Aberth, John. 2003a. A Knight at the Movies: Medieval History on Film. New York: Routledge.
———. 2003b. ‘Chapter 4 “Splendid in Spandex: Robin Hood Films” from A Knight at the Movies: Medieval History on Film’. In . New York: Routledge.
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Ayton, A. n.d. ‘“Robin Hood and Military Service in the Fourteenth Century” from Nottingham Medieval Studies’. Nottingham Medieval Studies Vol 36 (1992) 36. http://www.brepolsonline.net/doi/abs/10.1484/J.NMS.3.204.
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Beal, Peter, Jeremy Griffiths, Margaret J. M. Ezell, A. S. G. Edwards, Grace Ioppolo, and British Library. 1993. ‘A New Version of “A Rhyme of Robin Hood” (Toshiyuki Takamiya) from English Manuscript Studies, 1100-1700: P 213-221.’ In . London: British Library.
Bellamy, John G. 1973. Crime and Public Order in England in the Later Middle Ages. Vol. Studies in social history. London: Routledge and Kegan Paul.
Bernth Lindfors. 1968. ‘Robin Hood Realism in South African English Fiction’. Africa Today 15 (4): 16–18. https://www.jstor.org/stable/4184934?seq=1#page_scan_tab_contents.
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CHRISTINE RICHARDSON. 1997. ‘The Figure of Robin Hood within the Carnival Tradition’. Records of Early English Drama 22 (2): 18–25. http://www.jstor.org/stable/43505435?seq=1#page_scan_tab_contents.
Clawson, William Hall. 201AD. The Gest of Robin Hood. Miami: Hardpress Publishing.
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‘“Comyth in Robyn Hode”: Paying and Playing the Outlaw at Croscombe’. n.d. Leeds Studies in English (LeedsSE) 2001; 32: 345-68. http://digital.library.leeds.ac.uk/412/1/LSE2001_pp345-68_Marshall_article.pdf.
Coss, Peter R., S. D. Lloyd, S. D. Lloyd, Conference on Thirteenth Century England, and Newcastle upon Tyne Conference. 1988. ‘“The Sheriff of Nottingham and Robin Hood: The Genesis of the Legend?” From Thirteenth Century England: P 59-68.’ In . Woodbridge: Boydell.
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Dobson, R. B., John Taylor, and R. B. Dobson. 1976. Rymes of Robyn Hood: An Introduction to the English Outlaw. Pittsburgh: University of Pittsburgh Press.
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Evans, Ruth, Helen Fulton, David Matthews, and Stephen Knight. 2006. ‘“Robin Hood and the Public Record: The Authority of Writing in the Medieval Outlaw Tradition” from Medieval Cultural Studies: Essays in Honour of Stephen Knight’. In . Cardiff: University of Wales Press.
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———. 1966b. ‘A Medieval Society: The West Midlands at the End of the Thirteenth Century: P 254-258.’ In . London: Weidenfeld and Nicolson.
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———. 1992a. Magna Carta. 2nd ed. Cambridge: Cambridge University Press. https://www.cambridge.org/core/books/magna-carta/711621D1F9EF960F44BB9FC39F51F51C.
———. 1992b. The Northerners: A Study in the Reign of King John. Oxford: Clarendon Press.
———. 1992c. ‘The Northerners: A Study in the Reign of King John: P 113-121.’ In . Oxford: Clarendon Press.
‘Howard Pyle’s Robin Hood: The Middle Ages for Americans’. n.d. Children’s Literature Association Quarterly (CLAQ) 2000 Spring; 25 (1): 44-48. https://uea.idm.oclc.org/login?url=https://muse-jhu-edu/article/249845/pdf.
Irvin, John, Sam Resnick, John McGrath, Patrick Bergin, Uma Thurman, and Twentieth Century-Fox Film Corporation. 2012. ‘Robin Hood’. [s.l.]: Hollywood Classics.
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———. 1961. ‘Robin Hood: Some Comments’. Past & Present, no. 19: 16–18. http://www.jstor.org/stable/649977?seq=1#page_scan_tab_contents.
J. R. Maddicott. 1978. ‘The Birth and Setting of the Ballads of Robin Hood’. The English Historical Review 93 (367): 276–99. https://uea.idm.oclc.org/login?url=http://www.jstor.org/stable/567062?seq=1#page_scan_tab_contents.
Jones, Dudley, and Tony Watkins. 2000. ‘“Reconstructing Robin Hood: Ideology, Popular Film, and Television” from A Necessary Fantasy?: The Heroic Figure in Children’s Popular Culture: P 111-135.’ In . Vol. Garland reference library of the humanities. New York: Garland.
Kaler, Anne. n.d. ‘Who Is That Monk in the Hood?: Friar Tuck, Francis of Assisi, and Robin Hood.’ Journal of Popular Culture Spring97, Vol. 30 Issue 4, P51 24p. https://uea.idm.oclc.org/login?url=https://literature-proquest-com/searchCritRef.do?DurUrl=Yes&listType=crit_all&value(Searchin)=ftonly&forward=criticism&value(PubDate1)=19970000&value(Title)=Who%20is%20that%20Monk%20in%20the%20Hood&value(ISSN)=0022-3840&value(PubDate2)=19970000&value(Author)=Kaler%2C%20Anne.
Keen, Maurice. 2007. The Outlaws of Medieval Legend. Rev. ed. London: Routledge.
Knight, Stephen. 1994. Robin Hood: A Complete Study of the English Outlaw. Oxford [England]: Blackwell Publishers.
Knight, Stephen, and Stephen Knight. 1999. Robin Hood: An Anthology of Scholarship and Criticism. Woodbridge: D.S. Brewer.
Ley Bazeley, Margaret. n.d. ‘The Extent of the English Forest in the Thirteenth Century: P 140-159’. Transactions of the Royal Historical Society Volume 4 December 1921. https://www.cambridge.org/core/services/aop-cambridge-core/content/view/A1F606B472AE6AE54581631E9465FD35/S0080440100015826a.pdf/extent_of_the_english_forest_in_the_thirteenth_century.pdf.
Luxford, Julian M. 2009. ‘An English Chronicle Entry on Robin Hood’. Journal of Medieval History 35 (1): 70–76. https://doi.org/10.1016/j.jmedhist.2009.01.002.
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Marshall, John. n.d. ‘“Goon in-to Bernysdale”: The Trail of the Paston Robin Hood Play’. Leeds Studies in English 1998; 29: 185-217. http://digital.library.leeds.ac.uk/350/1/LSE_1998_pp185-217_Marshall_article.pdf.
Matthews, John. 1993. Robin Hood: Green Lord of the Wildwood. Glastonbury: Gothic Image.
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Phillips, Helen. 2005. Robin Hood: Medieval and Post-Medieval. Dublin: Four Courts Press.
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Preston, Michael J. n.d. ‘The Robin Hood Folk Plays of South-Central England’. Comparative Drama Vol. 10, No. 2 (Summer 1976), Pp. 91-100. https://uea.idm.oclc.org/login?url=http://www.jstor.org/stable/pdf/41342450.pdf?refreqid=excelsior%3A8346156318270bcace61e2a541e0c07b.
‘Robin and Marian 1976’. n.d. https://www.amazon.com/Robin-Marian-Sean-Connery/dp/B00005JL6M.
‘Robin Hood and the Invention of Children’s Literature’. n.d. Children’s Literature: Annual of The Modern Language Association Division on Children’s Literature and The Children’s Literature Association  1982; 10: 1-17. https://uea.idm.oclc.org/login?url=https://muse-jhu-edu/article/246033/pdf.
‘Robin Hood [Disney] [DVD] 1973’. n.d. https://www.amazon.co.uk/Robin-Hood-Disney-Brian-Bedford/dp/B00005U1Y4.
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Sands, Donald B. 1986. Middle English Verse Romances. Vol. Exeter medieval English texts and studies. [Exeter, England]: University of Exeter. http://www.loc.gov/catdir/enhancements/fy1401/88168272-t.html.
Sponsler, Claire. 1997. ‘Drama and Resistance: Bodies, Goods, and Theatricality in Late Medieval England: P 24-49.’ In . Vol. Medieval cultures. Minneapolis: University of Minnesota Press.
Stones, E. L. G. 1957. ‘The Folvilles of Ashby-Folville, Leicestershire, and Their Associates in Crime, 1326-1347’. Transactions of the Royal Historical Society 7. https://doi.org/10.2307/3678889.
‘The Downfall of Robert, Earle of Huntington | Robbins Library Digital Projects’. n.d. http://d.lib.rochester.edu/teams/text/downfall-of-robert-earle-of-huntington.
‘“They’re Still Family Heroes: Robin Hood and Popeye in Feature-Length Films” from The Antic Art: P 51-62.’ 1993. In . Fort Atkinson, Wis: Highsmith Press.
Thomas, Neil, and Françoise H. M. Le Saux. 1996. Myth and Its Legacy in European Literature. Vol. 6. Durham: Durham Modern Languages Series.
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‘Virgins of Sherwood Forest (Pornographic Film) 2000’. 2000. http://www.imdb.com/title/tt0266000/.
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