale University Press. Available at: https://www-jstor-org.uea.idm.oclc.org/stable/j.ctt5vm4r0.
Shepherd, S. (2009) The Cambridge introduction to modern British theatre. Cambridge, UK: Cambridge University Press.
Wandor, M. and Wandor, M. (1987) Look back in gender: sexuality and the family in post-war British drama. London: Methuen.
